scholarly journals Heroism and Imperialism in the Arctic: Edwin Landseer’s Man Proposes – God Disposes

Nordlit ◽  
2008 ◽  
Vol 12 (1) ◽  
pp. 183
Author(s):  
Ingeborg Høvik

Edwin Landseer contributed the painting Man Proposes - God Disposes (Royal Holloway College, Egham), showing two polar bears amongst the remnants of a failed Arctic expedition, to the Royal Academy's annual exhibition of 1864. As contemporary nineteenth-century reviews of this exhibition show, the British public commonly associated Landseer's painting with the lost Arctic expedition of sir John Franklin, who had set out to find the Northwest Passage in 1845. Despite Landseer's gloomy representation of a present-day human disaster and, in effect, of British exploration in the Arctic, the painting became a public success upon its first showing. I will argue that a major reason why the painting became a success, was because Landseer's version of the Franklin expedition's fate offered a closure to the whole Franklin tragedy that corresponded to British nineteenth-century views on heroism and British-ness.

Polar Record ◽  
1995 ◽  
Vol 31 (178) ◽  
pp. 335-342 ◽  
Author(s):  
Paul A. Kay

AbstractSignificant warming in the Arctic is anticipated for doubled-CO2 scenarios, but temperatures in the eastern Canadian Arctic have not yet exhibited that trend in the last few decades. The spatial juxtaposition of the winter station in 1822–1823 of William Edward Parry's Northwest Passage expedition with the modern Igloolik Research Centre of the Science Institute of the Northwest Territories affords an opportunity for historical reconstruction and comparison. Parry's data are internally consistent. The association of colder temperatures with westerly and northerly winds, and wanner temperatures with easterly and southerly winds, is statistically significant. Temperatures are not exactly comparable between the two time periods because of differences in instrumentation, exposure, and frequency of readings. Nevertheless, in 1822–1823, November and December appear to have been cold and January to March mild compared to modern experience. Anomalously, winds were more frequently northerly (and less frequently westerly) in the latter months than in recent observations. Parry recorded two warm episodes in mid-winter, but, overall, it appears that the winter of 1822–1823 was not outside the range of modern experience.


Polar Record ◽  
2009 ◽  
Vol 46 (3) ◽  
pp. 277-279
Author(s):  
Robert G. David

ABSTRACTResearch following the discovery of a picture of William Edward Parry painted onto wooden boards in the stairwell of a house in Cumbria, has resulted in the identification of the probable artist. It has also been possible to show that this painting was a copy of an engraving of Parry that was published in The European Magazine and London Review, and which was based on a portrait by Samuel Drummond. It is suggested that the new picture was probably painted between 1821 and 1823, and the fact that it was painted in a small provincial community reflects the reach of the early nineteenth century media and the significance of the search for the northwest passage for the country at large.


2014 ◽  
Vol 42 (1) ◽  
pp. 1-31 ◽  
Author(s):  
Adriana Craciun

In August 2013 the Canadian governmentlaunched its largest search for the ships, relics, and records of the John Franklin expedition, which disappeared with all 129 hands lost searching for the Northwest Passage in 1845. Canada's latest search was its fifth in six years, one of dozens of search expeditions launched since 1848, in a well-known story of imperial hubris elevated to an internationalcause célèbre. Recent work in nineteenth-century literary and visual culture has shown the significant role that Franklin played in the Victorian popular imagination of the Arctic (see Spufford, Potter, David, Hill, Cavell, Williams, Savours, MacLaren). In panoramas, stereographs, paintings, plays, music, lantern shows, exhibitions, and popular and elite printed texts, record numbers of Britons could enjoy at their leisure the Arctic sublime in which Franklin's men perished. Alongside this work on how Europeans represented Arctic peoples and places, we also have a growing body of Inuit oral histories describing their encounters with nineteenth-century Arctic explorers. Drawing on these traditional histories of British exploration, visual culture, and literary imagination, and on postcolonial, anthropological and indigenous accounts that shift our attention away from the Eurocentrism of exploration historiography, and toward the “hidden histories of exploration,” this essay uncovers an unexamined material dimension of these encounters – the “Franklin Relics” collected by voyagers searching for Franklin.


