Revitalizing the Interior of Ndalem Puspowijoto as a Laweyan Batik Shop and Museum in Surakarta.

Revitalizing the Interior of Ndalem Puspowijoto as a Batik Shop and Museum in Laweyan Surakarta is an effort to preserve cultural heritage buildings. The revitalization aims to maintain the building and as a means of education about batik and local wisdom of Laweyan village for the visitors and general public who care about batik. The design process is carried out using Kurtz programming including the orientation stage, the base program stage, interative programming, and design as feedback. The design approach uses the Art Deco style with the theme of Parang Saudagar. The results of the revitalization are in the form of the museum that can be used for educational purposes, and Laweyan Batik shop which has a place that is comfortable, safe, and able to accommodate the needs of both managers and visitors. The facilities consist of a lobby, café, deposit counter, shop, ticketing room, digital audio education, main display, fabric display, item display, maintenance room, multipurpose room, pantry, toilet, office, and prayer room.

Perancangan Interior Omah Batik Di Bayat

Abstrak Perancangan Interior Omah Batik Di Bayat dengan tujuan menampung kegiatan - kegiatan untuk mengembangkan batik tradisi khususnya di Bayat dengan menghadirkan tema dari beberapa motif pada batik yang di kemas dalam gaya artdeco Perancangan ini menawarkan fasilitas seperti galeri, toko,workshop,café da juga lobby. Tujuan tersebut dicapai dengan metode desain yang menggunakan proses desain meliputi input, sintesa dan output. Input berupa data literatur, lapangan, dan,sintesa melalui proses analisis desain, output berupa hasil desain. Pendekatan yang digunakan adalah pendekatan fungsi, ergonomi, tema dan gaya dan juga bahan. Analisa desain mengambil ide dari beberapa motif batik yaitu motif kawung, sidomukti, dan parang yang dipadukan dengan gaya artdeco. Hasil desain berupa perancangan Interior Omah Batik Di bayat yang mempunyai fasilitas utama berupa lobby, toko, galeri, café dan workshop.Fasilitas penunjang yang meliputi penginapan, ruang audio visual dan perpustakaan yang di kemas dalam gaya artdeco.Kata Kunci: interior Oma Batik, motif batik, art deco

THE INTERIOR DESIGN OF A MUSIC SCHOOL FOR PERSONS WITH VISION IMPAIRMENT WITH THE CONCEPT OF LANDMARK PERCEPTION IN SURAKARTA, INDONESIA

The Law of the Republic of Indonesia, article 5, paragraphs 1 and 2 concerning the education system, states that every citizen has the same right to obtain a good quality education. Citizens who have physical, emotional, mental, intellectual, and social disabilities are entitled to special education, including vision impairment. One of those people with vision impairment skills is their music expertise by maximizing touch and the sense of hearing. This work aims to realize the Landmark Perception concept by applying dynamic repetition by visualizing the repetition of several elements, such as line, shapes, textures, colors, dimensional gradations, shape gradations, and circulation patterns. These work results are the interior designs for the main facilities, including vocal classrooms, guitar classrooms, Violin classrooms, drum classrooms, piano classrooms, concert halls, and some supporting facilities such as cafeterias and libraries. The results of this work can be a reference for interior designers in designing interiors in a contemporary style based on the needs of people with vision impairment.

DESIGNING THE INTERIOR OF CANDI LOKA NGAWI RESTAURANT BY APPLYING THE BATIK JAMUS TEA MOTIF THEME

The application of the Jamus Tea motif batik theme in the interior design of Candi Loka Restaurant in Ngawi is an effort to accommodate the needs of visitors to the Jamus Tea Plantation tourism object to enjoy the processed tea. This work aims to create a comfortable interior design of Candi Loka Restaurant and apply a contemporary style. In this work, the theme of the Jamus Tea batik motif is applied through the Kurtz programming method. The result of this work is the interior design of Candi Loka Restaurant, which includes lobby facilities, dining area, teashop, workshop and education area, management office, kitchen, rest area, warehouse, prayer room, and toilet. The results of this work can be a reference for interior designers in designing contemporary interior concepts based on local wisdom

