scholarly journals II.—Essays on Speculative Geology. 1.—On Homotaxis and Contemporaneity

1886 ◽  
Vol 3 (7) ◽  
pp. 293-300
Author(s):  
R. D. Oldham
Keyword(s):  
The Other ◽  
Classical Period ◽  
General Tendency ◽  
General View ◽  
The Earth ◽  
History Of ◽  
History Of Europe ◽  
The One ◽  
The City

In any inquiry into the history of the earth as a whole, we are met at the outset by a serious difficulty. In human affairs a general view of history, not confined to a single country, would be practically impossible, were we ignorant of the relations of the various eras from which different races reckon their dates: thus, it would be impossible to write a connected account of the history of Europe in the classical period were it not possible to determine the relation of the Olympian era to that dating from the foundation of the city of Eome. Yet the supposed case is not unlike that to which the geologist addresses himself when he endeavours to make a connected survey of such widely-separated regions as Europe, India, Australia, and America.In the supposed case of the Greek and Roman eras, there are numerous points of contact, principally dates of battles, which, having been recorded by both nations according to their own system, enable us to compare the two, and so to determine what would be the date of any event, recorded by the one, had it been recorded by the other. But in geology we have no such points of contact; there is a very general tendency to regard any two series of beds, in which a few fossil forms specifically identical are found, as of contemporaneous origin. That this view is erroneous, and that it would be nearer the truth to say that two widely-separated beds, in which the same forms are found, could not be of contemporaneous origin, was long ago pointed out by Forbes and Huxley, the word homotaxis being invented by the latter to express the relation existing.

scholarly journals The Orderliness of Music from the Perspective of Complex Information Systems

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 55
Author(s):  
Shan Zhang
Keyword(s):  
Information Systems ◽  
20Th Century ◽  
Natural Science ◽  
The Other ◽  
Western Music ◽  
Classical Period ◽  
20Th Century Music ◽  
Complex Information ◽  
History Of ◽  
The One

By applying the concept of natural science to the study of music, on the one hand, we can understand the structure of music macroscopically, on the other, we can reflect on the history of music to a certain extent. Throughout the history of western music, from the classical period to the 20th century, music seems to have gone from order to disorder, but it is still orderly if analyzed carefully. Using the concept of complex information systems can give a good answer in the essence.

Biography and (Global) Microhistory

2017 ◽  
Vol 11 (3) ◽  
Author(s):  
Mark Gamsa
Keyword(s):  
Life History ◽  
Northeast China ◽  
The Other ◽  
Historical Writing ◽  
Forthcoming Book ◽  
Recent Developments ◽  
History Of ◽  
German Origin ◽  
The One ◽  
The City

AbstractThis article has two goals. It reflects on the recent developments and agenda of an approach to historical writing that is now becoming known by the name global microhistory, and it analyses the attention which this approach pays to individual lives. It also explores some of the challenges in writing the biography of a city alongside the life history of a person. The city is Harbin, a former Russian-managed railway hub in Manchuria, today a province capital in Northeast China. The person is Baron Roger Budberg (1867–1926), a physician of Baltic German origin who arrived in Harbin during the Russo-Japanese war and remained there until his death, leaving published works and unpublished correspondence in German and Russian. My forthcoming book about Budberg and Harbin challenges the distinction between writing “biography”, on the one hand, and “history”, on the other, while navigating between the “micro” and “macro” layers of historical enquiry.

scholarly journals Kierunki działalności sportowo-oświatowej i kulturalnej Łódzkiego Klubu Sportowego w Drugiej Rzeczypospolitej

2019 ◽  
pp. 89-108
Author(s):  
Piotr Kędzia
Keyword(s):  
Interwar Period ◽  
Historical Analysis ◽  
The Other ◽  
Fair Play ◽  
Educational Work ◽  
Sports Club ◽  
Wide Range ◽  
History Of ◽  
The One ◽  
The City

The operations of the Łódź Sports Club in the interwar period are an important part of the history of sport in the city of Łódź, as well as Poland. The Club’s prestige and successes should be chiefly attributed to the athletes’ and the coaches’ commitment, coupled with the activists’ organisational skills. A historical analysis of the Club’s operations indicates that, in addition to training athletes in various disciplines, the establishment was also involved in a wide range of impressive cultural and educational activities. These centred on organising reading rooms, talks, lectures, social meetings and trips as well as promoting patriotic values and the idea of fair play. Hence, the Club’s educational work was channelled into axiological models of sports competition on the one hand, and into propagating education and culture on the other.

