scholarly journals L’albero della conoscenza: la dialettica del mito eterno dell’uomo secondo Hegel

Problemata ◽  
2020 ◽  
Vol 11 (4) ◽  
pp. 193-213
Author(s):  
Martina Barnaba
Keyword(s):  
Natural State ◽  
Human Consciousness ◽  
Phenomenology Of Spirit ◽  
Negative Element ◽  
Tree Of Knowledge ◽  
Genesis 3 ◽  
The Subject ◽  
The One ◽  
Good And Evil ◽  
Hegelian Philosophy

This paper aims to investigate the dialectical nature of the myth of original sin as described by Hegel. For introductory purposes, I will briefly highlight the process by which Hegelian philosophy operates the translation from religious representation to concept, demonstrating how this reading is at the basis of the interpretation of the myth. Then I will analyze the functioning of the dialectical movements of the biblical episode of Genesis 3 within the Phenomenology of Spirit and the Lectures on the Philosophy of Religion, in order to discuss the issues of good and evil, innocence and guilt, will and arbitrariness. In this reconstruction the dialectic will emerge in its importance as a structure that permeates human consciousness as well as reality in general. In the specific case of the tree of knowledge, we will witness the concretization of this eternal conciliation of contradictions in two specific areas, which will be treated in the last section: the question of evil on the one hand, which will be demonstrated as a necessary negative element that triggers the dialectical movement itself, and the question of freedom on the other, which will appear as the result of the emancipation of the subject from the natural state in which he finds himself in the so-called "garden of animals".

scholarly journals Posthumanizm i „syntezoidalny mimetyzm” w komiksie „Vision” Toma Kinga i Gabriela Hernandeza Walty

2021 ◽  
Vol 27 ◽  
pp. 467-479
Author(s):  
Oskar Meller
Keyword(s):  
Science Fiction ◽  
Comic Book ◽  
The Body ◽  
The Other ◽  
Full Time ◽  
Human Consciousness ◽  
Time Work ◽  
Cultural Texts ◽  
The Subject ◽  
The One

Cultural texts on the subject of posthuman can be found long before the post-anthropocentric turn in humanistic research. Literary explanations of posthumanism have entered the conventional canon not only in terms of the science-fiction classics. However, a different line follows the tradition of presenting posthumanist existence in the comic book medium. Scott Jeffrey accurately notes that most comic superheroes are post- or trans-human. Therefore, the transgression of human existence into a posthumanoid being is presented. However, in the case of the less culturally recognizable character of Vision, a synthezoid from the Marvel’s Avengers team, combining the body of the android and human consciousness, the vector of transgression is reversed. This article is an attempt to analyze the way the humanization process of this hero is narrative in the Vision series of screenwriter Tom King and cartoonist Gabriel Hernandez Walta. On the one hand, King mimetic reproduces the sociological panorama of American suburbs, showing the process of adaptation of the synthesoid family to the realities of full-time work and neighborly intercourse, on the other, he emphasizes the robotic limits of Vision humanization. Ultimately, the narrative line follows the cracks between these two plans, allowing King to present, with the help of inhuman heroes, one of the most human stories in the Marvel superhero universe.

scholarly journals XIII. Additional experiments on the muriatic and oxymuriatic acids

1812 ◽  
Vol 102 ◽  
pp. 238-246 ◽  
Keyword(s):  
Royal Society ◽  
Relative Proportion ◽  
The Other ◽  
Natural State ◽  
Acid Gas ◽  
Original Volume ◽  
Muriatic Acid ◽  
The Subject ◽  
The One

