Engagement with art represents one of the few areas in society where people come together to share experiences even when they have radically different worldviews. If all human beings share a common capacity for experiencing and appreciating artworks, it is plausible that the underlying neural and cognitive mechanisms are also common across cultures. But to what extent can art bind us together, and can it transcend boundaries of culture? Or do our in-group biases and preferences persist when watching dance or viewing paintings? Previous research suggests that all individuals show a preference for representational art over abstract art, although this preference is lower for art experts than non-experts. An ingroup bias also exists such that participants from one culture prefer art originating from their own culture compared to from another culture. However, whether the preference for representational art, the ingroup bias, and its modulation by art expertise is consistent and generalisable across cultures and fine and performing arts is not known. In the current study, across two experiments (total N=92 and N=90), we used abstract and representational paintings and dance stimuli of Indian and western origin, and invited Indian and western participants, including painting and dance experts and non-experts to rate art stimuli on beauty and liking. Results suggest that as predicted, a preference for representational art exists (only for paintings) and an ingroup bias exists (only for dance). Both the preference for representational art, and the ingroup bias is modulated by art expertise, such that the preference for representational art is lower in art experts, and the ingroup bias is stronger in non-experts. However, the modulation of art expertise is present only in western participants, and not in Indian participants. Thus, the current findings both inform and constrain understanding of the universality (or not) of aesthetic judgements, and have two major implications: 1) they caution against generalising models of aesthetic appreciation to non-western populations, and across art forms, and 2) they highlight the importance of mere exposure to art as a means of countering ingroup biases and prejudices, evidencing its potential as a medium that binds people together.