Pre-trial negotiations: The Case of the run-away slave in Dar. 53

Iraq ◽  
2008 ◽  
Vol 70 ◽  
pp. 205-213
Author(s):  
F. Rachel Magdalene ◽  
Bruce Wells ◽  
Cornelia Wunsch

The study of ancient Near Eastern trial procedure has a long history, and the judicial systems of several periods have been investigated in detail. What remains lacking is a thorough and systematic treatment of the trial law and procedure from the Neo-Babylonian and Persian periods, though numerous legal texts have been studied. Recently two dissertations by F. R. Magdalene and S. E. Holtz have described the adjudicative process from the bringing of charges by an accuser through various stages and actions, including the taking of witness statements, interrogation, the examination of physical evidence, courts' demands for further evidence, summonses, and the issuing of conditional and final verdicts. Both also provide a basis for further investigation of this southern Mesopotamian legal system, which seems to have followed longstanding traditions but also contains indications of new developments.While both studies examine several hundred trial-related documents, one particular text that has been the subject of interpretation since the late nineteenth century receives scant attention. The document in question is Dar. 53. A close analysis of its text raises significant questions with regard to a particular aspect of trial procedure during the Neo-Babylonian and Persian periods. The text has never been satisfactorily treated, and recent references to it in scholarly literature in fact have led to erroneous conclusions about what it reveals in general, and regarding law and procedure in particular. Despite a consistent belief that the text records a trial, Dar. 53 actually arises from pre-trial demands and the resulting negotiations.

2012 ◽  
Vol 40 (1) ◽  
pp. 179-197 ◽  
Author(s):  
Michèle Mendelssohn

The diagnosis made by Dr P. C. Remondino, M.D. was unambiguous. “Trilbyis a masterpiece when viewed in the light of a study in heredity,” he announced in the pages ofPractical Medicinein 1895. “Du Maurier has given us . . . the well digested results of a careful as well as discriminating study. . . . Neither Darwin, [nor] Galton, . . . could have given us a more comprehensive or more lucid study of the subject. Neither could Maudsley” (380–81). Despite the good doctor's critical insight,Trilby's deployment of degenerationist discourse has often gone unnoticed. On the rare occasions it has been touched upon, it has most often been subsumed under the banner offin-de-siècleanti-Semitism or connected to Du Maurier's anti-Aestheticism. Yet what this essay reveals is that art, degeneration, and anti-Semitism were, in fact, intimately connected in the late nineteenth century, and that this not only influenced literature, it also shaped its reception. This essay examinesTrilby(1894) in conjunction withThe Master(1894), a novel by the most important British Zionist of the late nineteenth century, Israel Zangwill. Since Zangwill's death in 1926, literary critics have paid him scant attention. His contributions to degenerationism have been wholly overlooked even though his notion of the “melting pot” was almost certainly the theory of ethnicity with the most traction in late nineteenth- and early twentieth-century America.


2006 ◽  
Vol 33 (1) ◽  
pp. 1-17
Author(s):  
Dewi Jones

John Lloyd Williams was an authority on the arctic-alpine flora of Snowdonia during the late nineteenth century when plant collecting was at its height, but unlike other botanists and plant collectors he did not fully pursue the fashionable trend of forming a complete herbarium. His diligent plant-hunting in a comparatively little explored part of Snowdonia led to his discovering a new site for the rare Killarney fern (Trichomanes speciosum), a feat which was considered a major achievement at the time. For most part of the nineteenth century plant distribution, classification and forming herbaria, had been paramount in the learning of botany in Britain resulting in little attention being made to other aspects of the subject. However, towards the end of the century many botanists turned their attention to studying plant physiology, a subject which had advanced significantly in German laboratories. Rivalry between botanists working on similar projects became inevitable in the race to be first in print as Lloyd Williams soon realized when undertaking his major study on the cytology of marine algae.


