Introduction

2017 ◽  
Author(s):  
Robert Miklitsch
Keyword(s):  
New Media ◽  
Gender And Sexuality ◽  
The Body ◽  
Femme Fatale ◽  
Race And Class ◽  
Nuclear Bomb ◽  
Private Detective ◽  
Character Types

The introduction offers a fresh, animated take on the various films as well as the macro themes (anticommunism, the atomic or nuclear bomb, new media and technologies such as TV and 3-D, color and widescreen), character types (femme fatale, private detective, FBI, police), and leitmotifs (race and class, gender and sexuality, nation and homosexuality, expressionism and neo-realism) discussed in more detail and at greater length in the body of the book.

The Red and the Black

2016 ◽  
Author(s):  
Robert Miklitsch
Keyword(s):  
New Media ◽  
Atomic Bomb ◽  
Nuclear Family ◽  
Film Noir ◽  
Gender And Sexuality ◽  
Three Dimension ◽  
Femme Fatale ◽  
Media Technologies ◽  
The Face ◽  
The Way

Given that 1955, the dead center of “the Fifties,” was the year in which RKO, the “house of noir,” was sold to Desilu Studios, the home of I Love Lucy, it would appear on the face of things that classic American film noir was good and dead by midcentury. But despite the received critical wisdom about the genre, The Red and the Black proposes that the grand, rise-and-fall narrative about classic noir misprizes the way in which, via various subgenres (melodrama, semi-documentary, etc.), it dramatizes complex notions about gender and sexuality, race and family, nation and homosexuality. The clichés about 1950s noir also misrecognize the way in which, via new media and technologies (color, television, 3-D, widescreen), it effects a dynamic segue between 1940s expressionist noir and early, “modernist” neo-noir. Since the negative, stereotypical determination of Cold War noir tends to be a function of generalities about the genre and the period, The Red and the Black focuses less on “the Fifties” than on the performative contradictions of particular films and the representative cultural-political formations—anticommunism, the atomic bomb, and new media/technologies--of which they are singular “examples.” In fine, in “the Fifties,” in the age of TV and three-dimension, the femme fatale and the nuclear family, Cinemascope and Technicolor, the A-bomb and McCarthyism, the blacklist and “reds under the beds,” ‘50s noir not only existed but flourished.

Reviews

Screen Bodies ◽  
2018 ◽  
Vol 3 (2) ◽  
pp. 86-98
Author(s):  
Josh Morrison ◽  
Sylvie Bissonnette ◽  
Karen J. Renner ◽  
Walter S. Temple
Keyword(s):  
New York ◽  
New Media ◽  
The Body ◽  
Media Art ◽  
University Of Minnesota ◽  
Body Images ◽  
New Media Art

Kate Mondloch, A Capsule Aesthetic: Feminist Materialisms in New Media Art (Minneapolis: University of Minnesota Press, 2018), 151 pp. ISBN: 9781517900496 (paperback, $27) Alberto Brodesco and Federico Giordano, editors, Body Images in the Post-Cinematic Scenario: The Digitization of Bodies (Milan: Mimesis International, 2017). 195 pp., ISBN: 9788869771095 (paperback, $27.50) Cynthia J. Miller and A. Bowdoin Van Riper, editors, What’s Eating You? Food and Horror on Screen (New York: Bloomsbury Academic, 2017). 370pp., ISBN: 9781501322389 (hardback, $105); ISBN: 9781501343964 (paperback, $27.96); ISBN: 9781501322419 (ebook, $19.77) Kaya Davies Hayon, Sensuous Cinema: The Body in Contemporary Maghrebi Cinema (New York: Bloomsbury, 2018). 181pp., ISBN: 9781501335983 (hardback, $107.99)

The Resurrection Body

2019 ◽  
pp. 660-674
Author(s):  
Taylor G. Petrey
Keyword(s):  
Radical Change ◽  
Gender And Sexuality ◽  
The Body ◽  
Synoptic Gospels ◽  
Feminist Scholarship ◽  
Approaches To Studying ◽  
Early Christian

