From Iceland to Brazil. Documentary Writing on Foreign Countries in the Interwar Period: Authors, Conventions, Motifs

Tekstualia ◽  
2016 ◽  
Vol 4 (47) ◽  
pp. 79-92
Author(s):  
Paweł Sobczak

The interwar period was an important time in the history of Polish documentary writing. The poetics of the genre was formed at the turn of the 1920s and 30s. At that time, there was a debate about the cognitive and aesthetic values of documentary writing. A variety of thematic forms quickly emerged, including works about foreign countries. This subgenre had two main variants: the „exotic documentary” (or „exotic-adventure”) and „sociopolitical documentary”. The present article examines a selection of texts representing both the variants and written by: Ferdynand Goetel, Zbigniew Uniłowski, Aleksander Janta-Połczyński, Ksawery Pruszyński, Melchior Wańkowicz, Antoni Słonimski, Zygmunt Nowakowski and others.

2021 ◽  
Vol 67 (4) ◽  
pp. 559-572
Author(s):  
Keshab Chandra Ratha

India is endowed with a proud history of inclusive government and religious tolerance. Indian citizenship has always been firmly rooted in the country’s constitution, which lays priority on equality, regardless of gender, caste, religion, class, community or language. Attaching citizenship rights to religious affiliation runs counter to the letter and spirit of India’s Constitution and constitutional morality. The major thrust of the present article is to project government’s stance on the Citizenship Amendment Act, 2019, constitutional provisions in relation to the Act, thematic arguments of critics and constitutional experts on the matter, multifarious challenges ahead in respect of its implementation, by establishing the fact that any measure taken must remain in conformity with international norms and values and necessity of amending the law to do away with the arbitrary selection of countries and religious groups so that the current agitation can be easily tranquilised.


2015 ◽  
Vol 43 (1) ◽  
pp. 160-177 ◽  
Author(s):  
Florin Faje

The article explores the development of football in interwar Romania, stressing its role in the dissemination and grounding of Romanian nationalism. I show how, due to its modular form, the game of football was deeply involved in the efforts of centralizing, territorializing and naturalizing the Romanian nation-state of the interwar period. The founding of the leading Romanian sports club at the University of Cluj and the selection of the national representative for the Paris Olympics of 1924, in conjunction with the institutional infrastructure developed to nationally regulate and control the game, are used to present the acute tensions between local/regional and national aspirations and projects, with a strong ethnic component, that have shaped the history of the game in Romania. I argue that the increasing calls for the full Romanianization of football in the 1930s have their immediate roots in these tensions and frictions.


Author(s):  
Joanna Dobrowolska

In my article I reconstructed the picture of literary and theatrical Cracow in the years 1918– 1939, represented in the memorials Młodości mej stolica. Pamiętnik krakowianina z okresu między wojnami (the extended edition, 1984), written by Tadeusz Kudliński. The author was an active participant of the cultural life of this city and a bystander of the great social and historical changes after Poland regained its independence in 1918. I tried to confront his subjective view of the important artistic events and processes in the interwar period with the objectivism of historical studies. Kudliński presented a complete and detailed image but, naturally, he paid more attention only to some facts, disregarding or briefly mentioning others. I wanted to understand the motivation behind thematic selection of the material. In the first part of this article, I analysed Kudliński’s „gallery of the portraits” of Cracovian writers and theatre people, paying special attention to the applied genre convention and description method. In the second part, I presented some individual elements of the literary Cracow panorama: professional organisation and institutionalisation of the literary life, the functioning of the publishing market, the development of local newspapers and periodicals, the financial situation of the writers and the meaning of tradition and avant-garde. In the third part, I reconstructed the image of the theatrical Cracow and the author’s views on the philosophy and aesthetics of the theatre. My main objective was to show the great documentary value of Kudliński’s memories – due to their factographic credibility and variety of content Młodości mej stolica can be a valuable source of knowledge about the history of Cracow.


