scholarly journals Dominant Interests in the Personality of Industrial Design Students within Their Educational Practice

2015 ◽  
Vol 6 (1) ◽  
pp. 29
Author(s):  
Rene Pedroza Flores

<p>The purpose of this paper is the study of the dominant interests of personality in Industrial Design students at the Autonomous University of the State of Mexico. A scale developed by Allport, Vernon, and Lindzey entitled <em>Study of Values. A scale for measuring the dominant interests of personality</em> was used. This scale was applied to a sample of 152 students including men and women of different semesters of the degree enrolled in the first 2015 term. The proven assumption is that the dominant values are the economical, as well as the theoretical one. A striking finding is that the reasons associated with religious, social and political values are the least met.</p>

2015 ◽  
Vol 6 (1) ◽  
pp. 101
Author(s):  
René Pedroza Flores

<p>The purpose of this article is to study the personality dominant values in Graphic Design students from the Autonomous University of the State of Mexico. A scale developed by Allport, Vernon and Lindsey called: <em>Study of values. A scale for the measuring of personality dominant interests </em>was used. The sample was applied to 124 students, men and women, from the different semesters in the current term 2015 A. It was proven that the prevailing dominant values are the economical and the aesthetic. An outstanding finding is the fact that less importance is paid to values associated with the religious, the social and the political.</p>


2020 ◽  
Vol 1 (1) ◽  
pp. 150-158
Author(s):  
A. V. Zhuchkova

The article deals with A. Bushkovsky’s novel Rymba that goes beyond the topics typical of Russian North prose. Rather than limiting himself to admiring nature and Russian character, the author portrays the northern Russian village of Rymba in the larger context of the country’s mentality, history, mythology, and gender politics. In the novel, myth clashes with reality, history with the present day, and an individual with the state. The critic draws a comparison between the novel and the traditions of village prose and Russian North prose. In particular, Bushkovsky’s Rymba is discussed alongside V. Rasputin’s Farewell to Matyora [ Proshchanie s Matyoroy ] and R. Senchin’s The Flood Zone [ Zona zatopleniya ]. The novel’s central question is: what keeps the Russian world afloat? Depicting the Christian faith as such a bulwark, Bushkovsky links atheism with the social and spiritual roles played by contemporary men and women. The critic argues, however, that the reliance on Christianity in the novel verges on an affectation. The book’s main symbol is a drowning hawk: it perishes despite people’s efforts to save it.


Author(s):  
Kenton B. Fillingim ◽  
Hannah Shapiro ◽  
Catherine J. Reichling ◽  
Katherine Fu

AbstractA deeper understanding of creativity and design is essential for the development of tools to improve designers’ creative processes and drive future innovation. The objective of this research is to evaluate the effect of physical activity versus movement in a virtual environment on the creative output of industrial design students. This study contributes a novel assessment of whether the use of virtual reality can produce the same creative output within designers as physical activity has been shown to produce in prior studies. Eighteen industrial design students at the Georgia Institute of Technology completed nine design tasks across three conditions in a within-subjects experimental design. In each condition, participants independently experienced one of three interventions. Solutions were scored for novelty and feasibility, and self-reported mood data was correlated with performance. No significant differences were found in novelty or feasibility of solutions across the conditions. However, there are statistically significant correlations between mood, interventions, and peak performance to be discussed. The results show that participants who experienced movement in virtual reality prior to problem solving performed at an equal or higher level than physical walking for all design tasks and all designer moods. This serves as motivation for continuing to study how VR can provide an impact on a designer's creative output. Hypothesized creative performance with each mode is discussed using trends from four categories of mood, based on the combined mood characteristics of pleasantness (positive/negative) and activation (active/passive).


1987 ◽  
Vol 30 (1-2) ◽  
pp. 151-178
Author(s):  
Maria Zabłocka

Under the reign of Augustus’ successors both lex Iulia et Papia as well as lex Iulia de adulteriis coercendis were subject to changes. Lex Iulia et Papia imposed an obligation to remain in the state of matrimony for men and women until a certain age limit; if the men were past this age limit negative consequences of avoiding the binding orders came no longer into consideration. SC Pernicianum extended the said consequences over people well advanced in years who earlier had not met the requirements of the law. SC Claudianum attempted at softening the sternness of the changes but only in relation to men since according to SC Calvisianum women were excluded from it. However, the reasons for enacting these SC seem to have departed from the intensions propagated by Augustus. New regulations aimed at only fiscal reasons and partially (SC Claudianum) personal situation of the Princeps. Application of lex Iulia de adulteriis was also gradually changed. Tiberius increased the punishability of facts recognized as crimes by the act and extended its application over new facts. Whereas Caligula abrogated punishability of facts falling under the notion of lenocinium and imposed taxes on them instead.


2021 ◽  
Author(s):  
Juan-Carlos Rojas ◽  
Juan Luis Higuera-Trujillo ◽  
Gerardo Muniz

Author(s):  
Yuliia Yu. Bobrova ◽  
Yuriy O. Bobrov

The analysis of numerous scientific publications demonstrates the great relevance of gender studies at the current stage of Ukrainian social development, in almost all spheres of social relations. As for ensuring equal participation of men and women in the functioning of the military organisation of the state, the implementation of such a gender balance contributes to improving civilian control over it through the possibility of developing the capacity of regulatory bodies in gender issues, promoting dialogue between the community and control bodies, and drawing public attention to the problems of accountability of institutions of this organisation. The main purpose of this study is to highlight the state of gender equality in the military organisation of the state through the lens of civilian democratic control. The study determined the state of legislative regulation of the concept of military organisation of the state and civil democratic control. The study analysed the introduction of a gender perspective in Ukraine in the subject matter and the dynamics of establishing a gender balance in the military organisation of the state; the impact on existing trends of legislative initiatives. It is stated that the modern Ukrainian army is mostly “male”. Despite the fact that women are allowed to serve in the military, they do not take part in making socially important decisions, they do not hold high military positions, and career growth is challenging for them. The study identified the main problems of implementing gender equality in the Armed Forces of Ukraine and other structures of the Defence Forces of Ukraine, which are more based on social stereotypes of pre-defined roles for men and women. Civil control over the Armed Forces is described as a socio-political process in this area


Author(s):  
Jelle J.P. Wouters

This chapter examines how protracted political conflict shapes the ways ordinary Naga men and women ‘see’ the postcolonial state. For most Nagas, long decades of conflict were marked by a dual relation to the state. On the one hand, they experienced the coercive, repressive powers of the state, while, after the enactment of Nagaland in 1963, the state manifested itself as a source of largesse and livelihood, as part of a politically driven policy of ‘seduction’ to tie Nagas to existing state structures and the political status quo. These historical experiences muddled distinctions between the state as a benevolent provider and protector, and that of a dispenser of bodily violence and misery, between the state as a lucrative resource and reservoir of public resentment. The way Naga villagers engage and ‘see’ the state, I argue, is mediated by this historical ambiguity.


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