GASTRO-COSMOPOLITANISM AND THE RESTAURANT IN LATE VICTORIAN AND EDWARDIAN LONDON

2013 ◽  
Vol 56 (3) ◽  
pp. 681-706 ◽  
Author(s):  
BRENDA ASSAEL

ABSTRACTThis article argues that the restaurant offers a useful site for mapping patterns of transnational and global exchange within late Victorian and Edwardian London. The dramatic expansion of public eating in this period was met in part by foreign-born entrepreneurs, and wait and kitchen staff drawn from a genuinely international labour market. Londoners and visitors to the metropolis were exposed to a variety of new, often hybrid, culinary cultures, which call into question simplistic binaries between Britain and the world beyond. The simultaneous presence in London's restaurant scene of French menus, Indian dishes, Italian cooks, German waiters, and Chinese and American diners reveals the complexity of the relationship between populations and places. London's ‘gastro-cosmopolitan’ culture reveals not merely the extent to which Britain's imperial metropolis was exposed to transnational forces, but that these influences were genuinely global and not confined to Britain's formal empire. London's cosmopolitan dining culture suggests that historians might be advised to move beyond the tropes of danger and anxiety when discussing late nineteenth-century London, and do more to acknowledge a range of responses – attraction and pleasure included – which more accurately reflected the metropolitan experience.

2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.


Author(s):  
Cristina Vatulescu

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.


2003 ◽  
Vol 10 (suppl 1) ◽  
pp. 13-40 ◽  
Author(s):  
Jo Robertson

In the 1800s, humoral understandings of leprosy successively give way to disease models based on morbid anatomy, physiopathology, and bacteriology. Linkages between these disease models were reinforced by the ubiquitous seed/soil metaphor deployed both before and after the identification of M. leprae. While this metaphor provided a continuous link between medical descriptions, Henry Vandyke Carter's On leprosy (1874) marks a convergence of different models of disease. Simultaneously, this metaphor can be traced in popular and medical debates in the late nineteenth century, accompanying fears of a resurgence of leprosy in Europe. Later the mapping of the genome ushers in a new model of disease but, ironically, while leprosy research draws its logic from a view of the world in which a seed and soil metaphor expresses many different aspects of the activity of the disease, the bacillus itself continues to be unreceptive to cultivation.


2009 ◽  
Vol 2 (2) ◽  
pp. 158-166 ◽  
Author(s):  
Juan Carlos Jaramillo Estrada

Born in the late nineteenth century, within the positivist paradigm, psychology has made important developments that have allowed its recognition in academia and labor. However, contextual issues have transformed the way we conceptualize reality, the world and man, perhaps in response to the poor capacity of the inherited paradigm to ensure quality of life and welfare of human beings. This has led to the birth and recognition of new paradigms, including complex epistemology, in various fields of the sphere of knowledge, which include the subjectivity, uncertainty, relativity of knowledge, conflict, the inclusion of "the observed" as an active part of the interventions and the relativity of a single knowable reality to move to co-constructed realities. It is proposed an approach to the identity consequences for a psychology based on complex epistemology, and the possible differences and relations with psychology, traditionally considered.


Author(s):  
Michael R. Cohen

Chapter 6 explores the end of the niche economy. By the late nineteenth century, changes to the cotton industry meant that merchants in the Gulf South were no longer as important as they once were. Structural changes to global capitalism, including the rise of investment banking, changed the nature of credit and lending, as networks of trust, which once provided a competitive advantage for Jews and other minorities, began to lose their importance. Additional global forces also mitigated the Gulf South’s centrality in the cotton industry, as the world’s thirst for cotton pushed European powers to find cheaper places in the world to produce cotton. Localized factors were also marginalizing the Gulf South and its Jewish merchants, as floods and invasive species ravaged cotton crops and a spate of anti-Jewish violence took direct aim at the Jewish niche economy. All of this meant that, in much the same manner that Jewish merchants had once marginalized cotton factors, Jewish merchants themselves became marginalized, and their niche economy came to an end.


2019 ◽  
pp. 38-55 ◽  
Author(s):  
Duncan Bell

This chapter will explore the similarities and differences between late nineteenth-century debates on the British settler Empire and more recent visions of the Anglosphere. It suggests that the idea of the Anglosphere has deep roots in British political thought. In particular, it traces the debates over both imperial federation and Anglo-American union from the late nineteenth century onwards into the post-Brexit world. I examine three recurrent issues that have shaped arguments about the unity and potential of the ‘English-speaking peoples’: the ideal constitutional structure of the community; the economic model that it should adopt; and the role of the United States within it. I conclude by arguing that the legacy of settler colonialism, and an idealised vision of the ‘English-speaking peoples’, played a pivotal role in shaping Tory Euroscepticism from the late 1990s onwards, furnishing an influential group of politicians and public intellectuals, from Thatcher and Robert Conquest to Boris Johnson and Andrew Roberts, with an alternative non-European vision of Britain’s place in the world.


2021 ◽  
pp. 1123-1160
Author(s):  
Daniel Hedinger ◽  
Moritz von Brescius

This chapter provides an analytical overview of the German and Japanese imperial projects from the mid-nineteenth century to the end of World War II. It shows how Germany and Japan—two imperial latecomers in the late nineteenth century—redefined imperialism and colonialism in the first half of the twentieth century. In order to realize their dreams of a new imperial world order, both countries broke with what had come before, and their violent imperial projects turned out to be radically new and different. While Europe had never seen an empire like Hitler’s, the same is true of East Asia and the so-called Co-Prosperity Sphere during the Second World War. In the end, it was their wars for empire and brutal legacies that not only profoundly shaped their respective national histories, but also undermined the legitimacy of imperialism after 1945. The chapter, which focuses on a series of important moments from a trans-imperial perspective, highlights two points. First, it stresses that the German and Japanese empires had a shared history. Second, it shows that by their emergence as colonial powers, Japan and Germany first fundamentally challenged and later changed the very rules of the “imperial game” and the existing global order. Their histories are central to understand great power competition in the first half of the 20th century as well as the imperial nature of the World Wars.


1977 ◽  
Vol 34 (2) ◽  
pp. 230-243 ◽  
Author(s):  
Gene Yeager

Students of late nineteenth century history have long dismissed the world industrial expositions as glittering, but not highly significant reflections of the gilded age. What emerges from the literature of the period, however, is a sense of the overriding commercial importance of these exhibitions. Nineteenth-century observers consistently linked the fairs to the general growth of world trade and to the expanding commercial hegemony of the United States. More specifically, contemporaries agreed that the expositions served to develop trade and investment ties with Latin America. Among the Latin American countries represented in the expositions, Mexico was the most important and consistent participant.


1987 ◽  
Vol 61 (4) ◽  
pp. 551-581 ◽  
Author(s):  
Shin'ichi Yonekawa

In this wide-ranging article, Professor Yonekawa identifies and examines in detail the burst of cotton spinning company formation that occurred in the late nineteenth century among the major cotton-producing nations of the world. His comparative approach allows him to focus on key local factors responsible for the company flotation booms in the areas discussed. He is also able to compare the effects of more general circumstances in the industry, such as trends in the price of raw cotton and the disruption during the American Civil War, on the various locations. Finally, his multinational approach brings to light many intriguing questions and illuminates areas for productive future research.


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