classical realism
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2021 ◽  
Vol 1 (2) ◽  
pp. 113-146
Author(s):  
Miftachul Choir

Neo-realism predicted the state will choose a certain balancing strategy accordingly to the given strategic environment and the relative power of respective states. Since Southeast Asia recognized as informal and norm-based regionalism, state balancing strategy will maximize the regional organization as a means to restraining member state's behavior and managing basic interaction within states. However, neo-realism unable to explain why states would not adopting the expected balancing strategy despite already obtained necessary international pressure and relative power. This condition occurred in Indonesia’s foreign policy toward ASEAN, especially on combating illegal fishing disputes. Ever since the foundation of the regional group, Indonesia has applied the ASEAN-led mechanism as a means to the dispute. However, the regional distribution of power and Jakarta’s relative power do not change but Indonesia’s balancing strategy does. To explain such conditions, this research will employ neo-classical realism to examine why Indonesia not adopting an institutional balancing strategy. Neoclassical-realist argued that it is the intervening variable that determined the state’s balancing strategy. This research will analyze Indonesia’s intervening variable using Randall Scwheller’s elite consensus framework and found out the shift of Indonesia's balancing strategy occurred due to elite dissensus on how perceiving ASEAN as a regional group


2021 ◽  
Vol 14 ◽  
pp. 124-132
Author(s):  
Bowen Yi

The signing of Abraham Accords can promote the realization of the common interests among countries to a certain extent. However, it may also trigger some conflicts among nations. This paper mainly analyzes the important factors contributing to the signing of the Abraham Accords from three perspectives: (1) the external factors -- the intervention of the US; (2) the internal factors -- the Arab and Israel’s adaptation to the current international situations; (3) other factors -- the impact of COVID-19, the dictatorship of Arab leaders, and the personal political pursuits of the leaders from other nations. In this paper, Classical Realism is used to analyze the interests between countries, and the influence of some political decisions made by relevant state leaders is supplemented by Neo-realism. Additionally, in this paper, Neoliberalism and Constructivism are also employed to analyze the negotiations between national interests, including compromise, containment, and obstruction, as well as how negotiations promote the realization of common interests. It is expected that this paper can be of some reference significance to future research on the interests between nations as well as their cooperation and conflicts in the context of globalization.


2021 ◽  
Vol 6 (02) ◽  
pp. 170-193
Author(s):  
Stenly Djatah

In International Relation theory discourse, Classical Realism has some typical characteristics that differentiate it from other theories. The typical characteristics can be indicated by the ideas of Anarchy and Conflict. The two ideas in Classical Realism theory refers to Thomas Hobbes� Political Philosophy on the State of Nature. Considering that the two ideas are only two of the entire ideas of Thomas Hobbes� Political Philosophy, the State of Anarchy and Conflict in Classical Realism theory needs to be completed with other ideas. The writing has been made to show the function of ratio as a reason to seek peace in a hierarchical relation through Leviathan�s power. Therefore, it can be seen that Thomas Hobbes discusses not only about the state of anarchy but also the fact of hierarchical system urgency to avoid conflict.


2021 ◽  
pp. 66-102
Author(s):  
Georg Sørensen ◽  
Jørgen Møller ◽  
Robert Jackson

This chapter examines the realist tradition in international relations (IR), which is best seen as a research programme with several approaches using a common starting point. It highlights an important dichotomy in realist thought between classical realism and contemporary realism, including strategic and structural approaches. After describing the elements of realism, the chapter discusses the international thought of three outstanding classical realists of the past: Thucydides, Niccolò Machiavelli, and Thomas Hobbes. It then analyses the classical realist thought of Hans J. Morgenthau, along with strategic realism, neorealism, and neoclassical realism. Special attention is devoted to the defensive realism of Kenneth Waltz and the offensive realism of John Mearsheimer. Furthermore, the chapter looks at the recent theoretical debate among realist IR scholars concerning the relevance of the balance of power concept and it shows that realists often disagree among themselves. The chapter concludes with an overview of how the different realist theories treat international and domestic factors.