THE ASPECTS OF UNIVERSAL DESIGN IN INTERIOR DESIGNING

Many studies show the findings of public facilities' cases still inaccessible to people with disabilities and see the importance of a design, especially in the interior sector, that can produce a built environment that is user-friendly and barrier-free. Accessibility rights for persons with disabilities have been regulated in various regulations ranging from regulations in the central government to laws, government regulations to the minister of public works and regional regulations. There is a regulation of the minister of public works and public housing of the Republic of Indonesia No.14 2017, which regulates the provision of facilities in buildings and environments according to the needs of all age groups and conditions of physical, mental, and intellectual limitations, or sensory-based on the function of the building to make it easier for users and visitors in their activities in public buildings. However, this guideline has not been discussed in detail. This research is intended to review universal design standards in the interior design process, especially in public buildings.

AN INTERIOR STUDY OF JOYOSURAN WARD OFFICE IN SURAKARTA- INDONESIA ON THE ASPECTS OF FUNCTIONS AND SPACE FORMING AND FILLING ELEMENTS

Surakarta is a city that has 54 villages/wards spreading across five sub-districts, namely: Pasar Kliwon, Jebres, Banjarsari, Laweyan, and Serengan. The buildings of ward offices in Surakarta are fascinating because they are some of the works of human culture influenced by local culture. The Joyosuran Ward Office building is Joglo, a strong Javanese nuance intended as a sign of Solo city's distinctive identity. On average, pendapa at ward offices is glass-walled and appears open with two doors at the front and the back. The function of a ward pendapa is as a meeting space, village gatherings, and other meetings. The next building is the office. The style of the ward office building in Surakarta is colonial architecture, a term for buildings with a form (or outside impression) of Nusantara's (Indonesian) architecture and modern architecture adapted to the climate, building materials, and technology developed at the current time. This research aims to find out the functions, elements of the form, and space fillers of the Joyosuran Ward Office in Surakarta. The research method used in this research is an analysis method with an interior design approach conducted at Joyosuran Ward Office in Surakarta. Data collected from informants, literature, and objects/artifacts. The results show that the functions, elements of form, and space fillers of the Joyosuran Ward Office are a public service office under the lowest government level management. The buildings are a mixture of colonial and Javanese styles. The benefits of this research's results can be an essential source of information for the development of interior design studies and cultured public buildings

INTERIOR DESIGNING OF SEMARANG CONVENTION CENTER UNDER THE THEME OF ASEM ARANG-ARANG

Semarang, as the capital of Central Java Province, with its high economic and tourism growth, needs to be supported with adequate facilities and infrastructure. The purpose of designing is to fulfill exhibition and meeting facilities in the city of Semarang, Indonesia. The design method adopts the stages of the Kurtz programming design process. The theme of asem arang-arang is a local character in Semarang, Indonesia, with a post-modern style. The interior design drawings of Semarang Convention Center include the main lobby (exhibition hall area), side lobby (convention hall area), convention hall, exhibition hall, meeting/conferences room, and cafeteria. The benefit of the design is as a reference for the Semarang city government and the parties involved in developing infrastructure and facilities in Semarang.

THE INTERIOR DESIGN STUDY OF A LACTATION ROOM AT REGIONAL HOSPITALS OF SURAKARTA INDONESIA FROM THE PERSPECTIVE OF ERGONOMICS AND REGULATORY STANDARDS

