»Records in becoming«. Concepts and challenges

2018 ◽  
Vol 1 (2) ◽  
pp. 317-322
Author(s):  
Bogdan Florin Popovici ◽  

The paper examines a concept-records in becoming-and its possible implications for archival management.In 1994, Sue McKemmish uses the same term, record in becoming, in order to assert that the record is never finished. Within the framework of Australian records continuum, she supports the idea that at every step in a record existence, at any interaction with people, systems, business process, that record acquire new meanings, annotations, significances, therefore is never finished. Using the same terms in archival literature brings, first of all, confusions and an explanation of the mindset and implications of the two usage is intended. On the other hand, for each case, archival management needs an updated approach, in order to preserve and to deliver the proper representation of record to the users

Author(s):  
Yaakov Mazor

This chapter discusses the badkhn in contemporary hasidic society. Hasidic society does not approve of radical innovations in relation to religious custom, and this is certainly true of the activities of badkhonim at weddings. Nevertheless, the hasidic leadership has been able to channel such activities into preferred directions, in accordance with its own conceptions and usages. Earlier practices that clashed with hasidic customs and beliefs have been discarded. On the other hand, mystical interpretation has invested some traditional values with new meanings. The badkhn's position has thus been strengthened, thanks to the legitimization of his activity from a religious point of view. The same is true of the badkhn's verses and the accompanying music. It would appear, however, that the shift of emphasis from form to content, to the inner meaning of the badkhn's activities, has resulted in the formation, on one hand, of rigorous new constraints and, on the other, of new possibilities for the creation of local or even individual, personal styles, depending on the relative involvement of the tsadikim in such activities.


Nordlit ◽  
2020 ◽  
Author(s):  
Nadir Kinossian

Cultural landscapes represent social structures, interests, and values. At the same time, the observer can derive, interpret, reinterpret, and inscribe new meanings to the landscape. Landscapes that are saturated with ideologically charged symbols dictate to the viewer what can and cannot be seen and derived from them. On the other hand, landscapes that are abandoned, ruined, partly erased, and deprived of actors, activities, and political context present a different sort of setting. What can be derived from them? What or whom do they represent? Can the current conceptualisations help to capture their meanings? This paper attempts to expand the debate on cultural landscapes, by exploring the linkages to the concepts of haunting and ghosts. It uses the Russian settlements of Barentsburg, Pyramiden and Grumant, located in Svalbard (Norway), as an example. The paper argues that ruined and abandoned landscapes are ‘haunted’, and that the viewer can engage with a haunted landscape through interactions with ‘ghosts’ – fictitious agents that fulfil two roles: i) allowing the viewer to associate with the ghost, and ii) reminding the viewer of the bygone actors, forces, and contexts that shaped the landscape.


2016 ◽  
Vol 2 (1) ◽  
pp. 86
Author(s):  
Aihua Wen

Internet users have given two existing phrases in Chinese, “Jiang Zhen” and “Lao Siji” new second definitions. “Jiang Zhen” which exists in some southern Chinese dialects is gradually becoming a new Mandarin phrase. The phrase’s meaning is being transformed and this new meaning is being used by Chinese netizens. This new and transformed meaning has spread quickly throughout the internet. On the other hand, “Lao Siji” now has several new meanings and has become more popular in online and real life conversations. From the three dimensions of language namely semantics, syntax and pragmatics, the two new phrases have their intrinsic connotations. Currently, different sections of the public hold different attitudes to these two new phrases, so their vitality is still waiting for the test of time.


2019 ◽  
Vol 173 (1) ◽  
pp. 108-124
Author(s):  
Saira Ali ◽  
Umi Khattab

Terrorism is not a threat to Western civilisation alone. Drawing on interdisciplinary perspectives and using Pakistan as a case, where the war-on-terror is being fought ceaselessly, analysis was carried out on Pakistan’s mainstream media coverage of, and citizen media reactions to, the December 2014 Peshawar school terror attack where 144 people, mostly children, were killed. Discourse analysis of media texts reflects that Pakistan’s mainstream media was spineless in openly fighting terrorism as it focused on the victims of the attack while camouflaging stories with shahadat-ism (martyrdom). On the other hand, citizen media condemned the Taliban perpetrators and hotly debated the perils of Taliban-ism and Islamo-fascism. Attempts to fight militant Islamism and mitigate terrorism were evident in an emerging citizen sphere where the issue took on new meanings, unlike the West. It is important for journalists to be culturally alert in reporting ‘terrorism’ in the light of the intersections of Islamism.


