scholarly journals Trauma Processing in Israel’s Contemporary Documentary Cinema

2020 ◽  
Vol 34 ◽  
pp. 36-60
Author(s):  
Adam Tsachi
Keyword(s):  
Case Studies ◽  
Traumatic Events ◽  
Past Experience ◽  
War Trauma ◽  
Close Reading ◽  
Repressed Memory ◽  
Second Intifada ◽  
Trauma Processing ◽  
Classic Form ◽  
First Time

This article investigates a new phenomenon in contemporary Israeli documentary cinema: the processing of war trauma. For the first time since the onset of the Second Intifada, films whose heroes suffer from PTSD are dealing with the processing of past experience. Using case studies, the article analyzes films directed by PTSD victims, which deal with the processing of war trauma, including among others One Battle Too Many (Joel Sharon, 2013) and Closed Story (Micha Livne, 2015). The films’ heroes are seeking to free themselves from the amnesia that is concealing the traumatic events deep within their memory. They manage to locate the repressed memory and then weave the traumatic story anew. The films propose various cinematic strategies for processing trauma, strategies that are meant to demarcate both the subjective traumatic past and the objective safe present and to place a defined aesthetic border between them. The films are analyzed by means of close reading of the cinematic aesthetic and the discussion of trauma in the Humanities. The interweaving of unrealistic and realistic symbolization practices dismantles the classic form of documentary cinema and facilitates an encounter between the viewer and the overwhelming nature of trauma.

Coleridge's “ideal Realism”: an alternative to the “doctors of the Absolute”?

1995 ◽  
Vol 16 (01) ◽  
pp. 1-16
Author(s):  
Mary Anne Perkins
Keyword(s):  
Political Philosophy ◽  
Common Ground ◽  
Samuel Taylor Coleridge ◽  
The Political ◽  
Close Reading ◽  
Magnum Opus ◽  
The Absolute ◽  
First Time

A few months ago I read Peter Nicholson's The Political Philosophy of the British Idealists for the first time. In the index I found more than a hundred references to Hegel and only one to Samuel Taylor Coleridge. However, as many of the latter's writings, published for the first time in recent years, become generally accessible there is an increasing sense that he has been unfairly deprived of his due status as a philosopher. This is partly, no doubt, the syndrome of the prophet in his own country and partly the inevitable consequence of much of his later work remaining unpublished until recent years. Coleridge himself, with what some would take to be confirmation of an over-sensitivity to criticism, felt the neglect of his work went deeper and betrayed an anti-philosophical trait in British character. Despite his close reading of the work of many of his German contemporaries it seems that he did not read more than sixtyone pages of Hegel's Wissenschaft der Logik. His margin notes to this work are, on the whole, negative in their criticism. However, despite significant disagreements, there is much common ground in theme, argument and conclusion between his many drafts of the ‘Logosophia’, his intended magnum opus, and Hegel's system.

La Guerre en dentelles: Women and the Prix de Rome in French Cultural Politics

1998 ◽  
Vol 51 (1) ◽  
pp. 83-129 ◽  
Author(s):  
Annegret Fauser
Keyword(s):  
Twentieth Century ◽  
Case Studies ◽  
Cultural Politics ◽  
Music Composition ◽  
Public Recognition ◽  
Nadia Boulanger ◽  
First Time

In 1903, one hundred years after the Prix de Rome had been created in music composition, women were allowed to participate in the competition for the first time. In 1913, Lili Boulanger became the first woman to win the prize, crowning the efforts of three others-Juliette Toutain, Hélène Fleury, and Nadia Boulanger-to achieve this goal. Their stories are fascinating case studies of the strategies women employed to achieve success and public recognition within the complex framework of French cultural politics at the beginning of the twentieth century.

Studien zu Hölderlin

2020 ◽  
Author(s):  
Werner Hamacher
Keyword(s):  
German Language ◽  
Close Reading ◽  
Poetic Texts ◽  
First Time ◽  
Bear Witness

Following up on his magisterial Berlin master´s thesis on Hölderlin´s poetry of 1971, Werner Hamachers continuing attempts at close-reading Hölderlin represent perhaps the first deconstructions of important poetic texts in the German language. The essays presented here for the first time, in which the late literary theorist also deals with Heidegger's interpretation of Hölderlin, are proof of his extraordinary ability to stage the most rigorous philology in an elegant and witty manner. Anyone who immerses himself in them will always be amazed at how unique Hölderlin's poetry was and still is. At the same time, they bear witness to the exceptional subtlety, precision, and originality for which Werner Hamacher's own work is known.

“Never the first time on a patient”: the stakes of high-fidelity simulation for safety training

2018 ◽  
Vol 32 (5) ◽  
pp. 23-25 ◽  
Author(s):  
Lucie Cuvelier
Keyword(s):  
Case Studies ◽  
Design Methodology ◽  
Reading Time ◽  
Safety Training ◽  
High Fidelity ◽  
High Fidelity Simulation ◽  
Content Type ◽  
Pertinent Information ◽  
First Time ◽  
Practical Implications

Purpose This paper aims to review the latest management developments across the globe and pinpoint practical implications from cutting-edge research and case studies. Design/methodology/approach This briefing is prepared by an independent writer who adds their own impartial comments and places the articles in context. Findings An operative approach is described that is designed to structure the debriefing along three axes. Practical implications The paper provides strategic insights and practical thinking that have influenced some of the world’s leading organizations. Originality/value The briefing saves busy executives and researchers hours of reading time by selecting only the very best, most pertinent information and presenting it in a condensed and easy-to-digest format.

scholarly journals Alone together: Cinematic (re)presentations of masculinity, friendship, and grief

