Slave-women, according to Altanokhy's book" Relief after Severity: الجواري عند التنوخي من خلال كتابه الفرج بعد الشدة

This research paper aimed at presenting the traces of Altanokhy's book (Relief after severity) from a historic, political, social and economic perspectives and methodology. upon which the author relied on texts, also, based on artistic and literary elements which reflect the political era and the characteristics of AlTanokhy's personality. The research paper deals elaborately and redundantly with the topic of slave-women. from the perspective of Altanokhy in his book "Relief after Severity". Almost all nations had the knowledge of possessing women as slaves, and this wasn't restricted only to caliphs but also by their followers, the luxurious, high -class princes and their people. Hence palaces were full of slave-women. Altanokhy,in his book, had mentioned the prices of these women and the trade of them by the merchants of slaves ,also he mentioned the places of them, which were called (homes of slaves and maids. ) The role of slave-women. was not only restricted to singing, but it exceeded to excelling in different branches of science, The Holy Qura'an , literature and poetry ,besides other household chores and serving palaces or houses including cutting wood and carrying water. Furthermore, these women had a great influence on caliphs, ministers and the public.

Veiling in Ancient Near Eastern Legal Contexts

Particularly interesting textual evidence on the use of the veil in ancient Mesopotamia comes from 15th-14th century BC Assyria. No comprehensive code of laws has reached us from this age, but only a collection of 14 tablets, which are named ad hoc “Middle Assyrian Laws”, from the religious and political capital Aššur. Veiling was prescribed for appearances in public of married women, even if widows, but also applied to the vaster class of women who were ‘Assyrian’, i.e. of free status and native-born. On the other hand, prostitutes had no right to wear a veil, and severe punishments were foreseen for transgression; and the same applied to slave women. These harsh rulings on the veil and other matters in the “Middle Assyrian Laws” do not, curiously enough, find counterparts in the contemporaneous legal deeds, which show women endowed with a much more liberal status. Perhaps the “Laws” reflected normative codifications applying to the stricter moral and intellectual ‘climate’ of the city of Aššur, dominated by its temple and royal palace.

Mobile Actors, Mobile Slaves: Female Slaves from the Black Sea Region in Seventeenth-Century Istanbul

This contribution aims to investigate mobility in the context of Ottoman slavery. Mainly on the basis of seventeenth-century Istanbul court records, the study deals with the question of mobility by focusing on female household slaves in Ottoman Istanbul who originated from the Black Sea region. With a look at the actors who surrounded them, female slaves are analysed at different stages in their lives. These stages were marked by changes related to mobility. The entry as well as the exit from slavery meant a spatial and social mobility for the slave women. But even in the time in between, slave women remained mobile through aspects such as conversion and resale. This paper further shows that Ottoman slavery and the slave trade were part of the Transottoman context: it can be seen that spaces of interaction were created through the connections and exchanges of actors beyond the Ottoman Empire.

EMANCIPATION IN THE AMERICAN ARTISTIC CONSCIOUSNESS OF THE XIX CENTURY

This article is devoted to the research of discourse of emancipation in American artistic consciousness on examples of abolitionist novel “Uncle Tom’s Cabin” (1852) by Harriet Beecher Stowe and painting images of XIX century. The topicality of the research is due to insufficient study in Ukrainian philosophy of the ideas of abolitionism and the emancipation of black Americans through the prism of literary images, especially painting images. Among the research tasks are: to analyze topics of slavery and emancipation, ways of representation of racist and abolitionist ideology in the novel’s plot and artistic images; to analyze types of images of “blacks” in literature and painting. Novelty of work is in the reconstruction of emancipation discourse, which confronts with discourse of racism and black Americans’ discrimination in the American literature (on the example of Beecher Stowe’s novel) and in painting images of XIX century. The novel of Harriet Beecher Stowe became a bestseller in Europe and America, the symbol of revolution, it stirred up people’s consciousness in many countries which used different forms of dependency and obligation during XIX – XX century, and later it entered the list of classics of children’s literature. Using the novel as an example, the author shows that the two opposite discourses – colonial (slavery) and anti-colonial (emancipation) are the basis of the controversy of the protagonists, which reflects the social and political controversy over the position and status of black Americans. Ideas of women’s emancipation from gender, social and labor oppression are reflected in the images of black slave women, and in the XX century they became the ideological basis of “black feminism”. Using examples of the novel and painting, the author examines racial and gender stereotypes, the problem of the relationship between “white” and “black”, the problem of preserving the family and women’s resistance to male domination in conditions of slavery, the problem of the formation of national identity in America after the abolition of slavery. The author analyzes the plots in European and American painting, which reflect not only “colonial” images where black Americans are represented as racial and cultural Others, but also “emancipation” images, which symbolically state the resistance to slavery or confirm the subject’s freedom. It is researched in the article that the active development of the emancipation topic in the artistic consciousness shows the change of social status of racial Others in the public consciousness of the XIX century, which was the result of abolitionist and women’s movements for minority rights in America.

Note on Text and Translations

Part III features the Greek texts and English translations of two treatises and nine letters attributed to Pythagorean women. Fragment I of Perictione’s On Woman’s Harmony presents a theory of harmony and gives specific instructions on how a woman may achieve it. Phintys’ On Woman’s Self-Restraint engages with the question of whether virtues are gender-specific and, indirectly, whether women should practice philosophy. Two fictitious Doric letters feature practical advice for a virtuous woman. In To Cleareta, Melissa teaches that a wife’s duty is to accommodate her husband’s wishes and refrain from excessive adornment. In To Phyllis, Myia offers instructions on how to hire a wet-nurse who will be able to bring up a healthy infant. Three fictitious letters of advice by Theano argue that women must show exemplary self-restraint. To Euboule chastens a mother for indulging her children; To Nicostrate advises a wife to tolerate her husband’s philandering; To Callisto instructs her addressee how to treat slave-women. Four playful late antique notes ventriloquizing Theano, To Rhodope, To Eucleides, To Timonides, and To Eurydice, engage with the earlier letters; as does Theano to Eurydice, composed by the historian Theophylact Simocatta.

Slave Women and Their Descendants among the Upper Classes in Tetouan, Morocco (1859–1956): Between Recognition and Conflict

In the Arab world, the recognized children of elite men and slave women could adopt the status of their father, ignoring the slave origin of the mother, owing to a system of patrilineal transmission. This regime co-existed with negative stereotypes toward slaves and blackness, despite the very fact that—as this study of notable families in Tetouan between 1859 and 1956 demonstrates—skin color was not the determinant factor to form part of this group. Rather, it was based on the social definition of filiation, leading to legal disputes between family members to delineate the boundaries of kinship.

Being a Woman in the American Slavery System: A Study of the Slave Woman’s Ordeal in America, from 1776 to 1865

Women have long been negatively stereotyped in every society, usually portrayed as submissive and passive. In the case of the black women in the slavery context, the conception of them by their male compatriots as well as the white master is dual: a working animal to do every chore in the household in the one hand, and an object for the master’s sexual appetite in the other hand. Scholars in American slavery have grappled with the question of gender differences among slaves in the Americas in the seventeenth and eighteenth centuries. Whereas some scholars hold that both male and female slaves were assigned different roles, feminist scholars hold that enslaved women labored no less than enslaved men. They observed that unlike white women, female slaves performed the same roles as men slaves. The present research work reveals and analyses the experiences and contributions of slave women in the global American slavery system. As such, the focus is on themes that especially concern female slaves; these include: motherhood, companionship, marriage, work on plantations, and punishment. Central in this study is how those female Blacks experienced slavery in America and how they help build the American economy in that period.