Regulation Issues of Digital Broadcasting in Job Creation Law

Broadcast media had become a prospective business. The practice of the broadcast media business had surpassed legislation authority, resulting in currently utilized technology unaccommodated in Law No. 32/2002 on Broadcasting. The release of Law No. 11/2020 on Job Creation to merge existing laws into a simple regulation package did not make the broadcast media industry visionary. How are the current law maps of analog and digital broadcasting in Indonesia? How is the current practice of digital broadcast media business in Indonesia? The type of research is descriptive. This study used a legal positivism approach. The data collecting technique was conducted through literature study and legal study. As for the result, the current analog broadcasting regulation complied with Law No. 32/2002 concerning Broadcasting and Law No. 11/2020 concerning Job Creation. In practice, TV stations that broadcast on digital-internet channels did not possess a formidable legal basis.

Reflection of Orientalist Discourse on Netflix Turkey

This study focuses on the analysis of the orientalist structures in The Protector (2018-2020) which is the first original series of Netflix Turkey. The formation method of the image of the East through a popular culture product in a global digital broadcast program constituted the starting point of the study. New media platforms have also gained a place as the principal actor of orientalist fiction with the development of digital technology today. As a digital platform producing special contents for each country, Netflix interprets cultural values through exchanging and re-producing them. Accordingly, discourse analysis method was used in the study to discover how orientalism related patterns were inserted in Netflix contents. Formation of orientalist discourse was examined through character representation and time-space representation categories formed through considering theoretic information. As a result, it was observed that orientalism has also found a representation area for itself in media devices emerging with technology.

Balancing Audience’s Needs and Producer’s Expectations in Television Serial Drama Programming

The study sheds light on how the TV station executives balance the entertainment needs of its audience and the producers' expectations within a changing digital broadcast environment. The study is anchored on uses, gratification, and the encoding and decoding theories. The research employs a mixed-method design approach by using survey questionnaires (415), FGDs and in-depth interviews with 5 TV station executives in Kenya and serial drama fiction producers’. The results indicate that the station executive takes centre stage to fulfil the urban audience needs and the producers’ needs respectively. The station executives’ contextualize the viewers and the serial drama producers as ‘profit vessels’ and any decision made towards them should culminate in economic benefit to the station. The study recommends bridging the relationship between the station executives and the serial drama producers, making the former play an advisory and consulting role in the productions.

The digital citizen: working upstream of digital and broadcast archive developments

This chapter explores the potential and significance of digital broadcast archives (DBAs) and associated tools for supporting civic engagement with complex topics. It draws on a three-year Arts and Humanities Research Council-funded project, Earth in Vision, which worked with a sample of 50 hours of environment-themed broadcasts drawn from over five decades of BBC television and radio archives. The project critically examines the potential of such broadcast archive content as a resource for the making and debating of environmental histories in the context of imagining and planning for environmental futures. It builds on the principles of co-production and social learning and aims to support more plural and dynamic accounts of environmental change. The overarching question the project addresses is how digital broadcast archives can inform environmental history and support public understanding of, and learning about, environmental change issues.

Pola Kebijakan Digitalisasi Penyiaran di Indonesia

The purpose of the study is to see how broadcasting digitalization policies in Indonesia after the shaking of the status of broadcast digitalization after the Supreme Court's decision. This research uses a qualitative descriptive method with a case study approach to explore the issues and problems that exist around the digitalization of broadcasting in Indonesia. The practice of broadcasting digitalization in Indonesia does not have clear regulations after Ministerial Regulation 22/2011 has been revoked. So that policies and regulations in managing broadcast digitalization are unclear. Simulcast Public Broadcasting Institutions (LPPs) and Private Broadcasting Institutions (LPS) have conducted trials in the field of broadcast digitalization. TVRI as a Public Broadcasting Institution (LPP) already has TVRI Digital Broadcasting Channel -1, TVRI Digital Broadcast -2, TVRI Digital Broadcast -3, TVRI Digital Broadcast -4 and TVRI Digital-HD Broadcasting. Private Broadcasting Institutions (LPS) that conduct trials are Nusantara TV, Inspira TV, Kompas TV, Gramedia TV, Tempo TV, Net TV, CNN TV, Muhammadiyah TV, Merahputih TV, Badar TV, and Persada TV. The government and all stakeholders must seriously oversee the revision of the broadcasting law that accommodates broadcast digitalization.

Pola Kebijakan Digitalisasi Penyiaran di Indonesia

The purpose of the study is to see how broadcasting digitalization policies in Indonesia after the shaking of the status of broadcast digitalization after the Supreme Court's decision. This research uses a qualitative descriptive method with a case study approach to explore the issues and problems that exist around the digitalization of broadcasting in Indonesia. The practice of broadcasting digitalization in Indonesia does not have clear regulations after Ministerial Regulation 22/2011 has been revoked. So that policies and regulations in managing broadcast digitalization are unclear. Simulcast Public Broadcasting Institutions (LPPs) and Private Broadcasting Institutions (LPS) have conducted trials in the field of broadcast digitalization. TVRI as a Public Broadcasting Institution (LPP) already has TVRI Digital Broadcasting Channel -1, TVRI Digital Broadcast -2, TVRI Digital Broadcast -3, TVRI Digital Broadcast -4 and TVRI Digital-HD Broadcasting. Private Broadcasting Institutions (LPS) that conduct trials are Nusantara TV, Inspira TV, Kompas TV, Gramedia TV, Tempo TV, Net TV, CNN TV, Muhammadiyah TV, Merahputih TV, Badar TV, and Persada TV. The government and all stakeholders must seriously oversee the revision of the broadcasting law that accommodates broadcast digitalization.

Kesiapan Pemerintah Dalam Menghadapi Digitalisasi Televisi Menurut Perspektif Organisasi Pembelajar

Television digitization is an internationally agreed consensus. Government readiness is needed to face the changes and technological developments. One perspective that can be used to face television digitalization is by forming a learning organization. Basically, learning organizations formed by the government involving all stakeholders will produce readiness in television digitalization, although challenges and obstacles are often found in the formation of these learning organizations. Constraints faced can be in the form of legal issues in the form of lawsuits and resistance due to lack of learning and the involvement of all parties in technological change. This paper uses the method of analysis of literature studies through books, journals, reports, and publications related to government readiness in facing television digitalization in accordance with the perspective of the learning organization. The results of the analysis indicate that the perspective of the learning organization can be one of the solutions to face television digitalization, such as the formation of a task force that is being carried out by the government by involving all stakeholders as a forum for learning. Besides that the government is trying to prepare its organization to face television digitalization with several efforts such as drafting the government's version of the Broadcasting Law; developing guidelines for digital broadcasting blueprints; establishment of working groups for the preparation of analog to digital TV migration; conducting socialization and promotion; conducting studies on the preparation of digital TV business opportunities to the stipulation of Ministerial Decrees on Digital Broadcast Trials.

Developing Broadcasting Industry Through Glocalisation and Hybridisation

This article is a qualitative descriptive study that examines South Korean and East Africa Audio-visual production and distribution policies and regulations. Through analysing the results of in-depth interviews with audio-visual (broadcast) policymakers, content producers, and audiovisual business owners, this study found that South Korea reviewed regulations and policies that were protectionist in nature to more open and collaborative policies that were in tune with the digital broadcast environment. It recommended that to create successful broadcast industries, developing countries should review their broadcast policies and regulations to be in tandem with digital and media convergence environment as well as give audio-visual industry prominence by establishing ministries that deals with broadcast-related issues to promote locally, to produce content internationally, and also to source for collaboration between local and international producers.