Agrarian Localities: Political economy as local power in early nineteenth-century British India

2015 ◽  
Vol 50 (3) ◽  
pp. 898-933 ◽  
Author(s):  
UPAL CHAKRABARTI
Keyword(s):  
Nineteenth Century ◽  
Political Economy ◽  
Political Power ◽  
Explanatory Power ◽  
Local Power ◽  
Discursive Practices ◽  
British India ◽  
Early Nineteenth Century ◽  
Binary Oppositions ◽  
History Of

AbstractThis article writes the agrarian history of an obscure locality, Cuttack, in early-nineteenth-century British India. In doing so, instead of exalting the explanatory power of the local, or the particular, it interrogates the category of the ‘local’ itself by demonstrating how it was assembled as the object of agrarian governance in British India through a densely interwoven network of discursive practices. I present this network as various inter-regional practices and debates over agrarian governance in British India and some methodological debates of political economy in contemporary Britain. This article argues that the governmental engagement with locally specific, indigenous forms of interrelationship between landed property and political power in British India can be more productively understood as internal to the transformed vocabulary of contemporary political economy, rather than lying outside it, amid the pragmatism and contingency of governance. Accordingly, it shows how the particularity of agrarian relations in a locality was produced out of a host of reconfigurations, over different moments and sites, of a universal classificatory grid. In the process, I question those histories of British India which, being rooted in a series of hierarchized binary oppositions, like inside–outside, abstract–concrete, or universal–particular, reproduce the rationality of colonial governance.

The Problem of Property: Local Histories and Political-Economic Categories in British India

2018 ◽  
Vol 61 (5-6) ◽  
pp. 1005-1035 ◽  
Author(s):  
Upal Chakrabarti
Keyword(s):  
Nineteenth Century ◽  
Political Economy ◽  
Political Power ◽  
Social Forces ◽  
Discursive Practices ◽  
British India ◽  
Coherent Property ◽  
Political Economic ◽  
Property Regime ◽  
Indian Form

AbstractThis essay considers—as an integrated space of discursive practices—disputes over proprietary titles in an obscure locality, debates over the authentic “Indian” proprietary form in British India, and a conceptual recasting of political-economic categories in Britain, over the first half of the nineteenth century. It argues that “property” was produced by this space as a marker of political power/sovereignty, its “indigenous/Indian” form being construed as a field of dispersed, contested, and plural rights. Positing this conceptualization of property as immanent in governance and political economy, this essay questions the dominant historiographic consensus that indigenous social forces aborted all attempts of the Company’s government to introduce a coherent property regime.

James Mill's ‘The History of British India’ and Utilitarianism as a Rhetoric of Reform

1990 ◽  
Vol 24 (2) ◽  
pp. 209-224 ◽  
Author(s):  
J. Majeed
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Cultural Identities ◽  
Jeremy Bentham ◽  
British India ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
The French Revolution

This paper is about the emergence of new political idioms in the late eighteenth and early nineteenth centuries in Britain, and how this was closely involved with the complexities of British imperial experience in India. In particular, I shall concentrate on the radical rhetoric of Utilitarianism expressed by Jeremy Bentham, and especially by James Mill. This rhetoric was an attack on the revitalized conservatism of the early nineteenth century, which had emerged in response to the threat of the French revolution; but the arena for the struggle between this conservatism and Utilitarianism increasingly became defined in relation to a set of conflicting attitudes towards British involvement in India. These new political languages also involved the formulation of aesthetic attitudes, which were an important component of British views on India. I shall try to show how these attitudes, or what we might call the politics of the imagination, had a lot to do with the defining of cultural identities, with which both political languages were preoccupied.