Coins were the most deliberate of all symbols of public communal identities, yet the Roman historian will look in vain for any good introduction to, or systematic treatment of, the subject. Sixteen leading international scholars have sought to address this need by producing this authoritative collection of essays, which ranges over the whole Roman world from Britain to Egypt, from 200 BC to AD 300. The subject is approached through surveys of the broad geographical and chronological structure of the evidence, through chapters which focus on ways of expressing identity, and through regional studies which place the numismatic evidence in local context.


1995 ◽  
Vol 167 ◽  
pp. 3-7
Author(s):  
A. G. Davis Philip

A short introduction to the subject of the meeting, IAU Symposium No. 167, New Developments in Array Technology and Applications is given. CCD and Array detectors have become the detectors of choice at optical observatories all over the world. Direct imaging, photometry and spectroscopy are all vastly improved as a result. Thirteen IAU Commissions joined in sponsoring this meeting which indicates the wide interest in this subject. In the five days of the symposium the following topics were discussed: New Developments in CCD Technology, New Developments in IR Detector Arrays, Direct Imaging with CCDs and Other Arrays, Spectroscopy with CCDs and Other Arrays and Large Field Imaging with Array Mosaics. A few papers concerning Astrometry with CCDs were given in the poster sessions. Scientific results were also presented in the poster sessions.


1980 ◽  
Vol 22 (85) ◽  
pp. 21-32
Author(s):  
Liam Irwin

The suppression of the Irish provincial presidencies in August 1672 has received scant attention from historians. Scarcity of surviving source material has resulted in little serious scholarship being devoted to this particular form of regional government. This basic handicap was intensified by the circumstances of the decision to terminate the system. No serious abuses existed in its operation and no demand for its removal was evident yet the decision was implemented without official explanation. As a result most writers on restoration Ireland have confined themselves to brief and guarded generalisations when dealing with the subject.


Sexualities ◽  
2021 ◽  
pp. 136346072110410
Author(s):  
Jessica Påfs

Squirting, or female ejaculation, is the expulsion of fluid during sexual stimulation. The limited scientific literature has focused primarily on clarifying what this fluid contains, while women’s own voices on the experience have received scant attention. This study explores 28 women’s experiences and applies a thematic analysis. The sensation of squirting is individual and sometimes conflicting. Descriptions range from considering it amazing, a superpower and feminist statement to an unpleasant and/or shameful event. Across the board, there is a wish for nuanced information and for the current taboo and mystification surrounding the subject to be broken.


2002 ◽  
Vol 80 (1) ◽  
pp. 99-118 ◽  
Author(s):  
Margaret Olin

IN CAMERA LUCIDA, ROLAND BARTHES'S subject is the significance of photography's defining characteristic: the photograph's inseparable relation to its subject, that which ''must have been'' in front of the camera's lens. Or so it would seem. The present reading of Camera Lucida argues that Barthes's essay actually shows photography's nature as dependent not only on the intimate relation to its object, commonly termed ''indexical,'' but in accord with its relation to its user, its beholder. An examination of Barthes's encounters with photographs in Camera Lucida reveals the way in which identification and misidentification figure into the viewing of images, and suggests that contact between the beholder and the photograph actually eclipses the relation between the photograph and its subject. Barthes's focus on the emotional response of the viewer disguises the fact that he misidentified key details in Camera Lucida's photographs, most significantly in a 1927 portrait by James Van Der Zee and in the ''Winter Garden Photograph.'' This latter photograph of Barthes's recently deceased mother as a small child is famously not illustrated in the book. This essay argues that it is fictional. These ''mistakes'' suggest that Camera Lucida undermines its ostensible basis in indexicality. The subject did not have to be in front of the camera after all. The present rereading of the text from this point of view articulates a notion of performativity according to which the nature of the contact that exists between the image and the viewer informs the way an image is understood. Barthes's desire to find his mother again through her photograph to a large extent acts out his desire to re(per)form and make permanent his relation to her, a desire that he elucidates in the process of describing his search for her picture and his reaction to it when he finds it. This performative element is charged with identification; the person the narrator (Barthes) seeks, in his mother, is himself. A close analysis of the ''Winter Garden Photograph,'' as described by Barthes, shows how performances of identification are inscribed with gender and familial configurations.


