scholarly journals Red Vienna. 1919–1934

2021 ◽  
Vol 18 (68) ◽  
pp. 26-35
Author(s):  
Natalya Glebova ◽  
Michael Klamer

The political events and global socio-economic reforms carried out by social democrats in the early 20th century, expansion of the capital of Austria and the inflow of the working class caused the building of a “garden city” with rich infrastructure, parks and available and comfortable dwelling. The skills of advanced Austrian architects, ideological meaning together with economic forces, spatial concept and socialist slogans gave birth to a new architectural identity.

2021 ◽  
Vol 72 (3) ◽  
pp. 201-213
Author(s):  
Christoph Von Blumröder

The term "Neue Musik" was coined for a special concept of fundamental musical innovation within Austro-German music theory of the early 20th century, and it found no terminological equivalent beyond the German language. Established by Paul Bekker with his lecture “Neue Musik” in 1919, composers such as Stockhausen or Ligeti embraced the term with its emphatic claim to innovation and new departures. However, one hundred years on the term "Neue Musik" is often used mainly as a synonym for any type of contemporary music. This article questions whether the term "Neue Musik" is still an appropriate framework for a current theory of musical composition. Not only have the specific musical circumstances changed within the course of the 20th century, but also the political and social conditions have altered drastically after two world wars which had given special impulses to those composers who strove for a new foundation of music after 1918 and 1945 respectively. This article argues that the age of "Neue Musik" has come to an end in the late 20th century, and thus it is now necessary to introduce alternative terminological concepts and methodical directions for music historiography.


2018 ◽  
pp. 359-373
Author(s):  
Dominika Gołaszewska-Rusinowska

This case study focuses on the life and work of Joaquín Costa. He was a Spanish intellectual who in late 19th century and early 20th century started the intellectual and political movement called Regenerationism. This movement emerged in response against the political system of Spanish Restoration.  


Author(s):  
Katharine M. Cockin

Cicely Hamilton, lesbian actor, author, and women’s suffrage activist, is best known for her plays Diana of Dobson’s (1908), exposing exploitation in the retail trade, How the Vote Was Won (1909), a suffrage comedy co-authored with Christopher St. John, and A Pageant of Great Women, which raised consciousness about women’s history in productions across Britain from 1909 to 1912. Hamilton also wrote nondramatic works, including the political tract Marriage as a Trade (1909) and the novel William, An Englishman (1919), which was inspired by her experience of wartime France. Hamilton’s prolific writing career reflects her wide-ranging interests, political commitments, and sense of public duty; her plays exemplify the intersection of Feminism and theater in the early 20th century.


2016 ◽  
Vol 227 ◽  
pp. 653-673 ◽  
Author(s):  
Alessandro Russo

AbstractA number of prolonged political experiments in Chinese factories during the Cultural Revolution proved that, despite any alleged “historical” connection between the Communist Party and the “working class,” the role of the workers, lacking a deep political reinvention, was framed by a regime of subordination that was ultimately not dissimilar from that under capitalist command. This paper argues that one key point of Deng Xiaoping's reforms derived from taking these experimental results into account accurately but redirecting them towards the opposite aim, an even more stringent disciplining of wage labour. The outcome so far is a governmental discourse which plays an important role in upholding the term “working class” among the emblems of power, while at the same time nailing the workers to an unconditional obedience. The paper discusses the assumption that, while this stratagem is one factor behind the stabilization of the Chinese Communist Party, it has nonetheless affected the decline of the party systems inherited from the 20th century.


2010 ◽  
Vol 57 (3) ◽  
pp. 357-371 ◽  
Author(s):  
Jérémy Jammes

Caodaism is a Vietnamese religious movement that appeared in colonial Cochinchina in the 1920s. What are the sociological roots of Caodaism? The author attempts to answer this question through an analysis of the Caodaist networks that developed in the early 20th century in Cochinchina. Setting out some ethnographic materials concerning the Chinese Minh religions, the author focuses on only one of the five Minh religions in Vietnam, called Minh Lý (“Enlightened Reason”). He sheds new light on the esoteric roots of Caodaism, on the political regulation of the religious sphere and, finally, on the religious and political map of Southern Vietnam.


2017 ◽  
Vol 23 ◽  
pp. 239-249
Author(s):  
Michał Kowalczyk

Jan Ludwik Popławski (1854-1908) was one of the fathers of the Polish National Democratic ideology in the late 19th and early 20th century. He was particularly fascinated with matters pertaining to the common people, and especially Polish peasantry. He considered them to be the genuine Poles, free of foreign influences. It is worth pointing out that that he also served as an inspiration to Roman Dmowski, the founder of the National Democracy movement and one of the leaders whose efforts secured Polish independence. According to Popławski, the Polish gentry were servile to the powers occupying Poland. He therefore hoped that the common people would play a greater role in the political life of the nation. 


Author(s):  
Salma Parvin Suma

Rabindranath Tagore’s Chokher Bali and D.H Lawrence’s Sons and Lovers are two famous novels in the early 20th century from two different social culture. Both these novels have particular important issues in them to be discussed. As in Chokher Bali we find Tagore has presented his idea in feminism, man-woman relationship, woeful condition of widow in his contemporary society etc. In the same way in Sons and Lovers Lawrence has talked about critical mother-son relationship, social bondage among the characters, description of nature, problems in the lives of working class etc. Though Chokher Bali and Sons and Lovers are from different social context but they can be compared through the commonly discussed issue in them that is complex mother-son relationship and the impact of motherhood to the sons. This paper is going to discuss the impact of excessive motherly affection to the life of son, similarities and dissimilarities in mother-son relationship in Chokher Bali and Sons and Lovers. DOI: https://doi.org/10.5281/zenodo.3381310


2021 ◽  
Vol 27 (1) ◽  
pp. 59-64
Author(s):  
Kirill А. Ivanov

The article describes the activities of public organisations in the early 20th century in Vologda and Vologda Province. It is shown that the activity of the public was constantly growing during the study period. Moreover, the political activity of the society was significantly influenced by all-Russia events, while non-political organisations slowly but surely extended their influence to an increasing number of spheres of life of the local population. Public organisations constantly cooperated with both state authorities and local self-government. The research is based on working with materials on Vologda Province, their analysis to understand how the mechanism of cooperation and interaction of local self-government bodies with the provincial government, the Governor and the bureaucracy was built. As a result of the study, it became possible to show that the number of public organisations in Vologda Province had been growing since the early 20th century, although the number of political organisations was not enough. There were also no serious conflicts or opposition from the authorities in relation to public organisations. Most of the public structures were apolitical in nature and dealt mainly with social issues without paying attention to the problems of interaction with the state authorities.


Author(s):  
Marta Wódz

Radio, as it was argued by Friedrich Kittler, already in its early history was regarded as a tool allowing for making politics. Although nowadays it may seem to be an example of dated technology, overturned by other, newer media, the question of how the political potential recognized in radio in the early 20th century translates into contemporary reality, is still worth asking. Perhaps some general qualities of that medium can be described by observing how radio is used by contemporary artists. By placing wireless broadcast in the center of interest, transmission art – the term coined at the end of the 1990s – allows to embrace a wide spectrum of artistic practices presenting the issue of transmission as political at its core. On the examples of radio-based projects by Katarzyna Krakowiak: parasitic Free Radio Jaffa and Reconstruction of the Shipyard’s Broadcasting Centre set against the historical background of Krzysztof Wodiczko’s works I am going to pose the question if the transmission art projects can nowadays fulfill the subversive potential recognized in radio almost 100 years earlier.


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