Author(s):  
Didier Debaise

Process and Reality ends with a warning: ‘[t]he chief danger to philosophy is narrowness in the selection of evidence’ (PR, 337). Although this danger of narrowness might emerge from the ‘idiosyncrasies and timidities of particular authors, of particular social groups, of particular schools of thought, of particular epochs in the history of civilization’ (PR, 337), we should not be mistaken: it occurs within philosophy, in its activity, its method. And the fact that this issue arises at the end of Process and Reality reveals the ambition that has accompanied its composition: Whitehead has resisted this danger through the form and ambition of his speculative construction. The temptation of a narrowness in selection attempts to expel speculative philosophy at the same time as it haunts each part of its system.


2014 ◽  
Vol 3 ◽  
pp. 127-137
Author(s):  
Tatsiana Hiarnovich

The paper explores the displace of Polish archives from the Soviet Union that was performed in 1920s according to the Riga Peace Treaty of 1921 and other international agreements. The aim of the research is to reconstruct the process of displace, based on the archival sources and literature. The object of the research is those documents that were preserved in the archives of Belarus and together with archives from other republics were displaced to Poland. The exploration leads to clarification of the selection of document fonds to be displaced, the actual process of movement and the explanation of the role that the archivists of Belarus performed in the history of cultural relationships between Poland and the Soviet Union. The articles of the Treaty of Riga had been formulated without taking into account the indivisibility of archive fonds that is one of the most important principles of restitution, which caused the failure of the treaty by the Soviet part.


2010 ◽  
Vol 4 (1-2) ◽  
pp. 37-73
Author(s):  
Paul R. Powers

The ideas of an “Islamic Reformation” and a “Muslim Luther” have been much discussed, especially since the terrorist attacks of September 11, 2001. This “Reformation” rhetoric, however, displays little consistency, encompassing moderate, liberalizing trends as well as their putative opposite, Islamist “fundamentalism.” The rhetoric and the diverse phenomena to which it refers have provoked both enthusiastic endorsement and vigorous rejection. After briefly surveying the history of “Islamic Reformation” rhetoric, the present article argues for a four-part typology to account for most recent instances of such rhetoric. The analysis reveals that few who employ the terminology of an “Islamic Reformation” consider the specific details of its implicit analogy to the Protestant Reformation, but rather use this language to add emotional weight to various prescriptive agendas. However, some examples demonstrate the potential power of the analogy to illuminate important aspects of religious, social, and political change in the modern Islamic world.


Author(s):  
Larisa V. Kolenko

The present article is concerned with the research results of the chronicles of N. Krupskaya Astrakhan Regional Research Library, representing history of the largest regional library of the Volga region in the context of development of the country librarianship as well as regional culture.


2018 ◽  
Vol 2018 (1) ◽  
pp. 83-96
Author(s):  
Ramon Reichert

The history of the human face is the history of its social coding and the media- conditions of its appearance. The best way to explain the »selfie«-practices of today’s digital culture is to understand such practices as both participative and commercialized cultural techniques that allow their users to fashion their selves in ways they consider relevant for their identities as individuals. Whereas they may put their image of themselves front stage with their selfies, such images for being socially shared have to match determinate role-expectations, body-norms and ideals of beauty. Against this backdrop, collectively shared repertoires of images of normalized subjectivity have developed and leave their mark on the culture of digital communication. In the critical and reflexive discourses that surround the exigencies of auto-medial self-thematization we find reactions that are critical of self-representation as such, and we find strategies of de-subjectification with reflexive awareness of their media conditions. Both strands of critical reactions however remain ambivalent as reactions of protest. The final part of the present article focuses on inter-discourses, in particular discourses that construe the phenomenon of selfies thoroughly as an expression of juvenile narcissism. The author shows how this commonly accepted reading which has precedents in the history of pictorial art reproduces resentment against women and tends to stylize adolescent persons into a homogenous »generation« lost in self-love


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