The Chandigarh Sector

2021 ◽  
pp. 104-107
Author(s):  
Sangeeta Bagga
Keyword(s):  
Le Corbusier ◽  
Modern World ◽  
Circulation System ◽  
Repeated Element ◽  
The Matrix ◽  
Modernist Architecture ◽  
Neighborhood Unit ◽  
The City

The neighborhood unit (Sector) in Chandigarh was conceived as a self-sufficient, repeated element to create the matrix of the city along with the hierarchical circulation system defined by the 7Vs to disburse traffic in an orderly manner. This arrangement was interfaced with a designed landscape at the behest of Le Corbusier and Dr. M. S. Randhawa whose passion for bio-aesthetics realized a city where landscape and built forms created a patina of the most charming capital of the modern world. Seven decades later, the city’s flowering landscape and modernist architecture continues to make it one of the best neighborhoods in which to reside

ADMINISTRATIVE AND LEGAL STATUS OF THE CAPITAL OF UKRAINE - THE HERO CITY OF KYIV AS A GUARANTEE OF THE RIGHTS OF CITIZENS OF UKRAINE AND THE TERRITORIAL COMMUNITY OF THE CITY

2017 ◽  
Author(s):  
Oleksii Chepov ◽  
Keyword(s):  
Legal Status ◽  
Modern World ◽  
Legal Regime ◽  
Legal Doctrine ◽  
City Councils ◽  
The Social ◽  
District Management ◽  
Definition Of ◽  
The Relationship ◽  
The City

The qualitative and clear definition of the legal regime of the capital of Ukraine, the hero city of Kyiv, is influenced by its legislative enshrinement, however, it should be noted that discussions are ongoing and one of the reasons for the unclear legal status of the capital is the ambiguity of current legislation in this area. Separation of the functions of the city of Kyiv, which are carried out to ensure the rights of citizens of Ukraine and the functions that guarantee the rights of the territorial community of the city of Kyiv. In the modern world, in legal doctrine and practice, the capital is understood as the capital of the country, which at the legislative level received this status and, accordingly, is the administrative and political center of the state, which houses the main state bodies and diplomatic missions of other states. It is the identification of the boundaries of the relationship between the competencies of state administrations and local self-government, in practice, often raises questions about their delimitation and ways of regulatory solution. Peculiarities of local self-government in Kyiv city districts are defined in the provisions of the Law on the Capital, which reveal the norms of the Constitution in these legal relations, according to which the issue of organizing district management in cities belongs to city councils. Likewise, it is unregulated by law to lose the particularity of the legal status of the territory of the city. It should be emphasized that the subject of administrative-legal relations is not a certain administrative-territorial entity, but the social group is designated - the territorial community of the city of Kiev, kiyani. Thus, the provisions on the city of Kyiv partially ignore the potential of the territorial community.

City’s Cultural Memory: Modern Practices of Symbolizing the Past

2021 ◽  
Vol 18 (4) ◽  
pp. 352-364
Author(s):  
Natalia G. Fedotova
Keyword(s):  
Cultural Memory ◽  
Point Of View ◽  
Fundamental Aspect ◽  
Modern World ◽  
Cultural Meanings ◽  
Urban Identity ◽  
Symbolic Forms ◽  
The Past ◽  
Symbolic Resource ◽  
The City

The article is devoted to the discourse of the city’s cultural memory. The relevance of studying this topic is determined not only by the fundamental aspect associated with the episodicity of existing studies of this phenomenon. From an applied point of view, the city’s cultural memory is a symbolic resource that can be used to create an appealing image, form a sustainable urban identity, and strengthen the citizen’s sense of belonging to the city. The accumulation and objectification of cultural memory take place in symbolic forms, which makes it important to study the practices of symbolizing the urban past, the essence of which is to generate the significance of the relevant or latent layers of cultural memory for the citizens.The article presents the results of the final stage of research related to the study of the process of constructing the cultural memory of the city. The purpose of the article is to analyze modern practices of symbolizing fragments of the urban past, which mean their significance for contemporaries. Basing on the culturological cross-section of the issue, the author integrates different research contexts. The methodological basis of the article is the communicative approach that focuses on the processes of meaning formation, and the constructivist method that considers memory as a multi-layered and dynamic construct. Analyzing the practices of symbolizing the urban past by the example of Russian cities, the author of the article demonstrates how the episodes of the city’s memory are updated in the modern world, how cultural meanings become memorable for citizens. The author uses the results of previous studies and identifies the following elements of the symbolization of the urban past: a) ways of encoding fragments of the past; b) communicative trajectories of memory symbolization; c) factors of producing meanings about the collective past of the city. The obtained results open up new frontiers in understanding the processes of formation of the collective ideas about the city, and prospects for empirical research, forecasting and constructing the cultural memory of Russian cities, giving them the opportunity to change their present and future.

