The politics of the unities: tragedy and the Risorgimento in Byron and Manzoni

Author(s):  
Arnold Anthony Schmidt

This chapter takes an original approach to Byron’s much-discussed engagement with the early Risorgimento by focusing not on biographical aspects, but rather on formal issues. It centres on The Two Foscari in the context of the highly politicised contemporary Italian critical debates about the dramatic unities. In this fashion, it teases out the political implications of Byron’s adherence to the unities by comparing his play to Alessandro Manzoni’s Il conte di Carmagnola, which programmatically violates them. Focusing specifically on the playwrights’ representations of the fifteenth-century mercenary leader, Francesco Bussone da Carmagnola, the chapter explores these writers’ use or abuse of the unity of time, in particular. In doing so, it throws light on, and contrasts, Manzoni’s Risorgimento agenda on the one hand and Byron’s generally sceptical attitude about leadership and uncertainty about social and political change on the other.

2016 ◽  
Vol 43 (1) ◽  
pp. 96-120
Author(s):  
Jan-Jasper Persijn

Alain Badiou’s elaboration of a subject faithful to an event is commonly known today in the academic world and beyond. However, his first systematic account of the subject ( Théorie du Sujet) was already published in 1982 and did not mention the ‘event’ at all. Therefore, this article aims at tracing back both the structural and the historical conditions that directed Badiou’s elaboration of the subject in the early work up until the publication of L’Être et l’Événément in 1988. On the one hand, it investigates to what extent the (early) Badiouan subject can be considered an exceptional product of the formalist project of the Cahiers pour l’Analyse as instigated by psychoanalytical discourse (Lacan) and a certain Marxist discourse (Althusser) insofar as both were centered upon a theory of the subject. On the other hand, this article examines the radical political implications of this subject insofar as Badiou has directed his philosophical aims towards the political field as a direct consequence of the events of May ’68.


1995 ◽  
Vol 19 (2) ◽  
pp. 275-287
Author(s):  
Marco Meriggi

In recent years Italian social historians have devoted increasing attention to the nature and morphology of the nineteenth-century bourgeoisie. Traditional historiography viewed the bourgeoisie as key par excellence to the political change played out between 1859 and 1871. It was seen, on the one hand, as integral to the formation of a liberal political regime based on a limited suffrage, and, on the other, as critical to the outcome of the peninsula's national unification of a dozen small states, most of which were previously governed by absolutist regimes.


1969 ◽  
Vol 7 (3) ◽  
pp. 469-493 ◽  
Author(s):  
Howard Wolpe

To the political scientist concerned with the relationship between social and economic modernisation, on the one hand, and political change and integration, on the other, the Ibo experience has long held particular interest. In his pioneering study of Nigerian nationalism, James Coleman observed that Ibos had played a singular role in the post-war political era: ‘Ibos overwhelmingly predominated in both the leadership and the mass membership of the N.C.N.C., the Zikist Movement, and the National Church. Postwar radical and militant nationalism, which emphasized the national unity of Nigeria as a transcendent imperative, was largely, but not exclusively, an Ibo endeavor’1 But radical and militant pan-Nigerian nationalism was only one part of the Ibo political posture. No less noteworthy was the parallel development of a highly cohesive and organisationally sophisticated pan-Ibo movement, the very success of which ultimately undermined the pan- Nigerian aspirations of the Ibo-led N.C.N.C. and, subsequently, was one of several factors operating to impair the national legitimacy of an Ibo-led military régime. It is this paradoxical blending of ‘civic’ and ‘primordial’ sentiments which, perhaps, best defines the modern Ibo political experience2.


Pólemos ◽  
2021 ◽  
Vol 15 (1) ◽  
pp. 65-89
Author(s):  
Katariina Kaura-aho

Abstract The article analyses the political meaning of silence by reflecting on the communicative, autonomous and aesthetic function of silence in context of prevailing political speech systems. In the article, silence is interpreted as an active communication form, as an activist protest tactic and as an aesthetic practice. The article argues that silence can have a politically subversive function toward prevailing aesthetically organised speech systems.Conventionally, silence is devalued in Western societies that primarily celebrate the expressive and communicative capacity of verbal speech. In theorising about radically egalitarian politics, it is however crucial to note the various ways in which silence can be an important source of power. Silence holds the potential for certain active political change in current legal-political frameworks. On the one hand, silence can enable new communication forms and actualise alternative political solidarities and attachments. Also, the logic of oppressive speech systems can be resisted through silent political action. On the other hand, it is in an individual’s own practices of silence, ones that silent protests can bring about in their aftermath, where the sensibility of prevailing political speech orders can be rearranged. The article analyses these many meanings of political silence.


