Cuore and the cinema: reframing the Risorgimento for the First World War

Modern Italy ◽  
2019 ◽  
Vol 24 (3) ◽  
pp. 281-294
Author(s):  
Amy Boylan

During the years leading up to and during the First World War, patriotic films featuring self-sacrificing child protagonists formed an important sub-genre of Italian film production. This article looks at Film Artistica Gloria’s Cuore series (1915–1916), adapted from De Amicis’ novel, with particular attention given to the two war-themed films, Il tamburino sardo (UK: The Sardinian Drummer Boy, 1915) and La piccola vedetta lombarda (The Little Lookout from Lombardy, 1915). An examination of the way in which advertising, reviews, and promotional materials worked to reframe these Risorgimento stories within a new historical context shows how the transmedial relationship between the novel, films and paracinematic texts helped to transform De Amicis’s civically-minded patriotic tales into an endorsement of Italy’s intervention in the First World War.

Following work is dedicated to the novel “Mrs.Dalloway”. The main characters are emotionally endowed Dreamer Clarissa Dalloway and humble servant Septimus Warren-Smith, who was a contusion in the first World War described only one day in June, 1923 year. In fact, the novel “Mrs.Dalloway” is the "flow of consciousness" of the protagonists Clarissa Dalloway and Septimus Warren – Smith, their Big Ben clock is divided into certain peace with a bang. Virginia Woolf believes that "life" is manifested in the form of consciousness, death and time, she focuses her essays on such issues as the role of a woman in family and society, the role of a woman in the upbringing of children, the way a woman feels about the world, the relationship between a modern man and a woman.


Author(s):  
Gemma Moss

Women exerted a considerable influence on Maurice, even though admirable female characters are absent from the narrative. Before the First World War, a sexually conservative reform movement called Social Purity was bringing male sexuality under particular scrutiny, making this a difficult time for Forster to be claiming that homosexuality was not morally wrong. Interpreted against this background, Maurice can be read not as a rebellion against attenuated Victorian attitudes or against women but as a challenge to the contemporary social purity movement. In this context – the difficulty of talking about homosexuality, of which the novel explores the effects – the willingness of Forster’s friend and confidante, Florence Barger, to discuss homosexuality also needs to be seen as significant. She contributed to Forster’s ability to represent homosexuality as a valid alternative to bourgeois masculinity that equated heterosexuality with morality, health and economic success.


2020 ◽  
pp. 009614421990013
Author(s):  
Antje Dietze

This article focuses on the way musical theater venues in Montreal were booked and managed during the continental integration of North American theater industries from the 1880s to the First World War. It investigates how local theater owners and managers cooperated with representatives of U.S.-American circuits and booking agencies that provided the shows. They had to find ways to reconcile the fragmented audiences in the bilingual city with the increasingly standardized theatrical offers available. A closer look at different kinds of mediating actors and organizations and at the range and mechanisms of the supply networks explains why those relations often did not remain anchored in a particular venue over a longer period. The profiles of theaters in Montreal shifted frequently when an especially dynamic phase of social and cultural specialization in the urban sphere overlapped with growing trans-regional rivalries between competing theatrical circuits.


Author(s):  
Mariia Huk

The article is focuses on the study of the issues of participation of women of Ukraine in military formations in the First World War by modern Ukrainian historiography (1991-2016). Based on the topic, the author tried to solve the following research tasks: to identify which aspects of women's military history are within the interest of historians, to analyze the scale, character and level of research of the topic. The author found that the study of women's military history is gaining momentum. Historians are actively searching women's stories in the sources of those times; they are in the process of gathering information. They call military history “personal” because research on the subject is partially based on reports of the press about women volunteers and mainly on participants' personal documents, memoirs and letters. In the letters, women wrote about the way to the front, military life, a little about participation in battles, relations with soldiers; they also left information about each other. At the same time, each of the women had personal experience of war, own motives and results. Therefore, historians concluded that "this experience is quite difficult to summarize ". Modern researchers approach the study of women's stories not only in terms of heroism but trying to understand the causes and consequences of women's actions. The authors mention such main reasons as boredom of everyday life, escape from duties and national impulse. Inspired by the new fashionable views on life, the girls tried to escape from their everyday duties; they wanted to overcome social barriers and to prove that women were capable to cope with any work. The escape to the front was an attempt to change the way of life. Women who came to the front and participated in hostilities had to adapt quickly to difficult conditions and trials; they had to fight and to protect their own lives. The authors also analyze how society perceived the phenomenon of women in the war. Military commanders heroized their actions with the reason to raise the fighting spirit. However, the views of military men varied: the village guys welcomed and supported the girls; on the contrary, the men from the intelligent circle condemned women regarding them as competitors. Civil women believed that the girls had forgotten their traditional duty, they could have been more helpful in hospitals and doing charity. The author of the article also found that the participation of women in the military unit of the Legion of Ukrainian Sich Riflemen was better studied. The researchers concluded that the Ukrainian women who lived in the Russian Empire supported the call in 1917 of the Provisional Government and Maria Bochkareva to form women's combat battalions. Women were motivated to go to the front by the same reasons as women in the ranks of the Ukrainian Sich Riflemen: failures in love, the desire to escape from violence and humiliation in the family, domestic problems, the desire to avenge the dead relatives and loved ones. In big cities such as Kyiv, Kharkiv, Odessa, Poltava, the Ukrainian women willingly enrolled in the army. Anyway, the inclusion of women in the combat units of the army of the Russian Empire was found out fragmentary, there are almost no names and characteristics of the activity of the women's battalions. Only a few researchers pay attention to the messages in the then newspapers about escapes and the heroic deeds of girls in the war. These issues require the search of information and detailed study. The author came to the conclusion that most of the questions remain scientifically open requiring the search for information about women in the ranks of Ukrainian Sich Riflemen and the army of the Russian Empire for the generalization of information and creation of a coherent picture of the military service of women at the front of the First World War.


