A History of the Irish Short Story

2009 ◽  
Author(s):  
Heather Ingman
Keyword(s):  
Short Story ◽  
History Of

scholarly journals Prabhanjan will narrates short stories Puduvai Tamil status of during the French rule

2021 ◽  
Vol 3 (4) ◽  
pp. 135-139
Author(s):  
Saratha M ◽  
Selvakumaran S
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Tea Plantation ◽  
Foreign Countries ◽  
History Of ◽  
The Universe

This Article, The Position of The Tamils of Pondicherry during the French rule, which deals with the short stories of Vishwasan, who is one of the most important tamil short story creators, is based on the short stories of The Cycle, Security, Brother Oro and Business of The Universe. It also examines the difficulties faced by the inequalities of caste and religion and the racist activities of the French rulers, especially when Pondicherry was under the control of the French in the 16th and 19th centuries. This article also deals with the tragic history of the exile of tamil people by using their ignorance and poverty to foreign countries for tea plantation industries.

scholarly journals Mythopoetics of the Were-Dragon (The Way of the Dragon by B. M. Yulsky and the Literary Context)

2021 ◽  
Vol 20 (2) ◽  
pp. 128-135
Author(s):  
Guanqiong Lin
Keyword(s):  
Short Story ◽  
Chinese Culture ◽  
Far East ◽  
Historical Analysis ◽  
Mountain Forest ◽  
The Real ◽  
Literary Context ◽  
History Of ◽  
Frontier Mythology ◽  
The Way

As a Russian mountain-forest policeman and writer of the Harbin diaspora, B. M. Yulsky combined in his prose the experience of the police service and ideas about the ethnoculture of the Chinese who inhabited the territory of the Far East. This article contains a hermeneutic and comparative historical analysis of the short story The Way of the Dragon (1939) by B. M. Yulsky. The artistic morphology of the dragon is built on the comparison of its image in Chinese, Amur, Slavic and European cultures. One of the key images in the Russian heroic epic, in the Christian legend of Saint George, in Western and Northern European mythology, the dragon is actualized in modern literature. The analysis involves a philosophical treatise and a Chinese classic novel. It is shown that in the Chinese mythopoetic consciousness the temper and morphology of the dragon is different from its interpretation in European and Russian texts. The content of the short story by B. M. Yulsky speaks about his acquaintance with the understanding of the dragon, which is more characteristic in Chinese culture. The writer integrated the archaic image of the werewolf dragon into the real situation and brought a legend to the history of Honghuzi. The facts set forth in the monograph by D. V. Ershov are the real confirmation of the story described by B. M. Yulsky. The Way of the Dragon is an example of the artistic ethnography and the authorial frontier mythology that have developed in Russian literature in Harbin.

scholarly journals Ironia i nihilizm. Figura bibliotekarza w Posłuchaniu u Lucypera Józefa Sękowskiego

2019 ◽  
pp. 83-94
Author(s):  
Jarosław Ławski
Keyword(s):  
National Identity ◽  
Present Article ◽  
Short Story ◽  
Subject Matter ◽  
Russian Literature ◽  
Absolute Power ◽  
Polish Literature ◽  
The World ◽  
History Of ◽  
The Subject

The subject matter of the present article is the image of library and librarian in a forgotten short story by a Polish-Russian writer Józef Julian Sękowski (1800−1858). Sękowski is known in Polish literature as a multi-talented orientalist and polyglot, who changed his national identity in 1832 and began to write only in Russian. In the history of Russian literature he is famous for Library for Reading and Fantastic Voyages of Baron Brambeus, an ironic-grotesque work, which was precursory in Russian prose. Until 1832 Sękowski was, however, a Polish writer. His last significant work was An Audience with Lucypher published in a Polish magazine Bałamut Petersburski (Petersburgian Philanderer) in 1832 and immediately translated into Russian by Sękowski himself under the title Bolszoj wychod u Satany (1833). The library and librarian presented by the author in this piece are a caricature illustration proving his nihilistic worldview. Sękowski is a master of irony and grotesquery, yet the world he creates is deprived of freedom and justice and a book in this world is merely a threat to absolute power.

