scholarly journals National archives’ priorities: an international overview

2021 ◽  
Author(s):  
Sara Martínez-Cardama ◽  
Ana R. Pacios
Keyword(s):  
Collective Memory ◽  
Good Practice ◽  
National Archive ◽  
Public Access ◽  
Intellectual Life ◽  
Vision Statements ◽  
Strategic Plans ◽  
National Heritage ◽  
National Archives ◽  
To Come

AbstractThis discussion of national archives’ present priorities affords an overview of the areas meriting their greatest attention. It is based on an analysis of 18 strategic plans and 41 vision statements found for the 159 national archives affiliated with the International Council on Archives’ regional branches that provide public access to these documents on their websites. Improvement in access to and conservation and digitisation of the respective collections are convergent items in such plans and statements. Other strategies including protection for the national heritage and collective memory are also identified in some developing countries where the national archive is the mainstay of cultural and intellectual life. Strengthening national archive authority as the governing institution that guides a country’s archival policy, another issue found in both plans and statements, infers the need to heighten archives’ social and institutional role in their respective countries. The article identifies what is deemed good practice in cultural institution transparency management by describing what these institutions do and how. The scant presence of strategic plans on national archives’ websites is regretted, however, for it deprives citizens of information on the action planned for the years to come and precludes any international extrapolation of the present findings.

Safeguarding National Heritage through Conservation of Oral History Collections at Bulawayo National Archives, Zimbabwe

2019 ◽  
Vol 6 (2) ◽  
Author(s):  
Vimbayi Natalie Nhenga-Mugarisanwa ◽  
Peterson Dewah
Keyword(s):  
Oral History ◽  
Minority Groups ◽  
Case Study Research ◽  
Storage Conditions ◽  
Annual Reports ◽  
Conservation Unit ◽  
National Heritage ◽  
National Archives ◽  
Digital Formats ◽  
Depth Interviews

 Oral history collections are vital assets that represent national heritage. While transcribed collections are kept in a proper archival repository at the Bulawayo National Archives, the audio-visual collections are kept unprocessed and unprotected in unsuitable housing such as cardboard boxes within the Principal Archivist’s office. Storage conditions are not conducive and therefore, unbearable. The study, therefore, explored issues relating to how national heritage contained in oral history collections can be protected through conservation at the institution. In this regard, the study opted to employ the qualitative research methodology, using the case study research design. The informants were purposively sampled, while data were collected through questionnaires, in-depth interviews, and document analysis. Questionnaires were administered to the chosen respondents through hand delivery. Researchers conducted in-depth interviews that lasted between 20–30 minutes. The Director’s Annual Reports from 1990 to 2016 were analysed for the study. The findings of the study indicated that the Bulawayo National Archives captures and stores oral history in paper, cassettes, magnetic tape, and digital formats, and according to various subject areas; which include chieftaincy, minority groups, land question, religion and liberation wars. However, the institution does not have a conservation unit nor an Oral Historian in charge of the collections. In this regard, we recommend that the institution sets up a conservation unit to protect oral history collections, and facilitate the restoration of the already damaged and deteriorated oral history collections. 

Using Old Photographs in Interviews: Some Cautionary Notes About Silences in Fieldwork

1990 ◽  
Vol 17 ◽  
pp. 327-334 ◽  
Author(s):  
Bill Bravman
Keyword(s):  
Power Relations ◽  
Men And Women ◽  
Cultural Assumptions ◽  
The People ◽  
Taita Hills ◽  
National Archives ◽  
Long Time ◽  
Photo Collection ◽  
Image Production ◽  
To Come

In September 1987, early in my research at the Kenya National Archives, I came across a collection of photographs taken by a British missionary during the 1920s and early 1930s. The collection contained nearly 250 photos of the terrain and people of Kenya's Taita Hills, where I would soon be going for my fieldwork. I pored over the photo collection for a long time, and had reproductions made of twenty-five shots. The names of those pictured had been recorded in the photo album's captions. Many of the names were new to me, though a few WaTaita of the day who had figured prominently in the archival records were also captured on film. When I moved on to Taita in early 1988,1 took the photographs with me. Since I would be interviewing men and women old enough either to remember or be contemporaries of the people in the pictures, I planned to show the photos during the interviews. At first I was simply curious about who some of the people pictured were, but my curiosity quickly evolved into a more ambitious plan. I decided to try using the photographs as visual prompts to get people to speak more expansively than they otherwise might about their lives and their experiences.In the event, I learned that using the photographs in interviews involved many more complexities than I had envisaged in my initial enthusiasm. I found that I had to alter the expectations and techniques I took to Taita, and feel out some of the limitations of working with the photographic medium. I had to recognize the power relations embedded in my presence as a researcher in Taita, in my position as bearer of images from peoples' pasts, and in the photos themselves. I found, too, that I needed to come to grips with a number of issues about the politics of image production, and the historical product of those politics: the bounded, selected images that are photographs. Finally, I had to address some of my own cultural assumptions about photography and how people respond to pictures, assumptions that my informants did not necessarily share.

scholarly journals Informal mental health patients: what are they told of their legal rights?