This chapter surveys the relevant ancient Christian and Jewish texts on the resurrection that discuss gender and sexuality and the scholarship about these topics. It provides particular emphasis on the Jesus of the Synoptic Gospels, Paul, and the early Christian reception of their ideas in the second through fourth centuries. The saying of Jesus that those who are resurrected shall be “as angels” is central to early Christian theologies of the body and sexuality. Paul’s discussion of the nature of the resurrected body and the importance of the parts also informs how early Christians developed these ideas. The tension in early Christian writing about the resurrection was between those who emphasized continuity between the mortal and resurrected self, and those who emphasized a radical change between the two. Further, the chapter provides an overview to major scholarly methods and approaches to studying the resurrection, including feminist scholarship.

scholarly journals Caring for affective subjects produced in intimate healthcare examinations

2021 ◽  
pp. 136345932110200
Author(s):  
Jenny Gleisner ◽  
Ericka Johnson
Keyword(s):  
Medical Students ◽  
Gender And Sexuality ◽  
The Body ◽  
Digital Rectal Exam ◽  
Discursive Analysis ◽  
Work Spaces ◽  
Pelvic Exam ◽  
Care Practices

This article is about the feelings – affect – induced by the digital rectal exam of the prostate and the gynaecological bimanual pelvic exam, and the care doctors are or are not instructed to give. The exams are both invasive, intimate exams located at a part of the body often charged with norms and emotions related to gender and sexuality. By using the concept affective subject, we analyse how these examinations are taught to medical students, bringing attention to how bodies and affect are cared for as patients are observed and touched. Our findings show both the role care practices play in generating and handling affect in the students’ learning and the importance of the affect that the exam is (or is not) imagined to produce in the patient. Ours is a material-discursive analysis that includes the material affordances of the patient and doctor bodies in the affective work spaces observed.

scholarly journals Turkey’s queer times: an introduction

2021 ◽  
pp. 1-14
Author(s):  
Cenk Özbay ◽  
Kerem Öktem
Keyword(s):  
Knowledge Production ◽  
Gender And Sexuality ◽  
The Body ◽  
Sexual Rights ◽  
Public Attention ◽  
State Institutions ◽  
Sexual Identities ◽  
Queer Culture ◽  
Muslim Majority ◽  
And Gender

Today Turkey is one of the few Muslim-majority countries in which same-sex sexual acts, counternormative sexual identities, and expressions of gender nonconformism are not illegal, yet are heavily constrained and controlled by state institutions, police forces, and public prosecutors. For more than a decade Turkey has been experiencing a “queer turn”—an unprecedented push in the visibility and empowerment of queerness, the proliferation of sexual rights organizations and forms of sociabilities, and the dissemination of elements of queer culture—that has engendered both scholarly and public attention for sexual dissidents and gender non-conforming individuals and their lifeworlds, while it has also created new spaces and venues for their self-organization and mobilization. At the point of knowledge production and writing, this visibility and the possible avenues of empowerment that it might provide have been in jeopardy: not only do they appear far from challenging the dominant norms of the body, gender, and sexuality, but queerness, in all its dimensions, has become a preferred target for Islamist politics, conservative revanchism, and populist politicians.

The Inherent Link between Gender and Sexuality: A Queer View to the Portrayal of Women in Herland, Things Fall Apart, Bombay Brides, and The Winner Stands Alone

2021 ◽  
Vol 4 (1) ◽  
pp. 13-22
Author(s):  
Suparna Roy
Keyword(s):  
Women Characters ◽  
Judith Butler ◽  
Gender And Sexuality ◽  
The Body ◽  
Subject Position ◽  
Symbolic Order ◽  
Helene Cixous ◽  
Cultural Perspectives ◽  
Things Fall Apart ◽  
Gender Trouble

