The Sailing Ship in Ancient Egypt

Antiquity ◽  
1943 ◽  
Vol 17 (65) ◽  
pp. 27-41 ◽  
Author(s):  
James Hornell

Many attempts have been made to elucidate the problems created by a critical examination of the obscure constructional methods employed by the Ancient Egyptians when building sailing craft for use on the Nile and, alternatively, at sea. None has proved entierly satisfactoy. Two reasons are chiefly responsible; the first is lack of adequate knowledge on the part of most writers of the mechanical principles governing ship designing at the present day; the other is a similar lack of any wide and intimate acquaintance with the designs followed and methods employed by peoples who retain primitive features in the construction of their sailing craft, particularly on the Nile in its upper reaches beyond the confines of Egypt. That it has been my good fortune to have had opportunities to study at first-hand the construction of sailing craft in every important quarter of the world, and, in especial, that of those in use on all sections of the Nile from its mouths to its source in Uganda, is my excuse for the present attempt to explain away some of the difficulties that have troubled or misled so many previous writers on this subject.

2021 ◽  
Vol 13 (1-2) ◽  
pp. 227-270
Author(s):  
Juan Carlos Moreno García ◽  
Yuri Pines

Abstract Ancient China and pharaonic Egypt were two of the most long-lived polities of the ancient world. Both of them succeeded in integrating a diversity of regions and peoples under a single monarch and in creating unique self-referential cultures, which survived periods of political fragmentation and of conquest by foreign peoples. Under these conditions, key concepts emerged that served to express order, justice, harmony, and good government. They provided an indispensable ideological tool to legitimize royal authority as well as a world view that helped define Egyptian and Chinese values when compared to neighboring areas and peoples, usually regarded as the “Other.” Two of these concepts, Egyptian maat and Chinese tianxia, may prove particularly useful for comparing the very particular ways in which Egyptian and Chinese leaders thought about their role in the world, both as builders of cosmic order and as efficient rulers that held together the peoples they governed.


1965 ◽  
Vol 28 (2) ◽  
pp. 242-254 ◽  
Author(s):  
W. B. Henning

The argument to be presented here proceeds from the analysis of a Sogdian word of uncertain orthography and disputed meaning. It first occurred, as by' / npšqty (apparently with word-division), in Soghd. Texte, I, 39.4, in a translation of Luke xii, 36, corresponding with Syriac bed meštūoā = (ÉK) Tŵv yáuwv; Müller gave ‘Gastmahl’, with an asterisk to denote his doubt. Later I published two Manichaean passages. One, hi the text I titled ‘A Job story’, speaks of a man who makes his way in the world and becomes rich and “takes to himself many wives and has by them many sons and daughters and gives wives to the sons and grooms to the daughters and makes a great By‘n’yšp / [']krty” : the context demands ‘marriage-feast’, in agreement with the Greek of Luke. The other is a Sogdian version of a Middle Persian verse, the original having been preserved by good fortune, ‘Hail to you, bridegroom, who hast made a marriage-feast for the sons’ : here By'ny / pškt'kw renders MPers. wdwdg'n ‘wedding’.


TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.


Author(s):  
Iia Fedorova

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.


CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.


2017 ◽  
Vol 39 (2) ◽  
pp. 265-276 ◽  
Author(s):  
Kas Saghafi

In several late texts, Derrida meditated on Paul Celan's poem ‘Grosse, Glühende Wölbung’, in which the departure of the world is announced. Delving into the ‘origin’ and ‘history’ of the ‘conception’ of the world, this paper suggests that, for Derrida, the end of the world is determined by and from death—the death of the other. The death of the other marks, each and every time, the absolute end of the world.


2019 ◽  
Vol 10 (3) ◽  
pp. 244-257
Author(s):  
İclal Kaya Altay ◽  
◽  
Shqiprim Ahmeti ◽  

The Treaty establishing a Constitution for Europe ads territorial cohesion as Union’s third goal, beside economic and social cohesion and lists it as a shared competence. In the other hand, the Lisbon Strategy aims to turn Europe into the most competitive area of sustainable growth in the world and it is considered that the Territorial cohesion policy should contribute to it. This paper is structured by a descriptive language while deduction method is used. It refers to official documents, strategies, agendas and reports, as well as books, articles and assessments related to topic. This paper covers all of two Territorial Agendas as well as the background of territorial cohesion thinking and setting process of territorial cohesion policy.


Sign in / Sign up

Export Citation Format

Share Document