Industrial News Became Modern

Author(s):  
Kevin G. Barnhurst

This chapter traces the evolution U.S. news, from the American realism of the nineteenth century to the advent of online media in the twenty-first century. It discusses how the spider of digital media sent images on paper into retreat, leaving printing and paper manufacturing industries in disarray. It details how newspaper stories grew in length from the 1880s to the 2010s. These longer stories reflected changes in content and visual presentation, which changed how news presented people, events, and places. The impact of longer news on content was also counterintuitive. Instead of “human interest” growing, ordinary and working-class people disappeared from news, replaced by groups, officials, and experts. Although audiences presumably preferred local stories, locations moved away from the street address, as references to faraway places expanded. Moreover, news no longer aimed to report events-as-they-happened for the public to process. It explained larger problems or tried to make sense of issues, aiming to interpret events.

Author(s):  
Laurel Brake

Abstract This article begins with an analysis of how nineteenth-century print journalism was produced to become a basic constituent of the public sphere of its day, and how it tackled the problems of survival beyond its date of issue. I then turn to the current flurry of remediation of the nineteenth-century press in the last five years and how digitisation of print now addresses similar tasks of optimising readership, distribution, and durability. This involves consideration of one of the current central questions, the roles of public and private platforms of delivery and their relation to access. In conclusion, I explore the impact of the digitisation of nineteenth-century journalism, and digitisation more generally, on Victorian studies and its publics. I focus on two aspects of impact: how meaning in literature and history is invigorated by digital access to their representation in historical and material context, and how the proliferation of illustration in new digital media, enabled by freedom from the limitations attached to print formats, addresses twenty-first century visually-literate readers directly, helping the transmission of Victorian Studies to the imagination of contemporary readers, across social class and internationally.


2014 ◽  
Vol 4 (2) ◽  
pp. 189
Author(s):  
Shaimma El Naggar

<p>Over the past few decades, televangelism has emerged as one important media phenomenon, inter alia, among Muslim communities. As a phenomenon, televangelism is interesting in many respects; it is a manifestation of the phenomenon of "info-tainment" as televangelists integrate entertainment features such as sound effects and music in their sermons. It is also a manifestation of the rise of the celebrity culture as televangelists have become 'media celebrities' with thousands of hundreds of fans and followers on social media networks.</p><p> </p><p>Thematically, this study is divided into two main sections. First. I delineate the characteristics of televangelism as a novel form of religious expression in which televangelists adopt a modern style and use colloquial language; and in which televangelists present religion as a source of individual change. I have argued that these features seem to have granted televangelists popularity particularly among Muslim youth who view televangelism as a new form of religious expression that is modern in appearance and relevant to their everyday lives.</p><p>The study has further highlighted the importance of digital media technologies in popularizing televangelists' programmes and sermons. Drawing on two case studies of popular televangelists, namely Amr Khaled and Hamza Yusuf, the study has shown that televangelists draw on a plethora of digital media tools to extend the visibility of their programmes including websites and social media networks. The study has found that televangelists' fans play an important role in popularizing televangelists' programmes. Moreover, the study relates televangelism to the rise of digital Islam. The study has argued that digitization and the increase of literacy rates have changed the structure of religious authority in the twenty first century, giving rise to new voices that are competing for authority. </p><p>Having provided an explanatory framework for the phenomenon of televangelism, the study moves in the second section to critique televangelism as an 'info-tainment' phenomenon.</p>Drawing on Carrette and King's <em>Selling Spirituality, </em>one issue that the study raises is the extent to which televangelism fits into the modern form of 'spiritualities'. Rather than being a critical reflection of the consumer culture, modern spiritualities seem to 'smooth out' resistance to the hegemony of capitalism and consumerism. I have proposed that it is through a content-related analysis of televangelists' sermons that one can get a nuanced understanding of how the discourses of particular televangelists can possibly relate to dominant (capitalist) ideologies, how structures of power are represented in their discourses and what their texts may reveal about the socio-historical contexts of Muslims in the twenty first century.


2017 ◽  
Vol 3 (1) ◽  
pp. 1-12 ◽  
Author(s):  
Christopher Moore ◽  
Kim Barbour ◽  
Katja Lee

Before Facebook, Twitter, and most of the digital media platforms that now form routine parts of our online lives, Jay Bolter (2000) anticipated that online activities would reshape how we understand and produce identity: a ‘networked self’, he noted, ‘is displacing Cartesian printed self as a cultural paradigm’ (2000, p. 26). The twenty-first century has not only produced a proliferation and mass popularisation of platforms for the production of public digital identities, but also an explosion of scholarship investigating the relationship between such identities and technology. These approaches have mainly focussed on the relations between humans and their networks of other human connections, often neglecting the broader implications of what personas are and might be, and ignoring the rise of the non-human as part of social networks. In this introductory essay, we seek to both trace the work done so far to explore subjectivity and the public presentation of the self via networked technologies, and contribute to these expanding accounts by providing a brief overview of what we consider to be five important dimensions of an online persona. In the following, we identify and explicate the five dimensions of persona as public, mediatised, performative, collective and having intentional value and, while we acknowledge that these dimensions are not exhaustive or complete, they are certainly primary.


