scholarly journals PODCASTS AND JOURNALISM

2021 ◽  
Vol 2 (2) ◽  
pp. 19-31
Author(s):  
Anka Mihajlov Prokopović

The application of new technologies in journalism contributes to the development of new forms of journalistic content. Podcasts that present content posted online and allow online users to access them whenever and however many times they want are experiencing continued success around the world (Newman, 2021). This development has also led to a variety in the content of podcasts, and the approach to topics is journalistic in some podcast series. Podcast authors can be journalists, as well as other people, Internet users and sometimes celebrities. For example, it is predicted that this year there will be a “battle for the stars” between the platforms and the media. The aim of this paper is mapping the use of podcasts in Serbia, starting, above all, from podcasts as journalism technology. A few years ago, the traditional mainstream media in Serbia tried to keep pace with the innovators in the online environment and increase attendance at their online editions. The results of this research show that the podcast develops in two ways when it comes to journalism: as part of the online media and as an individual endeavor of the author. It can be concluded that the podcast that is the individual endeavor of the author, considering that it is realized outside the media institution, is a freer form of expression and is often very popular. Finally, since the podcast technology is cheaper than radio or television broadcasting and that this broadcasting does not require the permission of the regulatory body, it is run by other companies, not just media companies.

2020 ◽  
Vol 5 (2) ◽  
pp. 175
Author(s):  
Nanang Yulianto Romadlono

<p><em>Television broadcasting media during the Disruption Era was the biggest challenge for Television, especially local television to innovate and be creative in the era of technological development. Competition between the media is very tight coupled with the current Covid 19 pandemic, requiring media companies to survive in the competition of competitors. Cakra Semarang TV as Local TV in Central Java in an effort to compete in the Age of Media Disruption. The method used in this research is interpretive qualitative, using the theory of Sociocultural Evolution and Socio-technical System Theory that is used to see Cakra Semarang TV survive the media disturbances. the findings of the research show that creativity, promotional content and news as well as the application of media are the benefits that are utilized by Cakra Semarang TV to stay afloat. The application of Media Divergence by Cakra Semarang TV is a solution to the change in the way viewers watch the previously conventional Cakra Semarang TV program, but now viewers can enjoy Cakra Television Semarang TV broadcasts boldly or online. Efforts to save Cakra Semarang TV in a program broadcasting broadcast programs with the concept of divergence using YouTube streaming, social media to the site portal to get closer to the audience. This effort was carried out by Cakra Semarang TV as a way to maintain existence in the Local Television Media industry in Central Java in the Era of Disruption Current media</em>.</p>


MEDIASI ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 100-107
Author(s):  
Shania Shaufa ◽  
Thalitha Sacharissa Rosyidiani

This article explains about online media iNews.id in implementing gatekeeping function. This study aims to find out how gatekeeping efforts iNews.id in the production process on the issue of preaching restrictions on worship in mosques during Ramadan in 2020. During the Covid-19 pandemic, the current media situation, especially in the midst of a crisis, encourages the public to become heavily dependent on media coverage. With a qualitative approach, researchers analyzed five levels of influence on the gatekeeping process in online media iNews.id. The results of this study show that factors that influence the way iNews.id in the production process of preaching restrictions on worship in mosques due to the Covid-19 pandemic are the individual level of media workers, the level of media routine, the organizational level, the extramedia level, and the social system level. The conclusions of this study state the most dominant levels is the organization level and the media routine level in the iNews.id.


Author(s):  
Ceren Sözeri

Mainstream online media is gradually encouraging user contributions to boost brand loyalty and to attract new users; however, former “passive” audience members who become users are not able to become true participants in the process of online content production. The adoption of user-generated content in media content results in new legal and ethical challenges within online media organizations. To deal with these challenges, media companies have restricted users through adhesion contracts and editorial strictures unlike anything encountered in the users’ past media consumption experiences. However, these contractual precautions are targeted to protect the media organizations’ editorial purposes or reputations rather than to engage ethical issues that can also ensure them credibility. It is expected that some public service media strive to play a vital role in deliberative culture; on the other hand, some commercial global media have noticed the importance of worthwhile user-generated content even though all of them are far from “read-write” media providers due to the lack of an established guiding ethos for publishing user-generated content.


2019 ◽  
Vol 5 (1) ◽  
pp. 69-85
Author(s):  
Kevin Ziyu Liu

Contemporary China owns over 750 million Internet users, and a short-video-sharing app named Kwai has over 600 million users. From 2016 to 2017, when Kwai emerged as the largest short-video-sharing app and the fourth largest social media app in China, its major competitor Dou Yin was just released, and no other similar app could post a serious threat to Kwai. However, the emergence of Kwai to the mainstream public was tightly intertwined with a media discourse that established Kwai as a representation of rural China and low culture. Words like “vulgar,” “low,” “absurd,” and so forth were constantly used to describe Kwai and its users, and Kwai embodied a representativeness of rural and low culture that carries a taken-for-granted characteristic. This article unpacks Kwai’s controversial emergence and examines the power relations and cultural dynamics that were at play when Kwai was established by the mainstream media discourse a rural and culturally low. It interrogates the media discourse that constructs a regime of representation of Kwai, as well as how it contributes to the establishment of a regime of truth about Kwai, rural China, and rural Chinese. I unearth the seemingly natural condition of this representativeness and argue that Kwai’s controversial emergence from 2016 to 2017 signifies China’s rural–urban dichotomy, as well as a dominance of urban culture. I also indicate that we see a flow of this cultural dynamic from the physical world to the cyberspace, where the urban culture exercises the power to define and marginalize the rural.