2021 ◽  
Author(s):  
◽  
Costas Thrasyvoulou
Keyword(s):  
Critical Analysis ◽  
Final Section ◽  
Traumatic Events ◽  
Young Men ◽  
Close Reading ◽  
Creative Work ◽  
Emotional Intimacy ◽  
Male Friend

<p>This project examines the links between masculinity, friendship, and grief in a combination of creative work and critical analysis. The creative component consists of a thirteen-minute short dramatic film entitled 'Brothers' (2014). This film explores the different ways in which three young men react to the death of a close male friend. The film contains no dialogue and emphasises the importance of gestures, actions, and other forms of behaviour.  The thesis is comprised of three main sections. The first situates masculine experiences of grief and friendship in a critical context by drawing on discourses from sociology and psychology. I argue that the feelings of individual men in relation to traumatic events such as bereavement are often hidden or repressed because of the need to present a stoic exterior, even during grieving rituals such as funerals. This kind of behaviour preserves the invulnerability often associated with dominant or idealised versions of masculinity. However, this tendency arguably inhibits male emotional intimacy and friendship, particularly during times of crisis.  The second part of the thesis considers how these interrelated issues are represented cinematically through a close reading of the John Cassavetes film 'Husbands' (1970). 'Husbands' is concerned with the dissolute behaviour of three male friends in the aftermath of the death of a friend. Although the men are garrulous, they struggle to articulate their feelings. I employ research on performance in cinema, as well as criticism of Cassavetes’ work to interpret the slips in their masculine bravado.  The final section engages in an exegesis of 'Brothers'. I reflect on the influence of Husbands on my project. I also discuss the ways in which 'Brothers' can be understood in terms of the critical frameworks established in the previous chapters.  A Note About 'Brothers': The creative component of this project, the film 'Brothers', is included alongside this thesis on a DVD. The film can also be accessed online at https://vimeo.com/99519967 using the password 'masterscut'. A copy of the final shooting script is also included in the thesis as an appendix.</p>

scholarly journals “Okay ladies, now let’s get in formation!”: Music Videos and the Construction of Cultural Memory

2017 ◽  
Vol 1 (1) ◽  
pp. 88-98 ◽  
Author(s):  
Laura M. F. Bertens
Keyword(s):  
Cultural Studies ◽  
Lived Experience ◽  
New Orleans ◽  
Case Studies ◽  
Cultural Memory ◽  
Memory Studies ◽  
Music Videos ◽  
Close Reading ◽  
Limited Length ◽  
Diverse Audience

Abstract This paper explores strategies for constructing and perpetuating cultural memory through music videos, using Beyonce’s Formation (2016) and Janelle Monae’s Many Moons (2008) and Q.U.E.E.N. (2013) as case studies. The medium’s idiosyncrasies create unique ways of communicating and remembering, explored here within a framework of Cultural Studies and Memory Studies. Easy dissemination and the limited length of most videos ensure a large, diverse audience. The relative freedom from narrative constraints enables the director to create original imagery, and most importantly, the medium allows an intricate blending of performance and performativity; while the videos evidently are performances, they are strongly performative as well, not only with respect to gender and ethnicity but in significant ways also cultural memory. A close reading of Beyonce’s video Formation shows how she explicitly does the cultural memory of the New Orleans flooding. The videos by Monae are shown to produce counter-memories, relying heavily on the strategy of Afrofuturism. As such, these densely woven networks of visual symbols become palimpsests of black lived experience and cultural memory, passed on to millions of viewers.

Experiences in use of SSADM: Series of case studies. Part 1: First-time users

1989 ◽  
Vol 31 (8) ◽  
pp. 411-419 ◽  
Author(s):  
H.M. Edwards ◽  
J.B. Thompson ◽  
P Smith
Keyword(s):  
Case Studies ◽  
First Time

scholarly journals Mapping Shia Muslim Communities in Europe

2017 ◽  
Vol 6 (2) ◽  
pp. 145-157 ◽  
Author(s):  
Yafa Shanneik ◽  
Chris Heinhold ◽  
Zahra Ali
Keyword(s):  
Comparative Study ◽  
Case Studies ◽  
European Countries ◽  
Nation State ◽  
Special Issue ◽  
Muslims In Europe ◽  
Muslim Communities ◽  
Historical Developments ◽  
First Time

AbstractThis article provides an introduction to the special issue onMapping Shia Muslim Communities in Europe.1 With six empirically rich case studies on Shia Muslim communities in various European countries, this issue intends: first, to illustrate the historical developments and emergence of the Shia presence in Europe; second, to highlight the local particularities of the various Shia communities within each nation state and demonstrate their transnational links; and third, to provide for the first time an empirical comparative study on the increasingly visible presence of Shia communities in Europe that fills an important gap in research on Muslims in Europe.

A Brief History of Time (to Issuance)

2021 ◽  
pp. 139-165
Author(s):  
Andrew Rudalevige
Keyword(s):  
Quantitative Analysis ◽  
Collective Action ◽  
Case Studies ◽  
Management Process ◽  
Executive Order ◽  
Order Management ◽  
Collective Action Problems ◽  
History Of ◽  
First Time ◽  
Huge Variation

This chapter examines to another aspect of executive order management. It turns out that the average executive order takes some seventy-five days to move from draft proposal to the Federal Register, with huge variation around that figure. What affects that timing? What makes an executive order take longer to issue? What characteristics of orders and agencies, of interagency interaction and requirements of the management process itself, are associated with delay? Quantitative analysis, elaborated by case studies, helps us explore these questions for the first time as the duration of the formulation process is tested as a proxy for executive collective action problems.

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