Author(s):  
U. Peter

The accessible design of e-government ensures that these offers can also be used by people with disabilities (accessibility). Moreover, experience shows that clarity and comprehensibility of the offers benefit from their careful and deliberate design and structuring while keeping in mind accessibility requirements. Therefore, accessibility is useful for all citizens who want to attend to their administrative issues via the Internet (universal design). Accessibility as a cross-sectional subject has to be considered holistically: On the one hand, following the “universal design” principle, it becomes clear that all users benefit from an accessible solution, independent of their abilities and independent of their situation, environment or conditions. On the other hand, especially in e-government, the complete business process has to be considered: An offer accessible in itself may not be usable if an installation routine or plug-in has to be loaded from a non-accessible page or if the work procedure involves a media break.


Author(s):  
Chiara Di Francescomarino ◽  
Paolo Tonella

Annotation of Business Processes with semantic tags taken from a domain ontology is beneficial to several activities conducted on Business Processes, such as comprehension, documentation, analysis and evolution. On the other hand, the task of semantically annotating Business Processes is time-consuming and far from trivial. The authors support Business Process designers in the annotation of process elements by automatically suggesting candidate concepts. The annotation suggestions are computed on the basis of a similarity measure between the text information associated with process element labels and the ontology concepts. In turn, this requires support for the disambiguation of terms appearing in ontology concepts, which admit multiple linguistic senses, and for ontology extension, when the available concepts are insufficient.


2018 ◽  
Vol 15 (1) ◽  
pp. 1-24
Author(s):  
Fabio Colonnese

Although in the wake of the Modern Movement tradition, Álvaro Siza Vieira’s architectural research moves along the thin red line between abstraction and representation. The apparent arbitrariness of some of his compositions, widely analyzed in typological and social key, is primarily an expression of his attention to the moving subject that never translates into illusory devices. Yet, in the last two decades of the 20th century, anthropomorphic and zoomorphic presences began to haunt his architectures, addressing to new meanings. The keys to understanding this phase of Siza’s creative trajectory reside in his hypertrophic graphic activity, in his production as a designer and, most of all, as a sculptor. On one hand, his sketches reveal the tension and negotiation between architecture body and human body, which to some extent constitute the extremes of his formal investigation. On the other hand, his objects and sculptures result as intermediate moments of experimentation and clarification by responding the ergonomic demands through the semantic economy of objet trouvée. Through them, Siza’s architectural anthropomorphism can be interpreted as a moment of transition towards an architecture parlant, which relies on the connotative participation of people to put in scene no longer figures or characters but interactions and feelings: the opportunity of a meeting.


Author(s):  
Milan Mišovič ◽  
Ivana Rábová

SOA (Service Oriented Architecture) has played in the last two decades a very useful role in the design philosophy of the target software. The basic units of software for which the mentioned philosophy is valid are called services. Generally it is counted that the advance implementation of services is given by using so–called Web services that are on the platform of the Internet 2.0. Naturally, there has been counted also with the fact that the services will be used in software applications designed by professional programmers. Later, the concept of software services was supported by the enterprise concept of the SOE type (Service oriented Enterprise) and by the creation of the SOA paradigm.Many computer scientists, including Thomas Erl – doyen of SOA, do not understand SOA either as an integrated technology or as a development methodology. Proofs of this statement are in the following definitions.SOA is a form of technology architecture that adheres to the principles of service – orientation. When realized through the Web services technology platform, SOA establishes the potential to support and promote these principles throughout the business processes and automation domains of an enterprise (Erl, 2006). Thomas Erl (Erl, 2007) has expressed the idea of SOA implementation using the following definition.SOA establishes an architectural model that aides to enhance the efficiency, agility, and productivity of an enterprise by positioning services as the primary means through which solution logic is represented in support of the realization of strategic goals associated with service-oriented computing. Nevertheless the key principles, on which SOA is constructed (Erl, 2006), are not significantly reflected in any of the previous definitions. Some of the mentioned principles are still included at least in the more free definitions of SOA, for example (Barry, 2003).A service-oriented architecture is essentially a collection of services. These services communicate with each other. The communication can involve either simple data or it could two or more services coordinating some activity. From the above mentioned we can pronounce a brief description of SOA. “SOA is an architectural style for consistency of business process logic and service architecture of the target software.”It is a complex of means for solution of special analysis, design, and integration of enterprise applications based on the use of enterprise services. The service solutions of the classic business process logic are, of course, based on the application of at least seven key principles of SOA (free relations, service contract, autonomy, abstraction, reusing, composition, no states). Key attributes of SOA are verbally described in (Erl, 2006). They are so important that a separate article should be devoted to their nature and formalization. On the other hand, there is also clear that each service solution of business logic should respect the principles published in SOA Manifesto, 2009, which are essentially derived from the key principles of SOA.In many publications there are given the SOA reference models usually composed of several layers (presentation layer, business process layer, composite services layer, application layer) giving a meta idea of SOA implementation. Perfect knowledge of the business process logic is a necessary condition for the development of a proper service solution. The different types of business processes should be described in the necessary details and contexts.Interestingly, the SOA paradigm does not provide its own method of finding and describing business processes by giving a layered transparent business process diagram. On the other hand, the methodology provides deep understanding of not only the characteristics of services, but also their functionality and implementation of the key principles of SOA (Erl, 2006).Let us assume that the required process diagrams can be achieved by using some of the advanced methods and descriptions. Among many other methods and description, we can introduce for example methods as Eriksson–Penker Business Extensions, ARIS, BORM (Business Object Relation Modeling) and description as BPMN (Business Process Modeling Notation).This offers the idea of using these methods and descriptions for the SOA paradigm for the purposes of process models conversion into schemes of services with built-in orchestration. Conversion of transformations should be based on the knowledge of two artifacts. The first is the output artifact – everything what diagram process provides for the target service scheme and the second is the input artifact – all what service schemes need.The issue of conversion transformations is the main topic of this contribution. Their implementation will allow software companies to move forward in the creation of service production and it gives a new view of the enterprise functionality in a service solution to company management.


