scholarly journals Sensible/visible: les hijes de detenides desaparecides en Hasta que mueras, de Raquel Robles (2019) y Yo la quise (2020), de Josefina Giglio

2021 ◽  
Vol 9 (16) ◽  
pp. 104-129
Author(s):  
Mirian Pino
Keyword(s):  
Lived Experience ◽  
The Other ◽  
Traumatic Experience ◽  
Nation State ◽  
Argentine Literature ◽  
Central Node ◽  
The Subject ◽  
The Voice ◽  
Narrative Voices ◽  
The Disappeared

The literature of the children of forced disappeared victims, including that of Raquel Robles and Josefina Giglio, who went through the traumatic experience of the last Argentine civic-military ecclesial business dictatorship in 1976, has been the subject of multiple approaches by vernacular critics (Reati, Domínguez, Basile), or foreign (García Díaz, Bolte, Gatti, et al). In this study, I name the group as lowercase in order to displace the institutional character that, although important, can reduce the perspective that I am trying to display. This perspective focuses on questioning what the writing of children of the disappeared contributes in terms of complexity to literary studies within the framework of memory-literature articulation. Thus, I notice an accumulation of writings, whether in the multiple arc of narrative or poetry, where the assumption of the voice that enunciates, in some cases, works the experience in the first person from styles already registered in literature, although the experiences of the authors enhance writings that are difficult to place in literary trends. As if literature were to make visible the very tension that its politicity implies from the narrative voices with one foot in the lived experience and the other in the creative laboratory; It is also necessary to point out that this experience places state politics as the central node since it reconfigured the life not only of the authors but of all society, in this case Argentina. In the selected novels we are faced with what Jacques Rancière (2015, 2011) understands as a principle of action, from which neither literature nor readers can be far from a new ethos. From this it is possible to connect with certain experiences that emerge in this case from both novels and that affect our perception of reality and history. Argentine literature, born in the very bosom of the nation-state, is not the same after the sons once they intervened in the street in the second half of the 90s of the last century to demand justice, they speak in the new millennium and write experiences that affect us all, and that reshape the ways of thinking politics, literature and history.

English Catholics and the Papal Deposing Power 1570-1640

1963 ◽  
Vol 7 (1) ◽  
pp. 2-10
Author(s):  
Thomas Clancy
Keyword(s):  
Steady Flow ◽  
The Other ◽  
Previous Article ◽  
Four Books ◽  
The Subject ◽  
The Voice

If we survey the Jesuit writers on the deposing power during the period 1603-1640, we find that for the first seven years Persons is the only English Jesuit to treat of the subject and he touches on it in all his last four books. The fullest treatment is in A Treatise tending to Mitigation but neither there, nor in the other books is there anything more than an explanation of the points of contention, treated according to the system of Bellarmine. For a few years after Persons's death in 1610 the steady flow continued of Latin works by the Jesuit controversialists on the continent: Becanus, Gretser, Bellarmine, Lessius and others. Some of these works were translated into English, together with some of the works of the French Jesuits referred to in the previous article. After 1613 the decree of the Jesuit General Aquaviva, forbidding Jesuit writers to treat of the subject, took effect, and with the exception of the works of Thomas Fitzherbert against the defenders of the Oath of Allegiance the voice of the Jesuits, at least on the deposing power, was heard no more.

scholarly journals From the Imaginary to Theory of the Gaze in Lacan

2021 ◽  
Vol 12 ◽  
Author(s):  
Carmelo Licitra Rosa ◽  
Carla Antonucci ◽  
Alberto Siracusano ◽  
Diego Centonze
Keyword(s):  
Visual Field ◽  
The Other ◽  
Symbolic System ◽  
Mirror Stage ◽  
The Gaze ◽  
Psychoanalytic Treatment ◽  
The Subject ◽  
Thinking Process ◽  
The One ◽  
The Voice

