Elizabethan Catholicism: a Reconsideration

1984 ◽  
Vol 35 (3) ◽  
pp. 414-428 ◽  
Author(s):  
Patrick McGrath

It is more than twenty-one years since Professor John Bossy wrote his stimulating and controversial article on ‘The character of Elizabethan Catholicism’. His article made familiar to a wide range of students the concepts of ‘seigneurial Catholicism’ and ‘survivalism’. It concluded, tendentiously, that ‘the history of Elizabethan Catholicism is a progress from inertia to inertia in three generations’. Professor Bossy subsequently developed his ideas about the new kind of Counter-Reformation Catholicism which was affecting other countries outside England, and then in 1975 he produced a major work on The English Catholic Community 1570–1850. In this he advanced the view that the English Catholic Community really began in the 1570s. What happened between the 1530s and the 1570s was merely ‘the posthumous history, if you will, of “medieval” or “pre-Reformation” Christendom in England’. He agreed that the English Catholic community launched about 1570 had some continuity with the past, but he argued that it was ‘in most respects a new creation’. Before then, there existed a hangover from the past labelled ‘the Old Religion’, but this was ‘less concerned with doctrinal affirmation or dramas of conscience than with a set of ingrained observances which denned and gave meaning to the cycle of the week and the seasons of the year’. This, according to Professor Bossy, had been aptly termed survivalism. He argued that: ‘As a complex of social practices rather than a religion of internal conviction, it offered no barrier to the degree of attendance at the parish church required to preserve the integrity of the household.’

2006 ◽  
Vol 23 (3) ◽  
pp. 89-97
Author(s):  
Jackie Armijo

Books Reviewed: Sachiko Murata, Chinese Gleams of Sufi Light: Wang Taiyu’s“Great Learning of the Pure and Real” and Liu Chih’s “Displaying theConcealment of the Real Realm.”Albany: SUNY Press, 2000; Maria Jaschokand Shui Jingjun, The History of Women’s Mosques in Chinese Islam: AMosque of Their Own. Richmond, UK: Curzon Press, 2000; Jean A. Berlie,Islam in China: Hui and Uyghurs between Modernization and Sinicization.Bangkok: White Lotus, 2004; Sheila Hollihan-Elliot, Muslims in China.Philadelphia: Mason Crest Publishers, 2006.With a population conservatively estimated at 20 million (and, according tosome sources, as high as 50 million), the Muslims of China remain one ofthe least studied and most misunderstood Muslim communities in theworld. After decades of relative neglect, however, over the past few yearsseveral books have been published that seek to shed light on differentaspects of the historic, religious, and contemporary lives of China’s Muslims.This review essay will survey four recent works written by a wide range ofscholars.Research on Islam in China has been hindered by many factors, includingthe difficulty of gaining expertise in both Chinese studies and Islamicstudies, learning both modern and classical Chinese and Arabic, the longstandingprejudices of Han Chinese scholars regarding the country’s minoritypeoples, together with the similarly long-standing prejudices of manywestern scholars regarding Islam. The earliest major work on the Muslimcommunities of China was published in 1910, by Marshall Broomhall of theChina Inland Mission. Titled Islam in China: A Neglected Problem, its mainpurpose was to educate Christian missionaries in China about the location,customs, and history of the indigenous Muslims in order to facilitate proselytizationactivities among them ...


2019 ◽  
Vol 20 (2) ◽  
pp. 49-54
Author(s):  
Dildora Alinazarova ◽  

In this article, based on an analysis of a wide range of sources, discusses the emergence and development of periodicals and printing house in Namangan. The activities of Ibrat- as the founder of the first printing house in Namangan are considered. In addition, it describes the functioning and development of "Matbaai Ishokia" in the past and present


2019 ◽  
Author(s):  
Rouben Karapetyan

The textbook covers the main events and developments in the recent history of the Arab world. The key issues of the past and present of the major Arab countries are examined. The general patterns, main stages and peculiarities of the historical development of these countries are presented. The work is designed for students of the faculties of “Oriental Studies”, “History” and “International Relations”, as well as wide range of readers interested in the history of the Arab world.


2019 ◽  
Vol 66 (2 SELECTED PAPERS IN ENGLISH) ◽  
pp. 31-42
Author(s):  
Bogumił Szady

The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 61 (2013), issue 2. The article addresses the question of the fall of the Latin parish in Chorupnik that belonged to the former diocese of Chełm. The parish church in Chorupnik was taken over by Protestants in the second half of the 16th century. Unsuccessful attempts at recovering its property were made by incorporating it into the neighbouring parish in Gorzków. The actions taken by the Gorzków parish priest and the bishop together with his chapter failed, too. A detailed study of such attempts to recover the property of one of the parishes that ceased to exist during the Reformation falls within the context of the relations between the nobility and the clergy in the period of Counter-Reformation. Studying the social, legal and economic relations in a local dimension is important for understanding the mechanisms of the mass transition of the nobility to reformed denominations, and then of their return to the Catholic Church.


