scholarly journals Beyond Transgressive Lands and Forgotten Seas: Towards a Maritime Understanding of Rock Art in Bohuslän

2021 ◽  
Vol 12 (1) ◽  
pp. 121-140
Author(s):  
Johan Ling
Keyword(s):  
Bronze Age ◽  
20Th Century ◽  
Clay Soil ◽  
Rock Art ◽  
The Social ◽  
The Bronze Age

Since the beginning of the 20th century rock art in Bohuslän has traditionally been interpreted, on the basis of its adjacent location to the clay-soil plains, as an indicator ofpermanent pastoral or agrarian settlement units. However, recent results ofthe first substantial and extensive shoreline study, covering the whole of Bohuslän, have shown that, during the entire Bronze Age, many of these lower, clay- soil plains were in fact sea bottoms in shallow bays. On the basis of these results new measurement of the rock art panels and the surrounding terrain were made. The study showed that many rock carvings had been placed on or near the contemporary shore during the Bronze Age. It therefore seemed essential to present new questions about the social and ritual behaviour, as manifested by the rock art in these particular areas. It is here suggested that the rock art in the investigated area may be a materialised reflection of seasonal maritime interactions during the Bronze Age.

scholarly journals Animals on display: animal motifs, human-animal relations and social semiotics in the Bronze Age rock carvings from Enköping and Norrköping, Sweden

2021 ◽  
Vol 26 (1) ◽  
pp. 189-218
Author(s):  
Anna Wessman
Keyword(s):  
Bronze Age ◽  
Red Deer ◽  
Rock Art ◽  
Social Semiotics ◽  
Common Motif ◽  
Biological Reality ◽  
The Social ◽  
Human Animal ◽  
Almost All ◽  
The Bronze Age

Animals make up one of the most common motif groups in south Scandinavian Bronze Age rock art, with depictions of pigs and horses, as well as wild animals like red deer and wild boar, occurring in almost all rock art areas. Despite their ubiquity, their treatment in previous research has been inadequate. In this article, the display of animals in the rock art tradition is mapped out and discussed from a perspective based in human-animal relations and social semiotics. The animal figures are analyzed in terms of species, sex, human practice and regional articulations, as well as in relation to the wider archaeological record. The results reveal that animal motifs probably had a dual role during the Bronze Age, showing both the biological reality and the social and symbolic values that were connected to animals. In addition, the animals depicted in rock art also worked as carriers of semiotic resources, which manifested human social and societal ideas and ideals.

scholarly journals Non-discursive Knowledge and the Construction of Identity Potters, Potting and Performance at the Bronze Age Tell of Százhalombatta, Hungary

2009 ◽  
Vol 19 (2) ◽  
pp. 203-220 ◽  
Author(s):  
Sandy Budden ◽  
Joanna Sofaer
Keyword(s):  
Material Culture ◽  
Bronze Age ◽  
Social Categories ◽  
Social Sphere ◽  
Construction Of Identity ◽  
Differential Acquisition ◽  
The Social ◽  
And Performance ◽  
The Bronze Age

This article explores the relationship between the making of things and the making of people at the Bronze Age tell at Százhalombatta, Hungary. Focusing on potters and potting, we explore how the performance of non-discursive knowledge was critical to the construction of social categories. Potters literally came into being as potters through repeated bodily enactment of potting skills. Potters also gained their identity in the social sphere through the connection between their potting performance and their audience. We trace degrees of skill in the ceramic record to reveal the material articulation of non-discursive knowledge and consider the ramifications of the differential acquisition of non-discursive knowledge for the expression of different kinds of potter's identities. The creation of potters as a social category was essential to the ongoing creation of specific forms of material culture. We examine the implications of altered potters' performances and the role of non-discursive knowledge in the construction of social models of the Bronze Age.

scholarly journals THE OLDEST ROCK ART SITES OF THE KARATAU RANGE: PETROGLYPHS OF KARASUYIR

2022 ◽  
pp. 2-8
Author(s):  
С. С. Мургабаев ◽  
Л. Д. Малдыбекова
Keyword(s):  
Bronze Age ◽  
Iron Age ◽  
Main Part ◽  
Rock Art ◽  
Early Iron Age ◽  
Stone Age ◽  
The Bronze Age

Статья посвящена новому памятнику наскального искусства хребта Каратау, открытому в урочище Карасуйир. Приводится краткое описание памятника, публикуются наиболее важные изображения. Сюжеты и стилистические особенности основной чaсти петроглифов памятника Карасуйир связаны с эпохой бронзы, остaльные рисунки отнесены к эпохе рaннего железа и, возможно, к эпохе камня. Для некоторых из них предложена предварительная интерпретация. The article is devoted to a new rock art site of the Karatau Range, discovered in the Karasuyir Area. A brief description of the site is provided, and the most important images are published. Subjects and stylistic features of the main part of Karasuyir petroglyphs are associated with the Bronze Age, and other engravings are related to the early Iron Age and, perhaps, to the Stone Age. A preliminary interpretation is proposed for some of them.