Unwrapping the Spectacle

2021 ◽  
Vol 52 (1) ◽  
pp. 43-70
Author(s):  
Douglas Finn ◽  
Keyword(s):  
The Other ◽  
City Of God ◽  
God's Love ◽  
Roman Culture ◽  
History Of ◽  
Vision Of God ◽  
The One ◽  
The City

In this article, I explore how Augustine uses sermonic rhetoric to bring about the transfiguration of Babylon, the city of humankind, into Jerusalem, the city of God. Focusing on Enarratio in Psalmum 147, I show how Augustine situates his audience between two spectacles, the Roman theater and games and the eschatological vision of God. Augustine seeks to turn his hearers’ eyes and hearts from the one spectacle to the other, from the love of this world to love of the next. In the process, Augustine wages battle on two fronts: he criticizes pagan Roman culture, on the one hand, and Donatist Christian separatism and perfectionism, on the other. Through his preaching, Augustine stages yet another spectacle, the history of God’s mercy and love, whereby God affirmed the world’s goodness by using it as the means of healing and transfiguration. Indeed, Augustine does not simply depict the spectacle of salvation; he seeks to make his hearers into that spectacle by exhorting them to practice mercy, thereby inscribing them into the history of God’s love and helping gradually transfigure them into the heavenly Jerusalem.

scholarly journals Cities, Nature, Justice: a zoologist's perspective

2010 ◽  
Vol 5 (1) ◽  
Author(s):  
Daniel Lunney
Keyword(s):  
Natural History ◽  
Urban Ecosystem ◽  
The Other ◽  
City Life ◽  
Animal Populations ◽  
History Of ◽  
The One ◽  
The City ◽  
Rapid Conversion

Cities and nature may seem mutually exclusive, but the animal inhabitants, both native and introduced, from pets to pests, are a major component of city life. Using Sydney as an example, this paper takes a critical look at cities and nature, more narrowly zoology, with a long-term view, i.e. one with intergenerational equity in mind. In the rapid conversion of bush to farmland, then suburbs and industrial areas, flora and fauna have not been given a strong voice. We need a new ethic for this new urban ecosystem, one which encompasses dealing with exotic species, pests and vermin on the one hand, and relic native animal populations on the other. Plans for sustainability in environment, economics and society need to recognise that these are interrelated subjects, not separate entities. I argue that knowing the natural history of Sydney is integral to understanding the city, its history, and its sustainability.

scholarly journals The Pergamene Frieze: Its Relation to Literature and Tradition

1882 ◽  
Vol 3 ◽  
pp. 301-338
Author(s):  
L. R. Farnell
Keyword(s):  
Natural World ◽  
The Other ◽  
Important Place ◽  
Men 2 ◽  
The Earth ◽  
Primitive People ◽  
History Of ◽  
Physical Forces ◽  
Artistic Work ◽  
The One

The frieze of the Pergamene altar, on which the battle between the gods and giants is represented, however its artistic work may be judged, will always hold henceforth an important place in the history of Greek art. The main outlines of its subject, the broad marks of its style, have already been made known in England through descriptions and photographs. A slight knowledge of the frieze will show one at once a mass of elaborate detail, which finds its place there because the artists have endeavoured to express in their work the various traditions which have grown up around the myth. We have therefore to deal here with a learned and reflective art; and to search out its full meaning is to ask how it stands in relation to the earlier tradition. When one looks at the forms which these enemies of the gods are here made to assume, one remarks instantly the distinction between those who are rendered with full human shape, and those whose bodies are a combination—often motley enough—of animal forms appearing side by side with the human. Now it is with this distinction that the whole history of the development of the tradition is concerned—and it is my aim to show that the Pergamene work reproduces the elements which an analysis of the myth discloses. The earth-born giants may have been regarded under three different aspects—as autochthones, a primeval race of men, or a race anterior to men, (2) as daemones, or beings that belonged to the worship of a primitive people, (3) as allegorical figures, as personifications of certain physical forces, certain powers in the natural world hostile to man. It is obvious that these ideas need not be distinct, and that by a fusion of the last two the giant may appear as a daemon whose being is rooted in certain elementary operations of nature. But one may ask the question—and the answer intimately touches the Pergamene frieze—whether, whenever the giants appear either in literature or art, there is always one and the same original conception in the background, or whether the one and the other of the above-mentioned ideas is prominent at different times and in different places?

scholarly journals Foki Szumejowego podróże do źródeł. Pępek ziemi w ujęciu Stanisława Vincenza

2018 ◽  
Vol 11 ◽  
pp. 179-196
Author(s):  
Jakub Żmidziński
Keyword(s):  
The Other ◽  
High Mountain ◽  
Temporal Dimension ◽  
The Earth ◽  
The World ◽  
History Of ◽  
The Dead ◽  
History Of Culture ◽  
The One ◽  
The Universe

