Western Arms in Maritime Asia in the Early Phases of Expansion

1980 ◽  
Vol 14 (1) ◽  
pp. 13-28 ◽  
Author(s):  
P. J. Marshall
Keyword(s):  
Nineteenth Century ◽  
Military History ◽  
Military Power ◽  
Reading Public ◽  
Early Nineteenth Century ◽  
The World ◽  
History Of ◽  
Coffee Table ◽  
Early Phases ◽  
Do So

To a general reading public the history of the European empires still seems to be virtually synonymous with their military power and with stories of battles in tropical climes; by contrast, academic historians of imperialism now show little interest in purely military history. Campaigns and battles were no doubt frequently the means by which European power came to be exerted over other parts of the world, but, especially from the early nineteenth century onwards, their outcome was generally predictable. If the Europeans were prepared to make adequate efforts, their ultimate success was not usually in doubt. Defeats occurred often enough at the hands of Africans or Asians, but where it seemed worthwhile to do so, at least until the Russo—Japanese War, these defeats were sooner or later avenged. Historians' debates have therefore tended to concentrate not on the means of expansion but on the motives for it: why Europeans should have wished to exert their power or why they should have been drawn into doing so in certain situations. Books on battles are left to decorate that somewhat improbable piece of furniture, the coffee table.

The National and the Universal

2020 ◽  
pp. 368-386
Author(s):  
Sarah Collins
Keyword(s):  
Nineteenth Century ◽  
Cultural Difference ◽  
John Stuart Mill ◽  
Late Nineteenth Century ◽  
Johann Gottfried Herder ◽  
Early Nineteenth Century ◽  
The World ◽  
Respective Treatment ◽  
History Of

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.

Washing Away the Sins of Debt: The Nineteenth-Century Eradication of the Debtors' Prison

2013 ◽  
Vol 55 (3) ◽  
pp. 701-724 ◽  
Author(s):  
Gustav Peebles
Keyword(s):  
Nineteenth Century ◽  
Moral Values ◽  
The State ◽  
Economic Practices ◽  
The World ◽  
History Of ◽  
To Come ◽  
Critical Discourses ◽  
Do So ◽  
Reform Debate

AbstractThis article seeks to come to terms with the extraordinarily swift demise of the debtors' prison in multiple countries during the nineteenth century. While focusing primarily on the reform debate in England, I argue that the debtors' prison quickly came to be seen as a barbaric aberration within the expanding commercial life of the nineteenth century. By turning to a copious pamphletic literature from the era of its demise, I show how pamphleteers and eye-witnesses described the debtors' prison in the idiom of ritual; it was seen as a dangerous sanctuary that radically inverted all capitalistic economic practices and moral values of the world outside its walls. Reformers claimed that, inside these shrines of debt, citizens were ritually guided and transformed from active members of society into “knaves” or “idlers,” or both. As such, the debtors' prison needed to be eradicated. To do so, reformers mobilized at least three critical discourses, all of which sought to mark the debtors' prison as a zone of barbarism that threatened the civility of the state and its citizenry. By focusing on the debtors' prison as a powerful and transformative ritual zone, the article provides a counterintuitive history of this institution that was so crucial to the regulation of credit and debt relations for centuries. In so doing, the article contributes to a broader literature on the spatiality of debt.

Orientalism, Medievalism, Colonialism, and Militarized Mercantilism

2020 ◽  
pp. 415-429
Author(s):  
Kathleen Davis ◽  
Nadia R. Altschul
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Spanish Empire ◽  
Early Nineteenth Century ◽  
Economic Interests ◽  
Late Eighteenth Century ◽  
The World ◽  
Late Eighteenth ◽  
History Of

This chapter investigates the intersections of British medievalism and colonialism in two very different places in the world: early nineteenth-century Chile, as Britain exercised economic domination over parts of the former Spanish Empire (thus it will be termed neocolonial); and late eighteenth-century India, as British officials devised strategies for extracting revenue from Bengal. Despite their many differences, in both cases an area beyond Europe is defined as Moorish and its present is associated with Europe’s past, specifically with the centuries now termed ‘medieval’. In both cases, too, medievalization forwards the economic interests at the basis of this temporal discourse, which is also fully enmeshed in the history of Orientalism. These similarities demonstrate the value of studying the under-examined effects of British medievalism beyond the familiar national frameworks, and, more broadly, underscore the importance of investigating the global dimensions of temporalizing phenomena.

The “Spatial Vernacular” in Tokugawa Maps

2000 ◽  
Vol 59 (3) ◽  
pp. 647-666 ◽  
Author(s):  
Marcia Yonemoto
Keyword(s):  
Nineteenth Century ◽  
The State ◽  
Seventh Century ◽  
Early Nineteenth Century ◽  
Modern Period ◽  
Land Surveying ◽  
The World ◽  
History Of ◽  
Limited Scale

As key components of the “peculiar metaphysic of modernity,” geographers in nineteenth-century Japan began to remap the world in the name of science and “civilization” (Mitchell 1991, xii). What is often overlooked in this equation of the map with modernity, however, is Japan's history of mapmaking before the modern period. Although the earliest imperial governments in Japan practiced administrative mapmaking on a limited scale beginning in the seventh century, it was only during the reign of the Tokugawa shogunate (1603–1868) that comprehensive land surveying and mapmaking by the state were standardized and regularized. The Tokugawa ordered all daimyo to map their landholdings in 1605; these edicts were repeated numerous times, such that by the early nineteenth century the bakufu had organized five countrywide mapmaking and surveying projects, and produced from those surveys four comprehensive maps of Japan.

