scholarly journals Elizabeth Hamilton's Scottish Associationism: Early Nineteenth-Century Philosophy of Mind

2019 ◽  
Vol 5 (3) ◽  
pp. 267-285
Author(s):  
SAMIN GOKCEKUS

AbstractThis article compares early nineteenth-century English and Scottish theories of the mind and the way that it develops to findings in today's developmental psychology and neuroscience through a close observation of the work of Elizabeth Hamilton (1756–1816). Hamilton was a Scottish writer and philosopher who produced three pedagogical works in her lifetime, consisting of her carefully formulated philosophy of mind and practical suggestions to caretakers and educators. Although Hamilton has received relatively little attention in modern philosophical literature, her understanding of the mind and the way it develops—based on her nuanced understanding of associationism and Scottish faculty psychology—is overwhelmingly supported by empirical findings today. In addition to utilizing Hamilton's work for the sake of understanding early nineteenth-century philosophy of mind, I argue that a large portion of Hamilton's work should be used to inform future research programs, early caregiving guides, and educational methods.

1977 ◽  
Vol 47 (1) ◽  
pp. 28-42 ◽  
Author(s):  
David Potts

Historians studying American colleges in the early nineteenth century have traditionally viewed them as lacking popular support. New studies indicate, however,that local citizens were enthusiastic about locally established colleges, backed them financially, and in several cases fought to prevent their removal. In this article,David B. Potts also reviews evidence that suggests that institutions of higher learning were increasingly accessible to students from less wealthy backgrounds between 1800 and 1860, that their curricula became more flexible, and that enrollments grew increasingly rapidly during this period. Professor Potts then describes several major questions that future research in this field must address.


1975 ◽  
Vol 6 (1) ◽  
pp. 16-24 ◽  
Author(s):  
David P. Chandler

The “holy man's” (nak sel) rebellion against the Vietnamese that broke out in 1820 along the Cambodian-Vietnamese border is the best-documented one of its kind in pre-colonial Cambodia, and makes a useful addition to the literature of such revolts in Buddhist Southeast Asia. Its importance in Cambodian terms lies in its anti-Vietnamese character, the participation in its ranks of Buddhist monks, the collusion of Cambodian authorities, and the way in which these themes foreshadow Cambodian political thinking, before and after the arrival of the French.


2006 ◽  
Vol 47 (1) ◽  
pp. 3-35 ◽  
Author(s):  
Stefan Bargheer

The article analyzes the emergence of moral concern for animals in late eighteenth and early nineteenth-century England. This concern was fuelled by a developing aristocratic discourse on civility that was accompanied by a drastic increase in the factual visibility of violence inflicted on animals in the growing cities. In opposition to interpretations based on the concepts of discipline and distinction, the article elaborates the way in which the emergence of moral concern for animals was class-structured without being class-interested.


1995 ◽  
Vol 50 (3) ◽  
pp. 285-321 ◽  
Author(s):  
Christine Alexander

The name of the Romantic painter and printmaker John Martin has long been associated with the Brontës. His pictures hung on the Brontë Parsonage walls; the Brontë children both copied his images in paint and transposed them into "print" in their tiny handsewn magazines. His sublime landscapes and gigantic imaginary scenes of ancient architecture-an amalgamation of Classical, Egyptian, and Indian styles-provided unlimited scope for the young architects of Glass Town and Angria. Yet the dynamic relationship between Martin's lurid canvases and Charlotte Brontë's writings extends beyond the simple use of pictorialism. In his work she found an analogue for her own frustrating experience, and her response to his work significantly contributed to her personal development as an artist. This essay attempts to trace the way in which Brontë's writings register her early-nineteenth-century response to Martin's work in a gradual shift from her initial enthusiasm for his landscapes toward a distrust of his illusive promises of grandeur.


2014 ◽  
Vol 48 (2) ◽  
pp. 233-259 ◽  
Author(s):  
SEAN DYDE

AbstractThis article examines the history of two fields of enquiry in late eighteenth- and early nineteenth-century Scotland: the rise and fall of the common sense school of philosophy and phrenology as presented in the works of George Combe. Although many previous historians have construed these histories as separate, indeed sometimes incommensurate, I propose that their paths were intertwined to a greater extent than has previously been given credit. The philosophy of common sense was a response to problems raised by Enlightenment thinkers, particularly David Hume, and spurred a theory of the mind and its mode of study. In order to succeed, or even to be considered a rival of these established understandings, phrenologists adapted their arguments for the sake of engaging in philosophical dispute. I argue that this debate contributed to the relative success of these groups: phrenology as a well-known historical subject, common sense now largely forgotten. Moreover, this history seeks to question the place of phrenology within the sciences of mind in nineteenth-century Britain.


