scholarly journals Peyzaj Tasarım Eğitiminde Bir Biçim Arama Yöntemi: Doğadan Esinlenme / A Form Creating Method in Landscape Design Education: Inspiration from Nature

2018 ◽  
Vol 7 (2) ◽  
pp. 376
Author(s):  
Serap Yılmaz ◽  
Tuğba Düzenli ◽  
Abdullah Çiğdem

<p><strong>Abstract </strong></p><p>It is important how novice designers can produce shapes in the design-oriented parts where creativity and form creation is prior. Designers can abstract the t ideas in their minds by taking advantage of the forms, metrics, and relationships that exist in nature. For this reason, how designers can transform their ideas to forms has been analyzed by experienced designers in this research.The form of visual data obtained from the nature is obtained by the abstraction of the visual data and the addition of the designer's own style instead of using the imitation of the individual. The shape of nature in the result of abstraction; there is a new meaning and form again. At the end of the study, the way of designing the system, as in the case of nature, will be guided by the designers in terms of measurement and direction. Thus, novice designers can improve their creativity.</p><p>This formal quest: in landscape design, while the solution of the problem is both aesthetic and functional, Landscape architect candidates are encouraged to enrich visual memories by developing creative thinking and form creation.</p><p><strong>Öz</strong></p><p>Yaratıcılık ve biçim arayışının ön planda olduğu tasarım odaklı bölümlerde tasarımcı adaylarının nasıl biçim üretebileceği önemlidir. Tasarımcılar zihinlerindeki soyut fikirleri doğada var olan biçimlerden, ölçülerden ve ilişkilerden yararlanarak somut hale getirebilirler. Bu nedenle tasarımcıların fikirlerini nasıl biçime dönüştürebileceği bu araştırma kapsamında tecrübeli tasarımcılar tarafından analiz edilmiştir. Doğadan elde edilen görsel veriler birebir taklit edilerek kullanmanın yerine görsel verilerin soyutlanması ve tasarımcının kendi üslubunun da eklemesi ile biçim elde edilir. Soyutlama sonucunda doğadaki biçim; yeni bir anlam ve biçimle tekrar var olur. Çalışmanın sonunda yaratılan biçimin doğadaki gibi sistem tanımlaması için ölçü, yön açısından bir araya gelişinin irdelenmesi tasarımcılara yol gösterici olacaktır. Böylece tasarımcı adayları yaratıcılıklarını geliştirebilir.</p><p>Bu biçimsel arayış: peyzaj tasarımında, problemin çözümünü hem estetik hem de fonksiyonel yaparken; peyzaj mimarı adaylarının yaratıcı düşünme ve biçim üretmelerini geliştirerek görsel hafızalarının zenginleşmesini sağlanmaktadır.</p>

Author(s):  
Cătălin Grădinaru ◽  
Sorin-George I. Toma ◽  
Paul I. Marinescu

Education is the critical vein for human development, for society and economic growth. Because the context nowadays is vacillating, sometimes turbulent even, mankind needs empowerment through a belief system. We believe that an educated man is key to a sustainable economy, one that promotes values, lucidity and rationality. Education is modelled by and models society, through the way we think, act and react. The individual is the main actor on life's scene and he is responsible of the various shapes and forms of the socio-economic systems, of different contexts and behaviours in general. In this chapter, we aim to highlight the importance of entrepreneurship, management, creativity in managing an educational institution (system). We will analyse how an entrepreneurial system should look like, how creative thinking helps and how it will contribute to an “educated development”.


Author(s):  
Meltem Eti Proto ◽  
Ceren Koç Sağlam

AbstractThree-dimensional printing technology has an important place in furniture and interior design, a strong global sector that responds rapidly to the changing needs and expectations of the individual and society. The main objective of design education should be to equip us to imagine new models of life. Among the most attractive benefits of 3D printing technology that make it a boon to designers working in the building and furniture sector are that it enables them to seek original forms that cannot be produced in molds, it generates less waste, and is accessible to all. Today, innovation in the profession, innovative materials, and knowledge of innovative production technologies that feed creative thinking have become ever important features of design education. This knowledge will allow us to imagine, discuss and pioneer design production ideas for new life models. This paper discusses 3D printing technology, the furniture design studio method and its contribution to design education in the Production Techniques courses of the Interior Architecture Department of Marmara University’s Faculty of Fine Arts led by Professor Meltem Eti Proto, Instructor Can Onart, Lecturer T. Emre Eke, and Research Assistant Ceren Koç Sağlam.