Maska ◽  
2020 ◽  
Vol 35 (200) ◽  
pp. 146-155
Author(s):  
Miha Turk

With an influx of refugees from the Middle East and Syria in particular it is important to understand their recent history so as to familiarize our audience with historical context that helped shape the contemporary conflict. The article is composed of an accessible and non-formalized narrative of the so called ‘Arab revolt’ where Arab rebels sided with the Entente forces in a bid to gain independence from the Ottomans on the side of the Central powers. Their bid was ultimately betrayed as the war ended with colonization from the their former allies - the French and the British. This betrayal is still very much alive and fueling the modern conflict and general distrust of the West. The Great War fundamentally changed the Middle East much more than the second war though its effect and aftermath are for the greater part unfamiliar to the general public. The article aims at adding the ‘Middle East’ piece to the general imaginarium pertaining the First World War.


1971 ◽  
Vol 7 ◽  
pp. 345-359
Author(s):  
Stuart P. Mews

Two conferences of some significance took place shortly before the First World War: the World Missionary Conference at Edinburgh in 1910, and the Kikuyu Conference, held at a Church of Scotland mission station at an out-of-the-way place in East Africa in 1913. In an Ecumenical Age, the fame of the former is likely to endure, the notoriety of the latter to be forgotten. Yet it was the controversy raised by the second conference which caused Lord Morley to remark that the ‘cacophonous’ name of Kikuyu might one day rival in fame that of Trent. Another grand claim was made for Kikuyu by the Bishop of Zanzibar—one with which The Times agreed—that ‘there has not been a conference of such importance to the life of the Ecclesia Anglicana since the Reformation’.


2010 ◽  
Author(s):  
Sandro Rogari

The book delineates the emergence of a unitary state from the bedrock of a nation formed over centuries. It retraces the major advances in the integration between the state and civil society achieved in the first fifty years after unification, and the disastrous consequences wrought by the First World War and by Fascism. It underscores the way in which the post-war democratic revival rewound the virtuous process of construction of a state capable of expressing the Italian "plural nation". Despite this, it also stresses the way in which the ethical deterioration and the corruption of the political and administrative class that came to a head during the last twenty years of the twentieth century have again brought to the fore the problem of the construction of shared institutions.


Author(s):  
Jake Sawyer

In the 1860s, Japan was pulled out of its centuries-long isolation and forced to rapidly adapt to the industrialized world. The state quickly made friends with the more established Western powers and was able to impress them with its surprising miliary victories over China in 1895, Russia in 1905, and Germany in 1919. However, the goodwill that Japan had garnered with the West evaporated after the First World War. How could a nation so adept at modern militarism and economics alienate every friend it had in the span of 25 years? The answer stems from Japan's long feudal age; in the twentieth century, Japan was unable to reconcile feudal concepts of Bushidō and Shinto with emerging Wilsonian idealism, leading to a fundamental disconnect that drove the Japanese down the path to confrontation with the nations that had ushered it into the modern era.


Çédille ◽  
2021 ◽  
pp. 313-332
Author(s):  
Isabel González Gil ◽  

"This article is about an unknown author of the French avant-garde, Irène Hillel-Erlanger, and her main work, Voyages en kaléidoscope, an unusual poetic novel, published in 1919, belonging to the genre of the “Scientific-marvellous”, the proto-science-fiction developed in France between 1900 and 1930. As a result of the hybridisation of the languages of symbolism and avant-garde experimentalism, the novel shows the tensions between these two movements, which will be studied through the analysis of thematic and formal aspects, such as allegory, hermeticism, fragmentarism, or visuality, as well as textual and discursive plurality. Finally, we will address the poetics of the gaze underlying the utopian invention of the kaleidoscope, in the context of the end of the First World War. "


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