1985 ◽  
Vol 35 ◽  
pp. 29-50 ◽  
Author(s):  
Stefan Collini

When in the summer of 1902 Helen Bosanquet published a book called The Strength of the People she sent a copy to Alfred Marshall. On the face of it, this might seem a rather unpromising thing to have done. Mrs Bosanquet, an active exponent of the Charity Organisation Society's ‘casework’ approach to social problems, had frequently expressed her dissatisfaction with what she regarded as the misleading abstractions of orthodox economics, and in her book she had even ventured a direct criticism of a point in Marshall's Principles. Marshall, then Professor of Political Economy at Cambridge and at the peak of his reputation as the most authoritative exponent of neo-classical economics in Britain, was, to say the least, sensitive to criticism, and he had, moreover, publicly taken issue with the C.O.S. on several previous occasions. But perhaps Mrs Bosanquet knew what she was about after all. In her book she had taken her text from the early nineteenth-century Evangelical Thomas Chalmers on the way in which character determines circumstances rather than vice versa, and, as the historian of the C.O.S. justly remarks, her book ‘is a long sermon on the importance of character in making one family rich and another poor’. Although Marshall can hardly have welcomed the general strictures on economics, he was able to reassure Mrs Bosanquet that ‘in the main’ he agreed with her: ‘I have always held’, he wrote to her, ‘that poverty and pain, disease and death are evils of greatly less importance than they appear, except in so far as they lead to weakness of life and character’.


2006 ◽  
Vol 1 (1) ◽  
pp. 2-13 ◽  
Author(s):  
Jason Beech

This article analyses notions of ‘transfer’ in the literature of comparative education, searching for continuities and discontinuities in the way that the process of educational transfer has been construed. The analysis shows that the theme of transfer has been fundamental in comparative education from the early nineteenth century until the present day. Although some of the questions addressed in the field since its origins are still crucial today, it is suggested in the final part of the study that these problems should now be addressed in a world in which educational space has become more complex, as supra-national and sub-national actors become increasingly important in the production and reproduction of specialised knowledge about education.


2018 ◽  
Vol 19 (2) ◽  
pp. 135-145 ◽  
Author(s):  
Hannah Zeilig ◽  
Julian West ◽  
Millie van der Byl Williams

Purpose The purpose of this paper is to explore the concept of co-creativity in relation to artistic practice with people with a dementia. The aim of the discussion is to outline how co-creativity offers fresh approaches for engaging artists and people with dementia, can contribute to less restrictive understandings of “creativity” and above all, expand the understanding of people with a dementia as creative, relational and agential. Design/methodology/approach In order to examine current conceptions of co-creativity and to inform the artistic practice, relevant literature was explored and eight expert interviews were conducted. The interviews were thematically analysed and are included here. Findings This paper consequently demonstrates that improvisation, structure, leadership and equality are central elements of co-creative processes and outlines how co-creativity can offer fresh insights into the way in which the arts can engage people with a dementia, the relationship between creativity and dementia and the transformative potential of the co-creative arts for those living with a dementia. Research limitations/implications The paper discusses some of the difficulties that are inherent a co-creative approach, including power relations and the limitations of inclusivity. Due to ethical restrictions, the paper is limited by not including the perspectives of people living with a dementia. Practical implications This paper paves the way for future research into co-creative processes in a variety of different contexts. Social implications A more nuanced understanding of co-creativity with people with dementia could challenge the dominant biomedical and social paradigms that associate “dementia” with irretrievable loss and decline by creating opportunities for creative agency. Originality/value This exploration of co-creativity with people with dementia is the first of its kind and contributes to the wider understanding of co-creativity and co-creative practice.


Author(s):  
David Matthews

This chapter describes the rediscovery and reinvention of the ballad in the 1760s and 1770s, tracing the later impact of the resultant conception of the Middle Ages on nineteenth-century literature and scholarship. The chapter traces the way in which a notion of the ‘Gothic’ was differentiated, in the early nineteenth century, from the ‘medieval’ (a word newly coined around 1817) and goes on to look at the way in which the early beginnings of English literary history resulted from the antiquarian researches of the eighteenth century. It concludes with reflections on the extent to which it can be said there was truly a revival of the ballad, and posits that there was instead a revaluation something already there, with a new conferral of prestige.


2015 ◽  
Vol 23 (1) ◽  
pp. 2-14 ◽  
Author(s):  
Alvaro Cuervo-Cazurra ◽  
Rajneesh Narula

Purpose – The purpose of this paper is to introduce the debate forum on internationalization motives of this special issue of Multinational Business Review. Design/methodology/approach – The authors reflect on the background and evolution of the internationalization motives over the past few decades, and then provide suggestions for how to use the motives for future analyses. The authors also reflect on the contributions to the debate of the accompanying articles of the forum. Findings – There continue to be new developments in the way in which firms organize themselves as multinational enterprises (MNEs), and this implies that the “classic” motives originally introduced by Dunning in 1993 need to be revisited. Dunning’s motives and arguments were deductive and atheoretical, and these were intended to be used as a toolkit, used in conjunction with other theories and frameworks. They are not an alternative to a classification of possible MNE strategies. Originality/value – This paper and the ones that accompany it, provide a deeper and nuanced understanding on internationalization motives for future research to build on.


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