2021 ◽  
Vol 4 (1) ◽  
pp. 121-147
Author(s):  
Bruno De Nicola

The particularities in the political development of medieval Anatolia after the arrival of the Seljuq Turks in the eleventh century resulted in a singular scenario in which a long but steady process of Islamization transformed medieval Anatolia with the majority Christian population into a mostly Muslim territory by the end of the fifteenth century. However, this process of conflict and accommodation affected not only the different religions present in the peninsula but also those confessions that coexisted and competed with each another within each of these religions. The religious diversity of the 13th to 15th cent. Anatolia has also reflected its textual production. Several significant works on kalam and fiqh, in addition to a variety of Sufi texts, were produced during this period. These works often deal with dogma, practices or traditions of their religious confession. But, generally, they do not offer much information on other religious confessions. The manuscript held at the Bibliothèque National de France (Supplément Turc 1120) contains a work which has been identified by Osman Turan as the Fustat al-‘adala and attributed to a certain Muhammad b. Muhammad al-Khatib. The uniqueness of this work is that a part of it is occupied with describing the different ‘heresies’ that were present in Anatolia at the time when the author lived, which appears to be during the lifetime of the last Seljuq Sultan of Rum, Ghiyath al-din Mas‘ud (d. 1308 AD). This introduction will look at this manuscript from both a codicological and thematic perspective. On the one hand, I will discuss certain aspects related to the production of the codex, its authorship and potential patronage. While on the other, the section on heresies contained in the text will be examined to explore what this work can tell us about the religious environment of medieval Anatolia.


2014 ◽  
Vol 3 (1) ◽  
pp. 54 ◽  
Author(s):  
Saifullah SA Saifullah SA

This paper deals mainly with the political struggle of the people of Southern Philippine for independence. To a large extent, this paper is about the investigation of the political ideology of these people. To start with, the paper distinguishes between two opposing groups, namely the government and the Muslim group demanding for independence. The Muslims in their turn were then classified into two groups, the one is radical pursuing for political change through political –often violent- activities, and the other is moderate urging for a better life especially for Muslims through a peaceful, constructive, legal, and constitutional means. The paper argues that the government of the Philippine has shown its willingness to find ways of solving the problems through dialogue and peace process. The paper is also interested in discussing the view expressed by Peter Gowing who believes that in the near future the Muslims of the Philippine would be divided into two groups. The one successfully forms autonomous quasi-independent Muslim territories, and the other sticks to the national government having a strong consciousness to work toward the national integration and harmony.


Author(s):  
Nicolas Wiater

This chapter examines the ambivalent image of Classical Athens in Dionysius of Halicarnassus’ Roman Antiquities. This image reflects a deep-seated ambiguity of Dionysius’ Classicist ideology: on the one hand, there is no question for Dionysius that Athenocentric Hellenicity failed, and that the Roman empire has superseded Athens’ role once and for all as the political and cultural centre of the oikoumene. On the other, Dionysius accepted Rome’s supremacy as legitimate partly because he believed (and wanted his readers to believe) her to be the legitimate heir of Classical Athens and Classical Athenian civic ideology. As a result, Dionysius develops a new model of Hellenicity for Roman Greeks loyal to the new political and cultural centre of Rome. This new model of Greek identity incorporates and builds on Classical Athenian ideals, institutions, and culture, but also supersedes them.


1985 ◽  
Vol 17 (2) ◽  
pp. 341-369 ◽  
Author(s):  
Philip J. Williams

The involvement of Christians in the Nicaraguan Revolution is a clear manifestation of the profound changes taking place within the Nicaraguan Church as a whole. While a clear majority of the clergy took a stand against the injustices of the Somoza regime, a smaller group of priests and religious demonstrated a more profound commitment to radical structural transformation of society. Although their efforts to organize andconcientizar1rural and urban poor had serious political implications – in fact, many joined the guerrilla as a result of the ‘radicalization of their faith’ – to these priests and religious the political solutions available to counter growing social injustices and government abuses were few: either fight or capitulate. The bishops, on the other hand, were cautious about the pace of change and rejected the violent option, choosing instead an intermediate path. Unfortunately, such an option proved futile in the case of Nicaragua, and finally the bishops justified armed revolution as a viable alternative to systematic repression.


2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.


1994 ◽  
Vol 42 (3) ◽  
pp. 453-468 ◽  
Author(s):  
Alistair Cole

The study of political leadership, in France and elsewhere, must be appreciated in terms of the interaction between leadership resources (personal and positional) on the one hand, and environmental constraints and opportunities on the other. This article proposes a general framework for appraising comparative liberal democratic political leaderships. It illustrates the possibilities of the framework by evaluating the political leadership of the French President François Mitterrand.


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