FOKA SZUMEJOWY'S JOURNEYS TO THE SOURCE. THE NAVEL OF THE EARTH AS PRESENTED BY STANISŁAW VINCENZContinuing Jacek Kolbuszewski’s exegesis of the spatial orders in Stanisław Vincenz’s Na wysokiej połoninie On the High Mountain Pastures, the author of the article attempts to recreate the “philosophy of space” as formulated by the Homer of the Hutsuls. He carries out a detailed analysis of two fragments of the Hutsul epic: Maksym the seer’s story of a rock church from Barwinkowy wianek Periwinkle Wreath and Foka Szumejowy’s expedition to the navel of the earth described in Zwada Squabble. In both case inspirations from Dante’s Divine Comedy can be seen primarily in the expansion of space: on the one hand to include the world of the dead and on the other — the universe understood in Platonic terms. Both journeys also have many characteristics testifying to their initiation-related nature. Particularly important in this respect is the expedition undertaken by Foka and his friends to the source of the Cheremosh River deep inside the Palenica Mountain, on top of which Wincenty Pol placed the point where the borders of three countries — Poland, Hungary and Romania — met. Although in the light of modern research such a location of the old border between the three states is wrong, this is precisely where Vincenz places the navel of the earth. It appear as a distant echo of the omphalos stone from Delphi; a mystical place marked by extraordinarily dense symbolism: centre of the world, bringing together the heavenly and the earthly orders, the living and the dead, and annihilating the temporal dimension. The interpretation of the symbolism of Vincenz’s navel of the world is complemented by Klucz Key, which opens Zwada and in which the author suggests a universal dimension of the history of culture, and, at the same time, mystery-like nature of art, especially literature.]]>

The Orderliness of Music from the Perspective of Complex Information Systems

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 55
Author(s):  
Shan Zhang
Keyword(s):  
Information Systems ◽  
20Th Century ◽  
Natural Science ◽  
The Other ◽  
Western Music ◽  
Classical Period ◽  
20Th Century Music ◽  
Complex Information ◽  
History Of ◽  
The One

By applying the concept of natural science to the study of music, on the one hand, we can understand the structure of music macroscopically, on the other, we can reflect on the history of music to a certain extent. Throughout the history of western music, from the classical period to the 20th century, music seems to have gone from order to disorder, but it is still orderly if analyzed carefully. Using the concept of complex information systems can give a good answer in the essence.

scholarly journals Proyectando sobre el pasado industrial. La experiencia del taller de intervención sostenible en el patrimonio cultural

2018 ◽  
Vol 1 (2) ◽  
pp. 93-104
Author(s):  
Luis Rojas
Keyword(s):  
Undergraduate Students ◽  
International Agreements ◽  
The Other ◽  
Content Standards ◽  
Existing Buildings ◽  
Industrial Heritage ◽  
Santiago De Chile ◽  
History Of ◽  
The One ◽  
The City

This article summarizes the main aspects of the Workshop on Sustainable Intervention of Cultural Heritage, which is a course developed at UNIACC University, in Santiago de Chile, since 2016. Its relevance consists, on the one hand, of contributing to the achievement of the content standards defined in international agreements on the teaching of architecture, such as the UNESCO / UIA Charter of architecture training. On the other hand, of thinking about the production of new spaces in relation to existing buildings with and without patrimony character, through the academic formation of undergraduate students, based upon the heritage values that make them an important part of the history of the city and its neighborhoods. Keywords: teaching, architecture, sustainability, UNIACC, industrial heritage.

scholarly journals Nazistowscy przywódcy przedwojennego Opola i opozycja antyhitlerowska w latach 1933–1945 w świetle akt z Instytutu Pamięci Narodowej oraz z Archiwum Państwowego w Opolu

2019 ◽  
Vol 16 (4 (1)) ◽  
pp. 157-198
Author(s):  
Janusz Oszytko
Keyword(s):  
Local History ◽  
The State ◽  
The Other ◽  
Previous Article ◽  
State Archive ◽  
Archival Documents ◽  
History Of ◽  
The One ◽  
The City ◽  
Totalitarian State

The article is a new contribution to the local history of Opole of 1933–1945 in the light of not known and not published archival documents about the pre-war Nazi leaders of the Opole Regency and the anti-Hitler opposition as well. Those documents are stored both in the State Archive in Opole (file: Gestapo Oppeln) and in the Institute of National Remembrance (IPN Archive – various archive files). The first part of the article describes the Nazi elite of the Opole Regency in the period of 1933–1945. This interesting and complicated history of Opole and Opole region concerns the operation of the NSDAP monoparty, as well as its affiliated organizations and repressive organs of a totalitarian state. This part of the article was developed mainly from various files from the Institute of National Remembrance. The second part describes the anti-Hitler opposition in the Opole Regency in the period of 1933–1945. Very interesting and also not known in the scientific circulation are materials about political opponents, collected by Gestapostelle Oppeln, which are right now being published by the author of the article, following the previous article about the files relating to the Jews (dealt with in articles by J. Oszytko) and to the Poles (in a book by Dermin and Popiołek) which were kept by the Gestapo in Opole. To summarize, the article casts light on the history of the city, with respect to, on the one hand, the rise of German totalitarianism changing into one-party domination of the NSDAP party, and – on the other hand – the scope of persecution of parties and persons standing in opposition to Hitler’s rule in our city and region.  

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