scholarly journals Quest for Revolt in Joothan by Omprakash Valmiki

2021 ◽  
Vol 6 (4) ◽  
pp. 22-26
Author(s):  
Prof. S. Ranga

Omprakash Valmiki, like other writers of autobiographies, articulates the Dalit confrontation in his renowned story, Joothan. He describes every aspect of his disturbing social experiences, unfolding his complete life. Thus, Omprakash Valmiki's Joothan is about the voyage of Dalit discrimination and social boycott. The Valmiki kin is under pressure for schooling and position in the social order. In the meantime, it is also the fairy-tale of a Dalit family unit in search of self-esteem and identity in the Indian Hindu society. Omprakash Valmiki portrayed his life as an untouchable and Dalit in the newly self-governing India. The tale of Joothan refers to scraps of food left on a plate; this is meant for waste and animals. India's untouchables have been obligatory to acknowledge and eat leftovers for centuries, and these terms encompasses the pain, humiliation and poverty of the group of people enforced to survive at the underneath of India's societal pyramid. Although untouchability was abolished in 1949, But Dalits is being unrelenting to face prejudice, economic deficiency, aggression and mockery. Even after attaining Independence, the Dalits had to struggle a long time to get education; Joothan takes it seriously. Valmiki shares his daring resist to escape a prearranged life of steady physical and mental agony and his transformation into a speaking subject under the influence of the great Dalit political manager, BR Ambedkar. An article of the long silenced and long denied sufferings of Dalits, Joothan is a key role to the archives of Dalit history and a proposal for a radical transform of humanity and human consciousness. Dalits are being unrelenting to face unfairness, economic deprivation, hostility and ridicule. This paper is trying to portray the Quest for Revolt in Omprakash Valmiki’s Joothan.

Revista Trace ◽  
2018 ◽  
pp. 29
Author(s):  
Isabelle Séguy

A menudo, el nacimiento acompaña a la muerte, perturbando el ciclo de las generaciones y el orden social. La fragilidad biológica de los recién nacidos encuentra un eco en los ritos de presentación que durante mucho tiempo coincidieron con el final de ese período “de riesgo”. Los niños que fallecían en ese período intermedio tenían derecho a recibir tratamientos funerarios particulares, heredados de una representación arcaica de la muerte. En la Europa medieval y moderna, el destino de las almas infantiles siempre fue una preocupación para los padres y para toda la sociedad. A lo largo de los siglos, se redujo el plazo entre el nacimiento y el bautismo, hasta el punto de coincidir con el día del nacimiento, con el fin de asegurar la salvación espiritual de todos los recién nacidos. Para los que fallecían antes del bautismo, se pusieron en práctica algunas soluciones originales para evitar que sus almas vagasen eternamente en el Limbo y para darles una sepultura decente.Abstract: Often, birth alternates with death, disrupting the cycle of generations and social order. Family and social behavior to welcome the newborns spread out their biological frailty. For a long time, rites surrounding the social introduction of the newborn took place at the end of this “risk” period. Infants who died during this marginal period received particular funeral rites, heritage of an archaic representation of death. In Medieval and Modern Europe, parents and whole society were concerned with the future of children’s souls. By taking place as close at birth as possible, the Christian baptism allowed protecting child’s salvation, which was considered more important than his own survival. For those who died before this sacrament, original solutions were put in place to keep their souls from eternally wandering in limbo and to give them a decent burial.Résumé : Souvent la naissance voisine avec la mort, perturbant le cycle des générations et l’ordre social. La fragilité biologique des nouveau-nés trouve un écho dans les rites de présentation qui ont coïncidé longtemps avec la fin de la période “à risque”. Les enfants qui décédaient dans cette période de marge avaient droit à des traitements funéraires particuliers, hérités d’une représentation archaïque de la mort. Dans l’Europe médiévale et moderne, le devenir des âmes enfantines a toujours été une préoccupation pour les parents et pour la société tout entière. Au fil des siècles, le délai entre la naissance et le baptême s’est réduit, au point de coïncider le même jour, afin d’assurer le salut spirituel de tous les nouveau-nés. Pour ceux qui décédaient avant le baptême, des solutions originales ont été mises en oeuvre pour éviter que leurs âmes errent éternellement dans les limbes et pour leur donner une sépulture décente.


