scholarly journals Welterschließende Affekte und das explanative Potenzial eines psychoanalytischen Konzepts für die Kulturpsychologie: Abjektion

2021 ◽  
Author(s):  
Jürgen Straub
Keyword(s):  
Julia Kristeva ◽  
Max Scheler

ZusammenfassungNach einer Empfehlung, Gefühle (Affekte, Emotionen) als eigenständige, welterzeugende und -erschließende Phänomene zu analysieren, wird auf Abjektivierungen und Abjektionen fokussiert. Das von Julia Kristeva eingeführte psychoanalytische Konzept wird als ein für die Kulturpsychologie heuristisch wertvoller Begriff vorgestellt. Damit lassen sich die in verletzten Selbstgefühlen, gefährdeter Selbstachtung und „seelischer Selbstvergiftung“ (Max Scheler) begründeten Abwertungen und radikalen Entwertungen von Anderen, kulturell Fremden zumal, verstehend erklären. Abjektivierungen und Abjektionen dienen der Bewahrung eigener psychischer, sozialer, kultureller und politischer Ordnungen. Sie zeitigen dabei jedoch polemogene, destruktive Effekte, die das einvernehmliche Zusammenleben von Menschen und den für jede differenzsensible, pluralistische und tolerante Gesellschaft notwendigen Zusammenhalt untergraben und massiv gefährden. Der Beitrag endet mit einem Plädoyer für eine psychologische Aufklärung, die Gefühlsarbeit – eine mühsame Verwandlung affektiver Abjektivierungen und Abjektionen – nach sich ziehen muss.

Françoise Collin/Julia Kristeva: Producing the Kristevan Text

2003 ◽  
Vol 42 (1) ◽  
pp. 61-66
Author(s):  
Anne-Marie Smith
Keyword(s):  
Julia Kristeva

Kontrast und Wissen

2009 ◽  
Vol 54 (1) ◽  
pp. 69-102
Author(s):  
Robin Rehm
Keyword(s):  
19Th Century ◽  
Edmund Husserl ◽  
Specific Knowledge ◽  
Max Scheler ◽  
Black And White ◽  
Black Circle ◽  
Black Cross ◽  
Definition Of ◽  
And Function ◽  
The 19Th Century

Kasimir Malewitschs suprematistische Hauptwerke ›Schwarzes Quadrat‹, ›Schwarzer Kreis‹ und ›Schwarzes Kreuz‹ von 1915 setzen sich aus schwarzen Formen auf weißem Grund zusammen. Der Typus des Schwarzweißbildes weist überraschende Parallelen zu den bildlichen Wahrnehmungsinstrumenten auf, die vom ausgehenden 18. bis Anfang des 20. Jahrhunderts in den Experimenten der Farbenlehre, physiologischen Optik und Psychologie verwendet worden sind. Die vorliegende Studie untersucht diese Parallelen in drei Schritten: Zunächst erfolgt eine allgemeine Charakterisierung des Schwarzweißbildes mit Hilfe des Kontrastbegriffs von Edmund Husserl. Des weiteren wird die Entstehung und Funktion des schwarzweißen Kontrastbildes in den Wissenschaften des 19. Jahrhunderts typologisch herausgearbeitet. Unter Berücksichtigung des Wissensbegriffs von Max Scheler wird abschließend die Spezifik des Wissens eruiert, das die Schwarzweißbilder sowohl in der Malerei Malewitschs als auch in den genannten Wissenschaften generieren. Malevich’s main Suprematist works, such as ›Black Square‹, ›Black Circle‹, and ›Black Cross‹ from 1915, consist of black shapes on white ground. Surprisingly this series of shapes strongly resembles scientific black-and-white images used for research on colour theory, physiological optics, and psychology throughout the 19th century. This paper examines the parallels between Malevich’s paintings and the scientific drawings in three steps: It first characterizes black-and-white images in general, using Edmund Husserl’s definition of the term ›contrast‹. Secondly, the paper investigates the development and function of black-and-white images as tools of perception in the sciences. It finally discusses the specific knowledge generated through Malevich’s art and through scientific black-and-white images, following Max Scheler’s phenomenological identification of knowledge.

