Teresa de Ávila y la poesía cancioneril = Teresa de Ávila and the songbook poetry

Teresa de Jesús escribió poesía porque tenía un alma musical y sabía dar ritmo a sus poemas. Es una música que surge de la oscuridad y habla de lo profundo, destinada a elevarse desde la fuerza de su dolorosa espera, de ahí que invite a la plegaria con el estremecimiento de ser sustancia viva. Vueltos hacia su propio interior, sus poemas potencian su energía sonora desde la desnudez de su fingida retórica y nos hacen volar el oído hacia lo sobrenatural, buscando la recuperación del orden perdido. Teresa de Jesús wroter poetry because she had a musical soul and knew how to give rhythm to her poems. It is a music that emerges from the darkness and speaks from the deep, destined to rise from the force of its painful waiting, hence the invitation to prayer with the shudder of being living substance. Turned towards his own interior, his poems enhance his sound energy from the nakedness of his feigned rhetoric and make us blow our ears towards the supernatural, seeking the recovery of the lost order.

Non-verbal Means of Communication in the Turkish Language and Their Corresponding Expressions

The article attempts to describe the gestures used by the representatives of Turkish culture and to classify them by comparing them with Russian gestures. While analyzing gestures, the principle of lacunarity, the absence of a phenomenon in a comparable language, was taken into account. The material of the study was the observation of the process of communication of representatives of various cultures with native speakers of the Turkish language, an analysis of literature, from which one could draw descriptions of certain gestures, materials of modern media. The research methodology is based on a comparative analysis of two languages in an asynchronous context. The study of gestures led to the following results: 1) the vast majority of gestures are lacunas (which have no analogs in another culture) for a representative of Russian culture; 2) gestures close in execution have distinctive features that do not allow them to be equated to Russian gestures in full. The possible coincidence of gestures in the aspect of execution, an increase in the number of borrowed gestures from Western cultures, once again proves that it is a nonverbal culture that is a ‘living substance’, influenced by cultural and socio-political changes in society. Nevertheless, in spite of this, today it is possible to establish and describe purely Turkish gestures, which are an integral part of communication with representatives of Turkish culture.

Cultural Ecology views in Sangam Literature

The human race, a component of nature, has begun to experience the opposite effect as a reaction to the domination of nature. The modern society, which is endangering the dangers of global warming and climate change, has just begun to express its concern for nature. This is why the modern concept of ecology is gaining more attention. The concept of ecology is now a matter of debate, rather than a defence of nature, of human self-defence. It is only by understanding nature and living on it that the human race can establish its presence in this global sphere. "Man is a social animal. He responds directly to the environment through his actions and changes not only his way of life but also the way of life of all living things” In his book Theory of cultural change 1955 by Julian Stewart. Ecology Review is a study that combines scientific theoretical environment and literature with language and biological theories. Nature has a great influence on us as a living substance and when we misuse it, it brings us great danger. All Tamil ancient life in the academy is seen as ecological. The following nattrinai poems describe how the people of the Sangam era had an understanding of nature.

From Body to Word…, From Word to Eros

When describing the two instincts in his work “The Ego and the Id”, Freud says that the “Eros, by bringing about a more and more far-reaching combination of the particles into which living substance is dispersed, aims at complicating life and at the same time, of course, at preserving it”. This complication, which I consider to be rather an increased complexity, can be found in the patients’ discourse through the diversification of means of expression and attributed significations, when their “stories” open up to us and to new meanings… However, when stories are meant to free the body of the burden of a stigmata, which must be covered with histories and significants, how can we identify the flux of the Eros in the counter-sense of a Thanatos that, as Freud said, “tends to return the organic to the lifeless state”? I therefore propose that we try and explore this effort to tell the story of the body expression forms trough words, in Mario Vargas Llosa’s novel, The Storyteller…

Introduction: Transmitting Rosa Luxemburg

Rosa Luxemburg will be honoured, remembered, and celebrated as a figure from the past only when, in a future still to-come, the goals of social justice, peace and equality that she fought for are realised. As long as bitter struggles and widespread suffering continue, she is still living, a living substance that is part of the present and can inspire political engagement. The wider meaning of declaring Rosa Luxemburg our contemporary, then, is that the objectives she struggled for are still to-come, and the forms of violence and oppression she struggled against are still part of the material social conditions of today’s world. This coevalness can be pronounced because many issues at the heart of her thought and activism are still with us: from imperialism and the national question to what Nancy Fraser calls the 'back-stories' of capitalism. This special issue of New Formations aims to contribute to the transmission of this vital legacy by suggesting questions about relevance, memory and resonance: how does Luxemburg speak to us, how do her thoughts echo with our own? How can we prevent the legacy of Rosa Luxemburg from becoming heritage, a thing of the past? The essays and interviews included in this special issue grapple in different ways with the central question of how to assess the contemporaneity of Rosa Luxemburg without turning her into an object of commemoration.

Vyjadrovanie fyzických stavov živej substancie v slovanských jazykoch

Expressing physical conditions of a living substance in Slavic languagesThe article presents a new a didactically conditioned method of description and explanation of simple Slavic sentences. The approach is based on the comparative research of a common base, constituted by a congruent semantic logical-gnoseological structure, which I term the “macro-situation.” This macro-situation consists of several micro-situations, which constitute different viewing angles of the macro-situation’s thought-linguistic processing. The depiction of a micro-situation is constituted by congruent types of semantic-formal structures, which represent the existing variations as well as the thought-linguistic potential. Wyrażanie fizycznych warunków żywych substancji w językach słowiańskichArtykuł przedstawia nową, nastawioną dydaktycznie metodę opisu i analizy prostych zdań w językach słowiańskich. Podejście to opiera się na porównawczej analizie wspólnej podstawy. Podstawa ta przedstawia sobą strukturę logiczno-gnozeologiczną, którą nazywam „makrosytuacją”. Każda makrosytuacja dzieli się na pewną liczbę mikrosytuacji, stanowiących różne myślowo-językowe punkty widzenia na daną makrosytuację. Na opis mikrosytuacji składają się przystające typy struktur semantyczno-formalnych, zarówno występujące w języku, jak i potencjalne.