Author(s):  
Marijana Terić

In this paper, the author examines a work of one of the most significant Croatian literary writers, Ante Kovačić, whose novel U registraturi (In the Registry Office) is considered by many literary critics and theoreticians to be the best writing of Croatian realism. It is an author who was not understood at the time when his work appeared, which is why the text was published in the form of a novel with a twenty-three year delay. Nonlinear composition of the text, elements of fantasy literature and innovative literary process in creating a fabula and sujet course of events confused literary critics as well as readership, which points to the fact that Ante Kovačić was treated for a long time as a peripheral author. In this narrative text, the misery and helplessness of peasants and their revolt against their feudal lords in Croatia are described, therefore the object of our analysis will be the characterisation of figures from various layers of society, with a particular focus on the “peripheral characters” of Kovačić’s prose. Using the term “peripheral characters” we will attempt to bring close those characters of subjugated peasants in relation to the feudal-capitalist social layer and thereby emphasise their role in the novel in relation to their fate. Unlike the characters of the peasants – Ivica Kičmanović (whom the social order turns into a lackey and scoundrel); Jožica Zgubidan (the personification of a poor person from Zagorje), Anica (a patriarchal girl with an angelic face); Miha; Perica; the neighbouring Kanoniks; and the Medonjićes – Kovačić brings us harsh, drastic images of moral vacillations in the city in which figures, distorted into caricatures, dominate. By contrasting the rural environment with the city life, the author is writing an “epopee of the village and city” in which the “peripheral characters” become tragic ones. These characters are the carriers of elements of “fantastic realism,” and their function is to show all the depravities of society and to announce the phenomenon of the innovative processes of narration familiar to authors of the modern literature. Finally, we come to the conclusion that Ante Kovačić made a step forward in relation to the generation of realists, with the peripheral position of his creation disappearing with the emergence of modern literary achievements, which ultimately gives the author and his work a polished place in Croatian literature.


Pedagogika ◽  
2021 ◽  
Vol 140 (4) ◽  
pp. 94-115
Author(s):  
Oksana Mačėnaitė ◽  
Jūratė Požėrienė

Social disjuncture is a complex result of certain unfavorable life circumstances, a person’s social insecurity, and psychological discomfort, lack of self-confidence, social skills, respect, dignity, and self-esteem. Individuals or groups experience social disjuncture due to poverty, discrimination, loss of employment, relationships with relatives, imprisonment, illness, and addictions. One of the groups experiencing social disjuncture is men, and the stereotypes of society towards men further increase the risk of exclusion of this social group. Due to men’s social disjuncture, their social and professional life becomes very limited; their repulsive experience limits decisionmaking, and disrupts the expression of socially acceptable behavior. Men in social disjuncture suffer from social rejection, inferiority; self-doubt, diminished self-esteem, their social skills, and social expression are often unacceptable in society. They often refuse to make positive decisions that can improve their quality of life, do not recognize their uniqueness, otherness, and avoid socially significant changes, bold decisions. Men who have been separated for a long time exhibit aggressive behavior and become even more isolated as a result. The social disjuncture of men can be successfully reduced in the group of social changes aimed at men’s self and knowledge of the environment, development of social skills, development of suitable alternatives for socially unacceptable behavior, increasing social inclusion in society.


1958 ◽  
Vol 3 (6) ◽  
pp. 158-160
Author(s):  
LAWRENCE SCHLESINGER

1989 ◽  
Vol 34 (11) ◽  
pp. 1046-1046
Author(s):  
No authorship indicated

1946 ◽  
Author(s):  
Georgene H. Seward
Keyword(s):  

ALQALAM ◽  
2015 ◽  
Vol 32 (1) ◽  
pp. 83
Author(s):  
Maftuh Maftuh

For many observers, Banten is well known as an area where the population has a strict religious understanding onislamic law. Colonial officials and experts in Islamic studies such as Snouck Hurgronje and GF Pijper, testified that compared to other Muslims across Java , Muslim in Banten and Cirebon were stricter in practicing Islam . The phenomenon of the social life of the religious community in Banten is necessarily formed within a very long time span. This paper traces the root of the formation of public religious understanding ojMuslim in Banten. Using a socio-historical approach, this paper then leads to the conclusion that the sultan of Banten issued policies that had a greater emphasis to the adherence to the Shari'a rather than Sufism. Religious orientation on the fiqh-oriented can explain the Islamic militancy Banten community, as witnessed by the colonial officials, and even still can be seen up to this present moment.Key words: Jslamization, Sultanate, Banten


2015 ◽  
Vol 8 (2) ◽  
pp. 169-184
Author(s):  
Željka Flegar

This article discusses the implied ‘vulgarity’ and playfulness of children's literature within the broader concept of the carnivalesque as defined by Mikhail Bakhtin in Rabelais and His World (1965) and further contextualised by John Stephens in Language and Ideology in Children's Fiction (1992). Carnivalesque adaptations of fairy tales are examined by situating them within Cristina Bacchilega's contemporary construct of the ‘fairy-tale web’, focusing on the arenas of parody and intertextuality for the purpose of detecting crucial changes in children's culture in relation to the social construct and ideology of adulthood from the Golden Age of children's literature onward. The analysis is primarily concerned with Roald Dahl's Revolting Rhymes (1982) and J. K. Rowling's The Tales of Beedle the Bard (2007/2008) as representative examples of the historically conditioned empowerment of the child consumer. Marked by ambivalent laughter, mockery and the degradation of ‘high culture’, the interrogative, subversive and ‘time out’ nature of the carnivalesque adaptations of fairy tales reveals the striking allure of contemporary children's culture, which not only accommodates children's needs and preferences, but also is evidently desirable to everybody.


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