Dugald Stewart on intellectual character

1997 ◽  
Vol 30 (3) ◽  
pp. 307-320 ◽  
Author(s):  
JENNIFER TANNOCH-BLAND
Keyword(s):  
Nineteenth Century ◽  
Political Economy ◽  
Moral Philosophy ◽  
Common Sense ◽  
Scottish Enlightenment ◽  
Intellectual Culture ◽  
Thomas Reid ◽  
Early Nineteenth Century ◽  
Intellectual Character ◽  
History Of

Dugald Stewart (1753–1828) lectured in astronomy and political economy, held the chair of mathematics at Edinburgh University from 1775 to 1785, then the chair of moral philosophy from 1785 to 1810, and wrote extensively on metaphysics, political economy, ethics, philology, aesthetics, psychology and the history of philosophy and the experimental sciences. He is commonly regarded as the last voice of the Scottish Enlightenment, the articulate disciple of Thomas Reid, father of Scottish common sense philosophy. Recently some historians have begun to rediscover elements of the contribution Stewart made to early nineteenth-century British intellectual culture, and his Collected Works have been republished with a new introduction by Knud Haakonssen.

Between Mars and Mammon; the East India Company and Efforts to Reform its Army, 1796–1832

1990 ◽  
Vol 33 (2) ◽  
pp. 385-401 ◽  
Author(s):  
Douglas M. Peers
Keyword(s):  
Nineteenth Century ◽  
East India Company ◽  
British India ◽  
Early Nineteenth Century ◽  
Military Conflict ◽  
Civil Military Relations ◽  
History Of ◽  
The One ◽  
Military Relations ◽  
Anglo Indian

The history of the East India Company's rule of India is marked by sporadic outbursts of civil-military conflict. It was not unknown in India for European officers to down tools and commit acts that bordered on outright mutiny. Perhaps this could be expected when, on the one hand, the Company, as a commercial body, sought to maximize its profits, while on the other, the army was essentially a mercenary force, ever grasping for a larger slice of the fiscal pie. If, however, we penetrate deeper into the labyrinth of their relations, we find that the issues at stake lose their simplicity. In the early nineteenth century, a third group came into play, further confusing the state of civil-military relations in India. The Anglo-Indian bureaucracy, which had incorporated military attitudes into the operating system of British India, had begun to assert itself. Through such spokesmen as Thomas Munro, John Malcolm, Charles Metcalfe and Mountstuart Elphinstone, an increasingly militarized rule of British India was put forward, angering the court of directors and allowing the officers to mask their private interest under the guise of the national interest. This ideology of militarism, however, must be firmly placed within the context of nineteenth-century British India for it bore little resemblance to those strains of militarism witnessed elsewhere.

A history of some fruit models in wax and other materials: scientific teaching aids and courtly table decorations

2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck
Keyword(s):  
Nineteenth Century ◽  
Fruit Trees ◽  
Visual Aids ◽  
Early Nineteenth Century ◽  
Teaching Aids ◽  
Scientific Teaching ◽  
Glass Marble ◽  
History Of ◽  
By Products ◽  
Wax Models

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.

Dan Inman, The Making of English Theology: God and the Academy at Oxford (Minneapolis: Fortress Press, 2014). ISBN: 9781451469264

2017 ◽  
Author(s):  
Johannes Zachhuber
Keyword(s):  
Nineteenth Century ◽  
Early Nineteenth Century ◽  
University Of Oxford ◽  
History Of ◽  
History Of The University ◽  
The University

This chapter reviews the book The Making of English Theology: God and the Academy at Oxford (2014). by Dan Inman. The book offers an account of a fascinating and little known episode in the history of the University of Oxford. It examines the history of Oxford’s Faculty of Theology from the early nineteenth century to the middle of the twentieth. In particular, it revisits the various attempts to tinker with theology at Oxford during this period and considers the fierce resistance of conservatives. Inman argues that Oxford’s idiosyncratic development deserves to be taken more seriously than it often has been, at least by historians of theology.

The National and the Universal

2020 ◽  
pp. 368-386
Author(s):  
Sarah Collins
Keyword(s):  
Nineteenth Century ◽  
Cultural Difference ◽  
John Stuart Mill ◽  
Late Nineteenth Century ◽  
Johann Gottfried Herder ◽  
Early Nineteenth Century ◽  
The World ◽  
Respective Treatment ◽  
History Of

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.

scholarly journals An Illustrated Shiʿi Pilgrimage Scroll in the Collections of the Royal Asiatic Society

