scholarly journals Rock Carvings of Armenia

Author(s):  
Karen Tokhatyan

Rock-art in Armenia began in the Neolithic period, reaching its peak during the Bronze Age. Rock-carvings have great cognitive value as a cultural source. Their role is important for revealing the historical realities of the Armenian Highland in VII-I millennium BC, to determine the origins of the Armenian people and demographic processes.

2017 ◽  
Vol 21 (2) ◽  
pp. 264-279 ◽  
Author(s):  
Mindaugas Grikpėdis ◽  
Giedre Motuzaite Matuzeviciute

Current knowledge of the beginnings of crop cultivation in Lithuania is based mainly on Cerealia-type pollen data supplemented by other indirect evidence such as agricultural tools. We argue that these records, predating carbonized remains of cultivated plants, are not substantial enough indicators of the early stages of agriculture in Lithuania. Here, we demonstrate that the macroremains of cultural plants that were previously reported from two Neolithic settlements in Lithuania were either mistakenly identified as domestic crops or incorrectly ascribed to the Neolithic period due to movement through the stratigraphic sequence and the absence of direct dating of cereal grains. Furthermore, we present a charred Hordeum vulgare grain from the Bronze Age settlement of Kvietiniai in western Lithuania. It was AMS-dated to 1392–1123 cal bc, and at present represents the earliest definite evidence for a crop in the eastern Baltic region. We conclude that, presently, there are no grounds to suggest that crop cultivation took place in Lithuania during the Neolithic.


2021 ◽  
Vol 12 (1) ◽  
pp. 121-140
Author(s):  
Johan Ling

Since the beginning of the 20th century rock art in Bohuslän has traditionally been interpreted, on the basis of its adjacent location to the clay-soil plains, as an indicator ofpermanent pastoral or agrarian settlement units. However, recent results ofthe first substantial and extensive shoreline study, covering the whole of Bohuslän, have shown that, during the entire Bronze Age, many of these lower, clay- soil plains were in fact sea bottoms in shallow bays. On the basis of these results new measurement of the rock art panels and the surrounding terrain were made. The study showed that many rock carvings had been placed on or near the contemporary shore during the Bronze Age. It therefore seemed essential to present new questions about the social and ritual behaviour, as manifested by the rock art in these particular areas. It is here suggested that the rock art in the investigated area may be a materialised reflection of seasonal maritime interactions during the Bronze Age.


Author(s):  
С. С. Мургабаев ◽  
Л. Д. Малдыбекова

Статья посвящена новому памятнику наскального искусства хребта Каратау, открытому в урочище Карасуйир. Приводится краткое описание памятника, публикуются наиболее важные изображения. Сюжеты и стилистические особенности основной чaсти петроглифов памятника Карасуйир связаны с эпохой бронзы, остaльные рисунки отнесены к эпохе рaннего железа и, возможно, к эпохе камня. Для некоторых из них предложена предварительная интерпретация. The article is devoted to a new rock art site of the Karatau Range, discovered in the Karasuyir Area. A brief description of the site is provided, and the most important images are published. Subjects and stylistic features of the main part of Karasuyir petroglyphs are associated with the Bronze Age, and other engravings are related to the early Iron Age and, perhaps, to the Stone Age. A preliminary interpretation is proposed for some of them.


Author(s):  
Joakim Goldhahn

This chapter offers a long-term perspective on rock art in northern Europe. It first provides an overview of research on the rock art traditions of northern Europe before discussing the societies and cultures that created such traditions. It then considers examples of rock art made by hunter-gatherer societies in northern Europe, focusing on the first rock art boom related to Neolithization. It also examines the second rock art boom, which was associated with social and religious changes within farming communities that took place around 1600–1400 bc. The chapter concludes by analysing the breakdown of long-distance networks in the transition from the Bronze Age to the Iron Age and its consequences for the making of rock art within the southern traditions, as well as the use of rock art sites during the Pre-Roman Iron Age, Roman Iron Age, and Migration Period.