KONFLIK SOSIAL DAN POLITIK DALAM KUMPULAN CERPEN DRAMA ITU BERKISAH TERLALU JAUH KARYA PUTHUT EA: KAJIAN SOSIOLOGI SASTRA

Buana Bastra ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 10-17
Author(s):  
Fithroh Wahidah
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Descriptive Analysis ◽  
Ethnic Discrimination ◽  
Political Conflict ◽  
Short Story Collection ◽  
Political Conflicts ◽  
Religious Conflicts ◽  
History Of ◽  
Story Collection

This study aimed to describe the social and political conflicts contained in the collection of short stories Drama Tells Too far work of Puthut EA and to describe thecorrelation between the short story collection The play was a story Too far work of PuthutEA with reality night history of Indonesian society. Sources of data in this study is the textcontained in the collection of short stories Drama Tells Too far work of Puthut EA. Whilethe research data is an excerpt sentence, description, dialogue, and other important mattersin the collection of short stories Drama Tells Too far work of Puthut EA. Data obtained byreading and writing techniques. Data were analyzed with the approach of sociology ofliterature and descriptive analysis techniques. The validity of the data obtained byconducting triangulation is triangualasi methods, sources of data and theory. These resultsindicate the existence of social and political conflict are contained in the collection of shortstories Drama Tells Too Far work of Puthut EA, containing social conflicts, among others:(1) gender conflict, namely: the oppression of women, (2) racial conflict, namely:discrimination of race Chinese, (3) inter-religious conflicts, namely: distrust ofcommunism, (4) conflict of interest, namely: the imposition of a leader, (5) interpersonal conflicts, namely: distrust of others, (6) the conflict between social classes, namely: socialinequality. Containing the political conflict, among others: (1) the weapons of battle and (2)the strategy politik. Correlation between the short story collection That play was a storyToo Far of Puthut EA works with historical reality of Indonesian society, among others: (1)The 1998 riots (2) The increase in fuel (3) Ethnic Discrimination (4) Dispute people of thesame religion (5) arrest Without Accompanied Official Letter (6) Violations of humanrights and (7) Poverty.  

The concept of baxt in the bilingual short-story collection glücksmacher - e baxt romani by Samuel Mago and Károly Mágó

2020 ◽  
Vol 30 (2) ◽  
pp. 217-241
Author(s):  
LORELY FRENCH
Keyword(s):  
Short Story ◽  
Textual Analysis ◽  
Close Reading ◽  
Short Story Collection ◽  
Award Winning ◽  
History Of ◽  
Story Collection

This article presents a close reading of the Romani characters and their actions in five stories by Viennese Romani writer and activist Samuel Mago and in two stories by his brother, Hungarian award-winning journalist Károly Mágó, in their bilingual Romani and German collection glücksmacher - e baxt romani. Brief biographies and an outline of the history of Roma and antiziganism in Austria provide background to textual analysis that focuses on how characters in the stories engender baxt/“Glück,” which means both happiness and luck. This dual meaning has inspired philosophical, psychological, economic, and anthropological studies, but literary scholars have rarely examined the concept in texts by Roma. For the protagonists in the brothers’ stories, happiness and luck become based less on monetary fortunes than on other means to live and survive in dark times of persecution and discrimination. The characters’ decisions unveil perceptions of baxt that rely largely on acquiring food, preserving and passing down family heirlooms, receiving an education, and freeing oneself and one’s family from persecution.

Monumental Constructions: Statues, Identity, and Gabrielle Roy’s “L’arbre”

2021 ◽  
Vol 72 (1) ◽  
pp. 97-117
Author(s):  
Holly Collins
Keyword(s):  
North America ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Short Story ◽  
Jim Crow ◽  
American South ◽  
Live Oak ◽  
History Of ◽  
The Many ◽  
Significant Attention

Mitch Landrieu, former mayor of New Orleans garnered significant attention for his book In the Shadow of Statues (2018), observing that many Confederate monuments were erected to buttress Jim Crow laws and serve as a warning to those who supported the civil rights movement. Likewise, there are a number of monuments in Québec that serve a particular political or religious purpose, seeking to reinforce a pure laine ideology. In this article, I explore the parallels between the literal and figurative construction and deconstruction of monuments that have fortified invented ideas on identity in francophone North America. Further, Gabrielle Roy’s short story “L’arbre,” which describes a “living monument,” tells the story of a racialized past in North America and unveils the falsities that have been preserved through the construction of statues that perpetuate racial myth. “L’arbre” examines the natural, unconstructed monument of the Live Oak: a tree that witnessed and holds the visible scars of the many terrible realities that took place in its shadows. I use Roy’s short story to show how she sought to deconstruct a whitewashed history of the post-Civil War American South and suggest that her broader corpus rejects determinism wholesale.

