scholarly journals TECHNOLOGIES IN CREATIVE ECONOMY AND CREATIVE SOCIETY

2015 ◽  
Vol 21 (6) ◽  
pp. 855-868 ◽  
Author(s):  
Tomas KAČERAUSKAS
Keyword(s):  
New Technologies ◽  
Communication Technologies ◽  
Creative Industries ◽  
The Other ◽  
Creative Economy ◽  
Other Hand ◽  
Political Media ◽  
The One ◽  
Media And Communication

The article deals with issues of technologies in the environment of creative economy and creative society, mostly focusing on the following topics: 1) invasion of technologies, which is accompanied by technical illiteracy or simplification of intellection presupposed by a certain technique (e.g. computers); 2) new technologies emerge in the environment dominated by consumption in order to boost consumption; 3) political, media and communication technologies are intertwined to the extent that allows us to speak about the technologized society; 4) technologies are inseparable from creative activities: on the one hand, development of technologies needs creativity, on the other hand, every branch of creative industries needs certain technologies; 5) technologic development is conditioned by their syncretism, i.e. their ability to serve the art (technē) of life and creative intentions; 6) in the creative society, happiness does not depend on constantly upgraded (i.e. consumed) technologies but is rather possible in spite of them; 7) unlimitedness is the greatest limitation of global technologies: unconnected with any existential region, they billow in the wind of ever newer technologies.

scholarly journals New Technologies and the Convergence of Libraries, Archives, and Museums

2007 ◽  
Vol 8 (1) ◽  
pp. 51-55 ◽  
Author(s):  
Deborah Wythe
Keyword(s):  
Organizational Structure ◽  
New Technologies ◽  
Institutional Culture ◽  
The Other ◽  
Other Hand ◽  
Information Professionals ◽  
The One

Librarians and archivists who work in museums live a kind of double life. On the one hand, we consider ourselves information professionals: we belong to organizations such as SAA, ALA, SLA, or ARLIS, and we adhere to archival and library standards and ethics. On the other hand, museum departments operate within an organizational structure that is very different from a library, with dissimilar priorities and a unique institutional culture. Our day-to-day job requires a level of internal collaboration if we are to interpret and bridge these differences successfully. When I became involved in planning, and later editing and coauthoring, a . . .

scholarly journals New technologies and musical expression; other languages in education

Comunicar ◽  
2004 ◽  
Vol 12 (23) ◽  
pp. 25-30 ◽  
Author(s):  
Juan-Bautista Romero-Carmona
Keyword(s):  
Learning Process ◽  
New Technologies ◽  
The Other ◽  
Musical Language ◽  
Musical Expression ◽  
Other Hand ◽  
Language Spread ◽  
Nuevas Tecnologías ◽  
The One ◽  
Teaching Learning

This paper tries to show a brief but profound view about new languages of communication introduced at school. On the one hand, the musical language included in the curriculo and the other hand the technological language spread in our society in order to transmit the importance of new technologies as well as the different posibilities that they offer to the teaching-learning process inside the educational area focusing on the musical educational one. Con este artículo se pretende dar una visión superficial, pero cargada de intencionalidad, sobre algunos de los nuevos lenguajes de comunicación que se han implantado en la escuela. Por un lado, el lenguaje musical recogido en el currículo y por otro, el lenguaje tecnológico extendido en nuestra sociedad. Se intenta transmitir la importancia que tienen las nuevas tecnologías, así como las diferentes posibilidades que ofrecen para el proceso de enseñanza-aprendizaje dentro del ámbito educativo, centrándonos de manera especial en el campo de la educación musical.

scholarly journals FROM EMERGENT TO INNOVATIVE RISKS IN FRANCE: SPECIFICATION OR STANDARDIZATION OF THE OCCUPATIONAL RISKS OF NANOMATERIALS?

2021 ◽  
Vol 9 (4) ◽  
pp. 10-27
Author(s):  
Patrick Chaskiel
Keyword(s):  
Occupational Medicine ◽  
New Technologies ◽  
Health Problems ◽  
The Other ◽  
Occupational Risks ◽  
Other Hand ◽  
The One

The process by which occupational risks in industry and manufacturing emerge has been established as a subject of research in sociology. This often-contentious process draws on toxicological findings that may or may not be accepted as established, and on epidemiological observations of pathologies. Logically enough, there has been little interest in the toxicological risks of innovative industrial technologies, due to a lack of specific cases. With the development of new technologies such as nanomaterials, the question of risks has been formally raised but has not been addressed in terms of clear toxicological results or epidemiological observations. My goal in this article is to introduce the notion of “innovative risk” to refer to a process of making risks a subject of research and discussion before evidence of health problems has been established. By examining how French labor administrations and occupational medicine organizations monitor such risks in companies and research laboratories, I will demonstrate a tension between, on the one hand, the acknowledged specificity of these risks, and, on the other hand, the standardization of actual oversight. This tension calls into question the ability of research on industrial occupational risks to approach and analyze innovative risks.

