Innovation from the Inside Out

Author(s):  
Roberto Verganti

This chapter shows why in a world overcrowded by ideas innovation should come from the inside-out, i.e. the process should start from ourselves rather than from clients or outsiders. Traditional innovation processes are typically oriented the other way around: from the outside in. Their focus on solutions requires us to look first outside our organization, and outside ourselves; when we want to innovate solutions we start by going out and observing how users use existing products; then we are advised to “think outside the box” in order to be more creative; and even to invite outsiders to propose masses of novel ideas. Instead, the search for a new direction, i.e. the innovation of meaning, comes from the inside out. It’s a vision that comes from us and is offered to people. A gift to love because, foremost, we love it and we authentically believe it will make their lives better. And it could not be otherwise. You can borrow solutions from outsiders, but you cannot borrow directions and visions from outsiders: you cannot wear the eyes of others. You have to see things yourself. Or, put differently, when it comes to innovation of meanings, the myth of outside-in innovation does not work. We need to take exactly the opposite direction: from the inside out. This has three reasons, which we will elaborate in depth. First, meanings are interpretations, and interpretations cannot be outsourced; they can only come from us. Second, our own interpretations are precious; people will never love something we do not love ourselves. Third, we have the responsibility to drive the world in the direction that we believe makes more sense; this is good for people, for business, and for us; if we abdicate, what is our role in this world?

Author(s):  
Christine M. Korsgaard

This chapter criticizes the familiar idea that humans are more important than animals. After examining some reasons why we treat humans and animals differently, and showing that they do not imply the superior importance of humans, it argues that the claim of superior human importance is not so much false as (nearly) incoherent. Importance and goodness are “tethered” values: things are only important or good when they are important-to or good-for some creature. To be important or good absolutely is to be important-to or good-for all creatures. One kind of creature could be absolutely more important than others only if the fate of that kind of creature were more important to others than their own fates. Only a teleological picture of the world that made human good the ultimate purpose of the world could support the conclusion that humans are more important than the other animals.


Author(s):  
Stephen Makin

The Greek philosopher Zeno of Elea was celebrated for his paradoxes. Aristotle called him the ‘founder of dialectic’. He wrote in order to defend the Eleatic metaphysics of his fellow citizen and friend Parmenides, according to whom reality is single, changeless and homogeneous. Zeno’s strength was the production of intriguing arguments which seem to show that apparently straightforward features of the world – most notably plurality and motion – are riddled with contradiction. At the very least he succeeded in establishing that hard thought is required to make sense of plurality and motion. His paradoxes stimulated the atomists, Aristotle and numerous philosophers since to reflect on unity, infinity, continuity and the structure of space and time. Although Zeno wrote a book full of arguments, very few of his actual words have survived. Secondary reports (some from Plato and Aristotle) probably preserve accurately the essence of Zeno’s arguments. Even so, we know only a fraction of the total. According to Plato the arguments in Zeno’s book were of this form: if there are many things, then the same things are both F and not-F; since the same things cannot be both F and not-F, there cannot be many things. Two instances of this form have been preserved: if there were many things, then the same things would be both limited and unlimited; and the same things would be both large (that is, of infinite size) and small (that is, of no size). Quite how the components of these arguments work is not clear. Things are limited (in number), Zeno says, because they are just so many, rather than more or less, while they are unlimited (in number) because any two of them must have a third between them, which separates them and makes them two. Things are of infinite size because anything that exists must have some size: yet anything that has size is divisible into parts which themselves have some size, so that each and every thing will contain an infinite number of extended parts. On the other hand, each thing has no size: for if there are to be many things there have to be some things which are single, unitary things, and these will have no size since anything with size would be a collection of parts. Zeno’s arguments concerning motion have a different form. Aristotle reports four arguments. According to the Dichotomy, motion is impossible because in order to cover any distance it is necessary first to cover half the distance, then half the remainder, and so on without limit. The Achilles is a variant of this: the speedy Achilles will never overtake a tortoise once he has allowed it a head start because Achilles has an endless series of tasks to perform, and each time Achilles sets off to catch up with the tortoise it will turn out that, by the time Achilles arrives at where the tortoise was when he set off, the tortoise has moved on slightly. Another argument, the Arrow, purports to show that an arrow apparently in motion is in fact stationary at each instant of its ‘flight’, since at each instant it occupies a region of space equal in size to itself. The Moving Rows describes three rows (or streams) of equal-sized bodies, one stationary and the other two moving at equal speeds in opposite directions. If each body is one metre long, then the time taken for a body to cover two metres equals the time taken for it to cover four metres (since a moving body will pass two stationary bodies while passing four bodies moving in the opposite direction), and that might be thought impossible. Zeno’s arguments must be resolvable, since the world obviously does contain a plurality of things in motion. There is little agreement, however, on how they should be resolved. Some points can be identified which may have misled Zeno. It is not true, for example, that the sum of an infinite collection of parts, each of which has size, must itself be of an infinite size (it will be false if the parts are of proportionally decreasing size); and something in motion will pass stationary bodies and moving bodies at different velocities. In many other cases, however, there is no general agreement as to the fallacy, if any exists, of Zeno’s argument.


