scholarly journals A GEOMETRICAL SIMILARITY PATTERN AS AN EXPERIMENTAL MODEL FOR SHAPES IN ARCHITECTURAL HERITAGE: A CASE STUDY OF THE BASE OF THE PILLARS IN THE CATHEDRAL OF SEVILLE AND THE CHURCH OF SANTIAGO IN JEREZ, SPAIN

2017 ◽  
Vol XLII-2/W3 ◽  
pp. 511-517 ◽  
Author(s):  
J. J. Moyano ◽  
J. A. Barrera ◽  
J. E. Nieto ◽  
D. Marín ◽  
D. Antón
Keyword(s):  
Laser Scanning ◽  
3D Models ◽  
Architectural Heritage ◽  
Optical Scanning ◽  
Geometrical Similarity ◽  
Documentary Sources ◽  
The One ◽  
Key Aspects ◽  
The Church ◽  
Similarity Pattern

This paper proposes a procedure for the search of a geometrical similarity pattern in architectural heritage by means of calculating probability indexes to support hypotheses initially endorsed by documentary sources. The buildings analysed are the Cathedral of Seville and the Church of Santiago, in Jerez, Spain. The 3D models of their selected pillars are obtained by means of Terrestrial Laser Scanning (TLS), Optical Scanning (OS) and photogrammetry through image-based modelling software (SFM-IBM). To this end, a procedure for the comparison of shapes is established. It is based on similarity statistics, the determination of homologous points and the agreement of characteristic sections. Here, two key aspects are considered: on the one hand, the metric standpoint; on the other hand, historical-graphical features of the 3D models: composition, techniques, styles, and historical-graphical documentary sources. Thus, putting aside the mere dimensional analysis, the sections are compared with graphical patterns and models of which the same authorship – stonemasons working in that age – is accurately known. As a result, the outcomes of this research reveal the geometrical similarity between the elements of the pillars of the Cathedral of Seville and the Church of Santiago.

scholarly journals Accuracy Evaluation of Videogrammetry Using A Low-Cost Spherical Camera for Narrow Architectural Heritage: An Observational Study with Variable Baselines and Blur Filters

Sensors ◽  
2019 ◽  
Vol 19 (3) ◽  
pp. 496 ◽  
Author(s):  
Zheng Sun ◽  
Yingying Zhang
Keyword(s):  
Laser Scanning ◽  
Low Cost ◽  
Three Dimensional ◽  
Ground Truth ◽  
3D Models ◽  
Accuracy Evaluation ◽  
Architectural Heritage ◽  
Video Frames ◽  
Image Pairs ◽  
Spherical Camera

Three-dimensional (3D) reconstruction using video frames extracted from spherical cameras introduces an innovative measurement method in narrow scenes of architectural heritage, but the accuracy of 3D models and their correlations with frame extraction ratios and blur filters are yet to be evaluated. This article addresses these issues for two narrow scenes of architectural heritage that are distinctive in layout, surface material, and lighting conditions. The videos captured with a hand-held spherical camera (30 frames per second) are extracted to frames with various ratios starting from 10 and increasing every 10 frames (10, 20, …, n). Two different blur assessment methods are employed for comparative analyses. Ground truth models obtained from terrestrial laser scanning and photogrammetry are employed for assessing the accuracy of 3D models from different groups. The results show that the relative accuracy (median absolute errors/object dimensions) of spherical-camera videogrammetry range from 1/500 to 1/2000, catering to the surveying and mapping of architectural heritage with medium accuracy and resolution. Sparser baselines (the length between neighboring image pairs) do not necessarily generate higher accuracy than those from denser baselines, and an optimal frame network should consider the essential completeness of complex components and potential degeneracy cases. Substituting blur frames with adjacent sharp frames could reduce global errors by 5–15%.

scholarly journals The digital model as a key tool for preserving architectural heritage in strategic master planning