In the Beginning Was the Text. The Derridean Concept of Textuality and Its Role in Biblical Research

2020 ◽  
pp. 162-184
Author(s):  
Алексей Волчков
Keyword(s):  
Jacques Derrida ◽  
Julia Kristeva ◽  
Biblical Studies ◽  
Critical Approach ◽  
Biblical Criticism ◽  
The Face ◽  
In The Beginning

Статья посвящена анализу того, как постструктуралистские представления о «тексте» и «текстуальном» влияют на академическую библеистику и традиционную экзегезу. Автор на множестве примеров показывает, что критический настрой философии Деррида помогает читателю Писания, придерживающегося традиционных для религиозных общин (христианство, иудаизм) принципов толкования, отстоять своё право на подобную герменевтическую программу перед лицом библейской критики и вызовов академического рационализма. При исследовании этого влияния автор опирается на работы известных французских философов: Жака Деррида, Юлии Кристевой, Ролана Барта. The article is devoted to the analysis of how post-structural notions of «text» and «textuality» influence academic biblical studies and traditional exegesis. The author shows, through a variety of examples, that the critical approach of Derrida’s philosophy helps the reader of Scripture who adheres to the traditional principles of traditional interpretation to defend his right to such a hermeneutic program in the face of biblical criticism and the challenges of academic rationality. In studying this influence, the author draws on the works of famous French philosophers: Jacques Derrida, Julia Kristeva, Roland Bart.

La dernière métaphysique de Max Scheler

1980 ◽  
Vol 78 (40) ◽  
pp. 553-561
Author(s):  
Heinz Leonardy
Keyword(s):  
Max Scheler

scholarly journals On the Juridical Relevance of the Phenomenological Notion of Person in Max Scheler and Edith Stein

2021 ◽  
Author(s):  
Francesco Galofaro
Keyword(s):  
Artificial Intelligence ◽  
Edmund Husserl ◽  
Phenomenological Analysis ◽  
Machine Learning Algorithms ◽  
Decision Makers ◽  
Edith Stein ◽  
Max Scheler ◽  
Human Decision ◽  
The Difference ◽  
Social Units

AbstractThe paper presents a semiotic interpretation of the phenomenological debate on the notion of person, focusing in particular on Edmund Husserl, Max Scheler, and Edith Stein. The semiotic interpretation lets us identify the categories that orient the debate: collective/individual and subject/object. As we will see, the phenomenological analysis of the relation between person and social units such as the community, the association, and the mass shows similarities to contemporary socio-semiotic models. The difference between community, association, and mass provides an explanation for the establishment of legal systems. The notion of person we inherit from phenomenology can also be useful in facing juridical problems raised by the use of non-human decision-makers such as machine learning algorithms and artificial intelligence applications.

Boundaries of the Stranger

2020 ◽  
Vol 50 (2) ◽  
pp. 335-354
Author(s):  
Søren Blak Hjortshøj
Keyword(s):  
Jacques Derrida ◽  
Julia Kristeva ◽  
Fin De Siecle ◽  
Jewish Question ◽  
Zygmunt Bauman ◽  
Global Age ◽  
Fin De Siècle ◽  
Societal Changes ◽  
European Jewish ◽  
The Stranger

AbstractIn recent cosmopolitan work, scholars such as Julia Kristeva, Zygmunt Bauman, Jacques Derrida, and Ulrich Beck have represented the stranger as a universal ideal for our global age and Georg Simmel’s stranger in the Exkurs über den Fremden has been emphasized as a model for this ideal. While these uses can be justified by generalized passages in Simmel’s essay, they still omit the problem of European Jewish historical exemplarity. Thus, in the decades before Simmel’s essay, this stranger type was already a well-developed figure related to the so-called Jewish question. Georg Brandes and Henrik Pontoppidan used the Jewish stranger to evaluate the societal changes of the fin-de-siècle period and questions of progress vs. decay. Yet, their work limited the stranger to a specific type of Jewishness not including other marginal existences. Hence, reading Simmel with Brandes and Pontoppidan outlines the boundaries of this stranger type as it raises questions regarding recent cosmopolitan uses of Simmel’s stranger.

Homelessness or Symbolic Castration? Subjectivity, Language Acquisition, and Sociality in Julia Kristeva and Jacques Lacan

Hypatia ◽  
2005 ◽  
Vol 20 (2) ◽  
pp. 69-87 ◽  
Author(s):  
Bettina Schmitz ◽  
Julia Jansen
Keyword(s):  
Language Acquisition ◽  
Jacques Lacan ◽  
Julia Kristeva ◽  
Early Stages ◽  
Patriarchal Society ◽  
Starting Point ◽  
The Individual ◽  
Forms Of Violence

How much violence can a society expect its members to accept? A comparison between the language theories of Julia Kristeva and Jacques Lacan is the starting point for answering this question. A look at the early stages of language acquisition exposes the sacrificial logic of patriarchal society. Are those forces that restrict the individual to be conceived in a martial imagery of castration or is it possible that an existing society critically questions those points of socialization that leave their members in a state of homelessness? The following considerations should help to distinguish between unavoidable and avoidable forms of violence.

Sign in / Sign up

Export Citation Format

Share Document