scholarly journals Afterword: Ghosts of Slavery

2020 ◽  
Vol 65 (S28) ◽  
pp. 225-236
Author(s):  
Ana Lucia Araujo

AbstractThis afterword engages with the theme of this Special Issue by discussing the significance of urban slavery in slave societies and societies where chattel slavery existed in Europe, Africa, and the Americas. It discusses how, despite the omnipresence of slavery in cities such as Rio de Janeiro, Salvador, New York, and Charleston, the tangible traces of the inhuman institution were gradually erased from the public space. It also emphasizes that, despite this annihilation, over the last three decades, black social actors have made significant interventions to make the slavery past of Atlantic cities visible again.

2018 ◽  
Vol 33 (3) ◽  
pp. 444-472 ◽  
Author(s):  
Perry Maxfield Waldman Sherouse

In recent years, cars have steadily colonized the sidewalks in downtown Tbilisi. By driving and parking on sidewalks, vehicles have reshaped public space and placed pedestrian life at risk. A variety of social actors coordinate sidewalk affairs in the city, including the local government, a private company called CT Park, and a fleet of self-appointed st’aianshik’ebi (parking attendants) who direct drivers into parking spots for spare change. Pedestrian activists have challenged the automotive conquest of footpaths in innovative ways, including art installations, social media protests, and the fashioning of ad hoc physical barriers. By safeguarding sidewalks against cars, activists assert ideals for public space that are predicated on sharp boundaries between sidewalk and street, pedestrian and machine, citizen and commodity. Politicians and activists alike connect the sharpness of such boundaries to an imagined Europe. Georgia’s parking culture thus reflects not only local configurations of power among the many interests clamoring for the space of the sidewalk, but also global hierarchies of value that form meaningful distinctions and aspirational horizons in debates over urban public space. Against the dismal frictions of an expanding car system, social actors mobilize the idioms of freedom and shame to reinterpret and repartition the public/private distinction.


2021 ◽  
Author(s):  
Martin Franchi

Public Space is a photographic and video project examining the relationship between the public sphere and private corporations. The project explores various sites throughout Toronto and New York that are on private property but have been built with the intention of allowing the general public to have unrestricted access to these areas. These spaces are referred to as Privately Owned Public Space or “POPS”. The goal of the project is to question and document, through photographic and video practice, these spaces within the urban environment and to challenge others to consider whether these spaces are effective in achieving their intended use and if they are truly accessible to the general public. Loss of the public space is an ongoing issue that faces cities and developers often receive concessions to bylaw zoning requirements in exchange for incorporating POPS. This thesis project is a personal exploration of how these spaces are changing the urban environments of North American cities in the twenty first century.