The experiments, which form the subject of the following pages, are intended as supplementary to a more extensive series, which the Royal Society did me the honour to insert in their Transactions for the year 1800. Of the general accu­racy of those experiments, I have since had no reason to doubt; and their results, indeed, are coincident with those of subsequent writers of the highest authority in chemistry. My attention has been again drawn to the subject by the impor­tant controversy which has lately been carried on between Mr. Murray and Mr. John Davy respecting the nature of mu­riatic and oxymuriatic acids; and I have been induced, by some hints which the discussion has suggested, not only to repeat the principal experiments described in my memoir, but to institute others, with the advantage of a more perfect appa­ratus than I then possessed, and of greater experience in the management of these delicate processes. This repetition of my former labours has discovered to me an instance, in which I have failed in drawing the proper con­clusion from facts. In two comparative experiments on the electrization of equal quantities of muriatic acid gas, the one of which was dried by muriate of lime, and the other was in its natural state, I found a difference of not more than one percent , in the hydrogen evolved, relatively to the original bulk of the gas. Yet, notwithstanding these results, I have expressed myself inclined to believe that some water is abstracted by that deliquescent salt; and this belief was confirmed, seve­ral years afterwards, by the event of an experiment in which muriatic acid gas, dried by muriate of lime, gave only 1/35 its bulk of hydrogen, a proportion much below the usual ave­rage. The question, however, was too interesting to be left in any degree of uncertainty; and I have, therefore, made several fresh experiments with the view to its decision. In the course of these I have found, that though differences in the results are produced by causes apparently trivial, some of which I shall afterwards point out, yet that under equal circumstances, precisely the same relative proportion of hy­drogene gas is obtained from muriatic acid gas, whether ex­posed or not to muriate of lime; and that its greatest amount does not exceed 1/16 or 1/14 the original volume of the acid gas.

scholarly journals Beuys� Chair and the Violence of the Other: Toward a Theory of Aesth-ethics

2017 ◽  
Vol 3 (1) ◽  
pp. 146
Author(s):  
Dror Pimentel
Keyword(s):  
The Other ◽  
Social Sphere ◽  
Works Of Art ◽  
Joseph Beuys ◽  
The Social ◽  
Phenomenological Perspective ◽  
The Subject ◽  
The One ◽  
Good And Evil ◽  
The Way

Most rare are those works of art that, in a simple visual gesture, succeed in formulating a dilemma that occupies culture as a whole. Such is the artwork of Joseph Beuys entitled Fat Chair. The work�viewed mainly from a phenomenological perspective�is comprised of two elements holding a tension: a chair on the one hand, and a lump of fat placed on top of it on the other. The tension between these elements, so the article argues, manifests the tension between two types of violence: following Benjamin, these are termed �the violence of the Father� and �the violence of the Other� (or in Hebrew, �the Violence of ha-Rav�). The violence of the Father refers mainly to the violence of culture: the violence of the concept and the category from the side of the object, and the violence of the law/name of the Father from the side of the subject. The violence of the Other, transgressing distinctions between good and evil and subject and object, is the violence of the pre-cultural and the primordial, before law and language. This primal violence cannot appear in its full presence, either in culture in general or in art in particular; it can only appear as a leftover and a spectre. Beuys' artwork manifests this aporetic appearance in a paradigmatic manner, and in this sense, it could serve as a paradigm for the possibility of hospitality in art. In fact, the article opens the way for an argument of a larger scale, according to which art, and not the social sphere�as Levinas maintains�should be viewed as the sphere of the� hospitality of the entirely Other. The study of such hospitality in art should therefore be termed �Aesth-ethics.�

scholarly journals Skabt i Guds billede. En lidet kendt udredning af Grundtvig fra 1814

1986 ◽  
Vol 38 (1) ◽  
pp. 7-10
Author(s):  
N. F. S. Grundtvig
Keyword(s):  
Holy Spirit ◽  
Image Of God ◽  
The Bible ◽  
Tree Of Knowledge ◽  
God's Word ◽  
The Holy Spirit ◽  
The One ◽  
Good And Evil ◽  
The Image Of God ◽  
Second World

