A Tale of Two Countries: Contrasting Archaeological Culture History in British and French Archaeology

2011 ◽  
pp. 23-40 ◽  
Author(s):  
Marc Vander Linden ◽  
Benjamin W. Roberts
Keyword(s):  
Culture History

Christianity and culture: history, tradition, modernity

1997 ◽  
pp. 65-66
Author(s):  
V. Klymov
Keyword(s):  
Religious Studies ◽  
National Academy Of Sciences ◽  
Culture History ◽  
State Administration ◽  
State Pedagogical ◽  
State Pedagogical Institute ◽  
The Many ◽  
Academy Of Sciences ◽  
Cultural Experts ◽  
Practical Conference

Under this name, on November 20-21, the All-Ukrainian Scientific and Practical Conference took place in Poltava, which became one of the many events devoted to the 2000th anniversary of the Nativity of Christ. Its organizers were Poltava Regional State Administration, Department of Religious Studies at the Institute of Philosophy named after G. Skovoroda, National Academy of Sciences of Ukraine, Poltava State Pedagogical Institute. VG Korolenko. The conference was attended by scholars: religious scholars, historians, philosophers, ethnographers, cultural experts, teachers from Kyiv, and many regions of Ukraine.

Modernism, Empiricism, and Rationalism

2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Modern Poetry ◽  
Philosophical Perspective ◽  
Irish Poetry ◽  
Dimensional Spectrum ◽  
Culture History ◽  
The World ◽  
The Impact ◽  
Rule Out

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.

ACTION ON MATTER: THE HISTORY OF THE UNIQUELY AFRICAN TAMPER AND CONCAVE ANVIL POT-FORMING TECHNIQUE

2003 ◽  
Vol 1 (1) ◽  
pp. 3-35 ◽  
Author(s):  
Judy Sterner ◽  
Nicholas David
Keyword(s):  
Historical Development ◽  
Weight Ratio ◽  
High Volume ◽  
Efficient Production ◽  
Arid Environments ◽  
Historical Evidence ◽  
Culture History ◽  
History Of ◽  
And Diffusion

The publication, largely by ethnoarchaeologists, of new data on the tamper and concave anvil technique of pot-forming (TCA) permits a reassessment of this uniquely African technique, its toolkit, and its culture history. A survey, inspired by the technologie culturelle school, of its varied expressions in the southern Saharan, Sahelian and northern Sudan zones from Mali to Sudan and extending north into Egypt emphasises the potential of the technique for the efficient production of spherical water jars of high volume to weight ratio, much appreciated in arid environments. The technique is demanding and therefore practised for the most part by specialists. The origins and diffusion of the technique are assessed in the light of the ethnological, archaeological, linguistic, and historical evidence, and a four stage historical development is sketched.

Three Grades of Social Involvement

2017 ◽  
Author(s):  
George Sher
Keyword(s):  
The Self ◽  
Historical Background ◽  
Social Involvement ◽  
Causal Influence ◽  
Culture History

Communitarians argue that because selves are profoundly influenced by culture, history, and tradition, they are too compromised by society to be morally basic. This chapter asks what this claim means and whether it is true. To find out, it discusses (1) society’s causal influence on people’s aims and attitudes and (2) the fact that many aims and attitudes presuppose a highly specific cultural, legal, and historical background. It also discusses the suggestion that (3) truly autonomous selves would be featureless centers of volition. It concludes that the individual’s moral primacy is undefeated by society’s involvement in the self.

Indian Historical Writing since 1947

2018 ◽  
Author(s):  
Supriya Mukherjee
Keyword(s):  
Turning Point ◽  
Historical Narrative ◽  
The Political ◽  
Colonial Rule ◽  
Historical Writing ◽  
Professional Discipline ◽  
Social Forms ◽  
Research And Teaching ◽  
Culture History ◽  
Indian Perspective

This chapter focuses on Indian historical writing. The end of colonial rule in 1947 was a turning point in Indian historical writing and culture. History emerged as a professional discipline with the establishment of new state-sponsored institutions of research and teaching. Attached to the institutionalization was the political imperative of a newly independent nation in search of a coherent and comprehensive historical narrative to support its nation-building efforts. At the same time, there was a desire to establish an autonomous Indian perspective, free of colonial constraints and distortions. In this, post-independence historiography owed much to earlier strands of nationalist historiography. During the first two decades after independence, three main trajectories of historical writing emerged: an official and largely secular nationalist historiography, a cultural nationalist historiography with strong religious overtones, and a critical Marxist trajectory based on analyses of social forms.

Kiowa Apache Culture History: Some Further Observations

1953 ◽  
Vol 9 (2) ◽  
pp. 195-202 ◽  
Author(s):  
Charles S. Brant
Keyword(s):  
Culture History
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