2020 ◽  
pp. 16-66
Author(s):  
Daniel Layman

According to Locke, all people are free and equal. Consequently, the natural world belongs to all people in common. But each person, along with his labor, belongs only to himself. Thus, although all people share a common right to use the world, each person acquires a private right to resources he “mixes” with his labor. Before large-scale economic development, there was no problem with each person appropriating as much as he could use, because this left “enough, and as good” for others. But once money spurred development, people could efficiently use far more. Under these new conditions, there was no longer enough and as good lying in common. Consequently, although everyone got richer through economic development, the world divided into resource owners and employees working on others’ resources. All of this posed a dilemma for Locke. On the one hand, people could be required to leave the world lying in common, preserving equal standing but sacrificing well-being for all. On the other, people could be permitted to develop the world into a network of private plots, greatly increasing well-being for all but sacrificing equal standing. Locke notices the tension, but he lacks an adequate solution. He implausibly appeals to our purported consent to money and its consequences before ending the chapter, thus leaving his property problem for others to solve.


2016 ◽  
Vol 38 (5) ◽  
pp. 505-519 ◽  
Author(s):  
Mikko Mattila ◽  
Achillefs Papageorgiou

Disability affects the lives of hundreds of millions across the world. People with disabilities often experience discrimination and unequal treatment. Sometimes the mere categorization of people into groups, that is, ‘healthy’ vs. ‘disabled’, is enough to trigger discriminatory behaviour against people with disabilities. Previous studies show that in general disabilities depress political participation. However, the effect of disability-based discrimination on participation has received little scholarly attention. We study how perceptions of discrimination affect three forms of political participation: voting; contacting politicians; and participating in demonstrations. Results show that disability decreases voting, especially when associated with perceptions of discrimination. The analysis points in the opposite direction when the other two forms of political participation are analysed. People with disabilities are more likely to partake in demonstrations and contact politicians than non-disabled. Thus, disability-based discrimination is not always a hindrance to participation. It sometimes further motivates people with disabilities to participate.


TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.


Author(s):  
Iia Fedorova

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.


CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.


2017 ◽  
Vol 39 (2) ◽  
pp. 265-276 ◽  
Author(s):  
Kas Saghafi

In several late texts, Derrida meditated on Paul Celan's poem ‘Grosse, Glühende Wölbung’, in which the departure of the world is announced. Delving into the ‘origin’ and ‘history’ of the ‘conception’ of the world, this paper suggests that, for Derrida, the end of the world is determined by and from death—the death of the other. The death of the other marks, each and every time, the absolute end of the world.


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