Favelas for Sale

2017 ◽  
Author(s):  
Kátia da Costa Bezerra
Keyword(s):  
Short Story ◽  
Cultural Productions ◽  
Modes Of Representation ◽  
The 1950S ◽  
The Way

This chapter analyzes the short-story “Maria Déia” written by Lia Vieira, which traces the story of some residents who were evicted from Morro de Santo Antonio in the 1950s. It also examines the video ImPACtos produced in 2010 by the collective multimedia group Favela em Foco. These two cultural productions enable us to trace a series of discourses/modes of representation that have been used to legitimize and justify urban interventions. This chapter examines the way both cultural productions challenge the recurring, dominant representations of favelas as a space of otherness and/or spectacles of consumption. The chapter illustrates how these cultural productions allow us to understand that these urban interventions are not simply a dispute over the control of a territory, but are part of the continuing struggle over the meanings and boundaries vis-à-vis conflicting views of citizenship and belonging.

Cut Flowers Being Sold as Impulse Items: A Look at Factors Affecting Impulse Product Merchandising

HortScience ◽  
1998 ◽  
Vol 33 (3) ◽  
pp. 558c-558
Author(s):  
Jennifer B. Neujahr ◽  
Karen L.B. Gast
Keyword(s):  
Consumer Behavior ◽  
Marketing Strategies ◽  
Easy Access ◽  
Future Research ◽  
Grocery Stores ◽  
Cut Flowers ◽  
Factors Affecting ◽  
New Type ◽  
The 1950S ◽  
The Way

Consumer behavior research seems to play an big role in determining the wants and needs of an industry. This research helps to shape the way we market to the consumers and helps make marketing strategies more effective. In the 1950s grocery stores began to sell horticulture products in order to alleviate the growers' surplus. Supermarkets now have seem to found their niche in this market due to the fact that they can influence their consumers to buy their flowers right along with their bread, and get all of their shopping done at once. This new type of sale, commonly referred to as the impulse sale, can relate directly to how well the store is merchandised and maintained. A study was conducted at a local supermarket, to determine the following: good locations for impulse sales items, special conditions affecting impulse sales items, and what types of things could affect demand for impulse items. It was discovered that certain locations make better sales than other locations. Locations that were front and center and allowed easy access to seeing the mixed flower bouquet without having to touch it yielded the best results. The variables used to show a change in demand showed little to some variability and has raised some questions which may be used to conduct future research.

Practicing Anthropology in the Urban Delta

1991 ◽  
Vol 13 (3) ◽  
pp. 9-10
Author(s):  
Rosalind Cottrell
Keyword(s):  
Growing Up ◽  
Dump Site ◽  
Young Girls ◽  
Medical Anthropologist ◽  
Scrap Iron ◽  
The 1950S ◽  
The Many ◽  
The City ◽  
The Way ◽  
Value Of Education

When I was growing up in the 1950s in one of the poorest neighborhoods in the urban Delta, the closest I came to an anthropologist was the man who dug the dump site near our home looking for old scrap iron to sell. Certainly there was no expectation for me to become an anthropologist from my grandmother, the matriarch of our family. However, she had moved to the city after the death of her husband with expectations of a better life for her four girls. Stressing education as "the way out," she told stories about her slave uncle who recognized the value of education and learned to read from two young girls he drove to school. In turn, he taught this daily lesson to his family around the fire each night. The many evenings sitting on our front porch, and on the front porch of neighbors, watching and listening to grandma's stories and the stories of others, set a foundation for anthropology in my life and led to my becoming a medical anthropologist.

scholarly journals Autobiographisches Schreiben in Alfred Anderschs Prosa der 50er Jahre

2017 ◽  
pp. 121-133
Author(s):  
Joanna Jabłkowska
Keyword(s):  
Short Story ◽  
Recent Literature ◽  
Young Men ◽  
Concentration Camp ◽  
Crucial Importance ◽  
Autobiographical Texts ◽  
The 1950S ◽  
Alfred Andersch