2001 ◽  
Vol 209 (2) ◽  
pp. 105-117 ◽  
Author(s):  
Thomas Kleinsorge ◽  
Herbert Heuer ◽  
Volker Schmidtke

Summary. When participants have to shift between four tasks that result from a factorial combination of the task dimensions judgment (numerical vs. spatial) and mapping (compatible vs. incompatible), a characteristic profile of shift costs can be observed that is suggestive of a hierarchical switching mechanism that operates upon a dimensionally ordered task representation, with judgment on the top and the response on the bottom of the task hierarchy ( Kleinsorge & Heuer, 1999 ). This switching mechanism results in unintentional shifts on lower levels of the task hierarchy whenever a shift on a higher level has to be performed, leading to non-shift costs on the lower levels. We investigated whether this profile depends on the way in which the individual task dimensions are cued. When the cues for the task dimensions were exchanged, the basic pattern of shift costs was replicated with only minor modifications. This indicates that the postulated hierarchical switching mechanism operates independently of the specifics of task cueing.


Author(s):  
Beatrice Marovich

‘The art of free society’, A.N. Whitehead declares in his essay on symbolism, is fundamentally dual. It consists of both ‘maintenance of the symbolic code’ and a ‘fearlessness of [its] revision’. This tension, on the surface paradoxical, is what Whitehead believes will prevent social decay, anarchy, or ‘the slow atrophy of a life stifled by useless shadows’. Bearing in mind Whitehead’s own thoughts on the nature of symbolism, this chapter argues that the figure of the creature has been underappreciated in his work as a symbol. It endeavors to examine and contextualize the symbolic potency of creatureliness in Whitehead’s work, with particular attention directed toward the way the creature helps him to both maintain and revise an older symbolic code. In Process and Reality, ‘creature’ serves as Whitehead’s alternate name for the ‘individual fact’ or the ‘actual entity’—including (perhaps scandalously, for his more orthodox readers) the figure of God. What was Whitehead’s strategic motivation for deploying this superfluous title for an already-named category? In this chapter, it is suggested that his motivation was primarily poetic (Whitehead held the British romantic tradition in some reverence) and so, in this sense, always and already aware of its rich symbolic potency.


2020 ◽  
Vol 8 (1) ◽  
pp. 37-46
Author(s):  
Stanislava Varadinova

The attention sustainability and its impact of social status in the class are current issues concerning the field of education are the reasons for delay in assimilating the learning material and early school dropout. Behind both of those problems stand psychological causes such as low attention sustainability, poor communication skills and lack of positive environment. The presented article aims to prove that sustainability of attention directly influences the social status of students in the class, and hence their overall development and the way they feel in the group. Making efforts to increase students’ attention sustainability could lead to an increase in the social status of the student and hence the creation of a favorable and positive environment for the overall development of the individual.


2005 ◽  
Vol 66 (1) ◽  
pp. 69-95 ◽  
Author(s):  
Christopher P. Klofft

[In the writings of Orthodox theologian Paul Evdokimov (1901–1970), Western theology can find new resources regarding the relationship between gender and moral development. The author presents Evdokimov's unique theological anthropology in the context of both the complicated question of gender, as well as the effects that gender has on the way women and men act. While the goal of the Christian life for both is the transformation of the individual through asceticism, the role each plays in the salvation of the world differs markedly.]