2021 ◽  
pp. 1-25
Author(s):  
ULRICH MARZOLPH ◽  
MATHILDE RENAULD
Keyword(s):  
Nineteenth Century ◽  
Visual Narrative ◽  
Early Nineteenth Century ◽  
Asiatic Society ◽  
Material Condition ◽  
Visual Dimension ◽  
History Of ◽  
Initial Survey ◽  
Royal Asiatic Society

Abstract The collections of the Royal Asiatic Society hold an illustrated pilgrimage scroll apparently dating from the first half of the nineteenth century. The scroll's hand painted images relate to the journey that a pious Shiʿi Muslim would have undertaken after the performance of the pilgrimage to Mecca. Its visual narrative continues, first to Medina and then to the Shiʿi sanctuaries in present-day Iraq, concluding in the Iranian city of Mashhad at the sanctuary of the eighth imam of the Twelver-Shiʿi creed, imam Riḍā (d. 818). The scroll was likely prepared in the early nineteenth century and acquired by the Royal Asiatic Society from its unknown previous owner sometime after 1857. In terms of chronology the pilgrimage scroll fits neatly into the period between the Niebuhr scroll, bought in Karbala in 1765, and a lithographed item most likely dating from the latter half of the nineteenth century, both of which depict a corresponding journey. The present essay's initial survey of the scroll's visual dimension, by Ulrich Marzolph, adds hitherto unknown details to the history of similar objects. The concluding report, by Mathilde Renauld, sheds light on the scroll's material condition and the difficulties encountered during the object's conservation and their solution.

scholarly journals Johann Michael von Hermann (1793–1855): A predecessor of Max Schweidler?

2019 ◽  
Vol 40 (3-4) ◽  
pp. 239-270
Author(s):  
Susanne Wagini ◽  
Katrin Holzherr
Keyword(s):  
Nineteenth Century ◽  
Present Article ◽  
Early History ◽  
Early Nineteenth Century ◽  
Conservation History ◽  
Works Of Art ◽  
Close Study ◽  
Fresh Perspective ◽  
History Of ◽  
Paper Conservation

Abstract The restorer Johann Michael von Hermann (1793–1855), famous in the early nineteenth century, has long fallen into oblivion. A recent discovery of his work associated with old master prints at the Staatliche Graphische Sammlung München has allowed a close study of his methods and skills as well as those of his pupil Ludwig Albert von Montmorillon (1794–1854), providing a fresh perspective on the early history of paper conservation. Von Hermann’s method of facsimile inserts was praised by his contemporaries, before Max Schweidler (1885–1953) described these methods in 1938. The present article provides biographical notes on both nineteenth century restorers, gives examples of prints treated by them and adds a chapter of conservation history crediting them with a place in the history of the discipline. In summary, this offers a surprising insight on how works of art used to be almost untraceably restored by this team of Munich-based restorers more than 150 years before Schweidler.

Burney's The Wanderer and Early-Nineteenth-Century Commodity Fetishism

2002 ◽  
Vol 57 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Andrea Henderson
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Social Changes ◽  
Commodity Fetishism ◽  
Early Nineteenth Century ◽  
Labor Theory ◽  
History Of ◽  
Theory Of Value ◽  
Historical Moment ◽  
The Wanderer

This essay explores a particular moment in the history of commodity fetishism by means of an examination of Frances Burney's The Wanderer (1814). The novel, which is explicitly concerned with the social changes facing early-nineteenth-century England, reveals that at this historical moment the commodity inspired emotions of a particular kind: it was idealized and perceived as attractively individualized, aloof, exotic, and changeable, and it elicited a passionate and sometimes even painful form of desire. In The Wanderer Burney explores the human repercussions of this new way of engaging with objects in the marketplace. She reveals, moreover, the extent to which the fetishism of the commodity reflected not just developments within the economy but also political change: under the influence of the French Revolution the charisma once generated by social status was transferred to the economic realm, where, embodied in the commodity, it gave rise to a pleasurable but masochistic reverence. Burney'sargument for the usefulness of economic independence necessarily leads her to appreciate the commodity fetishism she describes: even while she develops a labor theory of value, Burney promotes a mystification of the commodity by insisting on the aloof independence of both labor and its products. Thus, Burney uses the apparent autonomy of things——which Marx decries——as a means to argue for the autonomy of the makers of those things.

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