Head, Bessie Amelia (1937–1986)

2018 ◽  
Author(s):  
Craig MacKenzie
Keyword(s):  
South African ◽  
Short Story ◽  
Central Character ◽  
Bessie Head ◽  
White Mother ◽  
Non Fiction ◽  
Psychiatric Institution ◽  
International Reputation ◽  
Political Activist ◽  
History Of

Novelist, short-story and non-fiction writer Bessie Head was born in a Pietermaritzburg psychiatric institution, her white mother Bessie Amelia Emery (née Birch), who had had a long history of mental illness, having unexpectedly become pregnant (the identity of Head’s black father has never been discovered). Head grew up in foster care until the age of 13; thereafter the welfare authorities placed her in an Anglican mission orphanage in Durban. In 1961 she met and married fellow journalist Harold Head in Cape Town; their only child, Howard, was born in 1962. After the break-up of her marriage in 1964 she relinquished South African citizenship and took up a teaching post in Serowe, Botswana. Plagued by ill health and mental instability, she died in Serowe with six published works to her name and an international reputation as one of Africa’s foremost woman writers. Head’s first novel, When Rain Clouds Gather (1968), deals in predominantly realist fashion with the flight from South Africa of a young black political activist, his resettlement in Botswana and marriage to a Batswana woman. Her second novel, Maru (1971), which derives its name from its eponymous central character, is an altogether more complex work.

The Gender of Public Opinion

2021 ◽  
pp. 132-173
Author(s):  
Megan Faragher
Keyword(s):  
Public Opinion ◽  
Short Story ◽  
Research Subjects ◽  
Short Story Collection ◽  
Electoral Defeat ◽  
The Hours ◽  
Egalitarian Value ◽  
History Of ◽  
Political Value

As contributors to Mass-Observation, Naomi Mitchison and Celia Fremlin emphasize the important, and often undervalued, role of qualitative analysis in the assessment of public opinion throughout their fiction. While the British Institute for Public Opinion often excluded women as both researchers and research subjects, Mass-Observation’s (M-O) structure was more open to input from women as both observers and subjects of observation. After she touted the political value of mathematics in her Greek-inspired short story collection The Delicate Fire, Mitchison uses her novel We Have Been Warned to imbue more skepticism about the egalitarian value of statistical analysis; the protagonist, Dione Galton, learns only too late that her own instincts about the rise of fascism in England, ventriloquized through the ghost Green Jean, were far more accurate than the polling cards she used to predict her husband’s eventual electoral defeat. Likewise, Celia Fremlin’s postwar novel, The Hours Before Dawn, validates the supposedly irrational fears of her protagonist, Louise Henderson, who must contend with patronizing experts in her effort to thwart the violent impulses of her new tenant Vera Brandon. Both novels, influenced by the authors’ experiences working for M-O, contend that quantitative analysis alone is insufficient to capture the complexity of women’s wartime experiences. This chapter argues that the contributions of M-O researchers and novelists like Fremlin and Mitchison present the possibility of a road untrodden in the history of social psychology research, as the fetishizaton of data over experience eventually drowned out the possibilities of more holistic and qualitative methods.

How to Write Adaptation History

2017 ◽  
Author(s):  
Peter Lev
Keyword(s):  
Production Process ◽  
Short Story ◽  
Film Production ◽  
American Film ◽  
Historical Approach ◽  
Hollywood Film ◽  
Auteur Theory ◽  
Production History ◽  
History Of ◽  
Made In

The scholarship on American film adaptations is surprisingly ahistorical, neglecting the institutional and production history of Hollywood film. Chapter 38 attempts a more historical approach. Concentrating on the 1930s, it discusses how stories were chosen, what kinds of stories were chosen, and how stories were shaped in the film production process, identifying the screenwriter and the supervising producer as key contributors to adaptation. Statistical tables provide information on the percentage of novel, play, and short story adaptations made in each year between 1931 and 1940. Critiquing both the auteur theory and Robert Stam’s intertextuality for their lack of interest in production history, the essay calls for more archival research and more attention to the production process.

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