2021 ◽  
Vol 263 ◽  
pp. 05014
Author(s):  
Svetlana Maksimova ◽  
Anastasia Semina ◽  
Anna Shamarina ◽  
Anna Balandina
Keyword(s):  
Urban Planning ◽  
Laser Scanning ◽  
Methodological Approach ◽  
Three Dimensional ◽  
3D Models ◽  
Master Plan ◽  
Communication Tool ◽  
Architectural Heritage ◽  
Three Dimensional Model ◽  
Virtual Reconstruction

The possibilities and role of a three-dimensional spatial model are considered on the example of the historical and architectural Usolye Stroganovsky museum-reserve strategic master plan (Perm region). In the context of heritage preservation, the master plan was shown not only as a strategic document, but also as a communication tool between various branches of government in order to integrate heritage protection policy into the system of general urban planning policy. The methodological approach is based on use of a digital three-dimensional model obtained by laser scanning and photogrammetry. A portable and ground-based laser scanning to create the point cloud is presented. The architectural and urban planning solutions of the strategic master plan are based on the dynamic 3D model and static visualizations of individual elements. The results of virtual reconstruction are shown. The level of detail of 3D models is LOD 200. Virtual reconstruction and visualization have shown themselves not only as a reliable communication tool for the decision-making management, but also as a way to quickly obtain a complex of urban planning and design documentation suitable for reconstruction and restoration of historical and architectural heritage.

scholarly journals Documentación 3D y visualización multimedia de la Cova del Parpalló (Gandia)

2010 ◽  
Vol 1 (2) ◽  
pp. 123 ◽  
Author(s):  
José Luis Lerma García ◽  
Miriam Cabrelles López ◽  
Santiago Navarro Tarín ◽  
Sergio Galcerá Ustero
Keyword(s):  
Cultural Heritage ◽  
Laser Scanning ◽  
Three Dimensional ◽  
3D Models ◽  
The Other ◽  
Its Analysis ◽  
3D Documentation ◽  
The One ◽  
The Right ◽  
Cultural Heritage Objects

<p>The three-dimensional (3D) documentation by means of laser scanning and photogrammetry eases exhaustive recording, the right lecture of cultural heritage objects and its analysis in order to, on the one hand, adopt appropriate decisions and interventions, on the other hand, move forward the generation of virtual animated replicas of great value and smooth multimedia dissemination. The present paper tackles the different stages of graphic documentation and visualization undertaken in the Parpalló Cave (Cova del Parpalló), Gandia, Valencia. Besides traditional surveying documentation that is based on planimetric and altimetric maps, this paper presents the plotting and animated visualization of the Palaeolithic set not only making use of lights and shadows but also from photorealistic textured 3D models.</p>

scholarly journals Chiese fortificate all’Isola d’Elba tra l’XI e XVI secolo

X ◽  
2020 ◽  
Author(s):  
Tommaso Empler ◽  
Fabio Quici ◽  
Adriana Caldarone ◽  
Alexandra Fusinetti ◽  
Maria Laura Rossi
Keyword(s):  
Sixteenth Century ◽  
Laser Scanning ◽  
Eleventh Century ◽  
3D Models ◽  
Eighth Century ◽  
Second Step ◽  
Construction Technique ◽  
History Of ◽  
Conservative Restoration ◽  
The Church