scholarly journals El "hameau" vertical de Le Corbusier. Una alternativa residencial al bloque lineal

2015 ◽  
Author(s):  
Yolanda Martínez Domingo ◽  
Josefina González Cubero
Keyword(s):  
Le Corbusier ◽  
Urban Environments ◽  
Formal Structure ◽  
Summer Camps ◽  
Palabras Clave ◽  
Cylindrical Volume ◽  
Collective Housing ◽  
The Relationship ◽  
The City ◽  
Synthetic Work

Resumen: El "hameau" vertical de Le Corbusier es un prototipo de alojamiento colectivo, desarrollado como alternativa plástica a la "Unité d'habitation de grandeur conforme", quizás su obra más sintética. La torre residencial se concreta a partir de las teorías urbanas de la regla de las 7V, a través de la impronta de una de las formas elementales: el volumen cilíndrico, manteniendo prácticamente inalteradas capacidad, forma y dimensiones en cualquiera de los entornos urbanos donde se inserta, los proyectos no construidos de su última etapa para Europa. Lejos de ser un modelo genuino es deudor de otras construcciones previas, los albergues para las colonias infantiles italianas, promovidas por la fábrica FIAT en los años 30, y algunos experimentos residenciales del arquitecto francés Auguste Bossu, erigidos también por esos años en la ciudad de Saint-Étienne. El artículo traza las relaciones entre estas construcciones y las aldeas cilíndricas para solteros, analizando las particularidades de su estructura formal y la dinámica de su organización interna, para comprobar cómo son adoptadas por Le Corbusier en la constitución de la identidad de un nuevo tipo de vivienda colectiva que permanece todavía a la sombra de sus proyectos más reconocidos. Abstract: The vertical "hameau" of Le Corbusier is a prototype of collective housing, developed as a plastic alternative to “Unité d’habitation de grandeur conforme", perhaps his most synthetic work. The residential tower is generated from urban doctrine of 7V theory through the shape of one of the elementary forms: the cylindrical volume. The towers keep capacity, shape and dimensions unchanged in any urban environments where they are inserted: the unbuilt urban projects in his last stage in Europe. Far from being a genuine type, is based in other previous constructions; the children's summer camps sponsored by the Fiat factory in the 30s, and some residential experiments by French architect Auguste Bossu erected by those years in the city of Saint-Etienne. The article describes the relationship between these structures and the cylindrical villages for singles and analyzes the peculiarities of their formal structure and the dynamic of their internal organization in order to check how those constructions were adapted by Le Corbusier for the constitution of a new collective type dwelling which still remains in the shadow of his most famous projects.  Palabras clave: Le Corbusier; hameaux verticaux; comuna cilíndrica; torre residencial. Keywords: Le Corbusier; hameaux verticaux; cylindrical commune; residential tower. DOI: http://dx.doi.org/10.4995/LC2015.2015.778

scholarly journals THE POTENTIAL OF STRAVA DATA TO CONTRIBUTE IN NON-MOTORISED TRANSPORT (NMT) PLANNING IN JOHANNESBURG

2016 ◽  
Vol XLI-B2 ◽  
pp. 587-594 ◽  
Author(s):  
M. K. Selala ◽  
W. Musakwa
Keyword(s):  
Sustainable Development ◽  
Gated Communities ◽  
Sustainable Transportation ◽  
Modern World ◽  
Negative Consequences ◽  
Income Levels ◽  
The North ◽  
Smart Mobility ◽  
The City ◽  
Motorised Transport