2016 ◽  
Vol 10 (1) ◽  
pp. 19
Author(s):  
Patrícia Silveira de Farias

Resumo: Este artigo apresenta uma discussão sobre as noções de democracia, democracia racial e ordem social, a partir da análise do processo de construção de duas pesquisas efetuadas sobre um mesmo espaço: a orla do Rio de Janeiro, Brasil – em dois momentos distintos: a virada do século XX para o XXI e os anos 10 de século XXI. As noções acima citadas são estudadas a partir dos pontos de vista dos diversos segmentos sociais que frequentam e trabalham no local, inclusive agentes do Estado, no caso do segundo momento, que privilegia a ação de segurança pública intitulada “Choque de Ordem”. Para isso, usou-se metodologia qualitativa, através de entrevistas em profundidade e etnografia, além de levantamento documental de leis, ordenamentos e pesquisa bibliográfica sobre tais temáticas. Como conclusões, salienta-se que as formas de entendimento do que seja democracia e ordem dependem da posição que cada grupo social ocupa na sociedade brasileira mais ampla, e são atravessadas e modeladas por critérios étnico-raciais e de classe. Observa-se também a importância política que o espaço público praia assume para dar visibilidade às disputas de sentido em torno de questões como igualdade, liberdade e hierarquias de classe e de cor na sociedade brasileira.Palavras-chave: praia; ordem social; “Choque de Ordem”; democracia. ***Abstract:  This paper is intended to discuss the notions of democracy, racial democracy and social order, by analyzing the building process of two researches which focused the same place: Rio de Janeiro’s beaches, in Brazil. These two researches took place at distinct historical moments; one, at the last years of XX century, and the other, in the first decade of the XXI century. The notions cited above are studied from the perspectives of the various social segments that frequently go or work there, especially State agents which are part of the public policy named “Choque de Ordem” (a kind of “Order Assault”). In order to do this, these researches are based on qualitative methodology, with interviews and ethnography, and also on documental study of the laws which inflects on this public territory, and bibliographic research on these issues. As a conclusion, the article points out that the way people understand democracy and social order will depend on the position each group has in the broader Brazilian society, and that these ideas are tied to and are modeled by ethnic and class criteria.  Its stresses also the political relevance that this public space, the beach, assumes, in order to give visibility to the dispute around the meaning of equality, freedom and hierarchies of color/race and class in Brazilian society.Key words: beach; social order; “Choque de Ordem”; democracy. ***Resumen:Este paper presenta una discusión de las ideas de democracia, democracia racial y orden social, a partir de la análisis del proceso de construcción de dos pesquisas efectuadas en lo mismo local: las playas de Rio de Janeiro, en Brasil, en dos momentos distintos: fines del siglo XX e mediados del siglo XXI. Las dichas nociones son analizadas a partir del punto de vista de los diversos segmentos sociales que van o trabajan en este local, incluso agentes del Estado, en lo segundo momento, que se detiene en la acción de seguridad publica denominada el “Choque de Ordem”. Para eso, se usó la metodología cualitativa, con base en entrevistas y etnografía, y también en las leyes, ordenamientos e demás estudios sobre tales temáticas. Como conclusiones, enfatizase que las formas de comprenderse el significado de democracia y de orden dependen de la posición que cada grupo social tiene en la sociedad brasileña más amplia, y son travesadas y modeladas por criterios etnicoraciales y de clase social. Observase también la importancia política que éste espacio público, la playa, asume en dar visibilidad a las disputas de sentido sobre asuntos como igualdad, libertad y jerarquías de clase y de color en la sociedad brasileña.Palabras clave: playa; orden social; “Choque de Ordem”; democracia.       


2021 ◽  
Author(s):  
◽  
Anna Constable

<p>This thesis aims to investigate, through design, spatial agency within the realm of New York City’s Privately Owned Public Spaces. The notion of agency in architecture is directly linked to social and political power. Starting in 1961, New York’s city planners introduced an incentive zoning scheme (POPS) which encouraged private builders to include public spaces in their developments. Many are in active public use, but others are hard to find, under surveillance, or essentially inaccessible. Within the existing POPS sites, tension is current between the ideals of public space - completely open, accessible - and the limitations imposed by those who create and control it. Designed to be singular, contained, and mono-functional, POPS do not yet allow for newer ideas of public space as multi-functional, not contained/bounded but extending and overlapping outward.  As public-private partnerships become the model for catalyzing urban (re)development in the late 20th century, bonus space is an increasingly common land use type in major cities across the world. The quality and nature of bonus spaces created in exchange for floor area bonuses varies greatly. In many cases, tensions in privately owned space produce a severely constricted definition of the public and public life. Incentive zoning programmes continue to serve as a model for numerous urban zoning regulations, so changing ideas of public space and its design need to be tested in such spaces.  These urban plazas offer a test case through which to examine agency, exploring how social space is also political space, charged with the dynamics of power/ empowerment, interaction/ isolation, control/ freedom. This thesis looks at one such site, the connecting plaza sites along Sixth Avenue between West 47th St and West 51st St. This is an extreme example of concentrated POPS sites in New York City. Here one’s perception and occupation of space is profoundly affected by the underlying design of that space which reflects its private ownership. Privately Owned Public Space can be designed that is capable of/ challenging the notion of the public in public space, and modifying the structure of the city and its social life.</p>


2013 ◽  
Vol 409-410 ◽  
pp. 883-886
Author(s):  
Bo Xuan Zhao ◽  
Cong Ling Meng

City, is consisting of a series continuous or intermittent public space images, and every image for each of our people living in the city is varied: may be as awesome as forbidden city Meridian Gate, like Piazza San Marco as a cordial and pleasant space and might also be like Manhattan district of New York, which makes people excited and enthusiastic. To see why, people have different feelings because the public urban space ultimately belongs to democratic public space, people live and have emotions in it. In such domain, people can not only be liberated, free to enjoy the pleasures of urban public space, but also enjoy urban life which is brought by the city's charm through highlighting the vitality of the city with humanism atmosphere. To a conclusion, no matter how ordinary the city is, a good image of urban space can also bring people pleasure.