Fortified churches between the eleventh and sixteenth centuries on Elba IslandAgainst the threat of Islamic, Norman and Greek pirates, starting from the eighth century, or due to conflicts with the Genoese, Catalans, Neapolitans and French, up to the English and Dutch corsairs from the sixteenth century, Elba island is organized with a respectable defensive apparatus, especially thanks to the Pisans and the Lordship of the Appiano. In addition to a system of fortresses, towers positioned on the shore of the beaches and watch towers placed on the mountain, the presence of some fortified churches from the eleventh century until the sixteenth century is very unusual: the church of San Niccolò in San Piero in Campo, the church of Sant’Ilario, the church of San Niccolò in Poggio, and of the church of Saints Martyrs Giacomo and Quirico in Rio nell’Elba. Main tasks of the research are: study of the transformations of the churches of San Niccolò in San Piero in Campo and of the church of Sant’Ilario, located on the southern slope of Monte Capanne, where was used the construction technique of the granite of the Elba; the way of communicating cultural heritage among scholars or tourists who are fascinated by such structures. Through an initial operation of instrumental survey with 3D laser scanning and drone photogrammetry it is possible to return the current 3D models of the churches. The second step goes on two main directions: on one hand identifying the conservative restoration operations for the fortified churches; on the other hand allowing the dissemination to a wider public of the history of the two fortified churches.

Christus Virgo

2012 ◽  
Vol 41 (2) ◽  
pp. 22-27
Author(s):  
Sissel Undheim
Keyword(s):  
Moral Status ◽  
The Other ◽  
Late Antique ◽  
Church Fathers ◽  
Early Christian ◽  
Female Sex ◽  
The One ◽  
The Church

The description of Christ as a virgin, 'Christus virgo', does occur at rare occasions in Early Christian and late antique texts. Considering that 'virgo' was a term that most commonly described the sexual and moral status of a member of the female sex, such representations of Christ as a virgin may exemplify some of the complex negotiations over gender, salvation, sanctity and Christology that we find in the writings of the Church fathers. The article provides some suggestions as to how we can understand the notion of the virgin Christ within the context of early Christian and late antique theological debates on the one hand, and in light of the growing interest in sacred virginity on the other.

Solidaritas Sebagai Norma Dasar Dalam Etika Paulus

1970 ◽  
Vol 11 (1) ◽  
pp. 79-100
Author(s):  
Martin Harun
Keyword(s):  
Community Building ◽  
Lord's Supper ◽  
Body Of Christ ◽  
The Poor ◽  
Central Elements ◽  
The New Testament ◽  
Unity In Diversity ◽  
The One ◽  
The Church ◽  
Different Parts

Abstract: Solidarity, a modern word and concept, has old roots in the concept of koinonia (fellowship) as it is understood in the New Testament. David G. Horrell even maintains that what we now call solidarity, functions as a meta norm in Paul’s ethics, since phenomena of solidarity are clearly present in the central elements of Paul’s community building. Reference is made to the two basic rituals, Baptism and the Lord’s Supper, which build unity in diversity; to the most frequently used form of address, adelphoi/brothers, which asks for familial treatment of one another; also to the special way in which Paul often tries to restore unity in the middle of conflicts; and especially to his metaphor of the Church as the one body of Christ with many different parts that need and support one another. When speaking about the collections as a sign of the Greek community’s solidarity with the poor community in Jerusalem, Paul refers to Christ’s solidarity as the source of solidarity within and among communities. Keywords: Solidarity, fellowship, David Horrell, Paul, Ethics, baptism, the Lord’s Supper, brothers, Body of Christ, Christ’s solidarity. Abstrak: Solidaritas, sebuah kata dan paham modern, memiliki akar yang lama, antara lain dalam paham koinonia (persekutuan), sebagaimana digunakan dalam Alkitab Perjanjian Baru. David G. Horrell mempertahankan bahwa apa yang sekarang kita sebut solidaritas, merupakan norma dasar (meta norm) dalam etika Paulus, sebab fenomen-fenomen solidaritas tampak dalam unsur-unsur sentral pembinaan jemaatnya, antara lain dalam kedua ritual paling dasar, baptisan dan perjamuan Tuhan, yang membina kesatuan dalam perbedaan. Solidaritas juga muncul dalam sebutan paling frekuen, saudara-saudara (adelphoi), yang menuntut suatu etos kekeluargaan. Solidaritas juga tampak dalam banyak seruan Paulus untuk memulihkan kesatuan apabila ia berhadapan dengan perpecahan, dan teristimewa dalam menggambarkan jemaat sebagai satu tubuh Kristus dengan banyak anggota yang berbeda dan saling membutuhkan serta memberi. Dalam konteks kolekte-kolekte sebagai tanda solidaritas antarjemaat, Paulus secara eksplisit menunjuk kepada solidaritas Kristus dengan kita sebagai dasar terdalam dari solidaritas antarumat. Kata-kata kunci: Solidaritas, persekutuan, David Horrell, Paulus, etika, baptisan, Perjamuan Tuhan, saudara-saudara, Tubuh Kristus, solidaritas Kristus.