To understand Lacan’s thinking process on vision, the entirety of his teaching must be taken into consideration. Until the 60s, the visual field is the imaginary, the constitutive principle of reality in its phenomenal giving to the experience of a subject. This register is the opposite of the field of the word with the L schema and, subsequently, as subordinated to the symbolic system according to the model of the optical schema of the inverted flower vase of Bouasse. It is only with the 1964 seminar that Lacan makes a daring turnaround through which the visual becomes a sign of the emergence of a real that is irreducible to both reality and the mediation of the subject of knowledge. The split that separates reality and the real is reproduced in Lacan within the visual field, which is, on the one hand, the cardinal principle of the consistency of the experience of reality (as imaginary), and on the other, it is an element of irreducibility to reality (as object gaze). This produces a cascade of consequences: first of all, the modification of the presentation of the mirror stage. Unlike the voice, which through prosody, tone, and volume, finds some strips with which anchor itself imaginatively to reality, the gaze, invisible and elusive, escapes the imaginary grasp. Captured in myths, it reveals its power and ability to annihilate—as in the myth of Medusa’s gaze—or to make people fall in love but only with a narcissistic love that leads inexorably to death as in the myth of Narcissus. The gaze is elusive because the subject is dependent on it in the field of desire. Like the voice, it is about the desire on which the subject is supported; it is one of the objects on which the phantom depends. In our opinion, thanks to this characteristic, the gaze object can make remote psychoanalytic treatment possible through easily accessible videoconferencing tools and, at the same time, create new conditions within it that should be carefully evaluated to understand its implications in the session itself.

scholarly journals Resurfacing the Disappeared: The Author in Fish-Hair Woman by Merlinda Bobis

Plaridel ◽  
2017 ◽  
Vol 14 (2) ◽  
pp. 73-90
Author(s):  
Jaimee Faith J. Santos
Keyword(s):  
Literary Criticism ◽  
The Self ◽  
The Other ◽  
Other Hand ◽  
The Subject ◽  
Humanist Tradition ◽  
The One ◽  
The Disappeared

The subject of my paper is the author. I aim to explore how the self-conscious author functions in Fish-Hair Woman (2012), a metafictional novel by Merlinda Bobis. I begin with a brief discussion of how the author is constructed, first, in Philippine literary criticism, and second, in light of the collapse of the humanist tradition of valorizing the writer, which prompted the proclamation of the author’s “death” and rendered her irrelevant to the text and to criticism. But does the author stay dead? In metafiction, in particular, the author manages to “write” herself into the text using self-consciousness. I find that, while it is impossible to overlook the author’s decentered status, it is equally untenable to ignore how an overt “manifestation” of the author functions within the text. Through my reading of Fish-Hair Woman, I attempt to examine how the author’s self-consciousness results in two seemingly contradicting implications. On the one hand, the author’s constant references to herself allows her to “live” through the text, reinforcing the Barthesian notion that the author limits the text and its possible interpretations. On the other hand, the author’s constant references to herself as a subject exposes the author’s own limitations. This, in turn, “re-opens” the text, by giving room to questions about other perspectives that are not or cannot be represented in the text.

scholarly journals The Silenced Narrator and the Notion of “Proto-Narrative”

SAGE Open ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. 215824402098852
Author(s):  
Marina Biti ◽  
Iva Rosanda Žigo
Keyword(s):  
Traumatic Experience ◽  
Narrative Form ◽  
Deep Zone ◽  
Theoretical Level ◽  
The Unconscious ◽  
Construction Of Self ◽  
Narrative Subject ◽  
The Voice ◽  
Narrative Voices

