Investigating the political economy of the territory: The contradictory responses of organisations to spatial inequality

The spatial imaginations of organisations can be particularly insightful for examining power relations. However, only recently they have gone beyond the limits of the workplace, demonstrating the role of the territory for organised action, particularly in mobilising solidarity for resistance. In this article, I investigate power relations revealed by the political economy of the territory to explain contradictory actions undertaken by organisations. Specifically, I adopt the theoretical framework of the noted Brazilian geographer Milton Santos, who recognises spatial multiplicity and fragmentation while maintaining an appreciation of the structural conditions of the political economy. This perspective is particularly useful for the analysis of civil society organisations (CSOs) in a Brazilian favela (slum), given the context of high inequality perpetuated by the selective flows of urban development. First, I show that the history of favelas and their role in the territorial division of labour explain the profiles of existing organisations. Then, I examine how the political engagement of CSOs with distinct solidarities results in a dialectical tension that leads to both resistance based on local shared interests and the active reproduction of central spaces even if the ends are not shared. The article contributes to the literature of space and organisations by explaining how territorial dynamics mediate power relations within and across organisations, not only as resistance but also as the active reproduction of economic and political regimes.

Unfinished Revolutions

This article examines Wei Beihua's modernist works, which have receded into the shadows of Sinophone Malayan (Mahua) literary history, in relation to Indonesian poet Chairil Anwar, to excavate a neglected route of transculturation at the height of Southeast Asia's nationalist movements during the 1950s. Unlike Anwar's modernist poems that thrive in Indonesia, Wei Beihua's works were considered outliers during a period when realist literature was deemed an effective tool for social mobilization in postwar Malaya. Nonetheless, it is critical for us to recognize that Wei Beihua did not reject realism or underestimate the role of literature in nation building. This article argues that Wei Beihua's idea of modernism is premised on an artist's affective and self-reflexive engagement with realism, which gives rise to a dialectical tension. The tension between his advocacy of an artist's individualism, which is inspired by Anwar, and the impetus of responding to nationalism manifests in his meta-fictional short stories that reflect on the varying motivations behind art creation. His works offer a productive perspective to reconsider the modernist artist's role during revolution and “the limits of realism” of revolutionary works when art was deemed integral to nation building in postwar Southeast Asia.

Double-track governance in traditional Chinese society: Dialectics between the enfeoffment system of fiefdom and the bureaucratic prefectural system

Beginning in the Yin-Zhou and Qin-Han periods, development of the Chinese imperial system revolved around the dialectical tension between the “enfeoffmental system of fiefdom” ( fengjian zhi, or the fengjian system) and the bureaucratic prefectural system ( junxian zhi, or the junxian system). In Fei Xiaotong’s words, this was a dual-track politics of the “power of the monarch” and the “power of the gentry”. Under the enfeoffmental system of fiefdom, the relationship between the monarch and his kinsfolk was governed by the Confucian hierarchical principle of “favoring the intimate” ( qin-qin) and “respecting the superior” ( zun-zun), and ritualized by the patriarchal order of clan, mourning rites, and ancestral worship. In addition, the “mandate of Heaven” solidified an organic relationship between the emperor and his subjects and became the foundation for monarchical rule. The bureaucratic prefectural system highlighted the historical change since the Warring States period, which had abolished the enfeoffmental fiefdom system and given birth to the concept of “all-under-Heaven” ( gong tianxia). Thinkers like Wang Fuzhi and Gu Yanwu placed emphasis on the enfeoffmental system of fiefdom as a counterpart of to the bureaucratic prefectural system which helped break up the centralization of power and renew the debate on the dialectic between “public” and “private”. In sum, the enfeoffmental system of fiefdom in China still needs to be clarified through re-examining the Classics.

Management Dialectical Tension di Desa Pancasila, Kecamatan Turi, Lamongan dalam Meminimalkan Ketegangan pada Keluarga

This study focuses on the dialectical tension management strategy for married couples of different religions in Pancasila Village, Turi District, Balun, Lamongan. Balun Village was chosen because it has a high level of religious tolerance. Using the Rational Dialectical theoretical perspective, this study reveals how individuals feel in communicating, identifies the causes of tension in communication, and communication strategies in overcoming tensions in interfaith families. This study uses a qualitative-descriptive approach with a case study method, intending to be able to describe in detail how the tensions formed in interfaith families in Balun Village are minimized. Data collection techniques were carried out by in-depth interviews and observations, to obtain a complete picture of their daily communication practices. The results of this study indicate that there are different dialectical tension management patterns, which are based on the level of tension that arises and the issues that trigger tension. The main cause of tension in interfaith family communication is related to two things; lack of openness of the parties and the influence of stereotypes on different ethnicities in the family.