Author(s):  
Ángeles Donoso Macaya

The first chapter underscores the counter-archival work carried out by the Vicaría de la Solidaridad in the composition of the photographic archive of the detained-disappeared. The chapter also considers the different transformations, displacements, and disseminations endured by the portraits of the detained-disappeared. It considers the critical work of Walter Benjamin, Diana Taylor, and Ann Stoler. The analysis contemplates both the composition of the photographic archive of the portraits and the archive’s dissemination in the public space. I consider the Vicaría’s publications Solidaridad (a biweekly newsletter), Separata Solidaridad (a special issue that focused on particular matters also considered in Solidaridad), and the seven-volume book series ¿Dónde están? (1978–1979). I suggest that the visual representation of the crime of forced disappearances, which took shape with the public display of the portraits, was consolidated in these Vicaría publications, above all in ¿Dónde están? I also study artistic photographic practices devised to display and disseminate these photographic portraits in the public space. The chapter begins and ends with a consideration of Hernán Parada’s action “Obrabierta A” (1974–present), in particular one of its iterations in which the artist uses a photocopied mask of his brother, Alejandro Parada, detained and disappeared since July 1974.


2014 ◽  
Vol 40 (6) ◽  
pp. 1011-1027
Author(s):  
Daniel Hart London

This paper analyzes the 1939–1940 New York World’s Fair as a conflicted site of public-sphere formation, and the repercussions of these conflicts on organized labor in New York. Conceived within the liberal administration of Mayor La Guardia and dedicated to the principles of social cooperation, this “closed-shop exposition” granted American Federation of Labor (AFL) trade unions an unprecedented degree of workplace benefits and rhetorical support by the Fair administration. This was undermined, however, by the trade unions’ limited public activities within the fair itself and their refusal of city offers to establish outreach and educational programs through events, rallies, and pavilions. As a result, the public space and discourse of a fair nominally devoted to social interdependence was appropriated by a variety of other interests, particularly those of corporate America. This marginalization would ultimately contribute to delegitimization, as allegations of graft and racketeering by visitors, exhibitors, and the national media framed labor as a direct threat to the “World of Tomorrow” and its visitors. Millions of Americans found their visits marred by exorbitantly inflated prices, delayed by strikes, and disappointed by cancelled exhibits. In the face of outside pressure, and with labor groups unable to address hostile critiques within the fair itself, the exposition administration withdrew its public support for unions while dramatically restricting their workplace rights. In this way, the “business-union” principles of the AFL not only undermined their legitimacy in the eyes of the public, despite the efforts of liberal municipal officials to promote them, but ultimately served to undo those very workplace gains such principles were meant to secure.


Dialogos ◽  
2021 ◽  
Vol 38/2021 ◽  
Author(s):  
GOUNOUGO Aboubakar

The irruption of Covid-19 in the public space has contributed to perverting or infecting speech and its commerce between social actors. By perversion or infection of speech, we mean this polemical discourse, bordering on belligerence, which confronts men, all troubled by the emerging pandemic. Speeches made in times of Covid-19 crisis are nihilistic in that they convey contempt, hatred, mistrust, suspicion or conspiracy, fear, etc. between men and nations. Three of these discourses summarize the genre here. These are the formula "the Chinese virus" of Donald Trump, the exchange between the doctors Jean-Paul Mira and Camille Cocht and the conference of the pan-Africanist leader Kemi Seba, about the vaccination against the Covid. The objective of this contribution is to analyze these three cases of socio-political discourse to highlight the conflict of their respective dialogisms.


Author(s):  
Koichiro Aitani ◽  
Vrushali Kedar Sathaye

  The High Line, an abandoned elevated railway structure on Lower Manhattan's West-side, converted into the public park is among the most innovative urban renovation projects. The meatpacking district with industrial taste, transformed to one of the most fashionable areas in New York would not be realized without the impact of this unique Urban Park, the high Line. The story of how it came to be is a remarkable one: two young citizens with no prior experience in planning and development collaborated with their neighbors, elected officials, artists, local business owners, and leaders of burgeoning movements in horticulture and landscape architecture to create a park celebrated worldwide as a model for creatively designed, socially vibrant, ecologically sound public space. 5 millions of visitors are counted annually. The research will clarify the process of the High Line’s execution, its mechanism of urban transform, and impact to the neighborhood chronologically, and will discuss and theorize this urban regeneration as an outcome of catalytic effect of Urban Green Space.


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