Risk Assessment in Insurance Related to New Technologies in the Context of Insurance Contract Principles

2019 ◽  
Vol 2 (99) ◽  
pp. 110-126 ◽  
Author(s):  
Katarzyna Malinowska

The article aims to present trends in the risk assessment and entities involved in this process in the changing world. The underwriting process has been analyzed in terms of law, in the light of changing regulations, and what is more, in the context of new technologies increasingly used in insurance. The purpose of the article is to determine if technology causes the necessity to change the approach to the principles of insurance contract and how it affects the activities of insurers. To achieve this goal two aspects have been considered, namely, whether the use of new technologies by insurers in the process of risk assessment and, on the other hand, whether the emerging risks dependent on new technologies exert an influence on the rules governing the insurance contract.

Author(s):  
Shota Hirai ◽  
Tomohiro Yasuda

In the event of disaster, the risk of disaster are intertwined, and there is an occurrence possibility of simultaneous damage in multiple areas. Nationwide companies have more risks of simultaneous damage in multiple areas by one disaster. For example, factories in Osaka and in Nagoya, can be damaged by one typhoon. In this case, company will need more money when damage happened and better to make special insurance contract, e.g. Catastrophe bond. On the other hand, insurance company has to assess amount of insurance payout because to pay it for contracted companies quickly. Insurance company may have difficulty to estimate total amount since there are few researches assessing aggregate loss caused by coastal disasters. This research proposes a procedure of assessment of aggregate loss by storm surges in Ise and Mikawa Bay located in Aichi prefecture, Japan.


2015 ◽  
Vol 21 (6) ◽  
pp. 855-868 ◽  
Author(s):  
Tomas KAČERAUSKAS

The article deals with issues of technologies in the environment of creative economy and creative society, mostly focusing on the following topics: 1) invasion of technologies, which is accompanied by technical illiteracy or simplification of intellection presupposed by a certain technique (e.g. computers); 2) new technologies emerge in the environment dominated by consumption in order to boost consumption; 3) political, media and communication technologies are intertwined to the extent that allows us to speak about the technologized society; 4) technologies are inseparable from creative activities: on the one hand, development of technologies needs creativity, on the other hand, every branch of creative industries needs certain technologies; 5) technologic development is conditioned by their syncretism, i.e. their ability to serve the art (technē) of life and creative intentions; 6) in the creative society, happiness does not depend on constantly upgraded (i.e. consumed) technologies but is rather possible in spite of them; 7) unlimitedness is the greatest limitation of global technologies: unconnected with any existential region, they billow in the wind of ever newer technologies.


Author(s):  
Diego Liberati

In many fields of research, as well as in everyday life, it often turns out that one has to face a huge amount of data, without an immediate grasp of an underlying simple structure, often existing. A typical example is the growing field of bio-informatics, where new technologies, like the so-called Micro-arrays, provide thousands of gene expressions data on a single cell in a simple and fast integrated way. On the other hand, the everyday consumer is involved in a process not so different from a logical point of view, when the data associated to his fidelity badge contribute to the large data base of many customers, whose underlying consuming trends are of interest to the distribution market. After collecting so many variables (say gene expressions, or goods) for so many records (say patients, or customers), possibly with the help of wrapping or warehousing approaches, in order to mediate among different repositories, the problem arise of reconstructing a synthetic mathematical model capturing the most important relations between variables. To this purpose, two critical problems must be solved: 1 To select the most salient variables, in order to reduce the dimensionality of the problem, thus simplifying the understanding of the solution 2 To extract underlying rules implying conjunctions and/or disjunctions between such variables, in order to have a first idea of their even non linear relations, as a first step to design a representative model, whose variables will be the selected ones When the candidate variables are selected, a mathematical model of the dynamics of the underlying generating framework is still to be produced. A first hypothesis of linearity may be investigated, usually being only a very rough approximation when the values of the variables are not close to the functioning point around which the linear approximation is computed. On the other hand, to build a non linear model is far from being easy: the structure of the non linearity needs to be a priori known, which is not usually the case. A typical approach consists in exploiting a priori knowledge to define a tentative structure, and then to refine and modify it on the training subset of data, finally retaining the structure that best fits a cross-validation on the testing subset of data. The problem is even more complex when the collected data exhibit hybrid dynamics, i.e. their evolution in time is a sequence of smooth behaviors and abrupt changes.


2007 ◽  
Vol 8 (1) ◽  
pp. 51-55 ◽  
Author(s):  
Deborah Wythe

Librarians and archivists who work in museums live a kind of double life. On the one hand, we consider ourselves information professionals: we belong to organizations such as SAA, ALA, SLA, or ARLIS, and we adhere to archival and library standards and ethics. On the other hand, museum departments operate within an organizational structure that is very different from a library, with dissimilar priorities and a unique institutional culture. Our day-to-day job requires a level of internal collaboration if we are to interpret and bridge these differences successfully. When I became involved in planning, and later editing and coauthoring, a . . .