Art, Architecture, and National Memory-Making

Works of Buddhist art and architecture, in addition to having cultic use and artistic value, also enjoy prominence in the national heritage of several Asian countries regardless of the following Buddhism presently enjoys in each. While rooted in the millenary process of the formation of national cultures, this prominence is more immediately the outcome of archaeological investigations, architectural restorations, and museum collections that were initiated in the late 19th century by colonial officials, and royal commissioners in independent Siam and Japan, and continued by postcolonial governments, often with international support. The examination of Buddhist art and architecture as vehicles of national memory-making can be framed conceptually by the dialectical tension between their cult value as continuing foci of devotion and their exhibition value as evidence of cultural achievement. Four aspects of this productive tension are emphasized: the foundational tension in Buddhism between the doctrine of impermanence and the cult of relics; the tension between Buddhist monuments as elements of the diffuse sacred landscape and, conversely, of individual countries’ historical landscape; the tension between the place and reception of buddha images in the temple and, instead, in the museum; and finally, the tension between the traditional pious care for Buddhist monuments and their modern, scientific conservation. Owing to these productive tensions, works of Buddhist art and architecture continue to generate spiritual, cultural, and social meanings—in particular identitarian and mnemonic associations—even though in multiethnic and multireligious societies, these meanings are not uncontested.

Engaging contested community issues

This article presents an analysis of dialogue as an alternative to debate and argument for engaging contested community issues. Treating dialogue as a communication practice, I draw on ethnography of communication, cultural communication theory, and cultural discourse analysis to describe and interpret how participants practiced community dialogue as a communication event comprised of sequences of listening and verbally responding. When topics and identities were elaborated upon and socially negotiated through personal communication in the form of narratives and emotional responses, participants reported effective dialogue. These sequences were dialogic moments partially due to the dialectical tension between Americans’ once predictable civic routine of public expression of individual’s beliefs and the process of dialogue featured in our War and Peace dialogue workshop.

Syncretism

This chapter shows how various forms and practices of modernist syncretism — the idea of East–West unity through cultural exchange and the melding of traditions — influenced Indian journals such as East and West, a modernist periodical published in Bombay, as well as famous British writers such as E. M. Forster and Rudyard Kipling. Syncretic works shared an interest in the redemptive potential of affection between colonizer and colonized and represented his idea via the romance of intercultural union: the ambivalence built into articulations of this romance, however, illuminates the dialectical tension between affection and disaffection that underwrote cultural exchange under imperialism. The chapter demonstrates how this tension took literary form and how it influenced new anticolonial formations, such as those that took shape in London at the Universal Races Congress of 1911. Ultimately, the chapter examines the tactic of syncretism and ends with a reading of the modernist journal East and West, which ceased publication in 1921.

Images and visual motifs of Spanish economic power: the IBEX court and the banking crisis (2011–2013)

The media help to construct the visual and iconographic imagery of economic power in the dialectical tension between what they show and what they leave out of view. Images such as unemployment queues, graphs, and portraits of the powerful appear assiduously on the front pages of the press, revealing different visual motifs essential to understanding the narrative of the economy, with its inheritances, mutations and hierarchies, which point to its relationship with other spheres of power such as the monarchy or politics. This article attempts to decipher the codes of visual representation of the economic sphere in Spain through the qualitative analysis of front-page photographs published in El País, El Mundo and La Vanguardia from 2011 to 2013, a period marked by the banking and financial crisis, civil protests, or the judicial prosecution of figures such as Rodrigo Rato. The methodology used combines visual analysis and comparative iconography with theoretical foundations of social semiotics and visual communication, as well as interviews with photojournalists and chiefs of staff. Finally, the results conclude that both economic leaders and the media codify their photographs using specific visual motifs to project a distant and proactive image of the banking elite, which is only disrupted when previously revered figures of the economic elite fall from grace in corruption cases. And also, that in the dialectic of the visible and the invisible of economic power there are hidden historical moments that can never be photographed.

Undoing the Myth of Childhood Innocence in Gisela Elsner’s Fliegeralarm

This article examines Gisela Elsner’s 1989 novel Fliegeralarm in light of Helmut Kohl’s politics of “normalization” and the Kriegskinder victimology that has recently gained traction. Fliegeralarm presents children as Hitler’s willing executioners and categorically refutes the notion of “liberation” (from fascism) as justification for normalizing German national identity. The text questions the entire edifice upon which West and now united Germany’s official memory culture is built. I argue that Elsner not only contests the concept of “historical innocence” but fundamentally refutes the possibility of an innocent historical subject position. Fliegeralarm provocatively casts remembering and childhood innocence as calculated performances that mirror the generational complicity of those born into a legacy of perpetration. It offers a prescient intervention in post-Wende discourses and rethinks childhood innocence along the lines of historical implication, that is, in dialectical tension with knowledge and denial, marked by the traffic between knowing and not knowing.