scholarly journals PSYCHOBIOGRAPHY EXPERIENCE OF THE PHILOSOPHY OF THE POST-WAR GENERATION

2021 ◽  
Vol 2 (18) ◽  
pp. 16-30
Author(s):  
B.V. Markov ◽  
◽  
A.M. Sergeev ◽  
Keyword(s):  
New Technologies ◽  
Historical Memory ◽  
The Other ◽  
Russian Philosophy ◽  
Early 21St Century ◽  
The Past ◽  
Other Hand ◽  
The World ◽  
Post War ◽  
The One

The Philosophical Dialogue is dedicated to the analysis of the historical development of Russian philosophy over the past half century. The authors investigated the attitude of ideas and people in the conditions of historical turning point in the late 20th and early 21st century. Philosophy in a borderline situation allows us to compare and evaluate the past and the present. On the one hand, archetypes, attitudes, moods and experiences, formed as a reception of the collective experience of the past era, have been preserved in the minds of thinkers of the post-war generation – in the consciousness, and may be in the neural networks of the brain. On the other hand, the new social reality – cognitive capitalism – radically changes the self-description of society. It is not to say that modernity satisfies people. Despite the talk about the production of cultural, social, human capital, they feel not happy, but lonely and defenseless in a rapidly changing world. Not only philosophical criticism, but also the wave of protests, which also engulfed the "welfare society", makes one wonder whether it is worth following the recipes of the modern Western economy. On the one hand, closure poses a threat to stagnation, the fate of the country of the outland outing. On the other hand, openness, and, moreover, the attempt to lead the construction of a networked society is nothing but self-sacrifice. Russia has already been the leader of the World International, aiming to defeat communism around the world. But there was another superpower that developed the potential of capitalism. Their struggle involved similarities, which consisted in the desire for technical conquest of the world. The authors attempted to reflect on the position of a country that would not give up the competition, but used new technologies to live better. To determine the criteria, it is useful to use the historical memory of the older generation to assess modernity. Conversely, get rid of repeating the mistakes of the past in designing a better future.

scholarly journals Francophone Perspectives on Creative Industries and the Creative Economy

2014 ◽  
Vol 39 (1) ◽  
Author(s):  
Philippe Bouquillion
Keyword(s):  
Critical Theory ◽  
Creative Industries ◽  
The Other ◽  
Creative Economy ◽  
Nous Proposons ◽  
Critical Research ◽  
The One ◽  
Supranational Institutions ◽  
Ideological Construction

Research on the socio-economics of culture, collaborative Web, and the creative economy converge today in an ideological construction: the notions of creative industries and creative economy, at least as they are presented by national or supranational institutions and experts. Most of these themes have been introduced in the Francophone research works by the Anglophone ones. In this regard, the distinction between the various forms of critical research on the one hand, and non-critical, on the other, seems much more fundamental. As such, we propose taking seriously the notion of creative industries, deviating from the definitions given by experts, building a critical theory of creative industries that reflect the dynamics of the economy of symbolic goods.Les travaux sur la socio-économie de la culture, le Web collaboratif et l’économie créative convergent aujourd’hui dans la construction idéologique que forment les problématiques des industries et de l’économie créatives, du moins telles qu’elles sont présentées par des institutions nationales ou supranationales et par des experts. La plupart de ces thèmes ont été introduits dans la recherche francophone par des travaux anglophones. À cet égard, la distinction entre les diverses formes de recherche critique, d’un côté, et acritique, de l’autre, semble beaucoup plus fondamentale. À ce titre, nous proposons de prendre au sérieux la notion d’industries créatives, en s’écartant des définitions qu’en donnent les experts, pour construire une théorie critique des industries créatives rendant compte de la dynamique de l’économie des biens symboliques.

scholarly journals Donner à voir : explorer et exploiter les images en histoire de ľinterprétation

Translationes ◽  
2019 ◽  
Vol 11 (1) ◽  
pp. 92-107
Author(s):  
Alina Pelea
Keyword(s):  
New Technologies ◽  
Visual Representations ◽  
The Other ◽  
The Sublime ◽  
Other Hand ◽  
Works Of Art ◽  
The Status ◽  
History Of ◽  
History Of Translation ◽  
The One

Abstract It may be too much to say that a picture is worth a thousand words, but no one can deny the informative potential of visual representations. Considering that the history of translation would also benefit from their use, we propose an intervention that will try to look at these resources in order to shed additional light on the status of the interpreter and its evolution. We analyze visual resources dating back to the 17th and 18th centuries (works of art) and others from 2018 (potentially more objective) to see how they reflect, on the one hand, the status of the dragomans of the Sublime Porte and, on the other hand, that of today’s interpreters. In conducting this research, we also look at how new technologies can contribute to the study of different media.