2017 ◽  
Vol 22 (1) ◽  
pp. 51-62
Author(s):  
Russell Ashmore ◽  
Neil Carver
Keyword(s):  
Mental Health ◽  
Good Practice ◽  
Public Access ◽  
Legal Rights ◽  
Freedom Of Information ◽  
Freedom Of Information Act ◽  
Content Type ◽  
Freedom Of Movement ◽  
Information Leaflets ◽  
Written Information

Purpose The purpose of this paper is to determine what written information is given to informally admitted patients in England and Wales regarding their legal rights in relation to freedom of movement and treatment. Design/methodology/approach Information leaflets were obtained by a search of all National Health Service mental health trust websites in England and health boards in Wales and via a Freedom of Information Act 2000 request. Data were analysed using content analysis. Findings Of the 61 organisations providing inpatient care, 27 provided written information in the form of a leaflet. Six provided public access to the information leaflets via their website prior to admission. Although the majority of leaflets were accurate the breadth and depth of the information varied considerably. Despite a common legal background there was confusion and inconsistency in the use of the terms informal and voluntary as well as inconsistency regarding freedom of movement, the right to refuse treatment and discharge against medical advice. Research limitations/implications The research has demonstrated the value of Freedom of Information Act 2000 requests in obtaining data. Further research should explore the effectiveness of informing patients of their rights from their perspective. Practical implications Work should be undertaken to establish a consensus of good practice in this area. Information should be consistent, accurate and understandable. Originality/value This is the only research reporting on the availability and content of written information given to informal patients about their legal rights.

scholarly journals The History Of People’s Rebellions In Ferghana Region (Based On Materials Of The National Archive Of Uzbekistan)

2021 ◽  
Vol 03 (04) ◽  
pp. 344-348
Author(s):  
Doniyorbek Murodjon Ugli Sobirov ◽  
Keyword(s):  
National Archive ◽  
National Archives ◽  
History Of

The article deals with the people’s uprisings, which played an important role in Uzbek historiography, in particular, the uprising against the unjust verdict in Ferghana region on August 31, 1898, its origin, historical circumstances, the participants scientifically analyzed of the uprising using materials from the National Archives of Uzbekistan.

scholarly journals The graffiti art and the discover of the Keith Haring’s mural in Amsterdam

2020 ◽  
pp. 236-249
Author(s):  
Caterina Soliani
Keyword(s):  
New York ◽  
Collective Memory ◽  
Street Art ◽  
Art World ◽  
Continuous Growth ◽  
The World ◽  
To Come ◽  
The Many ◽  
Shed Light ◽  
Made In

The purpose of this work is to contribute to the continuous growth of the art world (Street Art in particular) and to discuss how it is essential for the discovery of artists. These artists have been pioneers and forerunners of new pictorial techniques, freeing creative and psychological flair, and combining the latter with the artistic technology that promises great things despite limited materials.  The intention of this article is to consider the elements of artistic expression that are less commonly subject to discussion, such as the world of Street Art. This form of artwork has not always been understood or accepted, with street artists waiting for the opportune moment to express the narrative, experiences, and emotions of society through their artwork, a power that unites sentiment and encourages change.  It is art which affects the community, the population and society. It is designed above all others to become part of the collective memory through violence of image and colour.  This project led me to come into contact with one of the many artistic artefacts of the Street Art movement, the Keith Haring’s mural in Amsterdam, a piece that makes me. understand and appreciate the problems inherent to these type of works, simple, synthetic, but never simplistic.  Therefore, a project, a study and a restoration hypothesis were conducted on one of the many works by Haring. The purpose of this was to shed light once again on the mural made in 1986 by the artist, situated in the Groothandeles Market of Amsterdam. No longer visible for thirty years, the mural was covered by insulation panels placed two years after its creation. With professors Antonio Rava and William Shank, the association Keith Haring Foundation of New York, the Stedelijk Museum of Amsterdam, in collaboration with the gallery Vroom & Varossieau, specialised in road art, on 8 June, the large metal sheet panels were removed and one of the greatest murals by Haring could once again be admired.