2006 ◽  
Vol 33 (1) ◽  
pp. 1-17
Author(s):  
Dewi Jones

John Lloyd Williams was an authority on the arctic-alpine flora of Snowdonia during the late nineteenth century when plant collecting was at its height, but unlike other botanists and plant collectors he did not fully pursue the fashionable trend of forming a complete herbarium. His diligent plant-hunting in a comparatively little explored part of Snowdonia led to his discovering a new site for the rare Killarney fern (Trichomanes speciosum), a feat which was considered a major achievement at the time. For most part of the nineteenth century plant distribution, classification and forming herbaria, had been paramount in the learning of botany in Britain resulting in little attention being made to other aspects of the subject. However, towards the end of the century many botanists turned their attention to studying plant physiology, a subject which had advanced significantly in German laboratories. Rivalry between botanists working on similar projects became inevitable in the race to be first in print as Lloyd Williams soon realized when undertaking his major study on the cytology of marine algae.


Author(s):  
Michael D. Gordin

Dmitrii Mendeleev (1834–1907) is a name we recognize, but perhaps only as the creator of the periodic table of elements. Generally, little else has been known about him. This book is an authoritative biography of Mendeleev that draws a multifaceted portrait of his life for the first time. As the book reveals, Mendeleev was not only a luminary in the history of science, he was also an astonishingly wide-ranging political and cultural figure. From his attack on Spiritualism to his failed voyage to the Arctic and his near-mythical hot-air balloon trip, this is the story of an extraordinary maverick. The ideals that shaped his work outside science also led Mendeleev to order the elements and, eventually, to engineer one of the most fascinating scientific developments of the nineteenth century. This book is a classic work that tells the story of one of the world's most important minds.


2021 ◽  
Vol 13 (2) ◽  
pp. 703
Author(s):  
Megan Drewniak ◽  
Dimitrios Dalaklis ◽  
Anastasia Christodoulou ◽  
Rebecca Sheehan

In recent years, a continuous decline of ice-coverage in the Arctic has been recorded, but these high latitudes are still dominated by earth’s polar ice cap. Therefore, safe and sustainable shipping operations in this still frozen region have as a precondition the availability of ice-breaking support. The analysis in hand provides an assessment of the United States’ and Canada’s polar ice-breaking program with the purpose of examining to what extent these countries’ relevant resources are able to meet the facilitated growth of industrial interests in the High North. This assessment will specifically focus on the maritime transportation sector along the Northwest Passage and consists of four main sections. The first provides a very brief description of the main Arctic passages. The second section specifically explores the current situation of the Northwest Passage, including the relevant navigational challenges, lack of infrastructure, available routes that may be used for transit, potential choke points, and current state of vessel activity along these routes. The third one examines the economic viability of the Northwest Passage compared to that of the Panama Canal; the fourth and final section is investigating the current and future capabilities of the United States’ and Canada’s ice-breaking fleet. Unfortunately, both countries were found to be lacking the necessary assets with ice-breaking capabilities and will need to accelerate their efforts in order to effectively respond to the growing needs of the Arctic. The total number of available ice-breaking assets is impacting negatively the level of support by the marine transportation system of both the United States and Canada; these two countries are facing the possibility to be unable to effectively meet the expected future needs because of the lengthy acquisition and production process required for new ice-breaking fleets.


Logistics ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 23
Author(s):  
Rebecca Sheehan ◽  
Dimitrios Dalaklis ◽  
Anastasia Christodoulou ◽  
Megan Drewniak ◽  
Peter Raneri ◽  
...  