Author(s):  
Muhamad Basitur Rijal Gus Rijal ◽  
Ahyani Hisam ◽  
Abdul Basit

Civil society (civil society) as the ideal structure of society's life that is aspired to, but building a civil society is not easy. There are preconditions that must be met by the community in making it happen. Coupled with technological advances in the era of the Industrial Revolution 4.o like today, where information can spread easily through various online media unlimitedly in spreading hoaxes. This research seeks to uncover the dangers of hoaxes in building civil society. This research uses descriptive analytical method by examining the sources of literature related to building civil society in the Industrial Revolution 4.o. This research found that the public space is a means of free speech; democratic behavior; tolerant; pluralism; and social justice can shape civil society. whereas the impact of hoax news greatly affects the way people perceive a certain issue, so that people cannot distinguish which news is real or fake news which causes them to be incited by fake news that is spread.


2019 ◽  
pp. 100-122
Author(s):  
Francis L. F. Lee

This chapter reviews the relationship between the media and the Umbrella Movement. The mainstream media, aided by digital media outlets and platforms, play the important role of the public monitor in times of major social conflicts, even though the Hong Kong media do so in an environment where partial censorship exists. The impact of digital media in largescale protest movements is similarly multifaceted and contradictory. Digital media empower social protests by promoting oppositional discourses, facilitating mobilization, and contributing to the emergence of connective action. However, they also introduce and exacerbate forces of decentralization that present challenges to movement leaders. Meanwhile, during and after the Umbrella Movement, one can also see how the state has become more proactive in online political communication, thus trying to undermine the oppositional character of the Internet in Hong Kong.


2005 ◽  
Vol 19 (3) ◽  
pp. 443-462 ◽  
Author(s):  
Georgy Ganev

Marxism dominated in Bulgaria for more than forty years until 1989 and then completely vanished from the public discourse within several years. Where has it gone? The present article addresses this question by noting that even if they are out of the public discourse, remnants of the previously dominant set of ideas should still be found in people’s thinking. It illustrates this general argument by outlining how the survival into post-communism of a pillar of Marxist economic theory—the labor theory of value—can explain several significant discrepancies between facts and perceptions, called the “experience gap,” shown to exist in Bulgaria at the beginning of the twenty-first century. On the other side, the presence of the experience gap in Bulgaria is a factor influencing the availability and the choice of policy options. Thus, the Marxist labor theory of value continues to live in people’s minds and still shapes today’s Bulgarian reality.


2021 ◽  
Vol 1 (2) ◽  
pp. 79-88
Author(s):  
Dede Mercy Rolando ◽  
Tri Adellia ◽  
Nuril Maulana Alifia Aziz ◽  
Galuh Dwi Kartika Wicaksono

This study aims to determine how the role and function of Public Relations in LKBN ANTARA Bureau Lampung in maintaining a positive image in the eyes of the public. In order to examine this research, the author uses descriptive qualitative research methods with data collection in the form of interviews, documentation and literature. The subject of this research is Public Relations practitioners in LKBN Anatara Lampung bureau. This study looks at the impact of technological advances that have disrupted conventional mass media, so that news channels are now converged into online channels. However, due to the convenience offered by online media, the information submitted cannot be filtered properly. The amount of information that is anonymous has resulted in the largest number of hoax news in online media. This reduces the credibility of an online news portal in the eyes of the public. Even some people doubt the accuracy of the news available on online channels. Public Relations at LKBN ANTARA Bureau Lampung acts as a Communication Technician, Communication Facilitator and Problem Solving Facilitator. And Public Relations here also acts as a management function and communication function.


2016 ◽  
Vol 2016 ◽  
pp. 272-278
Author(s):  
Celena Monteiro

Dancehall, a popular dance style originating from downtown Kingston, Jamaica, now circulates across transnational spaces through digital media and postcolonial consumption systems. This presentation will study dancehall in the twenty-first century as an information age space for transcultural production, with a focus on female participation. It will interrogate the authoritative role of the video camera in the scene, and the impact that the use of screens has on the practitioners' cultural, phenomenological, and economic experience. The discussion will analyze the engagement of diversely situated females in relation to questions of mobility, visibility, and power.


2014 ◽  
Vol 13 (1-2) ◽  
pp. 129-147 ◽  
Author(s):  
Deborah Hobden

AbstractIn this article I examine the impact of luxury development on an African city through a case study of the Accra Mall, in Accra, Ghana. Completed in 2008, the mall is the first self-contained shopping and leisure destination in the country and has been celebrated for propelling Ghana into the modern era. Situating the Accra Mall within the globalization of Accra, I contrast the private consumption-oriented development of twenty-first century Accra with the public architecture of the 1950s and 1960s, arguing that contemporary development in Accra responds to the demands of elite urban consumers while marginalizing the needs of the majority of urban residents. I then explore how elite development is contributing to shifting notions of urban citizenship, whereby citizenship is being defined in increasingly neoliberal and consumerist terms.


Author(s):  
إلياس أبو بكر الباروني

The researcher seeks to evaluate and understand digital media in raising awareness of community issues among the public. The research aims to identify theoretical approaches to the impact of digital media on public awareness, and to clarify models of the impact of digital media on public awareness. The research used the descriptive and analytical approach, which attempts to analyze and describe the impact of digital media on social awareness among the public, as the research reached the most important results that the reality imposed itself in the form of digital media through its various means played an important and effective role in the movements and revolutions that the countries witnessed in the movements and revolutions of the democratic spring. Some people described it as "Vmsbouquet revolutions" in relation to the important role that Facebook played in communication between the demonstrators, which prompted some to say that virtual or digital media has replaced political organizations in playing their role aimed at political upbringing in what some have called "" Bringing up the internet.


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