PMLA ◽  
2015 ◽  
Vol 130 (2) ◽  
pp. 384-392 ◽  
Author(s):  
Hayrettidn Yücesoy

This essay aims to contribute to current studies of language and empire by considering arabic and persian in the ninth and tenth centuries. Following the lead of Edward Said on colonial empires and translation, I focus on the political aspects of language and translation in “premodern” trans-Asian societies, which have not received the nuanced attention they deserve. Accentuating the act of adopting and supporting a language as political, I argue that the wax and wane of imperial languages were predicated on two usually simultaneous dynamics: intra-imperial interests and, to use Laura Doyle's term, inter-imperial competition. Imperial patronage aimed, on the one hand, to consolidate power, exercise control, stabilize administration, and order lived reality for imperial subjects and, on the other hand, to create a discourse to fashion and project an image of rule capable of competing with rival claims in Afro-Eurasia. On both fronts, the promotion of one vernacular as “high language” entailed resisting another one in an already filled political, sociocultural, and linguistic space. The new language thus proceeded in an intrusive and even disruptive way since it involved a construction of new meanings to conform to alternative sociopolitical and cultural norms and priorities and to tame the multiplicity of language. Yet, such a political engagement or competition with existing language(s) and discourse(s) also led to new forms of hybridity of language and discourse, as was the case for Persian when the Samanids (819-999) adopted the script of the Arabic language and much of its vocabulary and idioms to express their thoughts.


2015 ◽  
Vol 9 (2) ◽  
pp. 178-203 ◽  
Author(s):  
JOANNA LOVE

AbstractIn 1984 Pepsi-Cola released two groundbreaking commercials for its “Choice of a New Generation” campaign. Marketers reimagined Pepsi's product alongside superstar Michael Jackson's most iconic visual “symbols” and composed a slogan to be sung over fragments of the backing-track to his then-hit song, “Billie Jean.” Although merely replacing Jackson's original lyrics about lust and revenge with a family-oriented slogan had the potential to change meaning potentials the song held in other contexts, it was the re-working of Jackson's celebrity image and omission of key musical structures present within the original that allowed “Billie Jean” to acquire new meanings in the commercials. On the album, careful voice leading practices that pivot precariously between the natural and flat-VI underpin the score's complex harmonic structures to reinforce Jackson's cautionary tale. Pepsi's commercials, on the other hand, skillfully pick “Billie Jean” apart, extract its most memorable themes, and stitch the fragments back together. Consequently, when paired with Pepsi's overtly positive images, the reworked track noticeably diffuses the tension expressed in the original. By incorporating formal musical analysis, musicological inquiry, and formative cultural theory on advertising, MTV, and musical meaning in multimedia, this article contributes to growing discussions about pre-existing popular music's roles in advertising.


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