North European Rock Art

2017 ◽  
Author(s):  
Joakim Goldhahn
Keyword(s):  
Bronze Age ◽  
Iron Age ◽  
Rock Art ◽  
Northern Europe ◽  
Long Distance ◽  
Migration Period ◽  
Farming Communities ◽  
And Migration ◽  
The Bronze Age

This chapter offers a long-term perspective on rock art in northern Europe. It first provides an overview of research on the rock art traditions of northern Europe before discussing the societies and cultures that created such traditions. It then considers examples of rock art made by hunter-gatherer societies in northern Europe, focusing on the first rock art boom related to Neolithization. It also examines the second rock art boom, which was associated with social and religious changes within farming communities that took place around 1600–1400 bc. The chapter concludes by analysing the breakdown of long-distance networks in the transition from the Bronze Age to the Iron Age and its consequences for the making of rock art within the southern traditions, as well as the use of rock art sites during the Pre-Roman Iron Age, Roman Iron Age, and Migration Period.

Towards a refined chronology for the Bronze Age of the southern Urals, Russia

Antiquity ◽  
2007 ◽  
Vol 81 (312) ◽  
pp. 353-367 ◽  
Author(s):  
B.K. Hanks ◽  
A.V. Epimakhov ◽  
A.C. Renfrew
Keyword(s):  
Bronze Age ◽  
Southern Urals ◽  
Future Research ◽  
Social Changes ◽  
Crucial Importance ◽  
The Southern Urals ◽  
Radiocarbon Dates ◽  
Central Russia ◽  
The Social ◽  
The Bronze Age

Cultural interactions in central Russia are famously complex, but of very wide significance. Within the social changes they imply are contained key matters for Europe and Asia: the introduction of Indo-Europeans and other languages, the horse and the chariot, and the transition towards nomadism. Of crucial importance to future research is a sturdy chronological framework and in this contribution the authors offer 40 new radiocarbon dates spanning the conventional Bronze Age in the southern Urals.

Final response and future directions

Antiquity ◽  
2015 ◽  
Vol 89 (343) ◽  
pp. 221-223 ◽  
Author(s):  
Johan Ling ◽  
Zofia Stos-Gale
Keyword(s):  
Bronze Age ◽  
Positive Attitude ◽  
Eastern Mediterranean ◽  
Rock Art ◽  
Deep Insight ◽  
Future Directions ◽  
Final Response ◽  
The Bronze Age ◽  
Insight Into

It is rare for authors to be able to read comments on their paper by leading colleagues and to have the chance to respond before its publication. We would like to thank the editor of Antiquity for providing this opportunity. The comments express both acceptance of, and doubts about, interconnectedness between the eastern Mediterranean and Scandinavia in the Bronze Age. Kaul's comments demonstrate a deep insight into how Nordic archaeology reveals this interconnectedness; that is clearly expressed in his latest publication on the topic in Antiquity (Kaul 2013). Moreover, both Kaul and Sognnes, who accept these interconnections, have an excellent understanding of Scandinavian Bronze Age rock art. In fact, most of the reviewers’ comments express a positive attitude to the interpretation of the rock art images as possible representations of oxhide ingots.

scholarly journals The Anthropocene and anthropology

2016 ◽  
Vol 20 (1) ◽  
pp. 183-196
Author(s):  
Chris Hann
Keyword(s):  
Bronze Age ◽  
North Atlantic ◽  
Recent Literature ◽  
Ethnographic Methods ◽  
Half Century ◽  
The North ◽  
The Social ◽  
The North Atlantic ◽  
The Bronze Age

Noting a lack of consensus in the recent literature on the Anthropocene, this article considers how social anthropologists might contribute to its theorizing and dating. Empirically it draws on the author’s long-term fieldwork in Hungary. It is argued that ethnographic methods are essential for grasping subjectivities, including temporal orientations and perceptions of epochal transformation. When it comes to historical periodization, however, ethnography is obviously insufficient and proposals privileging the last half-century, or just the last quarter of a century, seem inadequate. Influential theories, which define ‘modernity’ in terms of developments emanating from the countries of the North Atlantic in the sixteenth to the nineteenth centuries (Gellner, Polanyi, Wolf), remain partial and Eurocentric. To comprehend the social preconditions of the Anthropocene in a holistic fashion (the crucial contribution of comparative anthropology), it is necessary to follow Jack Goody and trace how the urban revolutions of the Bronze Age united Eurasia through the diffusion of new forms of economy, polity and cosmology.

scholarly journals Hunting Warriors: The Transformation of Weapons, Combat Practices and Society during the Bronze Age in Ireland

2017 ◽  
Vol 20 (2) ◽  
pp. 280-316 ◽  
Author(s):  
Barry P.C. Molloy
Keyword(s):  
Bronze Age ◽  
Peer Relations ◽  
Social Activity ◽  
Late Bronze Age ◽  
Martial Art ◽  
The Social ◽  
Training Resources ◽  
To Come ◽  
The Bronze Age

Warfare is increasingly considered to have been a major field of social activity in prehistoric societies, in terms of the infrastructures supporting its conduct, the effects of its occurrence, and its role in symbolic systems. In the Bronze Age many of the weapon forms that were to dominate battlefields for millennia to come were first invented—shields and swords in particular. Using the case study of Ireland, developments in Bronze Age warfare are traced from the Early to the Late Bronze Age. It is argued that during this period there was a move from warfare that made use of projectiles and impact weapons to warfare that used both defensive and cutting weapons. This formed the basis for a fundamental reorganization in combat systems. This in turn stimulated change in the social organization of warfare, including investment in material and training resources for warriors and the development of new bodily techniques reflecting fundamental changes in martial art traditions. Metalwork analysis of bronze weapons and experimental archaeology using replicas of these are used to support this position. The article explores how developments in fighting techniques transformed the sociality of violence and peer-relations among warriors and proposes that these warriors be regarded as a category of craft specialist exerting significant social influence by the Late Bronze Age.

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