A history of some fruit models in wax and other materials: scientific teaching aids and courtly table decorations

2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck
Keyword(s):  
Nineteenth Century ◽  
Fruit Trees ◽  
Visual Aids ◽  
Early Nineteenth Century ◽  
Teaching Aids ◽  
Scientific Teaching ◽  
Glass Marble ◽  
History Of ◽  
By Products ◽  
Wax Models

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.

‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys
Keyword(s):  
Nineteenth Century ◽  
William Wordsworth ◽  
Urban Landscape ◽  
Thomas De Quincey ◽  
Urban Centre ◽  
Early Nineteenth Century ◽  
Urban Representation ◽  
Robert Southey ◽  
The World ◽  
The City

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.

Dan Inman, The Making of English Theology: God and the Academy at Oxford (Minneapolis: Fortress Press, 2014). ISBN: 9781451469264

2017 ◽  
Author(s):  
Johannes Zachhuber
Keyword(s):  
Nineteenth Century ◽  
Early Nineteenth Century ◽  
University Of Oxford ◽  
History Of ◽  
History Of The University ◽  
The University

This chapter reviews the book The Making of English Theology: God and the Academy at Oxford (2014). by Dan Inman. The book offers an account of a fascinating and little known episode in the history of the University of Oxford. It examines the history of Oxford’s Faculty of Theology from the early nineteenth century to the middle of the twentieth. In particular, it revisits the various attempts to tinker with theology at Oxford during this period and considers the fierce resistance of conservatives. Inman argues that Oxford’s idiosyncratic development deserves to be taken more seriously than it often has been, at least by historians of theology.

The History of ‘the Reading Public’

2018 ◽  
Author(s):  
Stefan Collini
Keyword(s):  
Nineteenth Century ◽  
Social Change ◽  
Working Class ◽  
Literary History ◽  
Reading Public ◽  
Reading Matter ◽  
History Of ◽  
Victorian Periodicals

This chapter argues that accounts of ‘the reading public’ are always fundamentally historical, usually involving stories of ‘growth’ or ‘decline’. It examines Q. D. Leavis’s Fiction and the Reading Public, which builds a relentlessly pessimistic critique of the debased standards of the present out of a highly selective account of literature and its publics since the Elizabethan period. It goes on to exhibit the complicated analysis of the role of previous publics in F. R. Leavis’s revisionist literary history, including his ambivalent admiration for the great Victorian periodicals. And it shows how Richard Hoggart’s The Uses of Literacy carries an almost buried interpretation of social change from the nineteenth century onwards, constantly contrasting the vibrant and healthy forms of entertainment built up in old working-class communities with the slick, commercialized reading matter introduced by post-1945 prosperity.

scholarly journals An Illustrated Shiʿi Pilgrimage Scroll in the Collections of the Royal Asiatic Society

2021 ◽  
pp. 1-25
Author(s):  
ULRICH MARZOLPH ◽  
MATHILDE RENAULD
Keyword(s):  
Nineteenth Century ◽  
Visual Narrative ◽  
Early Nineteenth Century ◽  
Asiatic Society ◽  
Material Condition ◽  
Visual Dimension ◽  
History Of ◽  
Initial Survey ◽  
Royal Asiatic Society

Abstract The collections of the Royal Asiatic Society hold an illustrated pilgrimage scroll apparently dating from the first half of the nineteenth century. The scroll's hand painted images relate to the journey that a pious Shiʿi Muslim would have undertaken after the performance of the pilgrimage to Mecca. Its visual narrative continues, first to Medina and then to the Shiʿi sanctuaries in present-day Iraq, concluding in the Iranian city of Mashhad at the sanctuary of the eighth imam of the Twelver-Shiʿi creed, imam Riḍā (d. 818). The scroll was likely prepared in the early nineteenth century and acquired by the Royal Asiatic Society from its unknown previous owner sometime after 1857. In terms of chronology the pilgrimage scroll fits neatly into the period between the Niebuhr scroll, bought in Karbala in 1765, and a lithographed item most likely dating from the latter half of the nineteenth century, both of which depict a corresponding journey. The present essay's initial survey of the scroll's visual dimension, by Ulrich Marzolph, adds hitherto unknown details to the history of similar objects. The concluding report, by Mathilde Renauld, sheds light on the scroll's material condition and the difficulties encountered during the object's conservation and their solution.

scholarly journals Johann Michael von Hermann (1793–1855): A predecessor of Max Schweidler?

2019 ◽  
Vol 40 (3-4) ◽  
pp. 239-270
Author(s):  
Susanne Wagini ◽  
Katrin Holzherr
Keyword(s):  
Nineteenth Century ◽  
Present Article ◽  
Early History ◽  
Early Nineteenth Century ◽  
Conservation History ◽  
Works Of Art ◽  
Close Study ◽  
Fresh Perspective ◽  
History Of ◽  
Paper Conservation

Abstract The restorer Johann Michael von Hermann (1793–1855), famous in the early nineteenth century, has long fallen into oblivion. A recent discovery of his work associated with old master prints at the Staatliche Graphische Sammlung München has allowed a close study of his methods and skills as well as those of his pupil Ludwig Albert von Montmorillon (1794–1854), providing a fresh perspective on the early history of paper conservation. Von Hermann’s method of facsimile inserts was praised by his contemporaries, before Max Schweidler (1885–1953) described these methods in 1938. The present article provides biographical notes on both nineteenth century restorers, gives examples of prints treated by them and adds a chapter of conservation history crediting them with a place in the history of the discipline. In summary, this offers a surprising insight on how works of art used to be almost untraceably restored by this team of Munich-based restorers more than 150 years before Schweidler.

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