Concept and Time in Hegel

Dialogue ◽  
1973 ◽  
Vol 12 (3) ◽  
pp. 403-422
Author(s):  
John Burbidge
Keyword(s):  
Conceptual Framework ◽  
Philosophical Problem ◽  
Basic Requirement ◽  
Philosophy Of Time ◽  
Philosophical Thought ◽  
Definitive Answer ◽  
Dynamic Character ◽  
Conceptual Thought ◽  
The World ◽  
The Way

To formulate a philosophy of time is not easy, even though it would seem to be the basic requirement for any philosophy which attempts to comprehend the world of nature or of history. The problem is briefly posed: Can the conceptual framework of philosophical thought do justice to the dynamic character of time?The purpose of this paper is not to provide a definitive answer to this question. Its aim is more limited. By discussing carefully the way in which Hegel's philosophy related conceptual thought to time, it hopes to provide new perspectives on this vexing philosophical problem.

scholarly journals A técnica como modo de existência em Gilbert Simondon: Tecnicidade, alienação e cultura

DoisPontos ◽  
2015 ◽  
Vol 12 (1) ◽  
Author(s):  
Diego Viana de Oliveira
Keyword(s):  
Philosophical Problem ◽  
Central Position ◽  
Philosophical Thought ◽  
The World ◽  
Gilbert Simondon

resumo: Redescoberta a partir da década de 1990, a obra de Gilbert Simondon coloca a técnica em uma posição central na reflexão filosófica. Mais do que uma faculdade do humano, a técnica aparece em Simondon como uma afecção determinante para todo regime do coletivo e do psíquico, fundadora de configuração do modo de estar no mundo. Este artigo visa retraçar o caminho pelo qual Simondon encontra a técnica como um problema filosófico antigo e escamoteado, cuja recuperação se torna urgente com a contemporânea imbricação entre a tecnologia e o devir do fenômeno humano.abstract: The work of Gilbert Simondon, recovered in the 1990s, places technicity in a central position for philosophical thought. More than a human faculty, technicity appears in Simondon as a determinant affection for the entire regime of collective and psychic existence. It finds thus a plethora of configurations of the modalities of being in the world. This essay seeks to retrace the ways in which Simondon discovers technicity as an ancient philosophical problem that has been veiled, the recovery of which becomes ever more urgent given the contemporary interpenetration between technology and the becoming of the human phenomenon. 

scholarly journals Gregory of Nyssa on the Metaphysics of the Trinity (with Reference to his Letter To Ablabius)

2018 ◽  
Author(s):  
Anna Marmodoro
Keyword(s):  
Philosophical Problem ◽  
Gregory Of Nyssa ◽  
The World ◽  
One And Many ◽  
The One ◽  
The Trinity ◽  
Special Case ◽  
The Way

This chapter explores Gregory’s metaphysics of the Trinity, which used an innovative distinction between stuffs (e.g. gold), which cannot be counted, and individuals (e.g. rings), which can. Gregory identifies the nature of any kind with the totality of its instances: the nature of man is the totality of men; the nature of gold is the totality of gold. For Gregory, the totality is more ‘real’ than the individuals into which it is articulated, which are merely the way in which the kind is present in the world. God is then identified as the total quantity of divinity in the world, and is thus one, and real. The Persons of the Trinity into which God is articulated are the ways God is in the world, and can be comprehended by us. Thus, the problem of the Trinity is solved as a special case of the philosophical problem of the One and Many.

scholarly journals THE MOTIVE OF «CREATIVE FIRE» IN THE POETRY OF K.D.BALMONT

2021 ◽  
pp. 161-170
Author(s):  
N.P. Krokhina ◽  
Keyword(s):  
Artistic Creativity ◽  
Philosophical Thought ◽  
Divine Will ◽  
The World ◽  
The Way

The article examines the language of epiphanies in the poetry of K. D. Balmont: the manifestation of divine will in the world created by God, the convergence of artistic creativity with Christian sacraments. The motives of world communion and “creative fire” are emphasized. The specificity and place of epiphanic motifs at different stages of the poet’s career are determined. The connections between the symbolist poet and the search for Russian religious and philosophical thought are made. The author traces the formation of the “creative fire” motive in the poetry of K. D. Balmont, associated with the disclosure of the theme of the world mystery and the understanding of the poet as an accomplice of Divine creation, and also emphasizes the way this motive would dominate in the final poetry book of the 1920s. “In the extended distance. Poem about Russia”.