A lactation room is a vital facility used to support the smooth running of activities in public spaces for women, especially for nursing mothers. The lactation room is usually used by mothers to breastfeed their children privately in public spaces. This study aims to determine the ergonomics and standards of lactation rooms in public facilities in Surakarta-Indonesia. This study was used to determine whether nursing mothers experience difficulties, easiness, or convenience when using these facilities. Ergonomic measurement is essential to see whether the object follows the users' dimensions, especially mothers and their babies. The object of this research is the lactation rooms located in several general hospitals in Surakarta. The method used is descriptive with a qualitative approach supported by quantitative data, or in other words, a dual research strategy, which is the use of multiple methods in solving a research problem. The quantitative here use numerical data, which results from field measurements, then compared with referred references, resource persons, and analyzed based on the researchers' interpretation. This research's results were in lactation rooms in terms of ergonomics/anthropometry and lactation room standards. Moreover, this also serves as an input to stakeholders to provide good public facilities following ergonomic lactation rooms to function optimally. These beginner research results are also expected to enrich learning sources related to Ergonomics, Interior Design, and Furniture in Interior Design Study Program ISI Surakarta.

The Interior Designing of Lawu Resort Hotel with Tirta Intanpari Batik Theme in Tawangmangu

The increasing number of tourists visiting Tawangmangu tourist attraction, Central Java, and yet insufficient lodging facilities are some of what is behind the interior designing of Lawu Resort Hotel. Lawu Resort Hotel is a lodge with facilities to accommodate tourist activities. The design theme is intanpari tirta batik design with a contemporary style, meanwhile the design goal is to present an interior that follows current times advancement but still concerns on the culture. The design method adopted the stages of the Pamudji Suptandar design process with an outline of the process consisting of input, synthesis and output. The scope of work includes a lobby, restaurant, coffee lounge and guest room. The design results are in the form of a design proposal, which includes design concepts, work drawings, material schemes and animation.

FOREWORD, Pendhapa: Vol. XI, No. 2.

History is the circumstances and events of human life in the past including previous achievements that are disclosed again. The glory, advancement, and fame of a certain nation, state, tribe or community group are often retold to educate, remember, and generate a positive spirit to build the future through various ways with various points of view in accordance with their respective fields of knowledge and passion.Jaza Chehata Hadi, in designing the interior of the Port, seeks to bring back the old Semarang atmosphere with the concept of Venice van Java, the nickname of Semarang city – Central Java Indonesia, years ago, due to many rivers in the middle of the city just like the city of Venice (Italy). The icons, documentation and knick-knacks of the past are presented to bring out the old Semarang atmosphere.The second article is Mahdi Nurcahyo's article, revealing how people with visual impairment or blindness recognize and present some aspects of convenience in the house where he lives in, as a part of giving meaning to everyday life through his sense of experience and sensitivity to arrange space according to his body's comfort. The third article by Muhammad Fadilah Fatah and his friends concerns on the design of a chair as a sitting facility which combines functions of bag, charger, as well as table by utilizing waste as its raw material to reduce environmental pollution.The existence of batik for Indonesian people is as the nation's ancestral cultural heritage. Batik covers various aspects such like philosophy, techniques or production, community economy, batik motifs, coloring, identity and other aspects. In the Edition XI, No. 2 of Pendhapa: Journal of Interior Design, Art and Culture, there are three articles related to batik. Two articles contain the results of some designs of the infrastructure facilities for the interiors to protect and develop batik. The revitalization of a noble's residence that had been neglected into a batik shop and museum in Laweyan village, Surakarta, Central Java, Indonesia, is the article of Yosafat Adi Pradipta and Raden Ersnathan Budi Prasetyo. Another article about batik is the interior design of Omah Batik in Bayat, Klaten, Central Java, Indonesia as a means of protecting and developing batik, by Annisa Isma Safitri and Joko Budiwiyanto. The last article is batik motifs as a design idea for hotel design, written by Wahyu Tri Widiyanto and Putri Sekar Hapsari.History stores a lot of knowledge, philosophy, science, wisdom, and many other things. The time span of batik work that has been going on for generations has become a part of the history of the cultural journey of the people, especially in Java. The preservation and development is a shared responsibility. The scholars, the researchers, and the academics morally have the obligation to always be sensitive to various things, especially related to phenomena in their surrounding environment.