Modern Italy ◽  
2014 ◽  
Vol 19 (4) ◽  
pp. 405-419
Author(s):  
Stephen C. Bruner

In 1886 the Abyssinian chief Debeb became a public figure in Italy as a rapacious colonial bandit. However, over the next five years he acquired additional public personas, even contradictory ones: as a condottiero ally, a ladies’ man, a traitor, a young Abyssinian aristocrat and pretender to an ancient throne, a chivalrous warrior, and a figure representing the frontier and an Africa mysterious and hidden to Europeans. Upon his 1891 death in combat, he was the subject of conflicting Italian press obituaries. For some commentators, Debeb exemplified treacherous and deceitful African character, an explanation for Italy's colonial disappointments and defeats. However, other commentators clothed him in a romanticised mystique and found in him martial and even chivalrous traits to admire and emulate. To this extent his persona blurred the line demarcating the African ‘other’. Although he first appeared to Italians as a bandit, the notion of the bandit as a folk hero (the ‘noble robber’ or ‘social bandit’, Hobsbawm) does not fit his case. A more fruitful approach is to consider his multi-faceted public persona as reflecting the ongoing Italian debate over ‘national character’ (Patriarca). In the figure of Debeb, public debates over colonialism and ‘national character’ merged, with each contributing to the other.


1999 ◽  
Vol 31 (4) ◽  
pp. 507-530 ◽  
Author(s):  
Devin DeWeese

Khwaja Ahmad Yasavi, the celebrated saint of Central Asia who lived most likely in the late 12th century, is perhaps best known as a Sufi shaykh and (no doubt erroneously) as a mystical poet; his shrine in the town now known as Turkistan, in southern Kazakhstan, has been an important religious center in Central Asia at least since the monumental mausoleum that still stands was built, by order of Timur, at the end of the 14th century. While Yasavi's shrine, owing to the predilections of Soviet scholarship, was extensively studied by architectural historians and archeologists, its role in social and religious history has received scant attention; at the same time, Ahmad Yasavi's legacy as a Sufi shaykh has itself been the subject of considerable misunderstanding, resulting from two related tendencies in past scholarship: to approach the Yasavi tradition as little more than a sideline to the historically dominant Naqshbandiyya, and to regard it as a phenomenon definable in “ethnic” terms, as limited to an exclusively Turkic environment. Even less well known in the West, however, is one aspect of Ahmad Yasavi's legacy that is of increasing significance in contemporary Central Asia, as the region's religious heritage is recovered and redefined in the wake of the Soviet Union's collapse—namely, the distinctive familial communities that define themselves in terms of descent from Yasavi's family, and have historically claimed specific prerogatives associated with Yasavi's shrine.


Author(s):  
Emmeline Gyselinck ◽  
Timothy Colleman

This paper focuses on the intensifying use of the fake reflexive resultative construction,as demonstrated in the example Hij lacht zich een breuk om die mop (tit. 'He laughs himselfa fracture because of that joke'). Although the literal use of the (English) fake reflexiveresultative construction has been the subject of several studies, scant attention hasbeen paid to the potential of this construction for conveying an intensifying meaning,though these intensifying uses show an intriguing mix of productivity and lexical idiosyncrasythat deserves careful analysis. This case study will zoom in on the use of theintensifying fake reflexive resultative construction in present-day Belgian and NetherlandicDutch. The analysis will reveal some discrepancies between two national variants ofDutch and shed light on the development of subschemas displaying various degrees ofproductivity on the one hand and the possible lexicalisation of strong combinations on theother.


Sign in / Sign up

Export Citation Format

Share Document