Narrative voices in Ismet Prcić’s memoir/novel “Shards” are many; this article primarily focuses on what we refer to as the voice of the “silenced narrator” that appears to speak from a deep (“s ubdiegetic”) narrative level shaped by the unconscious workings of traumatic experience. Starting from psychological insights into traumatic states (Elbert and Schauer, Hunt, Crossley, etc.) and tracing the encoded symptoms of this illness across the text, the discussion moves on to a theoretical level to investigate notions proposed by authors such as Genette (to discuss narrative levels), Ricœur (in examining the construction of self), Caruth (in evaluating narrative implications of the literary voicing of trauma), Antonio Damasio (in exploring the source and the nature of the trauma-related destruction of the narratively voiced “I”), and others. These are used to establish the concept of a narrative subject whose voice emerges from the deep zone of their “proto-self” (Damasio), to be weaved into a distinctive narrative form that we will refer to as “proto-narrative.”

scholarly journals Evolution and the Other World

1915 ◽  
Vol 8 (3) ◽  
pp. 339-356
Author(s):  
Paul Elmer More
Keyword(s):  
The Other ◽  
Literal Sense ◽  
The Hours ◽  
The Subject ◽  
To Come ◽  
Other World ◽  
The Voice

What special students of so-called psychic phenomena will think of Mr. Henry Holt's two generous volumes I do not know, but to me, and no doubt to many like me, they are quite the most important and significant, as they are the most entertaining, exposition of the subject. This is indeed something more than a dead book; it is a life—as it were the voice of a friend confiding to us through the hours of a long winter night the lessons, still mingled with hesitations and questions, of his ripe experience. The publicity of high spirits may abound; but there are pages also which will reveal their full meaning only to those who know the author as a friend in the literal sense of the word, passages, for those who understand, of almost sacred privacy. So, for instance, the minute account of the spectacle unfolding at sunrise to the eyes of the watcher at the author's summer home has its place and weight for all readers as an argument that, as these lovely things are far beyond “our ancestors' universe of darkness and silence,” so there may be infinite ranges of perception still to be discovered by mankind; but to one who has entered that hospitable “gate, open to all who care to come,” and with the kindly guidance of his host has seen the sunlight falling from mountain top to valley and from valley to lake, the printed words will be something more than the speech of a book to its unseen audience.

scholarly journals Reflexões sobre a relação psicoterapêutica: diálogos com Merleau-Ponty

2009 ◽  
Vol 15 (2) ◽  
pp. 103-107
Author(s):  
Joanneliese de Lucas FREITAS
Keyword(s):  
Lived Experience ◽  
Present Article ◽  
Therapeutic Relationship ◽  
Gestalt Therapy ◽  
Human Interaction ◽  
The Other ◽  
Psychotherapeutic Relationship ◽  
The World ◽  
The Subject ◽  
The Relationship

The present article has the objective of examining how we can understand the therapeutic relationship from the dialogue with the Merleau-Ponty's concept of other. The human interaction and communication in the psychotherapeutic contexts are discussed utilizing the understanding of psychotherapeutic relationship in Gestalt-therapy. The subject of dialog and the encounter are raised from the paradox I-other as well as the understanding of corporeity as part of the man-world field. The article presents the idea that in a therapeutic relationship both psychotherapist and client must encounter with each other in their differences. That being said, the therapeutic stance implies a non-stop search for the comprehension and the availability of the other so that the client may come to grasp himself through the differences that emerges at the therapist-client field. The psychotherapist must act on the field of the relationship and, therefore, operate as an opening between the client and the world as an effort to reach the lived-experience of his client.

scholarly journals IMAGE OF V. PETROV-DOMONTOVYCH IN MEMOIRS AND CORRESPONDENCE OF HIS CONTEMPORARIES-EMIGRANTS

2021 ◽  
pp. 45-54
Author(s):  
Nadiia Koloshuk
Keyword(s):  
The Other ◽  
Practical Significance ◽  
Human Beings ◽  
Special Services ◽  
Reader Reception ◽  
The Subject ◽  
Post War ◽  
The One ◽  
Artistic Image ◽  
The Disappeared