The Invention of Papal History

2019 ◽  
Author(s):  
Stefan Bauer
Keyword(s):  
Catholic Reformation ◽  
History Writing ◽  
Historical Texts ◽  
The Past ◽  
History Of ◽  
Cultural Standards ◽  
Commissioned Works ◽  
The One ◽  
Late Renaissance ◽  
The Church

How was the history of post-classical Rome and of the Church written in the Catholic Reformation? Historical texts composed in Rome at this time have been considered secondary to the city’s significance for the history of art. The Invention of Papal History corrects this distorting emphasis and shows how history-writing became part of a comprehensive formation of the image and self-perception of the papacy. By presenting and fully contextualizing the path-breaking works of the Augustinian historian Onofrio Panvinio (1530–68), this book shows what type of historical research was possible in the late Renaissance and the Catholic Reformation. Historiography in this period by no means consisted entirely of commissioned works written for patrons; rather, a creative interplay existed between, on the one hand, the endeavours of authors to explore the past and, on the other hand, the constraints of patronage and ideology placed on them. This book sheds new light on the changing priorities, mentalities, and cultural standards that flourished in the transition from the Renaissance to the Catholic Reformation.

scholarly journals Heritage Artefacts in the COVID-19 Era: The Aura and Authenticity of 3D Models

2021 ◽  
Vol 7 (1) ◽  
pp. 519-539
Author(s):  
Thiago Minete Cardozo ◽  
Costas Papadopoulos
Keyword(s):  
User Experience ◽  
Three Dimensional ◽  
3D Models ◽  
Essential Elements ◽  
The Other ◽  
Social Distancing ◽  
The Public ◽  
Affective Experiences ◽  
The One ◽  
Digital Engagement

Abstract Museums have been increasingly investing in their digital presence. This became more pressing during the COVID-19 pandemic since heritage institutions had, on the one hand, to temporarily close their doors to visitors while, on the other, find ways to communicate their collections to the public. Virtual tours, revamped websites, and 3D models of cultural artefacts were only a few of the means that museums devised to create alternative ways of digital engagement and counteract the physical and social distancing measures. Although 3D models and collections provide novel ways to interact, visualise, and comprehend the materiality and sensoriality of physical objects, their mediation in digital forms misses essential elements that contribute to (virtual) visitor/user experience. This article explores three-dimensional digitisations of museum artefacts, particularly problematising their aura and authenticity in comparison to their physical counterparts. Building on several studies that have problematised these two concepts, this article establishes an exploratory framework aimed at evaluating the experience of aura and authenticity in 3D digitisations. This exploration allowed us to conclude that even though some aspects of aura and authenticity are intrinsically related to the physicality and materiality of the original, 3D models can still manifest aura and authenticity, as long as a series of parameters, including multimodal contextualisation, interactivity, and affective experiences are facilitated.

The Church of the Center

1997 ◽  
Vol 51 (2) ◽  
pp. 130-142
Author(s):  
Gabriel Fackre
Keyword(s):  
The One ◽  
The Church

Within contemporary Protestantism a center is emerging that is both evangelical and ecumenical. Its theology is controlled by neither cultural orthodoxies nor ideological wars; its loyalty is to Christ alone, the one center of the church.

Sign in / Sign up

Export Citation Format

Share Document