Alfred Andersch´s autobiographical texts from the 1950s have been heavily criticized in recent literature on the topic. W.G. Sebald´s essay about Andersch was of crucial importance. The details of Andersch´s stay in the Dachau concentration camp as well as the writer´s motivation to desert at the end of the war were questioned. The article aims at a new reading of Andersch´s autobiographical texts with regard to their credibility. It compares the early short story Flucht in Eturien with the autobiography Die Kirschen der Freiheit and a few less known texts. The analysis leads to the conclusion that Andersch “re-wrote” his biography as a creation that fulfils unconscious wishes of a whole generation. His intention was to adapt the image of decent young men of antifascist beliefs whose only guilt was the loyalty to their comrades.

scholarly journals INTERPERSONAL MEANING IN THE SHORT STORIES OF WILLEM ISKANDER’S SI BULUS-BULUS SI RUMBUK-RUMBUK

LINGUISTICA ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 409
Author(s):  
ULFA YOZA SALSABILA ◽  
ELIA MASA GINTING ◽  
WILLEM SARAGIH
Keyword(s):  
Short Stories ◽  
Short Story ◽  
The Subject ◽  
The Way

This study aimed to analyze the mood and modality used in the short stories of Willem Iskander’s Si Bulus-Bulus Si Rumbuk-Rumbuk, elaborating and explaining the interpersonal meaning realized in each short story. The source of data was taken from a book authored by Willem Iskander, entitled “Si Bulus- Bulus Si Rumbuk-Rumbuk”. This research showed that : (1) there were 157 clauses in the short stories with three mood types and two degrees of modality. (2) interpersonal meaning is realized based on the order of the subject and the finite. (3) the reason why the interpersonal meaning is realized in the way they are is that the author wants to share his thoughts and experiences of Mandailingnese by classifying each clause and finding the dominant use of declarative mood as the most direct and soft way of conveying the author’s thought

scholarly journals Mythopoetics of the Were-Dragon (The Way of the Dragon by B. M. Yulsky and the Literary Context)

2021 ◽  
Vol 20 (2) ◽  
pp. 128-135
Author(s):  
Guanqiong Lin
Keyword(s):  
Short Story ◽  
Chinese Culture ◽  
Far East ◽  
Historical Analysis ◽  
Mountain Forest ◽  
The Real ◽  
Literary Context ◽  
History Of ◽  
Frontier Mythology ◽  
The Way

As a Russian mountain-forest policeman and writer of the Harbin diaspora, B. M. Yulsky combined in his prose the experience of the police service and ideas about the ethnoculture of the Chinese who inhabited the territory of the Far East. This article contains a hermeneutic and comparative historical analysis of the short story The Way of the Dragon (1939) by B. M. Yulsky. The artistic morphology of the dragon is built on the comparison of its image in Chinese, Amur, Slavic and European cultures. One of the key images in the Russian heroic epic, in the Christian legend of Saint George, in Western and Northern European mythology, the dragon is actualized in modern literature. The analysis involves a philosophical treatise and a Chinese classic novel. It is shown that in the Chinese mythopoetic consciousness the temper and morphology of the dragon is different from its interpretation in European and Russian texts. The content of the short story by B. M. Yulsky speaks about his acquaintance with the understanding of the dragon, which is more characteristic in Chinese culture. The writer integrated the archaic image of the werewolf dragon into the real situation and brought a legend to the history of Honghuzi. The facts set forth in the monograph by D. V. Ershov are the real confirmation of the story described by B. M. Yulsky. The Way of the Dragon is an example of the artistic ethnography and the authorial frontier mythology that have developed in Russian literature in Harbin.

scholarly journals Finding the Right Balance: Financial Self-Help Organizations as Sources of Security and Insecurity in Urban Indonesia

2000 ◽  
Vol 45 (S8) ◽  
pp. 159-177 ◽  
Author(s):  
Hotze Lont
Keyword(s):  
Social Context ◽  
Social Security ◽  
Social Function ◽  
Self Help ◽  
The World ◽  
The 1950S ◽  
The Right ◽  
Financial Arrangements ◽  
Main Shortcoming ◽  
The Way

Financial self-help organizations can be found in many parts of the world, and the cities of Java are among the areas where they are particularly widespread. Since about the 1950s, interest in these institutions among anthropologists and development sociologists has increased considerably. Analyses of financial self-help organizations have most often focused on their economic or their social function; few scholars have pointed to their function as providers of security and identified self-help organizations as typical forms of local social security institutions. The main shortcoming of most of these studies is that they base their conclusions solely on an analysis of the financial arrangements provided by these self-help organizations, neglecting the accommodating practices that people undertake in order to fit the provisions of self-help organizations to their own household needs. This essay explores the observation that financial self-help organizations do not simply provide security through the different kinds of insurance mechanisms they might contain, but that, particularly through the way in which people use them and participate in them, these institutions become meaningful for coping with insecurity. It examines the question of whether participation in financial self-help organizations contributes to the ability of households to cope with adversities and deficiencies in a concrete social context. Research aiming to answer this question was conducted in Bujung, an urban ward on the outskirts of Yogyakarta, on the island of Java.