Actuality. The modern study of literature now does not give the answer for a question, if it is possible to create a character of a man from the life by facilities of nonfiction narration, however, it is convincing and full-blooded in the reader’s perception as an artistic image. Stating the Subject of the Study: forming of character-image of writer V. Petrov-Domontovych in the circle of the Ukrainian emigrants of the post-war wave due to their remembrances, letters, and essays. Research methodology: through the comparative hermeneutic interpretation of texts, and also later fiction texts that formed the character-image of V. Petrov. Stating the Aim of the Study. Other mechanisms of reader reception work in nonfiction genres, then in fiction, id est it becomes possible another result – the character of real V. Petrov. Results of the Study and originality. The image of Victor Petrov, formed in the memory of representatives of Ukrainian literary emigration and recorded in their memoirs and correspondence, is no less ambivalent, than images of characters in the fictional works of Victor Domontovych. Expatriate contemporaries saw their colleague differently and remembered in different situations, however, it is significant that people, in many respects disagree with moral assessments, hostile to others (as Ihor Kachurovsky, who always biased towards Yuri Sherekh-Shevelov and even repeated stereotyped allegations against him after his death) they were largely controversial in the estimation of V. Petrov. On the one hand, V. Domontovych deserved respect as a talented prose writer; on the other hand, V. Petrov was a mystery as a person. His collaboration with the Soviet special services did not cause unequivocal condemnation, since the circumstances of his "disappearance" from Munich in 1949 remained unclear. Most of those people who spoke about this event immediately after it was treated to the disappeared man with compassion because they suspected the "human beings"-brothers (Yuriy Lavrinenko) from the Soviet side. Image of V. Petrov mostly appears "split", as well as images of characters in the novels of V. Domontovich. The practical significance. In non-fictional texts, the researcher can trace the path of the formation of the image and stereotype, returning and approaching the prototype.

Social Justice Through Fiction: Intersectionality of Religion, Caste, and Gender in Mohammed Hanif’s Our Lady of Alice Bhatti

2021 ◽  
Vol 4 (2) ◽  
pp. 223-235
Author(s):  
Freya Dasgupta
Keyword(s):  
Social Justice ◽  
Lived Experience ◽  
Human Dignity ◽  
The Other ◽  
The Subject ◽  
And Gender

Abstract This article explores the plight of Pakistan’s Christian minorities as depicted by author and journalist Mohammed Hanif in his novel Our Lady of Alice Bhatti. Literature has the ability to inspire immense empathy for the other by lending voice to the forgotten and marginalized, which is the first step to any dialogue for social justice. Examining the so-called fictional depictions against scholarship on the subject, the article studies the complex intersectionality of religion, caste, class, and gender that manifests in the mistreatment of Christian minorities. Through the framework of fiction, it brings to light the lived experience of Pakistani Christians, and in the process, demonstrates the evocative power of literature towards understanding those who find their human dignity threatened by power and privilege.

Golgi Apparatus and Melanogenesis: Ultrastructural Study of a Human Cellular Blue Nevus (Melanocytoma)

1973 ◽  
Vol 31 ◽  
pp. 380-381
Author(s):  
S.R. Allegra
Keyword(s):  
Endoplasmic Reticulum ◽  
Golgi Apparatus ◽  
Ultrastructural Study ◽  
The Other ◽  
Blue Nevus ◽  
Normal Complement ◽  
Golgi Vesicles ◽  
Golgi System ◽  
The Subject ◽  
Cellular Blue Nevus

The respective roles of the ribo somes, endoplasmic reticulum, Golgi apparatus and perhaps nucleus in the synthesis and maturation of melanosomes is still the subject of some controversy. While the early melanosomes (premelanosomes) have been frequently demonstrated to originate as Golgi vesicles, it is undeniable that these structures can be formed in cells in which Golgi system is not found. This report was prompted by the findings in an essentially amelanotic human cellular blue nevus (melanocytoma) of two distinct lines of melanocytes one of which was devoid of any trace of Golgi apparatus while the other had normal complement of this organelle.

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

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