The Architecture and Architects of the Lancashire Independent College, Manchester

2012 ◽  
Vol 89 (1) ◽  
pp. 83-103 ◽  
Author(s):  
Marion Barter ◽  
Clare Hartwell

The Lancashire Independent College in Whalley Range, Manchester (1839-43), was built to train Congregational ministers. As the first of a number of Nonconformist educational institutions in the area, it illustrates Manchester‘s importance as a centre of higher education generally and Nonconformist education in particular. The building was designed by John Gould Irwin in Gothic style, mediated through references to All Souls College in Oxford by Nicholas Hawksmoor, whose architecture also inspired Irwins Theatre Royal in Manchester (1845). The College was later extended by Alfred Waterhouse, reflecting the growing success of the institution, which forged links with Owens College and went on to contribute, with other ministerial training colleges, to the Universitys Faculty of Theology established in 1904. The building illustrates an interesting strand in early nineteenth-century architectural style by a little-known architect, and has an important place in the history of higher education in north-west England.

2000 ◽  
Vol 12 (2) ◽  
pp. 109-134 ◽  
Author(s):  
STEPHEN MEYER

Marschner's villains occupy an important place in the history of operatic style, forming a bridge between characters such as Dourlinski or Pizarro and Wotan or the Dutchman. His villains may also be understood against the background of early nineteenth-century pathology, and particularly the syndrome of ‘monomania’. Marschner's music, which partially ‘heroicizes’ the villains in keeping with the contemporary rise of the sympathetic villain, parallels efforts to redefine the nature of madness. Marschner's operas could thus simultaneously construct and undermine the hegemony of bourgeois values, and become a vehicle through which composers, performers, and audiences could explore the contradiction between social/sexual order and the fantasy of deviance.


2018 ◽  
Vol 27 (8-9) ◽  
pp. 159-168
Author(s):  
T. V. Kostina

University teachers in Russia have a period of increasing pedagogical and paper load. In this situation it is important to offer an environment,  preserving and developing their research skills, providing a possibility of  discussing their results in an audience of expert and concerned colleagues. A  thematic seminar as a form of such environment in many respects has  advantages over conferences, with their strict rules of reports and  discussions. The seminar on the history of higher school in St. Petersburg for  15 years has been an informal platform for reports and discussions on the history of higher education not only in St. Petersburg, but also in the  territories of the former Russian Empire and the Soviet Union. Reports,  presented at the interdisciplinary seminar, deal with the educational policy,  the history of educational institutions, the methodology of studying the  history of higher education, the study of archival collections of educational  institutions, etc. Over the past five year 18 sessions have been held, 4 of  them – in the form of problematic round tables; overall 30 reports were  presented. 


2020 ◽  
Vol 2020 (11-2) ◽  
pp. 237-249
Author(s):  
Evgeniy Rostovtsev ◽  
Dmitriy Barinov

Drawing up a collective portrait of the faculty corporation using prosopography and statistical analysis is one of the most popular approaches among specialists in the history of higher education in the Russian Empire. However, mostly such researches concern only one of the existed educational institutions. At the same time, comparative analysis of various universities allows to get a more complete picture of the specifics of higher education. Authors of the given paper try to compare the main features of the career path and academic mobility of the university lecturers at the capital (St. Petersburg) and provincial (Novorossiysk and Tomsk) universities. Among the compared aspects: the length of work, the availability of a scientific degree, the ratio ofprofessors and junior teachers, the number of own graduates, etc. These and other data made it possible to identify the main models of a scientific career typical for the capital and the province.


Author(s):  
Deondra Rose

This chapter analyzes the history of women’s participation in American higher education and the federal government’s historical role in shaping who has access to it. Higher educational institutions in the United States were established with men in mind, and for approximately three hundred years after the establishment of the nation’s first college, women were excluded from equal access to postsecondary institutions. On campus, women were often greeted with hostility and found themselves treated as second-class students. The history of higher education in the United States yields important lessons for thinking about the effect that government programs have had on the gender dynamics of American citizenship since the mid-twentieth century.


Author(s):  
Warren Oakley

This chapter recounts the destruction of Covent Garden theatre by fire in 1808. In piecing together this event, it explores Harris’s potential complicity in the fire; his attempts to finance the rebuilding of the theatre; and the far-reaching financial, social, and political consequences. In doing so, Harris’s relationship with the Duke of Bedford is brought into focus. On the opening of the new theatre in 1809, terror was brought to the Garden through the Old Price riots. As these riots frustrated all attempts at performance for nearly three months, they hold an important place in the history of disorder in England. The riots gave a group of leading Westminster radicals, including Henry Clifford, the chance to oppose Harris and fight his political dominance. They reveal the defeat of a government agent during one of the most turbulent periods in the capital’s history. Only through understanding Harris’s career is it possible to appreciate fully the fight against radicalism in early nineteenth-century London.


2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.


Author(s):  
Johannes Zachhuber

This chapter reviews the book The Making of English Theology: God and the Academy at Oxford (2014). by Dan Inman. The book offers an account of a fascinating and little known episode in the history of the University of Oxford. It examines the history of Oxford’s Faculty of Theology from the early nineteenth century to the middle of the twentieth. In particular, it revisits the various attempts to tinker with theology at Oxford during this period and considers the fierce resistance of conservatives. Inman argues that Oxford’s idiosyncratic development deserves to be taken more seriously than it often has been, at least by historians of theology.


This issue of the history of universities contains, as usual, an interesting mix of learned articles and book reviews covering topics related to the history of higher education. The volume combines original research and reference material. This issue includes articles on the topics of Alard Palenc; Joseph Belcher and Latin at Harvard; Queens College in Massachusetts; and university reform in Europe. The text includes a review essay as well as the usual book reviews.


Author(s):  
Sarah Collins

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.


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