Created in the Image of Goda little-known account of Grundtvig from 1814The creation of man in the image of God means according to Grundtvig that man is created with the purpose of resembling the Trinity - Father, Son and Holy Spirit. Man is therefore tripartite, comprising body, soul and spirit, equipped to feel, imagine, and apprehend. As Father, God cannot be truly imagined, since our images are limited by time and space. When man nevertheless sets out to imagine God, it is as Creator, according to the Bible as “the living word” – as the Son. The Holy Spirit then becomes the power that unites the Father and the Son. Grundtvig believes that man must be created with free will, “for otherwise there was something that did not obey Him”, that is, God - namely the human will.However, Grundtvig does not envisage the newly-created man as a perfect image of God, but rather as a healthy new-born baby is “fully-developed” - with the potential to become the perfect image of God. The Fall breaks off this development, occurring as it did because man abused his reason by doubting the truth of God’s word: “of the tree of knowledge of good and evil, thou shalt not eat of it,” for “thou shalt surely die.” Instead man believed the devil’s words, which were lies, and let his reason serve his desire. If we doubt that we participate in this sin, we will be convinced “when we realise how little abhorrence we have of such a fall.” This was pride, and this was how we lost our immediate communion with God.This account is found in the first volume of Grundtvig’s second World Chronicle, published in 1814. Only the one volume was published; it has never been reprinted, and is therefore little-known.

scholarly journals Historical Examination of Agent Concept

2019 ◽  
Vol 9 (1) ◽  
pp. 5188-5191
Keyword(s):  
Social Structure ◽  
New Age ◽  
The Other ◽  
Human Consciousness ◽  
Xxth Century ◽  
The Subject ◽  
Nineteenth And Twentieth Centuries ◽  
The One ◽  
The Individual ◽  
Historical Examination

Throughout the development of thought from the classical forms of philosophizing to the present, the understanding of the subject also changes. The transition from the Hegelian substance subject to the individual transcending subject is carried out, and then the “death of the subject” in all its forms (God, social, author, etc.). Such a fundamentally new understanding, the interpretation of human consciousness and being, is primarily associated with the emergence of a fundamentally new way of this consciousness functioning. This work is devoted to the consideration of this determining connection between the forms of theoretical problematization of a subject in philosophical thought and changes in social structure. They may consider the allocation of three main historical stages of the subject problematization and the corresponding forms of social as the main results. In the era of the New Age, there is understanding of a subject as a participant in history, who is the product of history and the creator. At the turn of the nineteenth and twentieth centuries, this understanding is being transformed and refined. Now they deny subject rootedness in the transcendental field on the one hand, and this rootedness should seek and achieve on the other hand. The motive for a breakthrough towards the absolute and overcoming one's own “queerness” becomes the main one. In the second half of XXth century, they form a special view of the subject - he is now problematized as absent.

“Channeling” the powers of God’s Word

2010 ◽  
Vol 4 (2) ◽  
pp. 135-156 ◽  
Author(s):  
Dorothea E. Schulz
Keyword(s):  
The Other ◽  
Border Zone ◽  
Focus Attention ◽  
Spiritual Power ◽  
New Materials ◽  
God's Word ◽  
Audio Recordings ◽  
Heated Debate ◽  
The Subject ◽  
The One

Starting with the controversial esoteric employment of audio recordings by followers of the charismatic Muslim preacher Sharif Haidara in Mali, the article explores the dynamics emerging at the interface of different technologies and techniques employed by those engaging the realm of the Divine. I focus attention on the “border zone” between, on the one hand, techniques for appropriating scriptures based on long-standing religious conventions, and, on the other, audio recording technologies, whose adoption not yet established authoritative and standardized forms of practice, thereby generating insecurities and becoming the subject of heated debate. I argue that “recyclage” aptly describes the dynamics of this “border zone” because it captures the ways conventional techniques of accessing the Divine are reassessed and reemployed, by integrating new materials and rituals. Historically, appropriations of the Qur’an for esoteric purposes have been widespread in Muslim West Africa. These esoteric appropriations are at the basis of the considerable continuities, overlaps and crossovers, between scripture-related esoteric practices on one side, and the treatment by Sharif Haidara’s followers of audio taped sermons as vessels of his spiritual power, on the other.