2021 ◽  
Vol 82 (4) ◽  
pp. 499-526
Author(s):  
Liam Lanigan

Abstract This essay explores how John Lanchester’s Capital adapts classical realism to represent the contemporary global city; it pays particular attention to how London’s position in the world-system disrupts Lukácsian totality. Because the novel attends to the complexity and extensiveness of the world-system, it depicts the city not as a representative totality but as embedded in the global circuits of capital, shaped by the influences of inward migration and global finance. In this the novel has affinities with many fictions of the global periphery, for instance portraying the city as at once socially fragmented and structurally connected. Furthermore, the novel departs from classical realism in its closure; though the 2008 financial crisis is omitted from the novel, it overshadows the entire plot, and its absence emphasizes the lack of finality in the story of this phase of capitalism itself. In demonstrating the temporal and spatial unknowability of contemporary capital, Lanchester’s novel both affirms the capacity of realism to trace deep systemic connections and reveals the fragility of its construction of a social totality, positing a realism attendant to its own perspectival limits within the world-system.


2021 ◽  
pp. 135406612110506
Author(s):  
Jodok Troy

Classical Realism represents a science of politics that is distinct from the conventional understanding of science in International Relations. The object of Realist science is the art of politics, which is the development of a sensibility based on practical knowledge to balance values and interests and to make judgments. Realism’s science and its object led to its tagging as “wisdom literature.” This article illustrates that reading Hans Morgenthau’s and Raymond Aron’s work shows how their hermeneutic form of enquiry provides insights into the character of international politics, which conventional understandings do not. Following the example of Morgenthau, the article, first, illustrates how Realism, rather than providing a theory of practice, builds on a science with the purpose to judge knowledge. Realism’s science analyzes the objective conditions of politics, theorizes them, and takes into account the requirements of political practice under contingencies and considerations of morality. The article, second, examines Aron’s take on political practice in the context of the Cold War and politics that built on knowledge without experience to judge knowledge. Morgenthau and Aron’s science helps to capture Realism’s take on politics as an art, how to explicate Realism’s epistemological foundation and value in studying international politics. Doing so, the article, third, contributes to practice theory by clarifying several aspects of Realism’s science. In particular, it shows how Realism captures the art of politics by conceptualizing practice as a form of human conduct thereby offering a more coherent notion of practice than current practice theory.


2021 ◽  
Author(s):  
Delphine Thivet

Along with Machiavelli, Hobbes is usually regarded as the pre-eminent representative of the ‘power-politics’ school of classical realism. He is frequently quoted for his pessimistic depiction of the state of nature that he so famously described as a brutal and anarchic arena in which each individual seeks his own advantage to the detriment of all other individuals, in a perpetual struggle for power. As reflective of this, political realism is sometimes even named the ‘Hobbesian tradition’. Yet there is reason to question whether the standard characterization of realism as a form of moral scepticism which ‘resists the application of morality to war’ provides an accurate description of Hobbes’s political philosophy. In this essay I examine Hobbes’s conception of war, in order to show how, in some fundamental respects, it deviates from this ‘realism’.


2021 ◽  
Vol 58 (2) ◽  
pp. 137-150
Author(s):  
ALICE JACQUELIN

The detective novel has long been described as a form of “authentic” realistic literature (Collovald et Neveu). However, this article analyzes how three contemporary French crime novels—Aux animaux la guerre by Nicolas Mathieu (2014), Seules les bêtes by Colin Niel (2017) and Battues by Antonin Varenne (2015)—challenge and reappropriate conventions of realism. The three country noir novels follow in the lineage of two important traditions of realism, nineteenth-century French classical realism (Dubois) and the social realism of the 1970s and 1980s “néo-polar” (Desnain). Yet rather than anchoring the novels in familiar territory, the authors blur topographical references, create a polyphonic narrative structure and set a horrific tone to provide symbolic and political commentary. The novels thus borrow from magic realism to depict a declining rural and working-class world.


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