Sweden: Combining Domestic Values with Neutralism

Author(s):  
Olav Stokke
Keyword(s):  
2021 ◽  
Vol 58 (3) ◽  
pp. 248-261
Author(s):  
AINA MARTI

This article examines the historical and theoretical connections between architect Eugène Viollet-Le-Duc (1815-1879) and Émile Zola (1840-1902). By analyzing the ways in which Viollet-Le-Duc’s theory on domestic architecture in his Entretiens sur l’architecture (1863-1872) resonates in Zola’s Pot-Bouille (1882), this study illustrates how Zola’s text depicts the correlation between architectural form and ways of living. In light of the work of Viollet-Le-Duc, the particular characteristics of domestic architecture in Pot-Bouille are imagined to mould the personalities of the inhabitants, thereby shaping their domestic values. First, the ways in which Viollet-Le-Duc’s theory overlaps with naturalism are introduced. Then Zola’s own interest in architecture and his knowledge of Viollet-Le-Duc are documented. Finally, the article argues that, in Pot-Bouille, domestic architecture has an influence on the characters’ domestic lives and that a study of Entretiens provides a better cultural understanding of Pot-Bouille and the ways in which architecture was imagined to impact on people’s personalities.


2014 ◽  
Vol 8 (1) ◽  
pp. 49-75 ◽  
Author(s):  
JADA WATSON

AbstractThe concepts of “place,” “space,” and “home” are integral to the study of country music, a genre conventionally associated with geographic regions, rural landscapes, and domestic values. Place-songs have emerged as an important way in which country musicians communicate life experiences and define elements of their identity, emphasizing the influence of family and community on their character, beliefs, and values. However, just as place can signify belonging, it can also represent a constricting environment from which artists struggle to escape. Such narratives enable us to see vital parts of regional identity that would otherwise be hidden, obscured, or overshadowed.The Dixie Chicks’ song “Lubbock or Leave It” (2006) is an interesting case study for an inquiry into how artists struggle to define themselves within the country genre. The song spurred immediate uproar insofar as the lyrics portray lead singer Natalie Maines's hometown of Lubbock, Texas as small and narrow-minded. Many listeners and critics interpreted the song as a rejection of both Lubbock and country values. Drawing from the fields of cultural geography and musicology, this study examines how the Dixie Chicks draw on musical codes and conventions in an act of defiance and genre subversion, as they struggle with parochialism and conservative thinking.


Author(s):  
Mohammad Hadi Jahandideh ◽  
Sakineh Shahnoori

This study provides a conceptual discussion by using Judith Butler’s theory of “Gender Performativity” that analyzes the tensions between self-identity and social identity. It proposes that identity is reflective of the correlation between the roles that people enact in society. The researchers scrutinized the role of gender and identity in the selected story of Lahiri’s Interpreter of Maladies. It will be investigated in the light of cultural and feminist criticism as well as their theoretical concepts. This study is conducted by using descriptive-analytic methodology as well as the materials available in the valid libraries. To conclude, the application of Butlerian theories to the selected short story provides the best opportunity for creating a balance between gender and identity spheres. It endorses the theory that gender performance is not the real hallmark of one’s identity. Indeed, formulating identity based on gender performativity is not necessarily incompatible with domestic values.


2021 ◽  
pp. 440-456
Author(s):  
Robert Jervis

How do we explain the vigorous debate about what American grand strategy should be? Most of the proponents are Realists, and this is particularly true for the alternatives of Restraint and Deep Engagement discussed here. These camps disagree not about whether the US is in decline, but in how secure it is, how tightly the world is interconnected, how much commitments can be kept within bounds, whether alliances and military ties are necessary to underpin a productive international economic system, and the links between foreign policy and domestic values. Few analysts in either camp are willing to acknowledge tradeoffs among the significant values they hold, which indicates that psychological processes as well as analytical differences are at work.


