McGill Journal of Education
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Published By Consortium Erudit

1916-0666, 0024-9033

2021 ◽  
Vol 55 (3) ◽  
pp. 641-665
Author(s):  
Kedrick James ◽  
Rachel Horst ◽  
Yuya Peco Takeda ◽  
Esteban Morales

The Patch workshop explores creative / critical analyses that can map the collectively relevant topoi of semiosis in linguistic texts according to the three ecologies as articulated by Félix Guattari. As creative pedagogues both in service and critical of creative economics, we valourize a generative practice, one that results in successive creative readings, writings, visualizations, sonifications and audiovisual artifacts. The Patch is a human-computer procedural algorithm, engaging a series of recursive and recombinant processes that utilize several software programs, collaborative writing and performance practices to bridge analogue and digital literacies. A total of 80 teacher education students, graduate students and faculty, working with a single input text, provided the data reported in this paper.


2021 ◽  
Vol 55 (3) ◽  
pp. 513-520
Author(s):  
Mindy R. Carter ◽  
Patrick Howard ◽  
Sean Wiebe ◽  
Jérôme St-Amand


2021 ◽  
Vol 55 (3) ◽  
pp. 666-673
Author(s):  
Boyd Eric White

This article takes its direction from notable educators such as John Dewey and Elliot Eisner who argue in favour of endorsing uncertainty and related responses within educational practice. The argument is a push-back against current emphasis on standardization, with its accompanying focus on single right answers that don’t do justice to the complexities inherent in our daily lives. The dual nature of uncertainty is exemplified in the depiction of one person’s interactions with two famous paintings. To provide the reader with a parallel encounter with uncertainty, the article includes a short video and concludes with an ekphrastic poem in response to the video, to illustrate the points being made.


2021 ◽  
Vol 55 (3) ◽  
pp. 588-618
Author(s):  
Cindy De Smet ◽  
Mary-Beatrice Raileanu ◽  
Margarida Romero

The term “creativity” is used in a wide variety of ways in professional, technological, socio-economical and educational contexts. In this paper, an exploratory literature review of the French-language scientific literature in educational sciences was conducted, revealing the fields of knowledge that mobilize the creativity concept. Both a descriptive and a categorical content analysis were employed. The results of these analyses allowed us to situate the context of creativity and to identify five fields of knowledge: 1) teaching and personal development, 2) problem solving and computational thinking, 3) artistic approach, 4) training and/or educational programs, and 5) creativity development factors.


2021 ◽  
Vol 55 (3) ◽  
pp. 674-684
Author(s):  
Adam Vincent

This Artistic and Creative Inquiry (ACI) uses personal narrative to share examples of how poetry has been successfully used in both classroom and academic support settings to enhance students’ understanding of course concepts and to identity their own learning preferences. This pragmatic discussion of poetry as a teaching tool is then coupled with a poetic exploration of artist-teacher identity and how this identity influences teaching approaches. The inquiry concludes with a discussion of the power that exists when there is an awareness and ownership of the role of artist-teacher (and researcher) and the impacts that it can have on students and ultimately society.


2021 ◽  
Vol 55 (3) ◽  
pp. 718-725
Author(s):  
Gail Cormier

By adopting an a/r/tography lens, this text will explore the relationship between music, linguistic identity and education. Through my experiences teaching high school French immersion classes and later my transition to teaching at the Faculty of Education, I will explore the risks and possibilities associated with this methodology. Bringing music into the classroom through a/r/tography can contribute to a heightened interest in the French language and a reinforcement of the francophone identity among students. My own identity journey shows the diversity of dynamic spaces in the field of education and presents the potential for positive exchanges within these spaces for the development of linguistic identity among future teachers and professors.


2021 ◽  
Vol 55 (3) ◽  
pp. 726-735
Author(s):  
Tasha Ausman ◽  
Travis Mandel

In these conversational field notes, two teachers reveal their experiences with creativity in contexts where students are encouraged to dwell in spaces of ambiguity and vulnerability in learning.  Using anatomy to inform music pedagogy empowers students to work through metaphor-rich instruction in order to develop a grounded approach to artistic interpretation, while using fine art in the science classroom allows students of anatomy to explore the artistic possibilities of imagination in relation to the human body. In both cases, the crisscrossing of pedagogical lines from biology into music and music into art helped to transform students’ relationships with ambiguity from being negative and closed-off, to positive and constructive.


2021 ◽  
Vol 55 (3) ◽  
pp. 685-692
Author(s):  
Adam David Henze

This article explores the “daemons” that many university students face by exploring Mary Shelley’s Frankenstein in a creative way. Using a poetic method called “erasure,” the author of this article cut fragmented descriptions of Victor Frankenstein, and stitched them together to craft a poem about the need for self-care in the university setting. The poem includes a preface to provide some theoretical context and background information on Frankenstein.


2021 ◽  
Vol 55 (3) ◽  
pp. 550-567
Author(s):  
Zheng Zhang ◽  
Wanjing Li

This research investigated potentials of bilingual digital story making to engage the creativity of 13 Canadian and Chinese biliteracy learners aged 11–15. Findings in this paper draw on six focal participants and their digital story creation. Informed by asset-oriented multiliteracies, new media literacies, and new materialism, this research adopted a netnography methodology to explore the communal and sociomaterial practices embedded in the intra-actions of human, matter, and virtual spaces of Seesaw and Skype. Drawing on data from six focal students, findings relate how intra-actions among researchers, teachers, students, matters, and spaces shaped participants’ creative acts. This research adds to the knowledge of developing and applying material-informed pedagogies which attend to the enacted agency among teachers, students, materials, and spaces.


2021 ◽  
Vol 55 (3) ◽  
pp. 530-549
Author(s):  
Michael Lipset

The author examines a federally funded internship program he organized while serving as the director of the High School for Recording Arts Los Angeles program. The school paid students to operate their own record label. Under the American Workforce Innovation and Opportunity Act, approved organizations provide paid, for-credit internships to young people who meet the definition of opportunity youth. Through this partnership, students learned real-world skills, gained hands-on experience, and built their resumes. The author experienced a shift in his professional praxis from school leader to creative pedagogue. During the internship, the school experienced increased student attendance and enrolment, suggesting the paid internship resulted in increased opportunities for student learning. The author covers similar opportunities across the US and Canada.


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