PHILOSOPHICAL PROPAEDEUTICS IN THE SYSTEM OF PRESCHOOL EDUCATION

2020 ◽  
Vol 22 (11) ◽  
pp. 11-15
Author(s):  
Gan N.Yu. ◽  
Ponomareva L.I. ◽  
Obukhova K.A.
Keyword(s):  
Modern Science ◽  
Preschool Education ◽  
Modern Society ◽  
Social Relevance ◽  
The Social ◽  
Moral Problems ◽  
The Subject ◽  
The One ◽  
The Individual ◽  
And Training

Today, worldview, spiritual and moral problems that have always been reflected in education and upbringing come to the fore in society. In this situation, there is a demand for philosophical categories. One of the priority goals of education in modern conditions is the formation of a reasonable, reflexive person who is able to analyze their actions and the actions of other people. Modern science is characterized by an understanding of the absolute value and significance of childhood in the development of the individual, which implies the need for its multilateral study. In the conditions of democratization of all spheres of life, the child ceases to be a passive object of education and training, and becomes an active carrier of their own meanings of being and the subject of world creation. One of the realities of childhood is philosophizing, so it is extremely timely to address the identification of its place and role in the world of childhood. Children's philosophizing is extremely poorly studied, although the need for its analysis is becoming more obvious. Children's philosophizing is one of the forms of philosophical reflection, which has its own qualitative specificity, on the one hand, and commonality with all other forms of philosophizing, on the other. The social relevance of the proposed research lies in the fact that children's philosophizing can be considered as an intellectual indicator of a child's socialization, since the process of reflection involves the adoption and development of culture. Modern society, in contrast to the traditional one, is ready to "accept" a philosophizing child, which means that it is necessary to determine the main characteristics and conditions of children's philosophizing.

The problem of woman’s emansipation in the feuilleton “Amazonia: a very inept story” by Mykola Chirsky

2020 ◽  
pp. 71-76
Author(s):  
Iryna Rusnak
Keyword(s):  
Scientific Understanding ◽  
The Other ◽  
Literary Studies ◽  
Ethical Guidelines ◽  
Compositional Structure ◽  
Urgent Task ◽  
The Subject ◽  
The One ◽  
Artistic Heritage

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.

TARP DVIEJŲ KOLONŲ: XVIII A. PABAIGOS – XIX A. PRADŽIOS VILNIAUS MASONŲ KASDIENYBĖ SIMBOLIKOJE

2018 ◽  
pp. 144-163
Author(s):  
Daiva Milinkevičiūtė
Keyword(s):  
Daily Life ◽  
The Other ◽  
Daily Routine ◽  
The Past ◽  
Secular World ◽  
National Characteristics ◽  
Conservative Christian ◽  
The Subject ◽  
The One ◽  
Craft Guilds

The Age of Enlightenment is defined as the period when the universal ideas of progress, deism, humanism, naturalism and others were materialized and became a golden age for freemasons. It is wrong to assume that old and conservative Christian ideas were rejected. Conversely, freemasons put them into new general shapes and expressed them with the help of symbols in their daily routine. Symbols of freemasons had close ties with the past and gave them, on the one hand, a visible instrument, such as rituals and ideas to sense the transcendental, and on the other, intense gnostic aspirations. Freemasons put in a great amount of effort to improve themselves and to create their identity with the help of myths and symbols. It traces its origins to the biblical builders of King Solomon’s Temple, the posterity of the Templar Knights, and associations of the medieval craft guilds, which were also symbolical and became their link not only to each other but also to the secular world. In this work we analysed codified masonic symbols used in their rituals. The subject of our research is the universal Masonic idea and its aspects through the symbols in the daily life of the freemasons in Vilnius. Thanks to freemasons’ signets, we could find continuity, reception, and transformation of universal masonic ideas in the Lithuanian freemasonry and national characteristics of lodges. Taking everything into account, our article shows how the universal idea of freemasonry spread among Lithuanian freemasonry, and which forms and meanings it incorporated in its symbols. The objective of this research is to find a universal Masonic idea throughout their visual and oral symbols and see its impact on the daily life of the masons in Vilnius. Keywords: Freemasonry, Bible, lodge, symbols, rituals, freemasons’ signets.

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