Author(s):  
Vassiliki Cossiavelou

This paper explores the influence of regulatory instruments in media content gatekeeping model and especially, the impact of ACTA (Anti-Counterfeiting Trade Agreement) in online media industries. The author argues that both developments in the regulatory field worldwide as well as the emerging role of international agreements' negotiators on internet access and security issues are going to influence also the media gatekeeping model. The analysis shows that even an updated by the ICTs' evolutions media gatekeeping model should follow the developments on regulations' global debate related to online media and on their impact to the electronic and mobile (e/m) business models. The actions taken by EU institutions indicate the establishment of EU as a global negotiator in cultural industries as well as the global internet users' communities as an informal negotiator for online media issues.


2014 ◽  
pp. 1291-1304
Author(s):  
Ceren Sözeri

Mainstream online media is gradually encouraging user contributions to boost brand loyalty and to attract new users; however, former “passive” audience members who become users are not able to become true participants in the process of online content production. The adoption of user-generated content in media content results in new legal and ethical challenges within online media organizations. To deal with these challenges, media companies have restricted users through adhesion contracts and editorial strictures unlike anything encountered in the users' past media consumption experiences. However, these contractual precautions are targeted to protect the media organizations' editorial purposes or reputations rather than to engage ethical issues that can also ensure them credibility. It is expected that some public service media strive to play a vital role in deliberative culture; on the other hand, some commercial global media have noticed the importance of worthwhile user-generated content even though all of them are far from “read-write” media providers due to the lack of an established guiding ethos for publishing user-generated content.


2017 ◽  
Vol 13 (1) ◽  
pp. 1-16 ◽  
Author(s):  
Lin Zhongxuan

Recently, the research topic of immaterial labour had become one of the most significant discussions about the changing nature of capitalism. But the previous studies mainly regard immaterial labour as a unidirectional process of capitalist exploitation in abstract sense, rather than a paradoxical dynamics of exploitation and empowerment in specific context. This article, therefore, investigates immaterial labour in digital capitalism, with a specific case study of the local practices of Internet immaterial labour in Macao, exploring the paradoxical dynamics of exploitation and empowerment through concrete case studies, rather than through abstractive and reductive theoretical discussion. This study has found that the alternative media created by Internet users’ immaterial labour helps them to resist the traditional mainstream media and the government; the affective community founded based on their immaterial labour gives them the collective sentiment of ‘family and belonging’; the individual feelings derived during their immaterial labour not only offer them positive personal feelings, but also a new way of ‘being-in-the-world’ in the age of social media.


2021 ◽  
Vol 3 (2) ◽  
pp. 80-85
Author(s):  
Mulyono Sri Hutomo ◽  
Rajab Ritonga

The mass media industry particularly print media in Indonesia comes under heavy pressure to survive in the era of digital disruption. High printing costs, coupled with high distribution costs and employee salaries have caused difficulties for print media companies to maintain their businesses. Some print media companies have opted to shut down their businesses, while others have to survive by making various efficient efforts and diversifying their businesses. The convergence of print media into digital media has offered an alternative to maintain print media as the management of Telaah Strategis magazine has done. This research aims to see the efforts made by the management of Telaah Strategis magazine to survive in the media industry in Indonesia. The results of this research show that Telaah Strategis magazine uses a variety of media convergence models to be able to maintain its task of disseminating information by transforming it into a news portal and digital magazine and appearing in the social media platform. In addition, it also markets its digital magazine at online product sale exchange.


2021 ◽  
Vol 9 (2) ◽  
pp. 98-109
Author(s):  
Tuti Widiastuti

Traffic is activity on a page of a site resulting from Internet visits and activity on that page. The more a site is visited, and the more activity Internet users engage in on the site’s pages, the higher its traffic. Traffic is like an audience on a television station, listener to the radio station, or circulation on print media. Traffic is the overall activity of readers on online media sites. Data collection from cnnindonesia.com is the commodification of content in an online forum, as in Kaskus and Kompasiana. The media are certainly competing to present exciting news content so that their readers remain loyal to their online. Exciting content on news portals and other efforts are employed solely to increase traffic. One such effort is the use of referral traffic, that is traffic which comes from other websites other than the major search engines, sources such as forums, blogs, and minor search engines are categorized as referral traffic. Visitors come to the online media portal through other websites and blog intermediaries. Although the contribution of made by referral traffic is not as great as the other sources, this practice considered quite useful as it does increase traffic in the media, traffic which is essential—and a measure of success.


2017 ◽  
Vol 19 (2) ◽  
pp. 5 ◽  
Author(s):  
Nicoleta Corbu ◽  
Raluca Buturoiu ◽  
Flavia Durach

The European Union (EU) is under severe pressure, due to the multiple crises it has to manage. Among them, the refugee crisis is remarkable, since it is shaking both the individual member states and the EU as a whole. The media coverage of the refugee crisis is important because the media still are the main source of information concerning distant issues (the refugee crisis included), and as such it facilitates people’s access to social reality. Using the perspective of agenda-setting and the conceptual background of framing theory, we aim to (1) identify the most prominent frames online media employ with reference to the refugee crisis, and (2) reveal the tone of voice online media use when portraying issues related to this crisis. To achieve these two goals, we content analyzed 1493 online news articles, published between April 15, 2015 and February 29, 2016. Main findings show that online media outlets mainly refer to the refugee crisis in terms of responsibility and conflict, in this order of prominence. At the same time, online media portals prefer using a reasonably balanced viewpoint when portraying the refugees, and a slightly negative one in terms of attitudes towards the European Union.


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