Erasing the Past: The Destruction of Libraries and Archives in Bosnia-Herzegovina

1995 ◽  
Vol 29 (1) ◽  
pp. 7-11 ◽  
Author(s):  
András Riedlmayer
Keyword(s):  
Human Suffering ◽  
The Past ◽  
University Library ◽  
National Heritage ◽  
National Archives ◽  
Rare Books ◽  
The University

Three years have passed since the beginning of the war in Bosnia. Amidst the reports of human suffering and atrocities, another tragic loss has gone largely unnoted—the destruction of the written record of Bosnia’s past.On 25 August 1992, Bosnia’s National and University Library, a handsome Moorish-revival building built in the 1890s on the Sarajevo riverfront, was shelled and burned. Before the fire, the library held 1.5 million volumes, including over 155,000 rare books and manuscripts; the country’s national archives; deposit copies of newspapers, periodicals and books published in Bosnia; and the collections of the University of Sarajevo. Bombarded with incendiary grenades from Serbian nationalist positions across the river, the library burned for three days; it was reduced to ashes with most of its contents. Braving a hail of sniper fire, librarians and citizen volunteers formed a human chain to pass books out of the burning building. Interviewed by ABC News, one of them said: “We managed to save just a few very precious books. Everything else burned down. And a lot of our heritage, national heritage, lay down there in ashes.” Aida Buturovic, a librarian in the National Library’s exchanges section, was shot to death by a sniper while attempting to rescue books from the flames.

From “Color” to “Rainbow”: U.S. Strategic Planning for Latin America, 1919-1945

1979 ◽  
Vol 21 (2) ◽  
pp. 233-259 ◽  
Author(s):  
John Child
Keyword(s):  
World War Ii ◽  
Latin American ◽  
Strategic Thinking ◽  
World War ◽  
Good Neighbor Policy ◽  
Strategic Plans ◽  
National Archives ◽  
Bilateral Cooperation ◽  
Good Neighbor ◽  
The U.S

A series of recently declassified documents in the National Archives provide striking evidence of the shift of United States military strategic thinking away from the nineteenth and early twentieth century unilateral interventionist approaches to the bilateral approaches taken in World War II under the multilateral framework of the Good Neighbor Policy.It is also significant to note that, despite the multilateral thrust of this Good Neighbor Policy promulgated by President Roosevelt and the U.S. State Department, the U.S. Military Departments— War and Navy—made no provisions for multilateral strategic plans in World War II.But even as U.S. military planners prepared for bilateral cooperation with Latin American allies in the war, they continued to draft and update unilateral plans for intervention and invasion of key Latin American countries if cooperative approaches should fail.

Historical Records

2016 ◽  
Keyword(s):  
Public Access ◽  
Freedom Of Information ◽  
Historical Records ◽  
Public Records ◽  
The Public ◽  
Code Of Practice ◽  
National Archives ◽  
Public Record ◽  
The Relationship ◽  
Information Regime

Chapter 7 examines the relationship between the freedom of information regime established by the Freedom of Information Act 2000 and the Environmental Information Regulations 2004 and the pre-existing statutory regime governing the keeping of public records under the Public Records Act 1958. It describes the processes by which public records are transferred to the Public Record Office and opened to public access, and the progressive replacement of the ‘30-year rule’ with a ‘20-year rule’. It explains the separate, but related, concept of ‘historical records’ introduced by the 2000 Act, and the removal of certain exemptions by reference to the age of documents. The special procedures applicable to requests for information in transferred public records that have not been opened to the public are set out. The chapter then summarizes the guidance given to relevant authorities about the above matters by the Lord Chancellor’s Code of Practice and the National Archives.

scholarly journals IUE Studies of Hot Binary Stars

1992 ◽  
Vol 135 ◽  
pp. 393-395
Author(s):  
David J. Stickland
Keyword(s):  
Binary Stars ◽  
Storage Systems ◽  
Optical Disk ◽  
Public Access ◽  
High Dispersion ◽  
Disk Storage ◽  
International Ultraviolet Explorer ◽  
On Line ◽  
To Come ◽  
Reduced Data

The International Ultraviolet Explorer (IUE) was launched on 26th January 1978 and is still fully operational today, with several more years hopefully to come. After six months, the fully–reduced data is consigned to public–access archives maintained by the project agencies (NASA, ESA, and SERC). Thus, in addition to observations from current and future programmes, there are ~12,000 high–dispersion (Δλ ~ 0.15Å) spectra readily available now for research on stars hotter than about mid-B type. Furthermore, a uniform reprocessing, with optimum schemes, of all past IUE images has begun, to create the Final Archive which will be made accessible on–line through optical disk storage systems and will ensure the value of IUE data well into the future.

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