The analysis in hand provides a brief assessment of the United States’ and Canada’s marine transportation system and relevant search and rescue (SAR) support in relation to the Northwest Passage, with the purpose of examining to what extent these countries’ relevant infrastructure resources are able to meet the expected growth of shipping operations and business activities in the Arctic. Through an extensive literature review, this assessment will specifically describe the most important influences upon the maritime transportation system, with the issue of certain geographical details and the capabilities of existing ports standing out. Additionally, vessel activity trends and vessel traffic routing measure initiatives will be examined. Furthermore, the SAR infrastructure details and means to render assistance to people in distress along the Northwest Passage will be discussed. The reality remains that port characteristics are limited and vessel traffic routing measure initiatives and upgrades to SAR assets are commendable but slow-paced. It is true that both the United States and Canada are taking proper measures to build up infrastructure needs, but they both may run out of time to put adequate infrastructure in place to deal effectively with the changing environment.


Author(s):  
Robert Bauernfeind
Keyword(s):  

This article examines the depiction of polar bears in Dutch painting and graphics from the late 16th to the early 18th centuries. Reports of the first encounters between Dutch humans and polar bears established the idea of these animals as aggressive predators. This idea dominated the image of the bear in illustrated travelogues as well as in allegorical depictions of the Arctic and whaling pictures. The polar bear thus became a symbol for the dangers of the region and appears as an obstacle to the human exploitation of the Arctic. However, depictions of the bloody hunt for polar bears indicate the economically motivated triumph of Europeans in this inhospitable area.


2021 ◽  
Author(s):  
David Lipson ◽  
Kim Reasor ◽  
Kååre Sikuaq Erickson

<p>In this project we analyze artwork and recorded statements of 5<sup>th</sup> grade students from the community of Utqiaġvik, Alaska, who participated in a science-art outreach activity. The team consisted of a scientist (Lipson), an artist (Reasor) and an outreach specialist (Erickson) of Inupiat heritage from a village in Alaska. We worked with four 5th grade classes of about 25 students each at Fred Ipalook Elementary. The predominantly Inupiat people of Utqiaġvik are among those who will be most impacted by climate change and the loss of Arctic sea ice in the near future. Subsistence hunting of marine mammals associated with sea ice is central to the Inupiat way of life. Furthermore, their coastal homes and infrastructure are increasingly subject to damage from increased wave action on ice-free Beaufort and Chukchi Seas. While the people of this region are among the most directly vulnerable to climate change, the teachers reported that the subject is not generally covered in the elementary school curriculum.</p><p>The scientist and the local outreach specialist gave a short presentation about sea ice and climate change in the Arctic, with emphasis on local impacts to hunting and infrastructure. We then showed the students a large poster of historical and projected sea ice decline, and asked the students to help us fill in the white space beneath the lines. The artist led the children in making small paintings that represent things that are important to their lives in Utqiaġvik (they were encouraged to paint animals, but they were free to do whatever they wanted). We returned to the class later that week and had each student briefly introduce themselves and their painting, and place it on the large graph of sea ice decline, which included the dire predictions of the RCP8.5 scenario. Then we added the more hopeful RCP2.6 scenario to end on a positive note.</p><p>Common themes expressed in the students’ artwork included subsistence hunting, other aspects of traditional Inupiat culture, nature and family. Modern themes such as sports and Pokémon were also common. The students reacted to the topic of climate change with pictures of whales, polar bears and other animals, and captions such as “Save the world/ice/animals.” There were several paintings showing unsuccessful hunts for whales or seals. Some students displayed an understanding of ecosystem science in their recorded statements. For example, a student who painted the sun and another who painted a krill both succinctly described energy flow in food webs that support the production of whales (for example, “I drew krill because without krill there wouldn’t be whales”). Some of the students described the consequences of sea ice loss to local wildlife with devastating succinctness (sea ice is disappearing and polar bears will go extinct). The overall sense was that the children had a strong grasp of the potential consequences of climate change to their region and way of life.</p>


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