Author(s):  
Megan Strain ◽  
Donald Saucier ◽  
Amanda Martens

AbstractDespite advances in women’s equality, and perhaps as a result of it, sexist humor is prevalent in society. Research on this topic has lacked realism in the way the humor is conveyed to participants, and has not examined perceptions of both men and women who use sexist humor. We embedded jokes in printed Facebook profiles to present sexist humor to participants. We manipulated the gender of the individual in the profile (man or woman), and the type of joke presented (anti-men, anti-women, neutral) in a 2×3 between-groups design. We found that both men and women rated anti-women jokes as more sexist than neutral humor, and women also rated anti-men jokes as sexist. We also found that men who displayed anti-women humor were perceived less positively than men displaying anti-men humor, or women displaying either type of humor. These findings suggest that there may be different gender norms in place for joke tellers regarding who is an acceptable target of sexist humor.


2013 ◽  
Vol 357-360 ◽  
pp. 2002-2004
Author(s):  
Ou Xie ◽  
Yuan Sheng Tu

Road Landscape design does not exist independently in urban construction but intergrates into the urban cultures by design. This article discusses based on Huangshi Mining and Metallurgy culture the urban road design from the aspects of color, pavement, blind sidewalk, plants, and public environment facilities. Also it proposes the way of design that combines cultural landscape and natural landscape according to the city geographical features, therefore makes the urban road landscape design to be more cultural and representative.


2021 ◽  
pp. 147447402110036
Author(s):  
Dai O’Brien

In the field of Deaf Geographies, one neglected area is that of the individual deaf body and how individual deaf bodies can produce deaf space in isolation from one another. Much of the work published in the field talks about collectively or socially produced deaf spaces through interaction between two or more deaf people. However, with deaf children increasingly being educated in mainstream schools with individual provisions, and the old social networks and institutions of deaf communities coming under threat by the closure of deaf clubs and changing work practices, more research on the way in which individuals can produce their own deaf spaces and navigate those spaces is needed. In this paper, I outline two possible theoretical approaches, that of Lefebvre’s productive gestures to produce social space, and Bourdieu’s habitus, capital and hexis. I suggest that these theories can be productively utilised to better understand the individual basis of the production of deaf spaces.


Author(s):  
Наталія Юріївна Бондар

The article deals with the influence of the archetype of the way on the formation of the personality in the novel Paper Towns by John Green. The purpose of this article is to determine the originality of the image of an American teenager and to identify the influence of the archetype of the way on the formation of the personality, as well as to consider the archetype of the way as a real path of the character in the novel Paper Towns by John Green, taking into account the individual author’s interpretation. This object of research has been chosen because through it one can comprehend the specifics of the psychology of a teenager and define the artistic features that distinguish the author’s stylistics and worldview. The comprehensive research methodology has been used in the work: the synthesis of the comparative historical method, holistic analysis, elements of mythopoetic and hermeneutic methods. In the novel Paper Towns by John Green mythopoetic consciousness presupposes ontological ambivalent intentions in the archetype of the child / teenager (good and evil children). The metaphorical extension of the archetype of the child / teenager has been revealed in this article. All the images of teenagers are given in the development, on the way to growing up. The originality of the archetype of the way here lies in the fact that it merges with the concepts of Space and Chaos, confirming the idea of the unity of mankind. The metaphors themselves are also peculiar, associated with the archetype of the way: inanimate strings, gradually turning into living blades of grass, intertwined with roots with all that exists. During the search for Margo, Quentin grows up significantly, becomes more tolerant to their friends, and he learns to take responsibility for him. The image of Margo is the image of a rebel against any lack of freedom that it is inevitable in the “golden cage”. It is also revealed how Quentin is influenced by the new world opened during his trips, and his personal environment: for example, Radar opens his eyes to the fact that he does not need to demand too much from others. Both Margo is changed (from a “paper” girl – to a real one) and Ben and Radar are changed (false interests go into the background; everyone learns to expose himself to risks and troubles for the sake of friendship and human salvation). Ben and Radar are also shown in the development, in a short time they learn to understand each other and distinguish false values from true ones. These changes occur with all the teenagers, regardless of their skin color and nationality, and such an interpretation of the insignificance of formal differences is also a new word of the author.


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