Author(s):  
Charlotte R. Potts

The votive assemblages that form the primary archaeological evidence for non-funerary cult in the Neolithic, Bronze, and early Iron Ages in central Italy indicate that there is a long tradition of religious activity in Latium and Etruria in which buildings played no discernible role. Data on votive deposits in western central Italy is admittedly uneven: although many early votive assemblages from Latium have been widely studied and published, there are few Etruscan comparanda; of the more than two hundred Etruscan votive assemblages currently known from all periods, relatively few date prior to the fourth century BC, while those in museum collections are often no longer entire and suffer from a lack of detailed provenance as well as an absence of excavations in the vicinity of the original find. Nevertheless, it is possible to recognize broad patterns in the form and location of cult sites prior to the Iron Age, and thus to sketch the broader context of prehistoric rituals that pre-dated the construction of the first religious buildings. In the Neolithic period (c.6000–3500 BC), funerary and non-funerary rituals appear to have been observed in underground spaces such as caves, crevices, and rock shelters, and there are also signs that cults developed around ‘abnormal water’ like stalagmites, stalactites, hot springs, and pools of still water. These characteristics remain visible in the evidence from the middle Bronze Age (c.1700–1300 BC). Finds from this period at the Sventatoio cave in Latium include vases containing traces of wheat, barley seed cakes, and parts of young animals including pigs, sheep, and oxen, as well as burned remains of at least three children. The openair veneration of underground phenomena is also implied by the discovery of ceramic fragments from all phases of the Bronze Age around a sulphurous spring near the Colonelle Lake at Tivoli. Other evidence of cult activities at prominent points in the landscape, such as mountain tops and rivers, suggests that rituals began to lose an underground orientation during the middle Bronze Age. By the late Bronze Age (c.1300–900 BC) natural caves no longer seem to have served ritual or funerary functions.


Antiquity ◽  
2015 ◽  
Vol 89 (343) ◽  
pp. 221-223 ◽  
Author(s):  
Johan Ling ◽  
Zofia Stos-Gale

It is rare for authors to be able to read comments on their paper by leading colleagues and to have the chance to respond before its publication. We would like to thank the editor of Antiquity for providing this opportunity. The comments express both acceptance of, and doubts about, interconnectedness between the eastern Mediterranean and Scandinavia in the Bronze Age. Kaul's comments demonstrate a deep insight into how Nordic archaeology reveals this interconnectedness; that is clearly expressed in his latest publication on the topic in Antiquity (Kaul 2013). Moreover, both Kaul and Sognnes, who accept these interconnections, have an excellent understanding of Scandinavian Bronze Age rock art. In fact, most of the reviewers’ comments express a positive attitude to the interpretation of the rock art images as possible representations of oxhide ingots.


Antiquity ◽  
1980 ◽  
Vol 54 (211) ◽  
pp. 118-127 ◽  
Author(s):  
J. R. Hale

In 1972 Paul Johnstone initiated a project to build and sail a hide-covered boat which would embody the theories of those Norwegian scholars—in particular Professor Sverre Marstrander—who have classified the boats of the Scandinavian Bronze Age with the Eskimo umiak and the Irish curragh. Thanks to the publicity given the experimental model by the BBC ‘Chronicle’ series and the enthusiastic advocacy of Bregger, Marstrander and Johnstone himself (‘Bronze age sea trial’, Antiquity, XLVI, 1972), the skin-boat theory has become almost an orthodoxy in Britain and Scandinavia. In fact, however, the reconstructed boat itself clearly demonstrated the awkwardness of translating into the medium of a hidecovered frame the boat designs of the bronze age rock art, which include several features utterly irreconcilable with the requirements and norms of skin-boat construction. For no type of boat before the age of photography has such a vast corpus of evidence been preserved as for the vessel that served the fishermen, traders and raiding parties of Scandinavia between 1200 and 600 BC (that is, the Bronze Age periods 111, IV and V). The boat is a favoured motif in thousands of rock carvings in southern Norway, Sweden, and the Baltic islands, and on at least 200 late bronze age razors from Denmark and North Germany.


2018 ◽  
Vol 44 ◽  
pp. 34-53 ◽  
Author(s):  
Agathe Reingruber ◽  
Giorgos Toufexis ◽  
Nina Kyparissi-Apostolika ◽  
Michalis Anetakis ◽  
Yannis Maniatis ◽  
...  

Thessaly in Central Greece is famous for settlement mounds (magoules) that were already partly formed in the Early Neolithic period. Some of these long-lived sites grew to many metres in height during the subsequent Middle, Late and Final Neolithic periods, and were also in­habited in the Bronze Age. Such magoules served as the backbone for defining relative chronolo­gical schemes. However, their absolute dating is still a topic of debate: due to a lack of well-defined se­quences, different chronological schemes have been proposed. New radiocarbon dates obtained in the last few years allow a better understanding of the duration not only of the main Neolithic pe­riods, but also of the different phases and sub-phases.


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