Stevie Jackson and Jackie Jones regarded in her article- Contemporary Feminist Theory that “The concepts of gender and sexuality as a highly ambiguous term, as a point of reference” (Jackson, 131, ch-10). Gender and Sexuality are two most complexly designed, culturally constructed and ambiguously interrelated terms used within the spectrum of Feminism that considers “sex” as an operative term to theorize its deconstructive cultural perspectives. Helene Cixous notes in Laugh of Medusa that men and women enter the symbolic order in a different way and the subject position open to either sex is different. Cixious’s understanding that the centre of the symbolic order is ‘phallus’ and everybody surrounding it stands in the periphery makes women (without intersectionality) as the victim of this phallocentric society. One needs to stop thinking Gender as inherently linked to one’s sex and that it is natural. To say, nothing is natural. The body is just a word (as Judith Butler said in her book Gender Trouble [1990]) that is strategically used under artificial rules for the convenience of ‘power’ to operate. It has been a “norm” to connect one’s sexuality with their Gender and establish that as “naturally built”. The dichotomy of ‘penis/vagina’ over years has linked itself to make/female understanding of bodies. Therefore my main argument in this paper is to draw few instances from some literary works which over time reflected how the gender- female/women characters are made to couple up with a male/man presenting the inherent, coherent compulsory relation between one’s gender and sexuality obliterating any possibility of ‘queer’ relationships, includes- Charlotte Perkins Gilman’s Herland (1915), Bombay Brides (2018) by Esther David, Paulo Coelho’s Winner Stands Alone (2008) and Chinua Achebe’s Things Fall apart (1958).

scholarly journals ADOLESCÊNCIA, SUBJETIVIDADE E QUESTÕES DE GÊNERO NO TEATRO DE MARK RAVENHILL

2019 ◽  
Vol 19 (2) ◽  
pp. 30-39
Author(s):  
Fabiano Fleury Souza Campos
Keyword(s):  
Structural Analysis ◽  
Judith Butler ◽  
Gender And Sexuality ◽  
The Body ◽  
And Gender

A partir da análise estrutural, focada, sobretudo, nos personagens da peça Shopping and Fucking (1996), escrita pelo dramaturgo britânico Mark Ravenhill, evidenciamos uma relação incomum entre os elementos formadores desse trabalho teatral e as discussões sobre subjetividade, gênero e sexualidade voltadas para os adolescentes, nos dias atuais. Os contornos dos personagens dessa peça desestabilizam certas noções pré-concebidas sobre a individualidade e a corporeidade, por exemplo. Para a nossa análise, apoiamo-nos sobre os apontamentos de teóricos dedicados tanto ao teatro, como Pierre Sarrazac e Elinor Fuchs, quanto à sociologia e política, como Judith Butler. A peça por meio do discurso agressivo e a violência direcionadas ao corpo dos personagens é capaz de abalar as certezas e a moralidade previamente determinadas de seus espectadores.YOUTH, SUBJECTIVITY AND GENDER IN MARK RAVENHILL’S THEATER Abstract: from the structural analysis, focused mainly on the characters of the play Shopping and Fucking (1996), written by British playwright Mark Ravenhill, our study shows an unusual relationship between the elements of theatre and the contemporary discussions about subjectivity, gender, and sexuality among adolescents presented in this play. The contours of the characters destabilize certain preconceived notions to individuality and embodiment, for example. Our analysis are supported, for instance, by theater theories developed by Pierre Sarrazac and Elinor Fuchs, and sociology concepts implemented by Judith Butler.  Through aggressive discourse and violence directed to the body of the characters, the play is able to shake the certainties and moralities previously found in Ravenhill’s viewers.Keywords: Ravenhill. Contemporary British Theater. Adolescence. Subjectivity. Gender. 

scholarly journals Digital action campaigns in the global public sphere

2021 ◽  
Author(s):  
◽  
Jumoke Giwa
Keyword(s):  
Civic Engagement ◽  
New Media ◽  
Public Sphere ◽  
Digital Media ◽  
Participant Observation ◽  
The Body ◽  
Cultural Issues ◽  
Gender Based Violence ◽  
Media Technologies ◽  
New Media Technologies

