Angels Battle in Boston

Author(s):  
Allan R. Ellenberger

Hopkins goes to New York for rehearsals in Battle with Angels, a play by first-time playwright Tennessee Williams. The play, however, is a failure, and the experience erodes Hopkins’s self-confidence, professionally and personally. She is offered several films before finally accepting the lead in A Gentleman after Dark. Hopkins accepts a role opposite Bette Davis in Old Acquaintance, a part that will bring Davis no end of problems.

Author(s):  
Allan R. Ellenberger
Keyword(s):  
New York ◽  

Hopkins is cast in the Broadway play Excess Baggage. One day on the way to the theater, she witnesses a suicide. Convinced this is a message, she realizes life is short and divorces Brandon Peters and marries the writer she has become infatuated with, Austin “Billy” Parker. She and her new husband travel to Europe for their honeymoon, and on their return trip, Hopkins gets news of her uncle Dixie’s death, which profoundly affects her. With no offers on Broadway, Hopkins returns to Rochester to work with George Cukor and meets her future nemesis, Bette Davis, for the first time. Back in New York, questions are raised about her divorce to Parker. Hopkins appears in a short talking film for Paramount, which attracts the attention of producer Mack Sennett, who offers her a contract that she ultimately refuses. Instead, she appears in several plays before accepting a role in one in England that runs a few months.


1962 ◽  
Vol 16 (4) ◽  
pp. 835-844

The 33rd session of the Economic and Social Council (ECOSOC), comprising the 1187th through 1208th meetings, was held in New York from April 3 through April 18, 1962. At the 1187th meeting Mr. Jerzy Michalowski (Poland) was elected President of the Council, Mr. Alfonso Patifio Rosselli (Colombia) was elected First Vice-President, and Mr. Muhammed el-Farra (Jordan) was elected Second Vice-President. Mr. Michalowski noted that this was the first time that the representative of a socialist country had been elected President of the Economic and Social Council, and he hoped this was an augury of sincere cooperation between states which alone would enable the Council to succeed in its task.


2021 ◽  
Vol 75 (2) ◽  
pp. 102-108
Author(s):  
B. Ruby Rich

FQ editor-in-chief B. Ruby Rich reports from the 48th edition of the Telluride Film Festival. Unlike most of its peer festivals, Telluride opted not to hold a virtual edition in 2020, a decision entirely in keeping with its emphasis on the tactile and experiential aspects of cinema, and which made its return in 2021 all the more giddy for first-time attendees and long-term devotees alike. Rich reviews the many festival highlights, from Jane Campion’s reinvention of the Western in The Power of the Dog to Todd Haynes’ archival documentary The Velvet Underground. Childhood takes center stage in new films from Céline Sciamma and Kenneth Branagh while misunderstood masculinity emerges as a theme in Michael Pearce’s Encounter, Asghar Farhadi’s A Hero, and Mike Mills’s C’mon C’mon. Including a coda on the New York Film Festival, Rich concludes that the masterful riches of the two festivals augur well for the fall 2021 season.


2018 ◽  
Vol 19 (5) ◽  
pp. 339-359
Author(s):  
Richard W. Hill ◽  
Daniel Coleman

This co-authored article examines the oldest known treaty between incoming Europeans and Indigenous North Americans to derive five basic principles to guide healthy, productive relationships between Indigenous community-based researchers and university-based ones. Rick Hill, Tuscarora artist and knowledge keeper from the Six Nations of the Grand River, publishes for the first time here the most complete oral history that exists today of that ancient treaty, from the early seventeenth century, known as the Two Row Wampum or the Covenant Chain agreement. Interspersed with Dr. Hill’s reflections, Daniel Coleman, a settler professor of English and Cultural Studies at McMaster University, outlines five principles for research partnerships derived from the discussions of the Two Row Research Partnership seminars that Hill and Coleman have been hosting at Deyohahá:ge: Indigenous Knowledge Centre for the past four years. Formed between the Hodinöhsö:ni’ confederacy and Dutch merchants arriving near Albany, New York in 1609, the Two Row Wampum-Covenant Chain treaty set the precedent for nation-to-nation treaties between European colonial powers and Indigenous peoples with two parallel rows representing the Hodinöhsö:ni’ canoe and the Dutch ship sailing down the shared river. Each party agreed to keep their beliefs and laws in their separate vessels, and on this basis of interdependent autonomy, they established a long-lasting friendship. This article suggests that by renewing our understanding of the Two Row Wampum-Covenant Chain treaty, Indigenous and non-Indigenous researchers alike can rebuild relationships of trust and cooperation that can decolonize Western presumptions and re-establish healthy and productive research partnerships.


2019 ◽  
Vol 77 (3) ◽  
pp. 314-316 ◽  
Author(s):  
Agnaldo Arroio

On January 24, 2019, the International Day of Education was celebrated for the first time. One of the celebrations was a speech by the Secretary-General of the United Nations (UN), in which Mr. António Guterres highlighted the role of education in combating hate speech, intolerance in various aspects and also in xenophobia. In the words of the Secretary-General of the UN: "Such a situation constitutes a violation of his fundamental right to education. The world cannot afford to deprive a generation of children and young people of the knowledge they will need to have a place in the economy of the 21st century. " In 2019, there are still 262 million children and young people who do not have access to school, and most of these children and young people are girls who are in a situation of exclusion. In 2015 between September 25 and 27, Heads of State and Government and senior representatives from various countries met at United Nations Headquarters in New York when they celebrated the 70th anniversary of the United Nations and decided on the new objectives’ development, setting the 2030 Agenda.


October ◽  
2021 ◽  
pp. 85-110
Author(s):  
Emily Apter

Abstract Aliza Shvarts first came to widespread attention when her Untitled [Senior Thesis] (2008), consisting of a yearlong performance of self-induced miscarriages, was declared a “fiction” by Yale University and censored from public exhibition. That controversial work was on view for the first time in New York as part of her 2020 exhibition Purported at Art in General. It frames the areas of inquiry she has continued to explore: how the body means and matters and how the subject consents and dissents. In this in-depth conversation, Emily Apter and Aliza Shvarts discuss the exhibition and a wide range of topics relevant to contemporary feminist practice and thought: the genealogy of citation; the uses of theory; speech action; rape kits; nonconsensual collaboration; queer kinship; and memes.


2021 ◽  
Vol 12 (3-4) ◽  
pp. 295-341
Author(s):  
Deniz Beyazit

Abstract This article discusses The Met’s unpublished Dalāʾil al-khayrāt—2017.301—(MS New York, TMMA 2017.301), together with a group of comparable manuscripts. The earliest known dated manuscript within the corpus, it introduces several iconographic elements that are new to the Dalāʾil, and which compare with the traditions developing in the Mashriq and the Ottoman world in particular. The article discusses Dalāʾil production in seventeenth-century North Africa and its development in the Ottoman provinces, Tunisia, and/or Algeria. The manuscripts illustrate how an Ottoman visual apparatus—among which the theme of the holy sanctuaries at Mecca and Medina, appearing for the first time in MS New York, TMMA 2017.301—is established for Muhammadan devotion in Maghribī Dalāʾils. The manuscripts belong to the broader historic, social, and artistic contexts of Ottoman North Africa. Our analysis captures the complex dynamics of Ottomanization of the North African provinces of the Ottoman Empire, remaining strongly rooted in their local traditions, while engaging with Ottoman visual idioms.


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