Transportation is one of the most fundamental challenges of urban development in the modern world. Cities are currently moving towards sustainable transportation, which includes non-motorised transportation (NMT). The city of Johannesburg has a goal of becoming a smart city, with sustainable development and smart mobility. Encouraging the use of non-motorised transportation and public transport has the potential of reducing the use of private motorised transport and therefor its negative consequences within the city of Johannesburg. There is limited research on cycling and how cyclists interact with cycling infrastructure within the city. The lack of such knowledge hinders proper planning for NMT. This research studies the ability of geolocation based services to provide such information which can be useful in planning for NMT. Strava Metro application is the example of such geolocation based services. The potential of this app to influence planning is investigated. According to the information acquired by Strava Metro, there are more cyclists in suburbs at the centre of Johannesburg and towards the north and to the east, and in Kibler Park at the south western part of the city. There are indications that the numbers of cycling activities recorded by Strava Metro are affected by the availability of gated communities, income levels, crime levels and the provision of infrastructure.

scholarly journals Le Corbusier’s Legacy: Modern experimentation in Mario Bonito´s work

2015 ◽  
Author(s):  
Helder Casal Ribeiro
Keyword(s):  
Rational Design ◽  
Academic Work ◽  
Le Corbusier ◽  
Modern Architecture ◽  
Third Generation ◽  
Design Issues ◽  
Crystal Palace ◽  
Palabras Clave ◽  
Modernist Architecture ◽  
Just Society

Abstract: This paper investigates the path of third generation Portuguese modern architect, Mário Bonito (1921/1976), in order to understand and clarify his contribution to the maturity process of portuguese modern architecture, that began at the end of the 1940s, strongly influenced by Le Corbusier. Through the understanding of his final academic work, CODA (Competition to Obtain the Architects Diploma), designated Pavilhão das Ilhas Adjacentes, located in Jardim do Palacio Cristal (Crystal Palace Gardens) in Porto, dated 1947/48, we intend to deepen his relationship with the modern premises of corbusier´s architecture, framed by portuguese reality. However Le Corbusier´s legacy in Mario Bonito´s work is not formal but thematic, in understanding the main issues that guide the intent of progressive man in molding a modern and just society. The paper covers themes characteristic to Portuguese modernist architecture such as the dialogue between craftsmanship and technique, compositional rigor and rational design issues resulting from the systematization of the construction processes, with the search for standardization of architectural and constructional elements. This dialogue emphasizes the compromise between tradition and modernity that will be present in all of Mário Bonito´s designed and written work, announcing the experimental temperament and formal coherence of his subsequent works. Resumen: Este artículo investiga el camino de la tercera generación de arquitecto moderno portugués, Mário Bonito (1921/1976), a fin de comprender y aclarar su contribución al proceso de la madurez de la arquitectura moderna portuguesa, que se inició a finales de la década de 1940, fuertemente influenciado por Le Corbusier. A través de la comprensión de su obra académica final, CODA (Concurso para Obtenção do Diploma de Arquitecto), designado Pavilhão das Ilhas Adjacentes, ubicado en Jardim do Palacio de Cristal en Porto, con fecha de 1947 / 48, tenemos la intención de profundizar su relación con las premisas modernas de la arquitectura Corbusiana, encuadradas por la realidad portuguesa. Sin embargo el legado de Le Corbusier en el trabajo de Mario Bonito no es formal, sino temático, en la comprensión de los temas principales que guían la intención del hombre progresista en el moldeo de una sociedad moderna y justa. El artículo abarca temas como el diálogo entre la artesanía y la técnica, el rigor compositivo y problemas de diseño que resulten de la sistematización de los procesos de construcción, con la búsqueda de la normalización de los elementos arquitectónicos y constructivos. Este diálogo enfatiza el compromiso entre la tradición y la modernidad que estará presente en todo trabajo diseñado y escrito de Mario Bonito, anunciando el temperamento experimental y coherencia formal de sus obras posteriores.  Keywords: legacy; Mário Bonito; portuguese architecture; Porto; universality. Palabras clave: legado; Mário Bonito; arquitectura portuguesa; Porto; universalidad. DOI: http://dx.doi.org/10.4995/LC2015.2015.1004

scholarly journals Votive altars: domestic signals to inhabit the Sacred

2019 ◽  
Vol 2 (3) ◽  
pp. 31
Author(s):  
Claudio Gambardella ◽  
Valentina Sapio
Keyword(s):  
Visual Arts ◽  
Word Meaning ◽  
Living Space ◽  
Mediterranean Countries ◽  
Catholic Religion ◽  
The Matrix ◽  
Human World ◽  
The Mediterranean ◽  
The City ◽  
Over Time