<p>This research project undertakes a critical analysis of the use of new media technologies by community activists engaging in local and global communities. Increasingly, community organizations are using digital media to augment their various activities and conduct campaigns. I will consider this development with regard to WorldPulse.com, a global organization whose aim is to foster and facilitate civic engagement. More specifically, the website attempts to function and serve as a global public sphere and vehicle for the expression and discussion of political, social and cultural issues relevant to women. The analysis conducted in this thesis focuses on the website’s digital action campaigns on gender-based violence, girl child education, and women’s access to technology between 2012 and 2014, and its ‘Voices of Our Future’ citizen journalism training program.  This project employs digital ethnographic methods using content and discourse analysis, participant observation, online web survey, semi-structured email interviews and a researcher’s journal to examine the potential of worldpulse.com to serve as a global public sphere for women. The research makes use of critical studies theories and data triangulation methodologies in order to identify and evaluate if, and to what extent, the site facilitates public sphere activity and activism. I have developed an inductive typology to assess levels and kinds of civic engagement that is enabled and augmented by the interconnection of online and offline advocacy. This thesis aims to contribute to the body of scholarly literature researching and evaluating the extent to which new media technologies enable and facilitate public sphere engagement.</p>

scholarly journals Sexuality, Feminism and Polish Cinema in Maria Kornatowska’s "Eros i film"

Panoptikum ◽  
2020 ◽  
pp. 117-130
Author(s):  
Małgorzata Radkiewicz
Keyword(s):  
Gender Identity ◽  
Critical Analysis ◽  
Film Studies ◽  
Gender And Sexuality ◽  
The Body ◽  
Creative Potential ◽  
Feminist Theories ◽  
Feminist Film ◽  
The Relationship ◽  
Film Critic

The text addresses the issue of feminist film criticism in Poland in the 1980s, represented by the book by Maria Kornatowska Eros i  film [Eros and Film, 1986]. In her analysis Kornatowska focused mostly on Polish cinema, examined through a feminist and psychoanalytic lens. As a film critic, she followed international cinematic offerings and the latest trends in film studies, which is why she decided to fill the gap in Polish writings on gender and sexuality in cinema, and share her knowledge and ideas on the relationship between Eros and Film. The purpose of the text on Kornatowska’s book was to present her individual interpretations of the approach of Polish and foreign filmmakers to the body, sexuality, gender identity, eroticism, the question of violence and death. Secondly, it was important to emphasize her skills and creative potential as a film critic who was able to use many diverse repositories of thought (including feminist theories, philosophy and anthropology) to create a multi-faceted lens, which she then uses to perform a subjective, critical analysis of selected films.

The accumulation of 137Cs by brackish water invertebrates and its relation to the regulation of potassium and sodium

1963 ◽  
Vol 43 (2) ◽  
pp. 541-565 ◽  
Author(s):  
G. W. Bryan
Keyword(s):  
New Media ◽  
Brackish Water ◽  
Sea Water ◽  
Indirect Evidence ◽  
The Body ◽  
Limiting Factor ◽  
Wide Range ◽  
Concentration Factors ◽  
The Relationship ◽  
Potamopyrgus Jenkinsi

The relationship between the ability of brackish water invertebrates to regulate Na and K and the extent to which the radioactive fission product 137Cs can be accumulated has been studied.The brackish water isopod Sphaeroma hookeri and the gastropod Potamopyrgus jenkinsi have been acclimatised to a wide range of sea-water dilutions. Unfed Sphaeroma can survive in sea-water concentrations of 100–2·5%, while Potamopyrgus can live fairly indefinitely in concentrations of 50–0·1%. Measurements of Na and K in the whole animals of both species and in the blood of Sphaeroma have been made. Salt movements are quite rapid and acclimatization to new media is achieved by both species in less than 10 h. Concentration factors for inactive K in particular increase to high values in the more dilute media.Uptake of the isotopes 42K and 137Cs from solution has been examined in both species over a range of sea-water concentrations. All of the body K is exchangeable with 42K and in Sphaeroma exchange of 42K between the blood and tissues is so rapid that the body surface appears to be the limiting factor in the uptake of the isotope. Both species exchange 42K more rapidly in the higher concentrations of sea water and one reason for this may be the existence of an exchange diffusion component of exchange which increases as the salinity of the medium is raised. Indirect evidence suggests that the excretion of 42K in urine is probably not an important factor in exchange.

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