scholarly journals Postmodernism as Discourse from Foucault to Habermas

2015 ◽  
Vol 57 ◽  
pp. 106-109
Author(s):  
Loredana Terec-Vlad ◽  
Alexandru Trifu
Keyword(s):  
Information And Communication Technologies ◽  
Communication Technologies ◽  
Point Of View ◽  
Economic Life ◽  
The Other ◽  
Modern Age ◽  
Other Hand ◽  
The Future ◽  
Information And Communication ◽  
The One

During the last decades, the term postmodernity has been highly invoked, on the one hand, or ignored, on the other hand. It is a term that can be found in the writings of various philosophers and sociologists, and is almost ignored and less meaningful within the economic thinking.At first view and analysis, postmodernity is the successor of the modern age, modernity in other words. However, the concept has much deeper meanings; it regards the future, foreshadowing the new realities of today's world, which are very complex and dynamic, and come under endogenous and exogenous influences, activities and issues that are permanently under the influence of multiple and multidimensional challenges [7]. In fact, the period of globalization, of the new trends of the revolutionary ICT (Information and Communication Technologies), is believed to overlap the period of postmodernism.From the philosophical point of view, but also in consonance with the economic life and realities, the individuals and entities of any nature should be characterized by adaptability, the ability to respond promptly and appropriately to the impulses and reactions that affect that system.

Cyborgs, Agents, and Transhumanists: Crossing Traditional Borders of Body and Identity in the Context of New Technology

Leonardo ◽  
2000 ◽  
Vol 33 (5) ◽  
pp. 361-365 ◽  
Author(s):  
Barbara Becker
Keyword(s):  
New Technologies ◽  
New Technology ◽  
The Body ◽  
Human Existence ◽  
The Other ◽  
Other Hand ◽  
The World ◽  
The One

In current discourses of technoscience, body, nature, and even life are often described as code, text, or information. On the one hand, classical dichotomies (body/mind, subject/object, man/machine) and their restrictions are dissolving; on the other hand, this discourse often reveals a hidden desire to ignore both the fragility and the sense-giving capacity of materiality. In this paper, the proper dynamic of materiality is explored by looking in particular at what it means to be in a permanent touch with the world with the body. Against this background, efforts at denying or transforming the body in the context of new technologies can be interpreted as the wish to control or avoid the unpredictable and unconscious dimensions of human existence.

scholarly journals The Thin Web Line. New technologies and promotion of unhealthy behaviors

2019 ◽  
Vol 1 (1) ◽  
pp. 78-79
Author(s):  
José Luis Triviño ◽  
María Ángeles Ortega
Keyword(s):  
Risk Behaviors ◽  
New Technologies ◽  
The Other ◽  
Other Hand ◽  
The One

On the one hand, this research tries to show the proliferation and promotion of content that encourages eating-risk behaviors in adolescents and the growth of a social current and subculture that supports and promotes these contents on the other hand, it proposes initiatives that may help to better understand this phenomenon and what to do

scholarly journals Orxata Sound System. Música glocal, libre, colectiva y cooperativa / Orxata Sound System. Glocal, free, collective and cooperative music

2017 ◽  
pp. 373
Author(s):  
Carla González Collantes ◽  
Maria Lacueva i Lorenz
Keyword(s):  
Cultural Studies ◽  
New Technologies ◽  
The Other ◽  
Sound System ◽  
The Public ◽  
Cooperative Strategies ◽  
Other Hand ◽  
Before And After ◽  
Nuevas Tecnologías ◽  
The One

Resumen: Orxata Sound System es un colectivo musical de la comarca de l’Horta (País Valenciano) que se fundó el año 2003 y que se disolvió indefinidamente el año 2014. Su existencia ha dejado huella en la escena musical del ámbito catalanófono, no solamente por su estilo, sino también porque fueron pioneros en el uso de las nuevas tecnologías tanto para crear, producir y difundir su música como para (auto)gestionarse y comunicarse con el público de manera eminentemente horizontal. Este artículo observará la trayectoria musical de Orxata Sound System haciendo especial hincapié, por un lado, en la explotación artística que desarrollaron a partir de la hibridación de dos elementos aparentemente contradictorios: por otro lado, nos centraremos en las estrategias cooperativas en la creación musical.Palabras clave: cultura colectiva, activismo, música catalana, Estudios Culturales, València. Abstract: Orxata Sound System is a musical collective from l’Horta (Valencian Country) that was founded in 2003 and was dissolved indefinitely in 2014. Its existence has marked a before and after in the Catalan musical scene, not only because of its style, but also because it was a pioneer in the use of new technologies to create, produce and distribute its music as well as (auto) manage and communicate with the public in an eminently horizontal way. This article will observe the musical trajectory of Orxata Sound System with special emphasis, on the one hand, on the artistic exploitation that developed from the hybridization of two apparently contradictory elements; on the other hand, we will focus on the cooperative strategies in musical creativity. Keywords: collective culture, activism, catalan music, Cultural Studies, Valencia

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