Introduction

2011 ◽  
Author(s):  
Craig Callender
Keyword(s):  
New Work ◽  
Philosophy Of Time ◽  
The World ◽  
Egocentric Representation ◽  
Representation Of Time ◽  
The Way

The Introduction starts by discussing the mystery of time. While time as a parameter of the arena of the world seems remote, it states, time is also associated with many features that shape the way we live our lives. It is this juxtaposition between its remoteness and familiarity that makes time one of the great mysteries—and the study of time especially captivating. In philosophy, time has always been a challenging topic. It is hard to separate our egocentric representation of time from a more objective one. This book hopes to have a “prospective” rather than “retrospective” look at the field’s past. It looks as well as at work completed at new work and topics being investigated in the philosophy of time.

scholarly journals ESKATOLOGI DALAM PANDANGAN IBN RUSYD

2017 ◽  
Vol 10 (2) ◽  
pp. 75-86
Author(s):  
Muslihin Muslihin
Keyword(s):  
End Of Life ◽  
Philosophical Thought ◽  
Ibn Rushd ◽  
The World ◽  
The Way

One thing that is certain in this world is accountability. The afterlife is a continuation of the end of life in the world. In this afterlife, man will be responsible for his actions while living in the world. This article aims to describe Ibn Rushd's eschatological construction. Ibn Rushd is a Muslim philosopher who tries to prove that between wisdom (philosophy) and sharia is not an interesting contradiction to be studied in more depth. In other words, he was the philosopher who intensely attempted this integration, the integration of reason and revelation. Ibn Rushd solved his eschatological problems by the way of philosophical thought and divination.

Becoming Politicized

2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou
Keyword(s):  
Collective Identity ◽  
Political Socialization ◽  
Greek Society ◽  
Economic Vulnerability ◽  
The World ◽  
The Future ◽  
Identity Model ◽  
Beliefs About The Future ◽  
Of Greece ◽  
The Way

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.

A Politics of Intensity: Some Aspects of Acceleration in Simondon and Deleuze

2017 ◽  
Vol 11 (4) ◽  
pp. 498-517
Author(s):  
Yuk Hui ◽  
Louis Morelle
Keyword(s):  
Conceptual Framework ◽  
The Other ◽  
Generic Concept ◽  
Philosophical Thought ◽  
Ontological Ground ◽  
Shed Light

This article aims to clarify the question of speed and intensity in the thoughts of Simondon and Deleuze, in order to shed light on the recent debates regarding accelerationism and its politics. Instead of starting with speed, we propose to look into the notion of intensity and how it serves as a new ontological ground in Simondon's and Deleuze's philosophy and politics. Simondon mobilises the concept of intensity to criticise hylomorphism and substantialism; Deleuze, taking up Simondon's conceptual framework, repurposes it for his ontology of difference, elevating intensity to the rank of generic concept of being, thus bypassing notions of negativity and individuals as base, in favour of the productive and universal character of difference. In Deleuze, the correlation between intensity and speed is fraught with ambiguities, with each term threatening to subsume the other; this rampant tension becomes explicitly antagonistic when taken up by the diverse strands of contemporary accelerationism, resulting in two extreme cases in the posthuman discourse: either a pure becoming, achieved through destruction, or through abstraction that does away with intensity altogether; or an intensity without movement or speed, that remains a pure jouissance. Both cases appear to stumble over the problem of individuation, if not disindividuation. Hence, we wish to raise the following question: in what way can one think of an accelerationist politics with intensity, or an intensive politics without the fetishisation of speed? We consider this question central to the interrogation of the limits of acceleration and posthuman discourse, thus requiring a new philosophical thought on intensity and speed.

Restrained Airs: The Diegetic Surface and Nondiegetic Depth of British Film Music

2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey
Keyword(s):  
Film Music ◽  
The World ◽  
British Cinema ◽  
Film Making ◽  
The Way

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.

Profilometry. Using Corneo-scleral topography for scleral lens fitting

The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer
Keyword(s):  
Ocular Surface ◽  
World Wide ◽  
Contact Lenses ◽  
The Past ◽  
The World ◽  
The Future ◽  
The Way

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.

Los criterios de textualidad en la hermenéutica de Paul Ricoeur. Un análisis crítico

2008 ◽  
Vol 14 ◽  
Author(s):  
Adrián Bertorello
Keyword(s):  
Structural Analysis ◽  
Reading Strategies ◽  
Paul Ricoeur ◽  
Material Base ◽  
The World ◽  
Paul Ricœur ◽  
Text Writing ◽  
The Way

RESUMENEl trabajo examina críticamente la afirmación central de la hermenéutica de Paul Ricoeur, a saber, que el soporte material de la escritura es el rasgo determinante para que una secuencia discursiva sea considerada como un texto. La escritura cancela las condiciones fácticas de la enunciación y crea, de este modo, un ámbito de sentido estable en el que se puede validar una concepción de la subjetividad que está implicada en las dos estrategias de lecturas (el análisis estructural y la apropiación), esto es, un sujeto pasivo que se constituye por la idealidad del significado. Asimismo, el trabajo intentará precisar una serie de ambigüedades en el uso que Ricoeur hace del «ser en el mundo» para sostener la referencialidad del discurso.PALABRAS CLAVETEXTO, ESCRITURA, REFERENCIA, SUBJETIVIDAD, MUNDOABSTRACTThis paper critically examines the main assertion of Paul Ricoeur´s hermeneutics, i.e., that the material base of writing is the determining feature to consider a discursive sequence as a text. Writing cancels the factual conditions of enunciation and creates, in this way, a background of stable meaning where it is possible to validate a conception of subjectivity implicated in the two reading strategies (the structural analysis and the appropriation), i.e., a passive subject constituted by the ideality of meaning. Likewise, this paper aims to clarify some ambiguities in the way Ricoeur uses the «beings in the world» to support the discourse referentiality.KEY WORDSTEXT, WRITING, REFERENCE, SUBJECTIVITY, WORLD

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