Prospects ◽  
2004 ◽  
Vol 28 ◽  
pp. 627-638
Author(s):  
Jeffrey Gray

When Walter Benjamin wrote this sentence in the 1930s, he had in mind both the new directions of the press, which was opening more and more spaces in which its readers could write, and the new films and newsreels, where “any man today can lay claim to being filmed” (“Work of Art,” 233) and where, rather than actors, “people … portray themselves” (234; emphasis Benjamin's). Benjamin's attitude toward this collapse of the distinction between author and public was ambivalent. Phrases such as “the phony spell of a commodity” (233), to describe the cult of the movie star, suggest his nostalgia for a time when the aura of the “original” work of art had not yet begun to decay. On the other hand, his idea that “mechanical reproduction emancipates the work of art from its parasitical dependence on ritual” (226) pointed enthusiastically to the new technologies as part of a liberationist meta-narrative.


2019 ◽  
Vol 79 (3) ◽  
pp. 739-749 ◽  
Author(s):  
Piotr Roszak ◽  
Tomasz Huzarek

Abstract: How to recognize the presence of God in the world? Thomas Aquinas' proposition, based on the efficient, exemplary and intentional causality, including both the natural level and grace, avoids several simplifications, the consequence of which is transcendent blindness. On the one hand, it does not allow to fall into a panentheistic reductionism involving God into the game of His variability in relation to the changing world. The sensitivity of Thomas in interpreting a real existing world makes it impossible to close the subject in the ''house without windows'', from where God can only be presumed. On the other hand, the proposal of Aquinas avoids the radical transcendence of God, according to which He has nothing to do with the world.


Author(s):  
Fausto Alberto Viscaino Naranjo ◽  
Jorge Bladimir Rubio Peñaherrera ◽  
Freddy Patricio Baño Naranjo

The Isidro Ayora School located in the Latacunga Canton, between Quijano / Ordóñez and Tarqui streets, has a museum that is open to the citizens without any age difference, projecting during the tour in a traditional, monotonous and unconventional way all their art, By this factor the influx of public is very sporadic, which does not allow the development and recognition of the Museum. For the development of the research was applied the hypothetical-deductive method and the analytical, on the other hand was applied the methodology of application development for Smartphones Mobile-D; Through the collection of information that involves eld research, it was veri ed that the Museum does not have technological alternatives that allow the dissemination of the historical-cultural heritage, thus demonstrating that the creation of the virtual guide through mobile technology is the technological solution to improve The user’s experience in visiting and disseminating museums; So is the search for the use of new technologies helping to turn a forgotten environment into an interactive and friendly environment. With the implementation of Mobile Technology in the Museum of the Isidro Ayora School, visitors will be able to interact with the art articles displayed and visualize their information on any Android device through a multimedia library by simply scanning the QR code that each contains and In consequence it will allow the innovation, difusion and recognition of the Museum.


Comunicar ◽  
2004 ◽  
Vol 12 (23) ◽  
pp. 25-30 ◽  
Author(s):  
Juan-Bautista Romero-Carmona

This paper tries to show a brief but profound view about new languages of communication introduced at school. On the one hand, the musical language included in the curriculo and the other hand the technological language spread in our society in order to transmit the importance of new technologies as well as the different posibilities that they offer to the teaching-learning process inside the educational area focusing on the musical educational one. Con este artículo se pretende dar una visión superficial, pero cargada de intencionalidad, sobre algunos de los nuevos lenguajes de comunicación que se han implantado en la escuela. Por un lado, el lenguaje musical recogido en el currículo y por otro, el lenguaje tecnológico extendido en nuestra sociedad. Se intenta transmitir la importancia que tienen las nuevas tecnologías, así como las diferentes posibilidades que ofrecen para el proceso de enseñanza-aprendizaje dentro del ámbito educativo, centrándonos de manera especial en el campo de la educación musical.


Author(s):  
BARTOLOMIEJ SKOWRON ◽  

From an ontological point of view, virtuality is generally considered a simulation: i.e. not a case of true being, and never more than an illusory copy, referring in each instance to its real original. It is treated as something imagined — and, phenomenologically speaking, as an intentional object. It is also often characterized as fictive. On the other hand, the virtual world itself is extremely rich, and thanks to new technologies is growing with unbelievable speed, so that it now influences the real world in quite unexpected ways. Thus, it is also sometimes considered real. In this paper, against those who would regard virtuality as fictional or as real, I claim that the virtual world straddles the boundary between these two ways of existence: that it becomes real. I appeal to Roman Ingarden’s existential ontology to show that virtual objects become existentially autonomous, and so can be attributed a form of actuality and causal efficaciousness. I conclude that the existential autonomy and actuality of virtual objects makes them count as real objects, but also means that they undergo a change in their mode of existence.


Author(s):  
Patrick Chaskiel

The process by which occupational risks in industry and manufacturing emerge has been established as a subject of research in sociology. This often-contentious process draws on toxicological findings that may or may not be accepted as established, and on epidemiological observations of pathologies. Logically enough, there has been little interest in the toxicological risks of innovative industrial technologies, due to a lack of specific cases. With the development of new technologies such as nanomaterials, the question of risks has been formally raised but has not been addressed in terms of clear toxicological results or epidemiological observations. My goal in this article is to introduce the notion of “innovative risk” to refer to a process of making risks a subject of research and discussion before evidence of health problems has been established. By examining how French labor administrations and occupational medicine organizations monitor such risks in companies and research laboratories, I will demonstrate a tension between, on the one hand, the acknowledged specificity of these risks, and, on the other hand, the standardization of actual oversight. This tension calls into question the ability of research on industrial occupational risks to approach and analyze innovative risks.


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