“Sacred” is an Indo-European word meaning “separate”. The Sacred, therefore, [. . . is] a quality that is inherent in that which has relation and contact with powers that man, not being able to dominate, perceives as superior to himself, and as such attributable to a dimension [. . . ] thought however as ”separate” and ”other” with respect to the human world » Galimberti, (2000). The so-called votive altar, autonomous or attached to a major building often present in the Mediterranean countries, belong to the dimension of the Sacred.Votive altars - present in an old neighborhood of peasant origin in the suburbs of Naples called Ponticelli - are almost always placed in the interstices between street and courtyard (a self-built residential typology modeled over time by the inhabitants and which often forms the matrix of many neighborhoods popular Neapolitan). They keep and exhibit little sculptures and drawings of Jesus, Madonnas, and Saints of the Catholic religion, mixed with ancestors portraits and photos of relatives dead of the inhabitants, drawing on the ancient domestic cult of the Romans of Lari and Penati; it is certainly not a consciously cultured reference, but a mysterious ”feeling” that is common among primitive and popular cultures and that unravels through the centuries unscathed. Placed at the entrance of the living space, the altar expresses the sign of a difference, of a territorial change, separates ”ours” from ”yours”, welcomes, does not reject, but marks an open and inclusive threshold.With the paper, we want to study this phenomenon of ”primitive” culture and not regulated by laws, a mix of diffuse sacredness and popular magic, deepening the ”design” aspects of it, building an abacus in which to highlight potential and free references to the visual arts of these ”design works without designers”, and finding out new signs of the Sacred in the City in our time.

Ecclesiastical Monuments of Brașov/Kronstadt/Brassó and the (Imagined) Topography of a Transylvanian City in Late Medieval and Early Modern Times

Transilvania ◽  
2021 ◽  
pp. 59-64
Author(s):  
Liviu Cîmpeanu
Keyword(s):  
Early Modern ◽  
Interesting Case ◽  
Modern World ◽  
Historical Sources ◽  
Late Medieval ◽  
Modern Times ◽  
Early Modern Times ◽  
The City ◽  
Insight Into

By definition, a monument has extraordinary features that mark landscape and human minds alike. Without any doubt, the Medieval and Early Modern World of Europe was marked by ecclesiastical monuments, from great cathedrals and abbeys to simple chapels and altars at crossroads. A very interesting case study offers Braşov/ Kronstadt/Brassó, in the south-eastern corner of Transylvania, where historical sources attest several ecclesiastic monuments, in and around the city. Late medieval and early modern documents and chronicles reveal not only interesting data on the monasteries, churches and chapels of Braşov/Kronstadt/Brassó, but also on the way in which citizens and outsiders imagined those monuments in their mental topography of the city. The inhabitants of Braşov/ Kronstadt/Brassó and foreign visitors saw the monasteries, churches and chapels of the city, kept them in mind and referred to them in their (written) accounts, when they wanted to locate certain facts or events. The present paper aims in offering an overview of the late medieval and early modern sources regarding the ecclesiastical monuments of Braşov/Kronstadt/Brassó, as well as an insight into the imagined topography of a Transylvanian city.

Reconciling the Animal and the City in Photography

2019 ◽  
pp. 174-192
Author(s):  
Youngjune Lee
Keyword(s):  
South Korean ◽  
The Past ◽  
The Matrix ◽  
The City

By carefully analyzing South Korean photographer Kim Kichan's works on the ordinary people's lives in the streets of Seoul in the 1970s, this chapter problematizes two photographic ideologies that have informed South Korea's anticolonial minjung nationalism: photography as a truthful record of reality and as a nostalgic emblem of the past. Instead of indexing such notions of linear history, this chapter treats Kim Kichan's works as the interfaces located among diverse forces and elements in the matrix of history that far exceed the nationalist horizon of minjung imaginary. More specifically, Kim Kichan's photographs foreground the three-partite relationship ofhuman-animal-environment in narrow streets, providing a significant axis around which the very notion of the human and its agency are redefined.

Le Corbusier and the city without streets

2005 ◽  
pp. 68-91
Keyword(s):  
Le Corbusier ◽  
The City
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