Reinventing the Mulatta in the United States for the 2000s
Keyword(s):
This chapter illustrates how mixed black women are moralized, pathologized, or eroticized in the public imaginary through an analysis of the film Monster’s Ball (2001) starring Halle Berry and the television series The L Word (2004-9) featuring Jennifer Beals. These two cultural productions serve as examples of the management and disciplining of blackness through sexuality and consumer citizenship. Illuminating how the historical specter of the mulatta figure both haunts and rearticulates discourses of multiculturalism and postrace in the 2000s, Monster’s Ball and The L Word both represent the anxieties and desires of an acceptable blackness that can be brought into civil society or contained.