Philosophy ◽  
2010 ◽  
Author(s):  
Kevin Timpe

Free will is a perennial issue in philosophy, both in terms of the history of philosophy and in contemporary discussions. Aspects of free will relate to a wide range of philosophical issues, but especially to metaphysics and ethics. For roughly the past three decades, the literatures on free will and moral responsibility have overlapped to such a degree that it is impossible to separate them. This entry focuses on contemporary discussions about the nature and existence of free will, as well as its relationship to work in the sciences and philosophy of religion.


1995 ◽  
Vol 3 (1) ◽  
pp. 15-34 ◽  
Author(s):  
Stephen Fowl

AbstractOver the past fifteen years "ideological criticism" of the Bible has grown to become an accepted practice within the academy. It has provided a site where feminists, Marxists, liberation theologians and other interested parties have been able to engage in discussion aimed largely at displaying the wide variety of competing interests operating in both the production and interpretation of the Bible. Unfortunately, it is common among ideological critics of the Bible to speak of biblical texts as having ideologies. The thrust of this article is to claim that this way of thinking confuses a wide range of issues concerning the relationships between texts and the social practices which both generated those texts and are sustained by interpretations of particular texts. This position is defended by an examination of the various ways in which the Abraham story was read from Genesis through Philo, Paul, and Justin Martyr.


2017 ◽  

Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies’ projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world’s most profitable transmedia franchise.


This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the “art of listening” as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening. In doing so, it challenges the inherited image of the silent listener as the dominant force in musical cultures.


Author(s):  
Volodymyr Hladyshev ◽  
Nataliia Daskal

The creativity of the award winner of the Taras Shevchenko National Prize in the domain of literature Dmytro Kremin (1953-2019) is a vivid phenomenon of modern Ukrainian literature and culture. His poetic heritage has a special meaning after the poet passed away in May of this year. Now it is worth to be considered and conceived as a kind of his testament left to descendants by the outstanding master of the imaginative word. Dmytro Kremin`s legacy has always been in the centre of attention of critical literary practice, his poems evoked a contradictory attitude towards himself, thanks to it the critics` reviewers were so brilliant and emotional. But after the poet`s death, there is a need for a literary study of his heritage and a conclusion to the study of the work of an outstanding poet on a qualitatively new level. Among the poet’s many works, the poem holds a special place. It was created before long after Ukraine gained independence. Appeal to the people and the country`s history, Dmytro Kremin comprehends the origins of their heavy fate. The philosophical approach to understanding concrete historical phenomena allows the poet to look profoundly into the past, to define the influence on the present, and the origins of our young state`s problems. A wide range of historical figures, to which the author refers, characterizes the history of Ukraine in its most noticeable facts. The analysis of the poem is philological. The figurative system of the work is perceived in the unity of form and content. Thus it is possible to identify the aesthetic singularity of the work and its patriotic directivity. The study proves that the appeal of the patriotic poet to history should be received as a kind of poetic admonition, an attempt to draw attention to the tragic mistakes for the people`s fate to avoid them in the contemporary history of Ukraine. The poet’s call to live for the sake of the Motherland, to conscientious service to the country and people reflects his moral and aesthetic position and becomes his contribution to the development of the country. We consider that the article can be useful for researchers, lecturers, school teachers, students, and everyone interested in the creativity of the outstanding Ukrainian poet.


1996 ◽  
Vol 13 (1) ◽  
pp. v-vi
Author(s):  
Basheer Nafi

The question of modernity in its societal, historical, and literary unfoldingsis the underlying theme of several articles presented in this issue ofAJISS. Following in the hadition of Marshall G. S. Hodgson, John ObertVoll ventures into the history of Islam as an integral part of world history.In his numerous studies, Voll has always viewed the Muslim world from aglobal perspective, a trait that is even more evident ih his “The MistakenIdenMication of ‘The West’ with ‘Modernity.”’ Voll’s article is based on aprofound understanding of the West in t m s of the fundamental changesthat have swept human life and society during the past two or three centuries.Modemity cannot be identified with the West, Voll argues, for theWest, as a repertoire of traditions, was a concept related to the existence ofcivilizations. But “civilization,” as conceived in most of the studies andanalyses of world history, is now a societal lifestyle of the past. It thereforefollows that the transfomtion of societies and lifestyles has transcendedthe classical West and created a new world situation in which relationsbetween Islam and the West are predicated on different bases. While it istrue that Islam’s repertoire of concepts and principles is more clearlyfocused than that of the West, it is also true that, in the context of the globalcosmopolitanism of our times, Islam and the West share a similar cultural,political, and social experience:Islam and the West are no longer simply two rival and clashingcivilizations or even two different modes of modernity. They arenow interactive partners, sometimes fighting and sometimes cooperating,involved in the co-constructed reality of the contemprary world.Volls’ view of a modem shared experience is supported by SurmshIrfani’s “New Discourses and Modernity in Postrevolutionary Iran.” For asociety that has been portrayed in the most denigrating t m s by the westernmedia, Irfani presents a powerfd human and creative image of contemporaryIran that touches upon a wide range of cultural revival: printmedia, film industry, literatute, and music. A common denominator of theworks cited in his article, which is based on extensive field research, is the“aftempt to go beyond the fite!rary level ofkfeqrem‘ on and extant meaning ...


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