2019 ◽  
Vol 33 (2) ◽  
pp. 385-405
Author(s):  
JÁNOS CSAPÓ ◽  
ANDRÁS TÖRZSÖK ◽  
ISTVÁN GALAMBOS

In 1920 the Treaty of Trianon concluding WWI caused the Hungarian Kingdom to lose not only two-thirds of its area and population, but the country’s most important tourism destinations as well. This is the reason why the “domestic values” of the country were valorised in the following period in terms of tourism. Both the remaining tourism supply and the demand had to face significant changes; for instance, the paying guest system was introduced in Hungary at the time in question. Some new investments were made from 1922 onwards in these destinations, such as the establishment of holiday camps and hotels, but the development of tourism was primarily supported through government regulations and the creation of national and regional tourism authorities. Due to these investments and innovations the interwar period became a flourishing era for domestic tourism.


2018 ◽  
Vol 4 (58) ◽  
pp. 40-49
Author(s):  
Mirosław Aleksander Miernik

The article focuses on the conflict between youth and domestic values in 1950s America on the example of the movies The Wild One and Rebel Without a Cause. Using elements of subcultural studies, the films are discussed as didactic in purpose, conveying a sense of fear of youth culture, then a new development, and reinforcing the patriarchal structure of mid-20th century US society. This was achieved by depicting troubled young people who manage to overcome various difficulties with the help of a strong masculine father-figure. However, as a result of this, some young people sought for characters who in their opinions embodied a non-conformist stance to a much greater extent than the protagonists. These characters, Chino in The Wild One and Plato in Rebel Without a Cause, became subcultural icons in their own right, and illustrate the impact that such cinematic portrayals may have on the development of a subculture.


2011 ◽  
Vol 46 (3) ◽  
pp. 265-284 ◽  
Author(s):  
Christine Agius ◽  
Karen Devine

This article approaches ‘neutrality’ as an essentially contested concept and traces its meaning and purpose over centuries-long historical timelines and situated political, societal and security contexts. It distinguishes neutrality from other concepts such as ‘neutralization’ ‘non-belligerency’, ‘non-alignment’, ‘military non-alignment’, ‘military neutrality’ and ‘non-allied’. The article explains the politics of defining neutrality in the current European political and legal landscape and in the context of shifting definitions and practices of war, peace, security and state sovereignty. This episteme-based analysis focuses on changes to neutrality in accordance with the rise and fall of particular empires and international actors over time, and changes to its status linked to the development and reification of particular meta-theoretically-based subfields of International Relations and Political Science, setting the background to this special issue of Cooperation and Conflict. A renewed emphasis on the normative aspects of neutrality (i.e. the role of domestic values, politics, preferences, history and mass publics in foreign policy formulation) is achieved by employing a range of perspectives, characterized by increased pluralism in levels of analysis and theoretical approaches. Through this pluralism, authors engage with (1) the strategic and normative drivers underpinning the norm of neutrality, (2) the potential for neutrals to serve as norm entrepreneurs in the field of peace promotion, (3) the tenuous legal status of elites’ quasi-neutral foreign policy constructions underpinned by tensions between discourses and practices and (4) the discursive strategies underpinning the move from neutral states’ traditional forms of neutrality to what is termed ‘post-neutrality’ in the current politico-legal context.


Amicus Curiae ◽  
2011 ◽  
Vol 2003 (48) ◽  
Author(s):  
Roger Toulson

2016 ◽  
Vol 16 ◽  
pp. 95-99
Author(s):  
A.K. Mcdermott ◽  
F.G. Scrimgeour

The future of hill country farmers depends on constructive engagements with international consumers and domestic values and politics. Antifragility, being at worst unharmed by or benefiting from stresses or shocks, involves both reducing system downside and maximising the upside potential. Antifragility is enhanced by farmers selecting partners with which they align in transparent relationships. Farmers should consider integration or collaboration rather than selfsufficiency. Maintaining an element of flexibility within the farm system is also essential. In addressing the market it is not appropriate to focus on the average consumer. New Zealand producers should target those who care about what is good for them with what is good for the world and good quality; listen to them and deliver what they want. Delivering on what is wanted requires farmers to "farm like they are watching you". They are. Farmers and companies need to be able to verify what they claim and celebrate an honest story. Keywords: antifragility, consumers, flexibility, honesty, quality, transparency Key messages • Establish aligned, transparent partnerships


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