scholarly journals Seeking Identities Across the Worlds---A Critical Analysis of Ang Lee’s Film The Wedding Banquet

2019 ◽  
Vol 11 (2) ◽  
pp. 91
Author(s):  
Jiefei Yu
Keyword(s):  
Cultural Identity ◽  
Identity Politics ◽  
Cultural Difference ◽  
Identity Problem ◽  
Happy Ending ◽  
Final Destination ◽  
Ang Lee ◽  
Wedding Banquet ◽  
Cultural World ◽  
Identity Problems

Up till the present, most researches on Ang Lee’s films focused on cultural difference and cultural clash in the area of cultural studies. The identity problems facing by the Asian diasporas are neglected by past researchers. Based on the exploration of cultural identity from the perspective of diaspora in cross-cultural world, this paper picks up the Chinese English film The Wedding Banquet as an exemplification to interpret cultural identity politics of the immigrants in America. In the film The Wedding Banquet, the protagonists' identities are fragmented as the coming of the joyous parents comes from Taiwan for the wedding. This exploration of identity can help us to understand the exilic essence of the immigrants’ identity. For the immigrants, identity is always floating and travelling, without a final destination, except some temporary location. The happy ending of the film could be viewed as the “hybridization” of cultural recognition and as the ultimate solution to the identity problem and the Chinese-American cultural confrontation.

Tiki Taane’s With Strings Attached: Alive & Orchestrated and postcolonial identity politics in New Zealand

2018 ◽  
Author(s):  
Oli Wilson
Keyword(s):  
New Zealand ◽  
Cultural Identity ◽  
Identity Politics ◽  
Performance Practice ◽  
Art Music ◽  
Western Art ◽  
Performance Group ◽  
Representational Practices ◽  
Colonial Experience ◽  
Television Documentary

This chapter explores how the New Zealand popular music artist Tiki Taane subverts dominant representational practices concerning New Zealand cultural identity by juxtaposing musical ensembles, one a ‘colonial’ orchestra, the other a distinctively Māori (indigenous New Zealand) kapa haka performance group, in his With Strings Attached: Alive & Orchestrated album and television documentary, released in 2014. Through this collaboration, Tiki reframes the colonial experience as an amalgam of reappropriated cultural signifiers that enraptures those that identify with colonization and colonizing experiences, and in doing so, expresses a form of authorial agency. The context of Tiki’s subversive approach is contextualized by examining postcolonial representational practices surrounding Māori culture and orchestral hybrids in the western art music tradition, and through a discussion about the ways the performance practice called kapa haka is represented through existing scholarly studies of Māori music.

Identity, Beliefs, and Political Conflict

2021 ◽  
Author(s):  
Giampaolo Bonomi ◽  
Nicola Gennaioli ◽  
Guido Tabellini
Keyword(s):  
Cultural Identity ◽  
Identity Politics ◽  
Political Conflict ◽  
Cultural Conflict ◽  
Cultural Group ◽  
Economic Shocks ◽  
Distinctive Features ◽  
Policy Conflict ◽  
Cultural Policies ◽  
Social Divide

Abstract We present a theory of identity politics that builds on two ideas. First, when policy conflict renders a certain social divide—economic or cultural—salient, a voter identifies with her economic or cultural group. Second, the voter slants her beliefs toward the stereotype of the group she identifies with. We obtain three implications. First, voters’ beliefs are polarized along the distinctive features of salient groups. Second, if the salience of cultural policies increases, cultural conflict rises, redistributive conflict falls, and polarization becomes more correlated across issues. Third, economic shocks hurting conservative voters may trigger a switch to cultural identity, causing these voters to demand less redistribution. We discuss U.S. survey evidence in light of these implications.

scholarly journals The Construction of Cultural Identity on “Tamu dari Jakarta” Short Story

2019 ◽  
Vol 8 (2) ◽  
Author(s):  
Puri Bestari Mardani
Keyword(s):  
Cultural Identity ◽  
Short Story ◽  
Cross Cultural ◽  
Cultural Interaction ◽  
Cross Culture ◽  
The Past ◽  
Interesting Topic ◽  
Big City ◽  
Stuart Hall ◽  
Identity Problems

Identity is liquid and changeable as time goes by. The change of identity is possible since identity can be formed both from the past and from the future. In the case of cross culture, one’s identity may have certain problems especially in determining cultural identity. Problems in cultural identity have become an interesting topic to be discussed. It was also an interesting topic for writer to color their literature work.The focus of this research is the cultural identity in “Tamu dari Jakarta” (2002) short story by Jujur Prananto. This story brings out an interesting topic about a villager named Ratna who move into a big city (Jakarta). Problem of cultural identity was clearly seen when she visited her hometown (Klaten), the villagers no longer see her as one of them instead the saw her as a visitor or according to the title of this short story, a guest from Jakarta.The form of this research is a textual analysis research using the concept of cultural identity by Stuart Hall. This research shows that the cultural identity of Ratna is constructed through positioned and positioning identity that is shown from the cross-cultural interaction between characters in this story. Furthermore, the proses of being positioned and positioning was based on the stereotype of Jakarta citizen. However this story gave a different view and new insight on the stereotype of Jakarta citizen.   Keywords: cultural identity, cross-cultural, Jakarta citizen

The Non-identity Fallacy: Harm, Probability and Another Look at Parfit's Depletion Example

Utilitas ◽  
2007 ◽  
Vol 19 (3) ◽  
pp. 267-311 ◽  
Author(s):  
M. A. ROBERTS
Keyword(s):  
Identity Problem ◽  
Future Person ◽  
Low Probability ◽  
Identity Problems