A “Burlesque Queen in Bobby Socks”: Domesticity, Criminality, and Suspense in Charles Williams’s Noir Fiction

2021 ◽  
Author(s):  
Maysaa Husam Jaber
Keyword(s):  
Twentieth Century ◽  
Gender Roles ◽  
Gender Schema ◽  
The Us ◽  
The 1950S ◽  
Post War ◽  
Noir Fiction ◽  
The Way

This article proposes that Charles Williams’s mid-twentieth-century noir fiction reshapes post-war representations of gender roles and paves the way for various renditions and developments of noir. Williams’s works are narratives of transgression meeting domesticity, crime meeting docility, and cunning meeting conformity; they portray a deadly recipe that comprises different, even conflicting ingredients of a fusion between domesticity, crime, and suspense. By examining the recurring figure of the criminal housewife in his work, especially Hell Hath No Fury (1953), this article argues that Williams brings forth a complex and subversive gender schema to trouble both the creed of domesticity popular in the 1950s and the stereotyping of the lethal seductress prevalent in noir fiction. By so doing, Williams’s noir not only brings the transgression of women to the fore but also displays a compelling picture of post-war gender roles in the US under McCarthyism.

What Is the Tradition of Chinese Prose Poetry?

2016 ◽  
Author(s):  
Nick Admussen
Keyword(s):  
Prose Poetry ◽  
State Socialism ◽  
Free Verse ◽  
Rabindranath Tagore ◽  
Fourth Period ◽  
History Of ◽  
The 1950S ◽  
May Fourth ◽  
The Way

This chapter examines, rejects, and revises the traditional history of the genre of prose poetry. Through a reading of Agamben, it demonstrates that during the May Fourth period, writers called a wide variety of work by the name prose poetry, including lineated free verse, lyric essays, and even fiction. By contrast, the writers of the 1950s wrote generically coherent work, and in the 1980s those same writers produced the focused, meaningful genre definitions that we use today. Because contemporary prose poetry has its roots in the obedient socialist poetry of the 1950s, it is not an inherently subversive form; its acts of refusal often serve to humanize or personalize the dictates of state socialism. The end of the chapter finds that the greatest stylistic influence on early prose poetry were Bing Xin’s translations of Rabindranath Tagore, and the way she made his transcendental music into vernacular prose.

Fictions of Irregular Post-Soviet Migration

2018 ◽  
Author(s):  
Claudia Sadowski-Smith
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
The United States ◽  
Comparative Approach ◽  
Abraham Cahan ◽  
Short Story Collection ◽  
Mary Antin ◽  
Cultural Productions ◽  
European Immigrants ◽  
Eastern European Immigrants

This chapter explores Sana Krasikov’s short story collection One More Year (2008) and Anya Ulinich’s novel Petropolis (2007) in order to develop a comparative approach to representations of irregular and unauthorized migration, a form of movement that has been largely identified with migrants from Mexico and Central America. The fiction by Krasikov and Ulinich represents ethnically and racially diverse protagonists from Russia, Georgia, and Uzbekistan, who arrive in the United States on nonimmigrant visas and become irregular or undocumented. These two works move beyond the themes of assimilation and family migration that dominated twentieth-century cultural productions by eastern European immigrants of Jewish descent, such as Mary Antin, Abraham Cahan, and Anzia Yezierska. Their work laid the foundation for a literature of assimilation to a middle-class white US racial identity that became fully available to European immigrants by the mid-twentieth century. The fiction by Krasikov and Ulinich emphasizes post-Soviet characters’ experiences of diminished access to the US labor market, residency, and citizenship rights, and thus positions itself in the larger context of contemporary US immigrant writing.

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