The non-identity problem is really a collection of problems having distinct logical features. For that reason, non-identity problems can be typed. This article focuses on just one type of non-identity problem, the ‘can't-expect-better’ problem, which includes Derek Parfit's depletion example and many others. The can't-expect-better problem uses an assessment about the low probability of any particular person's coming into existence to reason that an earlier wrong act does not harm that person. This article argues that that line of reasoning is unusually treacherous in that it makes not just one hard-to-detect error in what is done with the relevant probability assessments but rather alternates between two. We sort out one fallacy only to fall, against all odds (as it were), into a second. By avoiding both errors, we become able to discern harm in cases in which the can't-expect-better problem argues there is none. We will then be in a position to set aside the can't-expect-better problem as an objection against the person-based intuition that acts that are ‘bad’ must be ‘bad for’ at least some existing or future person.

scholarly journals Matijaner Meyera in Translation: Cultural Identity Construction Through Untranslatability of Language

2020 ◽  
Vol 10 (6) ◽  
pp. 36
Author(s):  
Barnali Talukder
Keyword(s):  
Cultural Identity ◽  
Identity Construction ◽  
Short Story ◽  
Cultural Difference ◽  
Cultural Distance ◽  
Linguistic Identity ◽  
Short Story Collection ◽  
Primary Resource ◽  
Story Collection ◽  
Bengali Language

The concepts of language and cultural identity of a speaker are entwined as they complement each other. However, translation poses a challenge to the identity language predominantly constructs. Therefore, translatable elements of language get the stage of universality while the untranslatable-s essentially bring forth the culture they are descended from. In this study, a short story collection from Bangladesh, Matijaner Meyera, where there is a celebration of diverse branches of Bengali language, has been brought to light to show how untranslatability of a number of culture-oriented vocabularies vibrantly tells about Bengali culture. The primary resource includes a lot many culture-oriented vocabularies as well as few phrases that English, as a language, cannot accommodate in it. Inability of other languages to penetrate such culture-rooted belongings of Bengali language showcases the power a language retains to protect itself from any invading force. This study has argued in favor of the untranslatable base of Bengali that English, due to cultural distance, cannot embrace linguistically. Therefore, such cultural difference eventually develops a distinct linguistic identity of Bengali through untranslatability that this study has attempted to divulge.

scholarly journals Esoterogeni og aktiv forskjellsdannelse: Religion og identitetsskapning, i Stillehavet og andre steder

2019 ◽  
Vol 6 (1) ◽  
pp. 24-39
Author(s):  
Thorgeir Kolshus
Keyword(s):  
Identity Politics ◽  
Cultural Difference ◽  
Social Systems ◽  
Scarce Resources ◽  
Western Modernity ◽  
Island State ◽  
The Pacific ◽  
Empirical Point ◽  
Global Agency ◽  
Point Of Departure

Taking its cue from Marx’ and Weber’s grand theorizing, a key narrative in Western modernity has been the inevitable dissolution of pre-modern identities. This thesis has informed both policy making and notions of global agency, and in effect caused a particular worldview in which everyone will become more or less the same – what I refer to as the Star Trek-vision of globalized culture and values. In this article, I borrow the linguistic concept of ‘esoterogeny’, the creation of the obscure, to address whether difference, far from being coincidental, serves a more fundamental experiential purpose and consequently is actively maintained. The empirical point of departure are church fissions and denominational dynamics in the Pacific island state of Vanuatu. I argue that in an age characterized by identity politics, in which recognition and attention are scarce resources, all keen observers of social systems should expect the outcome of ever more global interaction to lead to an increase in articulations of social and cultural difference.

Facebook and cultural identity: Discourses on mediation among international students

2019 ◽  
Vol 15 (3) ◽  
pp. 303-322
Author(s):  
Delia Dumitrica
Keyword(s):  
Social Media ◽  
Cultural Identity ◽  
Cultural Difference ◽  
Social Media Platforms ◽  
Awareness Raising ◽  
Identity Discourses ◽  
And Performance ◽  
A Site ◽  
Media And Communication ◽  
Four Discourses

Abstract Digital mediation is implicated in the production of cultural identity in multiple ways. The representations produced and circulated on social media platforms, along with the ubiquitous nature of these platforms, become part and parcel of the production and performance of cultural identity. This paper investigates discourses of Facebook mediation and cultural identity among a sample of international undergraduates in media and communication at a major Dutch university. The analysis of 43 written student essays reveals four discourses: Facebook as a mirror of cultural identity, as a cultural mosaic, as a site of cultural difference and as an opportunity for critical reflection on the idea of cultural identity. Interestingly, these discourses are permeated by a recurrent vision of individual control of both mediation and cultural identity. This article discusses the ideological work entailed in these discourses, calling for more awareness raising on the ways in which social media actively construct social reality.

scholarly journals Politik Identitas dalam Sejarah Pembentukan Negara Israel

2014 ◽  
Vol 1 (01) ◽  
pp. 84
Author(s):  
Elpeni Fitrah
Keyword(s):  
Cultural Identity ◽  
Cultural Politics ◽  
State Formation ◽  
Identity Politics ◽  
Political Identity ◽  
The Political ◽  
Main Argument ◽  
Political Movement ◽  
The World

This paper discusses how the political identity becomes a motive of Israel state formation. Identitypolitics is a part of cultural politics which consisted by race, religion, ethnic and culture. TheAuthor identified identity politics as a concept or political movement which focusing into diversity.The main argument of this paper is Israel has succeed utilize its cultural identity narrative to unitethe perception of the Jewish around the world to reproduce as a historical justification as well asthe tools of politics for the sake of the embodiment of national ideals in establishing their ownnation state. Keywords: Identity Politics, Narrative, Perception, Israel

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